The Anatomy of Negation
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Catalogue 143 ~ Holiday 2008 Contents
Between the Covers - Rare Books, Inc. 112 Nicholson Rd (856) 456-8008 will be billed to meet their requirements. We accept Visa, MasterCard, American Express, Discover, and Gloucester City NJ 08030 Fax (856) 456-7675 PayPal. www.betweenthecovers.com [email protected] Domestic orders please include $5.00 postage for the first item, $2.00 for each item thereafter. Images are not to scale. All books are returnable within ten days if returned in Overseas orders will be sent airmail at cost (unless other arrange- the same condition as sent. Books may be reserved by telephone, fax, or email. ments are requested). All items insured. NJ residents please add 7% sales tax. All items subject to prior sale. Payment should accompany order if you are Members ABAA, ILAB. unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions Cover verse and design by Tom Bloom © 2008 Between the Covers Rare Books, Inc. Catalogue 143 ~ Holiday 2008 Contents: ................................................................Page Literature (General Fiction & Non-Fiction) ...........................1 Baseball ................................................................................72 African-Americana ...............................................................55 Photography & Illustration ..................................................75 Children’s Books ..................................................................59 Music ...................................................................................80 -
Oscar Wilde and His Literary Circle Collection: Wildeiana MS.Wildeiana
http://oac.cdlib.org/findaid/ark:/13030/kt867nf36t No online items Finding Aid for the Oscar Wilde and his Literary Circle Collection: Wildeiana MS.Wildeiana Finding aid created by Rebecca Fenning Marschall William Andrews Clark Memorial Library © 2017 2520 Cimarron Street Los Angeles 90018 [email protected] URL: http://www.clarklibrary.ucla.edu/ Finding Aid for the Oscar Wilde MS.Wildeiana 1 and his Literary Circle Collection: Wildeiana MS.Wildeia... Contributing Institution: William Andrews Clark Memorial Library Title: Oscar Wilde and his Literary Circle Collection: Wildeiana Creator: William Andrews Clark Memorial Library Identifier/Call Number: MS.Wildeiana Physical Description: 19 Linear Feet27 boxes Date (inclusive): 1858-1998 Abstract: This finding aid describes a wide-ranging collection of material relating to Oscar Wilde and to his literary and artistic circle in late nineteenth- and early twentieth-century Great Britain. Clark Library. Language of Material: English . Provenance William Andrews Clark, Jr. acquired the nucleus of the Clark Library's Oscar Wilde collection from Dulau and Company, London, in 1929. Most of the Dulau material had been in the possession of Robert B. Ross (Oscar Wilde's literary executor), Christopher S. Millard (a.k.a. Stuart Mason, the Wilde bibliographer), and Vyvyan B. Holland (Wilde's only surviving son). Since 1929, the Clark Library has steadily purchased important new material and in the year 2000, the collection was estimated to contain over 65,000 items. It appears that large segments of the Wildeiana collection were likely originally part of the collection assembled by Wilde bibliographer Christopher Millard. The actual date the Clark acquired these materials is unknown and any documentation about the source of these items has been lost. -
Doctoriales 2013 Littérature V2
Association Française d’Études Américaines French Association for American Studies Congrès 2013 nd 22 mai 2013 / May 22 , 2013 Université d’Angers DOCTORIALES / GRADUATE SYMPOSIUM GRADUATE SYMPOSIUM in LITERATURE Organizers : Mathieu DUPLAY (Université Paris Diderot-Paris 7) & Françoise PALLEAU-PAPIN (Université Paris 13) Respondents : Isabelle ALFANDARY (Université Paris Est-Créteil), Mathieu DUPLAY (Université Paris Diderot-Paris 7), Audrey FOGELS (Université Paris 8), Françoise PALLEAU-PAPIN (Université Paris 13), Ada SAVIN (Université de Versailles-Saint-Quentin) PROGRAM 9:15 Welcome and opening comments (Amphi Germaine Tillon, MSH) Literature : (Salle Frieda Kahlo, MSH) 9:30: Juliette DOROTTE (Université Paris 4-Sorbonne, supervisor: Marc Amfreville) “Introducing the Early American Novel” 10:00: Pierre-Heli MONOT (Humboldt Universität zu Berlin, supervisor: Eva Boesenberg) “Hermeneutics and Authorship in American Literature” 10:30: Brett BREHM (Northwestern University, supervisor: Michal Ginsburg) “Sonorous Worlds: Modernity, City, Technology” 11:00 Coffee break 11:30: Nathalie AGHORO (Universität Siegen, supervisor: Kerstin Schmidt) “Sounding the American Novel: Writing Voice at the Turn of the 21st Century” 12:00: Julia KERNINON (Université de Provence, supervisors: Sophie Vallas and Cécile Cottenet) “Théorie et pratique de l’entretien: The Paris Review (1953-1973)” 12:30 Lunch break 14:30: Caitlin HURST (New York University, supervisor: Peter Nicholls) “Late Styles: America’s Decadent Modernisms” 15:00: Olesya BONDARENKO (Kyiv National Linguistic University, supervisor: Natalya Vysotska) “Metamodern Subjectivity and Production of Presence in Rae Armantrout’s Works: Transforming Philosophical Poetry” 15:30 Coffee break 16:00: Alexia SCHEMIEN (Universität Duisburg-Essen, supervisor: Josef Raab). “The Politics of Spirituality in Mexican American Literature” 16:30: Denis KISSANGOU MABIALA (Université d’Angers, supervisor: Emmanuel Vernadakis). -
The Merry-Go-Round
The Merry-Go-Round By Carl Van Vechten The Merry-Go-Round In Defence of Bad Taste In America, where men are supposed to know nothing about matters of taste and where women have their dresses planned for them, the household decorator has become an important factor in domestic life. Out of an even hundred rich men how many can say that they have had anything to do with the selection or arrangement of the furnishings for their homes? In theatre programs these matters are regulated and due credit is given to the various firms who have supplied the myriad appeals to the eye; one knows who thought out the combinations of shoes, hats, and parasols, and one knows where each separate article was purchased. Why could not some similar plan of appreciation be followed in the houses of our very rich? Why not, for instance, a card in the hall something like the following: This house was furnished and decorated according to the taste of Marcel of the Dilly-Billy Shop or We are living in the kind of house Miss Simone O'Kelly thought we should live in. The decorations are pure Louis XV and the furniture is authentic. It is not difficult, of course, to differentiate the personal from the impersonal. Nothing clings so ill to the back as borrowed finery and I have yet to find the family which has settled itself fondly and comfortably in chairs which were a part of some one else's aesthetic plan. As a matter of fact many of our millionaires would be more at home in an atmosphere concocted from the ingredients of plain pine tables and blanket-covered mattresses than they are surrounded by the frippery of China and the frivolity of France. -
Aestheticism in Oscar Wilde's the Picture of Dorian Gray
Aestheticism in Oscar Wilde's The Picture of Dorian Gray Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Antonia WIELAND am Institut für Anglistik Begutachter: O.Univ.-Prof. Mag.art. Dr.phil. Werner Wolf Graz, 2021 Acknowledgments Thank you to my father, who has supported me through all these years without pressuring me. I want to equally thank my brother and my sisters for their advice, motivation, and love, especially when I was struggling with doubts. Thank you for raising me to be my best self. I also thank Gusti, who made me feel at home and gave me a place to rest while working on this thesis. Thank you, as well, to my dearest friends, who with their brilliant minds helped finding solutions where I thought were none. And finally, a thank you to my mother, who sadly is not around to see me finishing my studies. I want to thank her for being such a great example of a dedicated teacher. II Table of contents 1 INTRODUCTION .............................................................................................. 1 2 EXISTING LITERARY RESEARCH ON OSCAR WILDE ......................... 3 3 HISTORICAL AND LITERARY CONTEXTS ............................................ 12 3.1 AESTHETICISM AS A EUROPEAN MOVEMENT ........................................................ 12 3.2 THEORIES ABOUT BEAUTY ................................................................................... 18 3.3 DANDYISM AND VICTORIAN SOCIETY .................................................................. 22 3.4 INFLUENCES ON OSCAR WILDE’S WRITING .......................................................... 26 4 ANALYSIS OF OSCAR WILDE’S THE PICTURE OF DORIAN GRAY .. 32 4.1 THE PREFACE AS A MANIFESTO OF AESTHETICISM ................................................ 32 4.2 AESTHETICIST ELEMENTS IN THE PICTURE OF DORIAN GRAY ............................. 34 4.2.1 The dandies of the novel ............................................................................