Disclosure Log 2018
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Millenniumforum @Millenniumforum Download Our App 2 Box Office +44 (0) 28 7126 4455 Through Arts Council Northern Ireland
www.millenniumforum.co.uk BOX OFFICE: 028 7126 4455 JANUARY - APRIL 2017 PROGRAMME /MillenniumForum @MillenniumForum Download Our App 2 Box Office +44 (0) 28 7126 4455 www.millenniumforum.co.uk through Arts Council Northern Ireland WELCOME TO ANOTHER GREAT SEASON OF SHOWS TO TAKE US THROUGH TO THE FIRST BUDS OF SPRING. This season we have superb headlining with its breathtaking sets and vibrant musicals beginning with the West End tour choreography. of DIRTY DANCING in February bringing the story of Johnny and Baby from screen We have drama with Shakespeare’s to stage in this dynamic production which HAMLET, brought to us by Icarus Theatre is garnering rave reviews on tour. in January. There is comedy drama by popular local playwright, Irene Melaugh, A brand new stage show makes its Irish with THE DERRY DUMPED DIVORCEES’ debut on our stage when WONDERLAND SUPPORT GROUP in March. The LMS arrives in February as part of its UK tour. joins us with SEVEN BRIDES FOR SEVEN This enchanting musical adaptation of the BROTHERS later in the season. Lewis Carroll classic stars Wendi Peters (Coronation Street) and acclaimed musical We have a fabulous show for children when theatre favourite, Dave Willets. Olivier nominated ROOM ON THE BROOM makes its debut in this magical, musical We have a wide range of Irish music artists adaptation of the classic picture book by this season with THE HIGH KINGS, DEREK Julia Donaldson and Axel Scheffler. RYAN and CHARLIE LANDSBOROUGH in January. HOMEGROWN returns in the I hope you can join us in our busy season! same month featuring a number of up- You can view our full programme at and-coming local musicians including millenniumforum.co.uk PAUL CASEY and THE HENRY GIRLS. -
UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Life on-air: talk radio and popular culture in Ireland Author(s) Doyle-O'Neill, Finola Editor(s) Ní Fhuartháin, Méabh Doyle, David M. Publication date 2013-05 Original citation Doyle-O'Neill, F. (2013) 'Life on-air: talk radio and popular culture in Ireland', in Ní Fhuartháin, M. and Doyle, D.M. (eds.) Ordinary Irish life: music, sport and culture. Dublin : Irish Academic Press, pp. 128-145. Type of publication Book chapter Link to publisher's http://irishacademicpress.ie/product/ordinary-irish-life-music-sport-and- version culture/ Access to the full text of the published version may require a subscription. Rights © 2013, Irish Academic Press. Item downloaded http://hdl.handle.net/10468/2855 from Downloaded on 2021-09-30T05:50:06Z 1 TALK RADIO AND POPULAR CULTURE “It used to be the parish pump, but in the Ireland of the 1990’s, national radio seems to have taken over as the place where the nation meets”.2 Talk radio affords Irish audiences the opportunity to participate in mass mediated debate and discussion. This was not always the case. Women in particular were excluded from many areas of public discourse. Reaching back into the 19th century, the distinction between public and private spheres was an ideological one. As men moved out of the home to work and acquired increasing power, the public world inhabited by men became identified with influence and control, the private with moral value and support. -
The NAC. Wherever You Are. Contents
National Arts Centre Annual Report 2010–2011 The NAC. Wherever you are. Contents 14 Message from Julia E. Foster, Board Chair 37 Artistic and creative leadership 16 Message from Peter A. Herrndorf, President and CEO 37 Senior management 18 Report on strategic goals 38 Management Discussion and Analysis 24 Official languages at the NAC 43 Financial statements 25 Year in review 49 Notes to the financial statements 35 The Prairie Scene 63 National Arts Centre Foundation 36 Board of Trustees 70 Donor contributions 2010–2011 photopicturegarden/Taxi/Getty Images Role The National Arts Centre (NAC) raised its curtains for the first time in 1969. Created by the Parliament of Canada as a Centennial project during the 1960s, the NAC has become Canada’s foremost showcase for the performing arts. Today the NAC works with thousands of artists from across Canada and around the world and collaborates with dozens of arts organizations across the country. The NAC is strongly committed to being a leader and innovator in each of the performing arts fields in which it works: classical music, English theatre, French theatre, dance, and variety and community programming. It is also at the forefront of youth and education activities, supporting programs for young and emerging artists, presenting programs for young audiences and producing resources and study materials for teachers and students. The NAC is the only multidisciplinary, bilingual performing arts centre in North America and one of the largest in the world. Accountability and Funding The NAC reports to Parliament through the Minister of Canadian Heritage and Official Languages. Of the NAC’s total revenue, approximately half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue— box office sales, the NAC Foundation, NAC catering, le café (restaurant), commercial parking and facility rentals. -
You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences. -
29Th June 2003 Pigs May Fly Over TV Studios by Bob Quinn If Brian
29th June 2003 Pigs May Fly Over TV Studios By Bob Quinn If Brian Dobson, Irish Television’s chief male newsreader had been sacked for his recent breach of professional ethics, pigs would surely have taken to the air over Dublin. Dobson, was exposed as doing journalistic nixers i.e. privately helping to train Health Board managers in the art of responding to hard media questions – from such as Mr. Dobson. When his professional bilocation was revealed he came out with his hands up – live, by phone, on a popular RTE evening radio current affairs programme – said he was sorry, that he had made a wrong call. If long-standing Staff Guidelines had been invoked, he might well have been sacked. Immediately others confessed, among them Sean O’Rourke, presenter of the station’s flagship News At One. He too, had helped train public figures, presumably in the usual techniques of giving soft answers to hard questions. Last year O’Rourke, on the live news, rubbished the arguments of the Chairman of Primary School Managers against allowing advertisers’ direct access to schoolchildren. O’Rourke said the arguments were ‘po-faced’. It transpires that many prominent Irish public broadcasting figures are as happy with part-time market opportunities as Network 2’s rogue builder, Dustin the Turkey, or the average plumber in the nation’s black economy. National radio success (and TV failure) Gerry Ryan was in the ‘stable of stars’ run by Carol Associates and could command thousands for endorsing a product. Pop music and popcorn cinema expert Dave Fanning lucratively opened a cinema omniplex. -
Radio-Radio-Mulryan
' • *427.. • • • • ••• • • • • . RADIO RADIO Peter Mulryan was born in Dublin in 1961. He took an honours degree in Communication Studies from the NIHE, Dublin. He began work as a presenter on RTE's Youngline programme, then moved to Radio 2 as a reporter, before becoming a television continuity announcer and scriptwriter. Since leaving RTE, he has been involved in independent film and video production as well as lecturing in broadcasting. He now lives and works in the UK. PUBLICATIONS RADIO RADIO 813 Peter Mulryan Borderline Publications Dublin, 1988 Published in 1988 by Borderline Publications 38 Clarendon Street Dublin 2 Ireland. CD Borderline Publications ISBN No. 1 870300 033 Computer Graphics by Mark Percival Cover Illustration and Origination by Artworks ( Tel: 794910) Typesetting and Design by Laserworks Co-operative (Tel: 794793) CONTENTS Acknowledgements Preface by the Author Introduction by Dave Fanning 1. The World's First Broadcast 1 2. Freedom and Choice 11 3. Fuse-wire, Black Coffee and True Grit 19 4. Fun and Games 31 5. A Radio Jungle 53 6. Another Kettle of Fish 67 7. Hamburger Radio 79 8. The Plot Thickens 89 9. A Bolt from the Blue 101 10. Black Magic and the Five Deadly Sins 111 11. Bees to Honey 129 12. Twenty Years Ago Today 147 Appendix I - Party Statements Appendix II - The Stations ACKNO WLEDGEMENTS In a book that has consumed such a large and important period of my life, I feel I must take time out to thank all those who have helped me over the years. Since the bulk of this text is built around interviews! have personally conducted, I would like to thank those who let themselves be interviewed (some several times). -
LOGIK 24' Full HD LED TV L24FE13I Manual
Instruction Manual 24” Full HD LED TV L24FE13I L24FE13I_IB.indd 1 24/03/2014 15:02 WE KNOWHOW TO HELP YOU WITH YOUR TV We want you to be able to enjoy your new TV for many years. From getting it home and setting it up, to helping you get the most out of your new purchase. And in the unlikely event your product lets you down, we can get it working again in no time. Here are some of our TV services but if you want to know more look us up at knowhow.com/ie or call us on: 1 890 818 575 TV SET UP TO STAND & DEMO We’ll assemble the stand and connect your new TV to the existing equipment. We’ll tune your TV so it’s ready to watch. We’ll also give you a demonstration of your new TV’s functions. TV WALLMOUNT & DEMO We’ll fix your TV to a suitable position on the wall and connect to your existing equipment, so it’s all ready to go. We’ll use neat wire management so you don’t have to look at any untidy cabling and to complete your fuss-free installation, we’ll test and demonstrate your TV’s functions. TV & HOME CINEMA INSTALLATION We’ll un-box, connect and set up your new and existing equipment. We’ll then configure, calibrate and optimise the equipment. To avoid ugly trailing cables, we’ll clip them to your skirting board, if you’d like us to. Then we’ll give you a demonstration. -
Statement to the Oireachtas Committee of Inquiry Into the Banking Crisis in Ireland Ed Mulhall
Statement to the Oireachtas Committee of Inquiry into the Banking Crisis in Ireland Ed Mulhall The starting premise for a discussion of RTÉ's editorial policy on the coverage of any area of public interest is that there is no single expression of it. RTÉ's output is based on a set of principles which are derived from its statutory obligations. These principles form the framework for editorial decision making and there is an editorial structure in place to monitor, discuss and challenge the editorial selections being made so as to ensure they are being adhered to. In addition, all RTÉ's activities are subject to a regulatory structure to ensure that the organisation is meeting its public service obligations. Those working in editorial roles in RTÉ operate under a shared understanding of RTÉ’s obligations under various statutes, notably the 1976 Broadcasting Act as amended and the 2009 Broadcasting Act. In RTÉ News, this translates into a very simple premise: inform the audience in the public interest. The political scientist Jean Blondel - in an essay written in honour of the late RTÉ broadcaster Brian Farrell - calls the role to inform the noblest of tasks because it is the most difficult. It requires the reporting of facts, sometimes the establishment of facts, their selection according to their importance and the presentation of them with related material to allow their meaning or significance to be understood. What is important to report in the public interest is a constantly evolving question that is impacted on by events and does not adhere to any fixed state of national consensus. -
RTÉ Annual Report 2014
Annual Report & Group Financial Statements 2014 Raidió Teilifís Éireann Board 54th Annual Report and Group Financial Statements for the twelve months ended 31 December 2014, presented to the Minister for Communications, Energy and Natural Resources pursuant to section 109 and 110 of the Broadcasting Act 2009. Is féidir leagan Gaeilge den Tuarascáil a íoslódáil ó www.rte.ie/about/ie/policies-and-reports/annual-reports/ 2 CONTENTS Vision, Mission and Values 2 A Highlights 3 Chair’s Statement 4 Director-General’s Review 6 Financial Review 10 What We Do 16 Organisation Structure 17 Operational Review 18 Board 84 B Executive 88 Corporate Governance 90 Board Members’ Report 95 Statement of Board Members’ Responsibilities 96 Independent Auditor’s Report 97 Financial Statements 98 C Accounting Policies 105 Notes Forming Part of the Group Financial Statements 110 Other Reporting Requirements 149 Other Statistical Information 158 Financial History 159 RTÉ ANNUAL REPORT & GROUP FINANCIAL STATEMENTS 2014 1 RTÉ’S DirecTOR-GENERAL has SET RTÉ’S VISION, MISSION AND VALUes STATEMENT Vision RTÉ’s vision is to enrich Irish life; to inform, entertain and challenge; to connect with the lives of all the people. Mission • Deliver the most trusted, independent, Irish news service, accurate and impartial, for the connected age • Provide the broadest range of value for money, quality content and services for all ages, interests and communities • Reflect Ireland’s cultural and regional diversity and enable access to major events • Support and nurture Irish production and Irish creative talent Values • Understand our audiences and put them at the heart of everything we do • Be creative, innovative and resourceful • Be open, collaborative and flexible • Be responsible, respectful, honest and accountable to one another and to our audiences 2 HIGHLIGHTS A RTÉ ANNUAL REPORT & GROUP FINANCIAL STATEMENTS 2014 3 CHAIR’S STATEMENT The last year has been one of transition for RTÉ and for its Board. -
Jarred Christmas
Jarred Christmas COMEDIAN, WRITER, TV & RADIO PRESENTER, IMPROVISER AND ACTOR ‘BEST CHILDREN’S SHOW’ NOMINEE – LEICESTER COMEDY FESTIVAL 2017 ‘BEST COMPERE’ - CHORTLE AWARDS 2016 New Zealand Sensation Jarred Christmas is one of the most innovative and exciting stand-ups on the UK circuit. A sought-after headliner famed for his quick-witted spontaneity, masterful skills of improvisation and energetic storytelling; Jarred is a regular at the Edinburgh Festival, and at comedy clubs and International festivals around the globe. He is a regular team member at The Comedy Store’s weekly topical show The Cutting Edge and was recently named Best Compere at the 2016 Chortle Awards; scooping the title for the second time. A dynamic onstage persona combined with the ability to improvise with anything that’s thrown his way makes Jarred’s comedy sizzle with originality. Early in his career he supported both Ross Noble and Tommy Tiernan on UK tours. He has since written and performed in countless shows at the Edinburgh Festival and has toured the UK in his own right with his solo shows Jarred Christmas Stands Up and Let’s Go Mofo. He is currently playing to packed theatres across the UK hosting the All Star Stand Up Tour. The show features a world-class line-up of comedians and Jarred is honoured to be hosting the show for the second year running. Combining his superlative improv and stand-up comedy skills (not to mention vocal agility), Jarred has recently developed The Mighty Beatbox Gameshow and a child-friendly version The Mighty Kids Beatbox Gameshow which he hosts alongside acclaimed beatboxer The Hobbit. -
Irish Lives Remembered Easter 2016.Pdf
www.irishlivesremembered.com Issue 33 March 2016 Publisher Eneclann Genealogy Magazine Joint Editors Eileen Munnelly & Shane Fitzsimons Email: [email protected] Welcome to the Easter 2016 edition of Irish Lives Remembered , in Design/Production Manager this issue we commemorate the 1916 centenary. And here in Michael Munnelly Ireland on the 100th anniversary of the birth of our nation, it is a joy to see that interest in our past has never been so keen. It’s heart- Editorial Contributors warming to see such fascination across the generations as to how In Ireland our yesterdays continue to affect the present. Joe Duffy, Fiona Fitzsimons, Paul MacCotter, Brian Donovan, Helen Moss, But you probably all know this already, or else you wouldn’t be Shane Fitzsimons and Michael Merrigan reading Ireland’s top genealogy magazine. In the U.K. Before we tell you just what’s in this issue, we’d also like to tell you Jayne Shrimpton that Irish Lives Remembered has changed publisher. Eileen Munnelly and her team at Millennium Media are handing their In America creation over to a new team at Eneclann – a name that some of you Maureen Wlodarczyk & Damien Shields may know. We’d like to salute Eileen for creating such a winning In New Zealand title, for trusting us to continue to publish it, and we wish her all Geraldene O’Reilly the best in the future. Advertising Right, so what’s in this issue? There’s quite a bit on 1916. In a must- Tommy Martin read Fiona Fitzsimons talks to broadcaster and historian Joe Duffy, [email protected] whose recent book explores the short lives and violent deaths of the children of 1916. -
Irish Film and Television – 2019
Estudios Irlandeses, Issue 15, March 2020-Feb. 2021, pp. 296-329 __________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION – 2019 THE YEAR IN REVIEW Roddy Flynn, Tony Tracy (eds.) Copyright (c) 2020 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction. Roddy Flynn…………….……………...………………………………………………..…..297 Getting on with the Extra Ordinary Extra Ordinary (Mike Ahern and Enda Loughman, 2019) Harvey O’Brien..…………….………..……………….………………………………….…302 Ordinary Love (Lisa Barros D’Sa and Glenn Leyburn, 2019) Tony Tracy...………….…………….………………….………………………….………...305 Postcard from the edge Losing Alaska (Tom Burke, 2018) David Robbins………………….…………..…………………………..…………………...308 The Hole in the Ground (Lee Cronin, 2019) Denis Murphy ……………………………………………………………………………....311 Dark Lies the Island (Ian Fitzgibbon, 2019) Siobhán Kane.……………………………………..…………………………..…………….314 The Curious Works of Roger Doyle (Brian Lally, 2018) Stephanie McBride…………………………………………………………………….……316 Memory as Trauma Cellar Door (Viko Nikci, 2018) Emma Radley…………….…………………………………………………………………321 Dublin Murders (BBC/RTE/Starz, 2019) Sheamus Sweeney………..…………………………………………………………………324 ISSN 1699-311X 297 Introduction. Roddy Flynn Sometimes, even an annual review feels like it might be too frequent, especially if its subject is an industry wherein the activity often fails to resolve itself within neat 12 months intervals. The policies put in place to incentivise production and the broader development of the screen sector in Ireland operate across five year horizons. Even for individual productions, the gap between a greenlight for production and the actual appearance of the text via whatever primary platform may span several years. (This is particularly true of labour intensive sectors like animation.