PREFACE 1. Nietzsche, Friedrich, Beyond Good and Evil: Prelude to a Philosophy of the Future, Translated with Commentary by Walt
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Untimely Meditation: Nietzsche Et Cetera1
PERFORMANCE PHILOSOPHY UNTIMELY MEDITATION: NIETZSCHE ET CETERA1 ARNO BÖHLER UNIVERSITY OF VIENNA Translation from German to English: Mirko Wittwar Video documentation: http://homepage.univie.ac.at/arno.boehler/php/?p=9078 Lecture-Performance: 29 November 2015—Philosophy On Stage #4—Tanzquartier Wien HALLE G FRIEDRICH NIETZSCHE: Nicholas Ofczarek CHORUS: Jeanne Marie Bertram, Max Gindorff, Maria Huber, René Peckl, Sophie Reiml TEXT: Arno Böhler SPACE DESIGN: Hans Hoffer PERFORMANCE PHILOSOPHY VOL 3, NO 3 (2017):631–649 DOI: https://doi.org/10.21476/PP.2017.33178 ISSN 2057-7176 ACTOR A “[T]rue philosophy, as a philosophy of the future, is no more historical than it is eternal: it must be untimely, always untimely” (Deleuze 2001, 72). FRIEDRICH NIETZSCHE We are told to accept the real. But the “so called real” exists according to the logic of power. It is that reality which has been generated and established from the point of view of power. Let us not deceive ourselves. This, the point of view of power, is our first nature. We do not only inherit it. It commands us to behave in conformity with it. It wants us to be agents of its perspective on our lives. That is why it tells us to become timely. But philosophical thought is untimely! It is always and again and again newly untimely. It turns against its time—in favour of a coming time which demands to be considered beforehand to make it come. Philosophical thought is this turn of the times when it starts resisting that what it has told so far. -
03. Nietzsche's Works.Pdf
Nietzsche & Asian Philosophy Nietzsche’s Works Main Published Works in Chronological Order with Bibliography of English Translations Die Geburt der Tragödie aus dem Geiste der Musik (The Birth of Tragedy from the Spirit of Music) (1872) The Birth of Tragedy. Translated by Walter Kaufmann. Published with The Case of Wagner. New York: Vintage, 1966. The Birth of Tragedy and Other Writings. Translated by Ronald Speirs. Cambridge: Cambridge University Press, 1999. Unzeitgemässe Betrachtungen (Untimely Meditations, Untimely Reflections, Thoughts Out of Season) I. David Strauss, der Bekenner und der Schriftsteller (David Strauss, The Confessor and the Writer) (1873) II. Vom Nützen und Nachteil der Historie für das Leben (On the Uses and Disadvantages of History for Life) (1874) III. Schopenhauer als Erzieher (Schopenhauer as Educator) (1874) IV. Richard Wagner in Bayreuth (1876) Untimely Meditations. Translated by R.J. Hollingdale. Cambridge: Cambridge University Press, 1983. Menschliches, Allzumenschliches: ein Buch für freie Geister (Human, All Too Human, a Book for Free Spirits) (1878) Human, All Too Human. Translated by R.J. Hollingdale. Cambridge: Cambridge University Press, 1986. Two Sequels to Human, All Too Human: Vermischte Meinungen und Sprüche (Assorted Opinions and Sayings) (1879) Der Wanderer und sein Schatten (The Wanderer and his Shadow) (1880) Human, All Too Human II. Translated by R.J. Hollingdale. Cambridge: Cambridge University Press, 1986. Die Morgenröte: Gedanken über die moralischen Vorurteile (The Dawn, Daybreak, Sunrise: Thoughts on Moral Prejudices) (1881) Daybreak: Thoughts on the Prejudices of Morality. Translated by R.J. Hollingdale. Cambridge: Cambridge University Press, 1982. Die fröhliche Wissenschaft (The Gay Science, The Joyful Wisdom, The Joyful Science) (Books I- IV 1882) (Book V 1887) The Gay Science. -
Traces of Friedrich Nietzsche's Philosophy
Traces of Friedrich Nietzsche’s Philosophy in Scandinavian Literature Crina LEON* Key-words: Scandinavian literature, Nietzschean philosophy, Georg Brandes, August Strindberg, Knut Hamsun 1. Introduction. The Role of the Danish Critic Georg Brandes The age of Friedrich Nietzsche in Scandinavia came after the age of Émile Zola, to whom Scandinavian writers such as Henrik Ibsen and August Strindberg were indebted with a view to naturalistic ideas and attitudes. Friedrich Nietzsche appears to me the most interesting writer in German literature at the present time. Though little known even in his own country, he is a thinker of a high order, who fully deserves to be studied, discussed, contested and mastered (Brandes 1915: 1). This is what the Danish critic Georg Brandes asserted in his long Essay on Aristocratic Radicalism, which was published in August 1889 in the periodical Tilskueren from Copenhagen, and this is the moment when Nietzsche became to be known not only in Scandinavia but also in other European countries. The Essay on Aristocratic Radicalism was the first study of any length to be devoted, in the whole of Europe, to this man, whose name has since flown round the world and is at this moment one of the most famous among our contemporaries (Ibidem: 59), wrote Brandes ten years later. The term Aristocratic Radicalism had been previously used by the Danish critic in a letter he wrote to Nietzsche himself, from Copenhagen on 26 November 1887: …a new and original spirit breathes to me from your books […] I find much that harmonizes with my own ideas and sympathies, the depreciation of the ascetic ideals and the profound disgust with democratic mediocrity, your aristocratic radicalism […] In spite of your universality you are very German in your mode of thinking and writing (Ibidem: 63). -
P. Vasundhara Rao.Cdr
ORIGINAL ARTICLE ISSN:-2231-5063 Golden Research Thoughts P. Vasundhara Rao Abstract:- Literature reflects the thinking and beliefs of the concerned folk. Some German writers came in contact with Ancient Indian Literature. They were influenced by the Indian Philosophy, especially, Buddhism. German Philosopher Arther Schopenhauer, was very much influenced by the Philosophy of Buddhism. He made the ancient Indian Literature accessible to the German people. Many other authors and philosophers were influenced by Schopenhauer. The famous German Indologist, Friedrich Max Muller has also done a great work, as far as the contact between India and Germany is concerned. He has translated “Sacred Books of the East”. INDIAN PHILOSOPHY IN GERMAN WRITINGS Some other German authors were also influenced by Indian Philosophy, the traces of which can be found in their writings. Paul Deussen was a great scholar of Sanskrit. He wrote “Allgemeine Geschichte der Philosophie (General History of the Philosophy). Friedrich Nieztsche studied works of Schopenhauer in detail. He is one of the first existentialist Philosophers. Karl Eugen Neuman was the first who translated texts from Pali into German. Hermann Hesse was also influenced by Buddhism. His famous novel Siddhartha is set in India. It is about the spiritual journey of a man (Siddhartha) during the time of Gautam Buddha. Indology is today a subject in 13 Universities in Germany. Keywords: Indian Philosophy, Germany, Indology, translation, Buddhism, Upanishads.specialization. www.aygrt.isrj.org INDIAN PHILOSOPHY IN GERMAN WRITINGS INTRODUCTION Learning a new language opens the doors of a different culture, of the philosophy and thinking of that particular society. How true it is in case of Indian philosophy having traveled to Germany years ago. -
Radical Theology and the Death of God by Thomas Altizer and William Hamilton
Radical Theology and the Death of God return to religion-online Radical Theology and the Death of God by Thomas Altizer and William Hamilton Thomas J.J. Altizer is a native of Charleston, West Virginia. He attended St. John’s College, Annapolis, Maryland, and received his degrees of A.B., A.M., and Ph.D. at the University of Chicago. He was Associate Professor of Bible and Religion at Emory University, Atlanta Georgia. William Hamilton is a graduate of Oberlin and Union Theological School. He received his Ph.D. degree from St. Andrews in Scotland in 1953. He is Professor and Dean at the College of Arts and Sciences, Oregon State University, in Portland. Published by The Bobbs-Merrill Company, Inc. A Subsidiary of Howard W. Sams & Co. This material was prepared for Religion Online by Ted & Winnie Brock. The aim of the new theology is not simply to seek relevance or contemporaneity for its own sake but to strive for a whole new way of theological understanding. Thus it is a theological venture in the strict sense, but it is no less a pastoral response hoping to give support to those who have chosen to live as Christian atheists. Preface Radical theology is peculiarly a product of the mid-twentieth century; it has been initiated by Barth and neo-orthodoxy into a form of theology which can exist in the midst of the collapse of Christendom and the advent of secular atheism. Part 1: Introductions to the Radical Theology American Theology, Radicalism and the Death of God by William Hamilton There is an experience of loss among the radical death of God theologians. -
Transvaluing Woman in "Thus Spoke Zarathustra"
Swarthmore College Works Philosophy Faculty Works Philosophy 1994 Nietzsche And Feminism: Transvaluing Woman In "Thus Spoke Zarathustra" Tamsin E. Lorraine Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-philosophy Part of the Philosophy Commons Let us know how access to these works benefits ouy Recommended Citation Tamsin E. Lorraine. (1994). "Nietzsche And Feminism: Transvaluing Woman In "Thus Spoke Zarathustra"". International Studies In Philosophy. Volume 26, Issue 3. 119-129. DOI: 10.5840/intstudphil19942633 https://works.swarthmore.edu/fac-philosophy/91 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Philosophy Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Nietzsche and Feminism: Transvaluing Women in Thus Spoke Zarathustra Tamsin Lorraine We all know that Nietzsche is no feminist. Despite suggestions that have been made regarding Nietzsche's identification with the feminine, we know what he has to say about actual women, and we know the lengths to which Nietzsche goes to make sure that when he enacts the feminine, he does so in a manly manner.1 So, what does Nietzsche have to do with feminism? Can a feminist go to Nietzsche's texts for nourishment and inspiration, or is she bound to be turned away by the passages that deliberately belittle and exclude her? Can and should she excise these passages as expendable in order to applaud Nietzsche's affirmations of the feminine, or does this present yet another appropriation of women, one that should be resisted? In attempting to answer these questions, I hope not simply to affirm Nietzsche's relevance for feminism, but also to suggest a feminist style of listening and speaking, reading and writing, drawn from Nietzsche's texts. -
A Philosophical Analysis of Otherness in Nietzsche's Thus Spoke Zarathustra Max W
Bucknell University Bucknell Digital Commons Honors Theses Student Theses Spring 2018 A Philosophical Analysis of Otherness in Nietzsche's Thus Spoke Zarathustra Max W. Fathauer Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the Ethics and Political Philosophy Commons Recommended Citation Fathauer, Max W., "A Philosophical Analysis of Otherness in Nietzsche's Thus Spoke Zarathustra" (2018). Honors Theses. 466. https://digitalcommons.bucknell.edu/honors_theses/466 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. iii A PHILOSOPHICAL ANALYSIS OF OTHERNESS IN NIETZSCHE’S THUS SPOKE ZARATHUSTRA by Max Fathauer A Thesis Submitted to the Honors Council For Honors in Philosophy May 9th, 2018 Adviser: James Mark Shields Department Chair: Sheila Lintott iv v Acknowledgment For Patrick, Mukta, Parker, Taylor, Emily, Greg vi Contents Abbreviations vii Abstract viii Introduction 1 Chapter One: Key Moments of Otherness in Zarathustra's Journey 6 Chapter Two: Nietzschean Conceptualizations of Otherness 22 Chapter Three: Rethinking the Nietzschean Concepts of ‘Self’ and ‘Will to Power’ 42 Conclusion 61 Bibliography 65 vii Abbreviations The following abbreviations are used throughout this paper. When citing a work by Nietzsche, numerals refer not to pages but to his own section (and sometimes subsection) numbers. BGE Beyond Good and Evil D Daybreak GM On the Genealogy of Morals GS The Gay Science TSZ Thus Spoke Zarathustra UM Untimely Meditations WP The Will to Power viii Abstract Bertrand Russell infamously characterizes Nietzsche as a philosopher concerned solely with the flourishing individual. -
Introduction 1. Friedrich Nietzsche, Twilight of the Idols, in the Portable
Notes Introduction 1. Friedrich Nietzsche, Twilight of the Idols, in The Portable Nietzsche, ed. and trans. Walter Kaufmann (New York: Viking Press, 1954), p. 549. 2. At the very end of Thus Spoke Zarathustra Zarathustra asks, 'Am I concerned with happiness [Gliicke)?' and replies, 'I am concerned with my work [meinem Werke]', in The Portable Nietzsche, p. 439. Henceforth cited as Nietzsche, Thus Spoke Zarathustra. 3. Friedrich Nietzsche, Ecce Homo, 'Thus Spake Zarathustra: A Book for all and None', Sec. 1, in The Philosophy of Nietzsche (New York: The Modem Library, 1954), p. 894. Cited by Henry David Aiken, 'An Introduction to Zarathustra', in Nietzsche: A Collection of Critical Essays, ed. Robert C. Solomon (Garden City, New York: Anchor Press/Doubleday, 1973), p. 114. 4. Gbermensch is usually translated as 'overman'; however, Mensch means 'human being' and so a better translation might be 'overbe ing' or 'overindividual'. Since 'overman' can be misleading and the other translations are unfamiliar I shall use the German Gbermensch untranslated. 5. Friedrich Nietzsche, The Antichrist, in The Portable Nietzsche, p. 625. Henceforth cited as Nietzsche, The Antichrist. 6. Nietzsche, Thus Spoke Zarathustra, First Part, 'On the Afterworldly', p.143. 7. The Cognitivity of Religion: Three Perspectives (London: Macmillan; Berkeley and Los Angeles: University of California Press, 1985), chapter 2, pp. 91-133. 1 Abraham, the Knight of Faith 1. Seren Kierkegaard, Concluding Unscientific Postscript to Philosophical Fragments, vol. 1, ed. and trans. Howard V. and Edna H. Hong (Princeton: Princeton University Press, 1992), p. 244. Henceforth cited as Kierkegaard, Postscript. 2. Ibid., p. 186. 3. -
1 Fugitive Pleasure and the Meaningful Life: Nietzsche On
Fugitive Pleasure and the Meaningful Life: Nietzsche on Nihilism and Higher Values Paul Katsafanas Forthcoming in Journal of the American Philosophical Association Penultimate draft In an early text, Nietzsche tells us that philosophers have a distinctive and undeniably exalted role: their “proper task” is “to be lawgivers as to the measure, stamp and weight of things” (UM III.3).1 Not particular things, though: Nietzsche does not imagine philosophers assessing the value of apples and trips to the countryside. No, the philosopher’s distinction “lies in his having before him a picture of life as a whole, in order to interpret it as a whole” (UM III.3). Philosophers are to take “existence” as a whole into view, and “determine its value”, asking “what is life worth as such?” (UM III.3) Put plainly: philosophers are supposed to assess the value or meaning of life. That’s not a recognizable philosophical task for most of us. These heady goals can seem rather adolescent, indeed absurd—why think that anyone is in a position to make a global assessment about the value of life? What would the criteria for such an assessment be? How could it amount to anything more than an idiosyncratic expression of personality? 1 I cite Nietzsche’s texts using the standard abbreviations of their English titles: A is The Antichrist; BGE is Beyond Good and Evil; D is Daybreak; EH is Ecce Homo; GM is On the Genealogy of Morality; GS is The Gay Science; HH is Human, All Too Human; KSA is the Kritische Studienausgabe; TI is Twilight of the Idols; UM is Untimely Meditations; Z is Thus Spoke Zarathustra. -
Franz Kafka and Maurice Blanchot
Writing and the Other: Franz Kafka and Maurice Blanchot A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy In the Faculty of Humanities 2011 Hossein Moradi School of Arts, Histories and Cultures 1 Content Abstract 3 Declaration and Copyright Statement 4 Acknowledgment 5 Introduction: Franz Kafka and Maurice Blanchot: The Space for the Other in Writing 6 Chapter 1: Literature in Blanchot: Worklessness as Spacing between Word and Its Referent 30 Chapter 2: What is Worklessness in Kafka? 50 Chapter 3: The Act of Writing Part I: The Disappearance of Self 67 Chapter 4: The Act of Writing Part II: Self and the Impossibility of Death 86 Chapter 5: Memory and Récit in Blanchot 111 Chapter 6: The Primal Scene and Récit in Blanchot 132 Chapter 7: Kafka's Fictions and the Impossibility of Narration as Récit 155 Conclusion 176 General Bibliography 191 Final word count, including footnotes: 77095 words 2 Abstract The University of Manchester Hossein Moradi Doctor of Philosophy May 2011 Writing and the Other: Franz Kafka and Maurice Blanchot This thesis attempts to explore what occurs in the act of writing; arguing that the act of writing opens a space for 'the other.' For this argument, I bring Franz Kafka who has remained unthought in terms of the act of writing in the deconstructive thinking close to Maurice Blanchot who writes both theoretical discussion and fiction specifically on the act of writing. Blanchot has written extensively on Kafka; his récits also are influenced by Kafka. In the introduction, I argue through Borges and Benjamin that Kafka and Blanchot create their past and future, so that we understand any text in the past or the future differently if we know them. -
Nietzsche, Unconscious Processes, and Non-Linear Individuation" (2011)
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 Nietzsche, Unconscious Processes, and Non- Linear Individuation Damon Paul McGregor Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation McGregor, Damon Paul, "Nietzsche, Unconscious Processes, and Non-Linear Individuation" (2011). LSU Master's Theses. 265. https://digitalcommons.lsu.edu/gradschool_theses/265 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. NIETZSCHE, UNCONSCIOUS PROCESSES, AND NON-LINEAR INDIVIDUATION A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Philosophy by Damon Paul McGregor B.A. Philosophy, University of Louisiana at Lafayette, 2007 B.S. Psychology, University of Louisiana at Lafayette, 2007 December, 2011 To the love of my life, Rosalind, and To my son, Slade ii “You must live in the present, launch yourself on every wave, find eternity in every moment.” –Thoreau iii Table of Contents Dedication………………………………………………………………….ii Foreword…………………………………………………………………...iii Key Terms………………………………………………………………….v Abstract…………………………………………………………………….vi Introduction…………………………………………………………..….... 1 Chapter 1 Schopenhauer’s The World as Will and Idea…………..…....7 Chapter 2 Nietzsche’s The Birth of Tragedy………….………………... 15 Chapter 3 Unconscious Processes as Will-to-Power Forces...………… 25 Chapter 4 Causality, The Self, and Non-linear Individuation…...…… 35 Conclusion………………………………………………………………… 50 References…………………………………………………………………. -
Revolt Against Schopenhauer and Wagner? 177
Revolt against Schopenhauer and Wagner? 177 Revolt against Schopenhauer and Wagner? An Insight into Nietzsche’s Perspectivist Aesthetics MARGUS VIHALEM The article focuses on the basic assumptions of Nietzschean aesthetics, arguing that Nietzsche’s aesthetics in his later period cannot be thoroughly understood outside of the context of the long-term conflict with romanticist ideals and without considering Arthur Schopenhauer’s and Richard Wagner’s aesthetic and metaphysical positions. Nietzsche’s thinking on art and aesthetics is in fact inseparable from his philosophical standpoint, which complements and renders explicit the hidden meaning of his considerations on art. The article pays particular attention to Nietzsche’s writings on Wagner and Wagnerism and attempts to show that the ideas expressed in these writings form the very basis of Nietzschean aesthetics and, to some extent, had a remarkable impact on his whole philosophy. The article also argues that Nietzsche’s aesthetics may even be regarded, to a certain extent, as the cornerstone of his philosophical project. Only aesthetically can the world be justified. – Friedrich Nietzsche1 I The background: Christianity, romanticism and Schopenhauer Nietzsche undoubtedly stands as one of the most prominent figures of the anti- romanticist philosophy of art in the late nineteenth century, opposing to the ro- manticist vision of the future founded on feebleness the classic vision of the fu- ture based on forcefulness and simple beauty.2 Nietzsche’s influence can be seen extensively in very different realms of twentieth-century philosophical thinking on art, from philosophical aesthetics to particular art procedures and techniques. The specific approach he endorsed concerning matters of art and aesthetics is by 1 F.