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Buddhist Archeology in Mongolia: Zanabazar and the Géluk Diaspora Beyond Tibet
Buddhist Archeology in Mongolia: Zanabazar and the Géluk Diaspora beyond Tibet Uranchimeg Tsultemin, Indiana University–Purdue University Indianapolis (IUPUI) Uranchimeg, Tsultemin. 2019. “Buddhist Archeology in Mongolia: Zanabazar and the Géluk Dias- pora beyond Tibet.” Cross-Currents: East Asian History and Culture Review (e-journal) 31: 7–32. https://cross-currents.berkeley.edu/e-journal/issue-31/uranchimeg. Abstract This article discusses a Khalkha reincarnate ruler, the First Jebtsundampa Zanabazar, who is commonly believed to be a Géluk protagonist whose alliance with the Dalai and Panchen Lamas was crucial to the dissemination of Buddhism in Khalkha Mongolia. Za- nabazar’s Géluk affiliation, however, is a later Qing-Géluk construct to divert the initial Khalkha vision of him as a reincarnation of the Jonang historian Tāranātha (1575–1634). Whereas several scholars have discussed the political significance of Zanabazar’s rein- carnation based only on textual sources, this article takes an interdisciplinary approach to discuss, in addition to textual sources, visual records that include Zanabazar’s por- traits and current findings from an ongoing excavation of Zanabazar’s Saridag Monas- tery. Clay sculptures and Zanabazar’s own writings, heretofore little studied, suggest that Zanabazar’s open approach to sectarian affiliations and his vision, akin to Tsongkhapa’s, were inclusive of several traditions rather than being limited to a single one. Keywords: Zanabazar, Géluk school, Fifth Dalai Lama, Jebtsundampa, Khalkha, Mongo- lia, Dzungar Galdan Boshogtu, Saridag Monastery, archeology, excavation The First Jebtsundampa Zanabazar (1635–1723) was the most important protagonist in the later dissemination of Buddhism in Mongolia. Unlike the Mongol imperial period, when the sectarian alliance with the Sakya (Tib. -
Vajrasattva Practice Is to Purify These Obscurations
Vajrasattva VAJRASATTVA PURIFICATION PRACTICE 1 Vajrasattva 2 Vajrasattva VAJRASATTVA PURIFICATION PRACTICE A meditation practice on Vajrasattva recommended by Ven. Rizong Rinpoche after he had conferred a Vajrasattva Initiation at Lam Rim Buddhist Centre on Monday 11th August, 1997. CONTENTS Page PURIFICATION ............................................................................................................ 5 PURIFICATION MANTRA ............................................................................................ 5 REFUGE ....................................................................................................................... 6 VAJRASATTVA VISUALISATION ................................................................................ 7 THE 100 SYLLABLE MANTRA OF VAJRASATTVA .................................................... 9 DEDICATION.............................................................................................................. 10 NOTES ON VAJRASATTVA ...................................................................................... 11 The four powers ....................................................................................................... 12 3 Vajrasattva 4 Vajrasattva PURIFICATION TAM-CHE DU-NI SA-ZHI-DAG May the surface of the earth in every direction SEG-MA LA-SOG ME-PA-DANG Be stainless and pure without roughness or fault LAG-TIL TAR-NYAM BE-DUR-YA As smooth as the palm of a childs soft hand RANG-ZHIN JAM-POR NE-GYUR-CHIG And as naturally polished as lapis lazuli. -
And Daemonic Buddhism in India and Tibet
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 The Raven and the Serpent: "The Great All- Pervading R#hula" Daemonic Buddhism in India and Tibet Cameron Bailey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE RAVEN AND THE SERPENT: “THE GREAT ALL-PERVADING RHULA” AND DMONIC BUDDHISM IN INDIA AND TIBET By CAMERON BAILEY A Thesis submitted to the Department of Religion in partial fulfillment of the requirements for the degree of Master of Religion Degree Awarded: Spring Semester, 2012 Cameron Bailey defended this thesis on April 2, 2012. The members of the supervisory committee were: Bryan Cuevas Professor Directing Thesis Jimmy Yu Committee Member Kathleen Erndl Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For my parents iii ACKNOWLEDGEMENTS I would like to thank, first and foremost, my adviser Dr. Bryan Cuevas who has guided me through the process of writing this thesis, and introduced me to most of the sources used in it. My growth as a scholar is almost entirely due to his influence. I would also like to thank Dr. Jimmy Yu, Dr. Kathleen Erndl, and Dr. Joseph Hellweg. If there is anything worthwhile in this work, it is undoubtedly due to their instruction. I also wish to thank my former undergraduate advisor at Indiana University, Dr. Richard Nance, who inspired me to become a scholar of Buddhism. -
The Hundred Syllable Vajrasattva Mantra
The Hundred Syllable Vajrasattva Mantra. Dharmacārī Jayarava1 The Sanskrit version of the one hundred syllable Vajrasattva mantra in the Puja Book of the Friends of the Western Buddhist Order (the FWBO) follows the edited text produced by Dharmacārin and Sanskritist Sthiramati (aka Dr. Andrew Skilton) in his article: The Vajrasattva Mantra: Notes on a Corrected Sanskrit Text. Sthiramati‟s original brief was to provide diacritical marks so that the Sanskrit words were spelled correctly. However he went beyond the scope of merely providing proper diacritics to discuss problems with the structure and spelling of the mantra after consulting a number of printed books and manuscripts in a variety of scripts and languages. Since the edited version produced by Sthiramati was adopted some 19 years ago, the problems with the older version used before that are less relevant to members of the Western Buddhist Order (WBO) except in one case which I discuss below.2 In this article I will offer a summary of the salient points of Sthiramati‟s lexical and grammatical analysis, along with my own glosses of the Sanskrit. By this means, I hope to create an annotated translation that lays open the Sanskrit to anyone who is interested. Sthiramati‟s interpretation differs in some important respects from the traditional Tibetan one, but does so in ways that help to make sense of the Sanskrit - for instance in several cases he suggests breaking a sandhi 3 one letter along in order to create a straightforward Sanskrit sentence that was otherwise obscured. In the second part of the article I will address the problem of errors in transmission and how these might have come about in the case of this mantra. -
An Annotated Translation of Kūkai's Secret Key to the Heart Sūtra
高野山大学密教文化研究所紀要 第 24 号 An Annotated Translation of Kūkai’s Secret Key to the Heart Sūtra Thomas Eijō Dreitlein Kōbō Daishi Kūkai (弘法大師空海, 774–835), in his text titled Hannya-shingyō hiken, jo awasetari (般若心經祕鍵幷序), or the Secret Key to the Heart Sūtra, with an Introduction, provides a deeply esoteric interpretation of the Heart Sūtra, an interpretation that is unique within the extensive literature of the Heart Sūtra. Kūkai’s thesis might be seen as revolving around three closely interrelated main points: (1) that the apparently exoteric sūtras contain esoteric meanings which can be read by those who know how to read them, (2) that the Heart Sūtra reveals the esoteric inner own-realization or samādhi of the bodhisattva Prajñā and forms the dharma-maṇḍala of that deity, and (3) that as such it holds within it all the teachings of Buddhism, and is not simply an abbreviated version of the Large Prajñāpāramitā-sūtra. 1. Exoteric sūtras can be read as esoteric Buddhist teachings Kūkai says that the exoteric Buddhist teachings are revealed by the nirmāṇakāya, and are provisional and adjusted to the receptivity and capacity of the audience,1 while esoteric Buddhism is preached directly by the Dharmakāya Mahāvairocana for his own enjoyment, and is not adjusted to the audience but is rather the final truth.2 1 See Kūkai’s Ben kenmitsu nikyō ron (TKZ 3.109): 應化說法逗機施藥言不虛故。所以他受用身祕內證而不說其境也。則等覺希夷十地離絕。 The teachings of the nirmāṇakāya are adapted to what is needed, like giving the most appropriate and effective medicine. The saṃbhogakāya manifested for the liberation of others conceals his inner realization, and does not directly teach it. -
Vision of Samantabhadra - the Dzokchen Anthology of Rindzin Gödem
Vision of Samantabhadra - The Dzokchen Anthology of Rindzin Gödem Katarina Sylvia Turpeinen Helsinki, Finland M.A. University of Helsinki (2003) A Dissertation Presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Religious Studies University of Virginia May 2015 Acknowledgements When I first came to the University of Virginia as a Ph.D. student in January 2005, I had no idea what journey had just started. During the course of my research, this journey took me to rigorous intellectual study and internal transformation, as well as leading me to explore Tibet and Nepal, and to more than four years of living in Tibetan religious communities in the Indian Himalayas. During my years of dissertation research, I was fortunate to meet a great array of bright, erudite, committed, kind, humble and spiritual minds, who have not only offered their help and inspiration, but also their deeply transformative example. I am particularly grateful to three individuals for their invaluable support in my dissertation project: Professor David Germano for his brilliant and patient guidance in all the stages of my research, Taklung Tsetrul Rinpoche for his extraordinary insight and kindness in my contemplative training and Khenpo Nyima Döndrup for his friendship, untiring answers to my questions about Northern Treasures scriptures and generous guidance to Tibetan religious culture. In addition to Khenpo Nyima Döndrup, I am very grateful to have been able to study the texts of The Unimpeded Realization and The Self-Emergent Self-Arisen Primordial Purity with several other learned teachers: Khenpo Chöwang from Gonjang monastery in Sikkim, Khenpo Lha Tsering from the Nyingma Shedra in Sikkim, Khenpo Sönam Tashi from Dorjé Drak monastery in Shimla, Khenpo Chöying from the Khordong monastery in Kham and Lopön Ani Lhamo from the Namdroling monastery in Bylakuppe. -
The Huayan/Kegon/Hwaŏm Paintings in East Asia
DOROTHY WONG THE HUAYAN/KEGON/HWAŎM PAINTINGS IN EAST ASIA Introduction Huayan (J. Kegon; K. Hwaŏm) Buddhism, whose teachings are based on the Huayan jing, the Avataṃsaka-sūtra or Flower Garland Sūtra, is one of the most important schools of East Asian Buddhism.1 The Huayan jing has provided inspiration for the creation of numerous artworks, ritual objects, and architectural complexes.2 We are familiar with the portrayals of Vairocana (Ch. Darirulai 大日如來, or Piluzhenafo 毘廬遮那佛), Mañjuśrī (Ch. Wenshu 文殊), and Samantabhadra (Ch. Puxian 普賢) – the “Three Holy Ones” of Huayan Buddhism. The Gaṇḍavyūha, or Rufajiepin 入法界品, the last chapter of the Tang translation of the Huayan jing, recounts the young boy Sudhana’s (Ch. Shancai tongzi 善財童子) pilgrimage to visit fifty-three spiritual friends (kalyāṇamitra) in search of enlightenment. This originally independ- ent text has inspired a variety of popular pictorial narratives and sculptural reliefs. In this study I discuss a group of Huayan paintings that hitherto has received relatively little attention. These are the so-called Huayan bian 華嚴變, or “trans- formation tableaux” (referring to bian 變, bianxiang 變相, or jingbian 經變), that are intended to embody, or make manifest, the entirety of the sūtra’s teaching in a pictorial format. I examine the Chinese examples from Dunhuang, of ninth- to eleventh-century dates, and the slightly later Japanese ones dating to the Kamakura 1 Early versions of this chapter were presented at the 2004 Association for Asian Studies annual meeting in San Diego, and at the Chinese Buddhism Conference held at Hsi Lai Temple, Los Angeles, in June 2005. -
A Study of the History and Cult of the Buddhist Earth Deity in Mainland Southeast Asia
A Study of the History and Cult of the Buddhist Earth Deity in Mainland Southeast Asia A Thesis submitted in partial fulfillment of the requirements for the Degree of PhD in Religious Studies at the University of Canterbury by Elizabeth Guthrie University of Canterbury, Christchurch, New Zealand 2004 A Study of the History and Cult of the Buddhist Earth Deity in Mainland Southeast Asia Volume 1 Text Acknowledgements Far-ranging research projects like this inevitably depend on the generosity and assistance of many people. Among those who helped me find the earth deity in image and texts, or helped with translations, were: Ang Choulean, K. Aphaivong. Bandol Samnang, Olivier de Bernon, Didier Bertrand, Fran(,{ois Bizot, Robert L. Brown, Kaye Carter, Chuch Phoeun, Shayne Clarke, John Crocker, Denison University Art Gallery, Robert Didham, Wichai Eungpinichpong, Wilai Eungpinichpong, John Marston, Long Tbol, Des Sothy, Anthony Diller, Jacqueline Filliozat, Rolf Giebel, Hang Chan Sophea, Louis Gabaude, Pam Gutman, Anne Hansen, Huberta Hellendoorn, Hor Lath, Khy Sophal, Khyaw Tha Nyunt, Kuy Lath, Fran(,{ois Lagirarde, Lan Sunnary, Leng Kok An, Lim Yii Hang, Long Tbol, Meng Prang, Metropolitan Museum of Art, Mey Poeun, Museum flir Indische Kunst, Neou Chamrong, Norton Simon Museum, Ouk Ry, Anatole Peltier, Phaitun Dokbukaeo, Phon Sin, Phoung Soueng, Sommai Premchit, Thonevath Pou, Saveros Pou, Craig Reynolds, Waldemar Sailer, Sao Hso Hom, Peter Skilling, Frank Smith, Ven. Suthep Surapong, Donald Swearer, Thein Tun U, Serge Thion, Ashley Thompson, Vijinthanasarn Panya, U Aung Kyaing, U Myint Aung, RE. Vann Molyvann, John Weeks, Hiram W.Woodward, Jr. I received funding from the NZFUW, NZASIA and the University of Canterbury. -
* Kalachakra Buddha Association * * July – September 2021 Event Calendar * 3004 W
* Kalachakra Buddha Association * * July – September 2021 Event Calendar * 3004 W. Audie Murphy Parkway, Farmersville TX 75442 Phone : (972) 782-7587 Fax: (972) 782-7656 Website:www.kba-tx.org E-mail:[email protected] July Sunday Monday Tuesday Wednesday Thursday Friday Saturday 7/1 7/2 7/3 7/4 7/5 7/6 7/7 7/8 7/9 7/10 (Lunar 6/1) 14:00 Vajrasattva Practice 11:00 Meal Offering 16:00 Walking Meditation 15:00 Earth Deity Dharma 7/11 7/12 7/13 7/14 7/15 7/16 7/17 14:00 Maha Cundi Water Weito Offering Bodhisattva 16:00 Meditation Birthday 7/18 7/19 7/20 7/21 7/22 7/23 7/24 (Lunar 6/15) 14:00 True Buddha 11:00 Meal Offering Repentance 15:00 Earth Deity Dharma 7/25 7/26 7/27 7/28 7/29 7/30 7/31 14:00 Prithvi Deva Fire Puja 16:00 Walking Meditation August Sunday Monday Tuesday Wednesday Thursday Friday Saturday 8/1 8/2 8/3 8/4 8/5 8/6 8/7 14:00 Avalokitesvara Sanghara 19:30 19:30 Emperor 10:00am Emperor Liang Body Shrine Practice ma Root Liang Repentance Liturgy (Ch 2) 16:00 Walking Meditation Birthday Guru Repentance 1:30pm Emperor Liang Water Liturgy (Ch 1)) Repentance Liturgy (Ch 3) Offering 4:00pm Emperor Liang Repentance Liturgy (Ch 4) 8/8 (Lunar 7/1) 8/9 8/10 8/11 8/12 8/13 8/14 10:00am Emperor Liang 19:30 19:30 19:30 19:30 10:00am Emperor Liang Repentance Liturgy(Ch 5) Ksitigarbha Amitabha Golden Emperor Liang Repentance Liturgy (Ch 9) 1:30pm Emperor Liang Bodhisattva Water Mother Repentance 2:00pm Emperor Liang Repentance Liturgy(Ch 6) Water Offering Water Liturgy (Ch 8) Repentance Liturgy (Ch 10) 4:00pm Emperor Liang Offering Offering -
Revised-Transliteration-LONGCHEN
THE PRELIMINARY PRACTICE OF LONGCHEN NYINGTIK LINEAGE PRAYER KUN ZANG DO SEM GA RAB SHI RI SENG I pray to Samantabhadra and Vajrasattva, to Prahevajra and Shri Singha, PAD MA KA RA JE BANT NYI SHU NGA To Padmakara and his twenty-five disciples: the King and subjects, SO ZUR NU BYAG TER TON GYA TSA SOG To So, Zur, Nub, Nyak, the one hundred Dharma treasure revealers, KA TER LA MA NAM LA SOL WA DEB And to all the Gurus of the lineage of canonical and treasure teachings, I pray. FOUR THOUGHTS WHICH TURN THE MIND DAL JOR NYED KA TOP PA DA RAY TSAM Precious human birth, with freedom and endowments, is gained but once and rare to find. MI TAG CHI WA NAM ONG CHA MA CHI Life is impermanent; it is uncertain when death will arrive. KHOR WA GANG DU KYEE KYANG DHUK NGAL GYU All birth within samsara causes suffering, GE DHIG LEE DRAY DE DHUG LHU WA MAY Happiness and suffering are the certain fruit of virtuous and non-virtuous karma. TAR LAM TOP PA LA MAY TUG JEE ZUNG Held in the guru’s grace, may I find the path of liberation. TAKING REFUGE KON CHOK SUM NGO DE SHEG TSA WA SUM In the Three Jewels and their essence: the Sugata; and in the Three Roots; TSA LUNG TIK LAY RANG ZHIN JANG CHUB SEM In the channels, prana, bindu, and their nature, Bodhicitta; NGO WO RANG ZHIN TUK JAY KYIL KHOR LA And in the mandala of essence, nature and compassion; JANG CHUB NYING PO WAR TU KYAB SU CHI I take refuge until I reach the heart of Enlightenment. -
Tsongkhapa's Coordination of Sūtra and Tantra
Tsongkhapa’s Coordination of Sūtra and Tantra: Ascetic Performance, Narrative, and Philosophy in the Creation of the Tibetan Buddhist Self Edward A. Arnold Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 © 2021 Edward A. Arnold All Rights Reserved Abstract Tsongkhapa’s Coordination of Sūtra and Tantra: Ascetic Performance, Narrative, and Philosophy in the Creation of the Tibetan Buddhist Self Edward A. Arnold The dissertation examines the life narrative of Tsongkhapa Losang Dragpa (1357-1419), the influential founder of the Ganden school of Tibetan Buddhism, primarily through the lens of the bodhisattva path to enlightenment, a topic that animates much of Indian Buddhist literature and Tsongkhapa’s own writings. Over the course of five chapters, the dissertation (1) contextualizes Tsongkhapa’s social, political, and historical circumstances, the limiting factors for that narrative; (2) explores the social nature of life narratives themselves, particularly Tibetan Buddhist ones, and the many sources on which Tsongkhapa drew in creating a self in relation to the bodhisattva ideal; (3) analyses the topic of asceticism as a constellation of practices that embody traditional ideals, which the dissertation uniquely relates to both monastic and, perhaps surprisingly, tantric discipline in the construction of a bodhisattva/would-be buddha self; (4) synthesizes several themes within Tsongkhapa’s oeuvre in relation to the bodhisattva path to enlightenment, highlighting the irreducibly social nature of embodied enlightenment; and (5) proposes that Tsongkhapa’s social activities, specifically his so-called Four Great Deeds, instantiate the ideal of the enlightened self’s acting within society, specifically his context of fifteenth-century Central Tibet. -
Glossary My M
Glossary Part 2 Page 1 of 47 GLOSSARY M-Y From The Circle of Bliss: Buddhist Meditational Art By John C. Huntington & Dina Bangdel M | N | P | R | S | T | U | V | Y M Machig, Ma gCig (Tbt.). “One Mother” (Ekamati), the name of a female disciple of Dampa Sange and an important female siddha in the Tibetan tradition. Known for her development of the Chod tradition. maha agni, mahågni. Great purifying fire of knowledge that sorrounds the wrathful deities of the Highest Yoga Tantra. See also maha jnanagni. maha janapada, mahå janapada. The sixteen Vijjian republican states that flourished during the time of the Buddha, including the Shakyas of Kapilavastu, Licchavis of Vaishali, and Mallas of Pawa. Maha mandala, Mahå ma∫∂ala. “Great Mandala,” in reference to the mandala of Vajravarahi. Maha-Vairochana, Mahå-Vairocana. “Greatly Intensely Luminescent One,” the universal form of Vairochana. Found in a body of literature surrounding the Maha-Vairocana Sutra. mahabala chitta, mahåbala citta. “Heart-mind of great strength.” The enlightened heart-mind of a Buddha. Mahabrahmanu, Mahåbra˙manu. Realm of the “Great Brahma Being” in the Mount Meru world system; in the first meditation of the Rupadhatu. mahajnana agni, mahåjñånågnª. “Great flame of transcendent insight,” that surrounds the wrathful deities of the Highest Yoga Tantras. Mahakala, Mahåkåla. “Great Black” or “Great Time,” is one of the most important benefactors and protectors in Buddhism; he is also an exoteric manifestation of Chakrasamvara. Mahakali, Mahåkalª. Mahakala's prajna in Newar Buddhism. mahakaruna, mahåkaru∫å. Great altruistic compassion, embodied by Avalokiteshvara. Mahakaruna Garbhadhatu, Mahåkaru∫å Garbhadhåtu.