Cicle Els Orgues De Catalunya

Total Page:16

File Type:pdf, Size:1020Kb

Cicle Els Orgues De Catalunya XXXV Cicle Els Orgues de Catalunya Organitza: juliol - agost 2015 Patrocina: Col·laboren: www.acorgue.cat ELS CONCERTS Juliol 1 BARCELONA, Santa Maria del Mar MONTSERRAT TORRENT 5 RINER, Santiuari del Miracle MONTSERRAT TORRENT 11 MONTBLANC, Parròquia de Santa Maria FELIPE LÓPEZ 15 GIRONA, Catedral JOAN CASALS 19 CADAQUÉS, Parròquia de Santa Maria MODEST MORENO 19 SITGES, Parròquia de Sant Bartomeu i Santa Tecla JOAN PARADELL 21 CASTELLÓ D’EMPÚRIES, Basílica de Santa Maria JOAN PARADELL 24 BERGA, Parròquia de Santa Eulàlia JOAN CASALS 25 VALLMOLL, Parròquia de Santa Maria FRANCESC PI, orgue MARIÀ FRANCO, tenora 26 IGUALADA, Basílica de Santa Maria FRANCESC PI, orgue MARIÀ FRANCO, tenora 31 MONTBRIÓ DEL CAMP, Parròquia de Sant Pere Apòstol DANIEL PARACHE Agost 1 EL PLA DE SANTA MARIA, Església romànica BERNAT BAILBÉ 2 LA POBLA DE CÉRVOLES, Parròquia de la M. D. de la Jonquera DANIEL PARACHE 4 TORREDEMBARRA, Parròquia de Sant Pere Apòstol MARCEL MARTÍNEZ 7 EL VENDRELL, Parròquia de Sant Salvador JORDI PAJARES 8 TORROJA DEL PRIORAT, Parròquia de Sant Miquel MARCEL MARTÍNEZ 8 ÀGER, Parròquia de Sant Vicenç MODEST MORENO 9 ULLDEMOLINS, Parròquia de Sant Jaume Apòstol HÈCTOR PARÍS 14 VILAFRANCA DEL PENEDÈS, Basílica de Santa Maria JORDI PAJARES 15 VIELHA, Parròquia de Sant Miquèu PABLO TABOADA 16 TALARN, Parròquia de Sant Martí HÈCTOR PARÍS 21 L'ALEIXAR, Parròquia de Sant Martí PABLO TABOADA 23 SANT LLORENÇ DE MORUNYS, Parròquia de Sant Llorenç BERNAT BAILBÉ 27 MONESTIR DE MONTSERRAT, Basílica de Santa Maria FELIPE LÓPEZ Entrada lliure, aportació econòmica voluntària: el vostre suport ajuda a fer possible la continuïtat d’aquest cicle de concerts. Dimecres 1 de juliol 20.30h BARCELONA Basílica de Santa Maria del Mar MONTSERRAT TORRENT, orgue PROGRAMA Antonio de Cabezón Tiento de cuarto tono (1510 - 1566) Diferencias sobre el villancico ¿Quién te me enojó Isabel? Sebastián Aguilera de Heredia Obra de 1er tono (1561 - 1627) Girolamo Frescobaldi Capriccio fatto sopra la Pastorale (1583 - 1643) Manuel Rodrigues Coelho Tento do quarto tom natural (1555 - ca.1635) Francisco Correa de Arauxo Tiento de quarto tono (IV) (1584 - 1654) Segundo tiento de medio registro de tiple de séptimo tono (XXVI) Jan Pieterszoon Sweelinck Pavana lachrimae (1562 - 1621) Joan Baptista Cabanilles Tiento XXV de Batalla (1644 - 1712) Pasacalles III José Elías Tocata tercera (ca.1687 - ca.1755) Carlos Seixas Sonata en la menor (1704 - 1742) José Lidon Allegro (1748 - 1827) 2 Diumenge 5 de juliol 12.45h RINER Santuari del Miracle MONTSERRAT TORRENT, orgue PROGRAMA Antonio de Cabezón Pavana Italiana (1510 - 1566) Diferencias sobre la Gallarda Milanesa Otras diferencias de las Vacas Sebastián Aguilera de Heredia Obra de 1er tono (1561 - 1627) Adriano Banchieri Canzon undecima “La Organistina Bella” (1568 - 1634) in Echo Francisco Correa de Arauxo Quinto tiento de medio registro de tiple (1584 - 1654) de séptimo tono (XXIX) Tiento de décimo tono (X) Jan Pieterszoon Sweelinck Pavana lachrimae (1562 - 1621) Anònim Diferencias sobre la Gayta (s. XVIII) 3 Dissabte 11 de juliol 22h MONTBLANC Parròquia de Santa Maria FELIPE LÓPEZ, orgue PROGRAMA Antonio de Cabezón Diferencias sobre La dama le demanda (1510 - 1566) Canción glosada Un gay bergier Sebastián Aguilera de Heredia Tiento lleno de 4º tono (1561 - 1627) Girolamo Frescobaldi Canzona terza (1583 - 1643) Toccata nona Canzona quarta Jan Pieterszoon Sweelinck Variaciones sobre Onder een linde groen (1562 - 1621) Malle Sijmen Andrés Lorente Medio registro de dos tiples (1624 - 1703) Félix Máximo López Intento en la major (1742 - 1821) Ferdinando Provesi Sinfonía número 1 en do major (1770 - 1833) 4 Dimecres 15 de juliol 20h GIRONA Catedral JOAN CASALS, orgue PROGRAMA Johann Pachelbel Ricercar (1653 - 1706) Johann Sebastian Bach Pastorale, BWV 590 (1685 - 1750) Preludi - Allemande - Ària - Giga Felix Mendelssohn Sonata II en do menor, op. 65, no. 2 (1809 - 1847) Grave-Adagio Allegro maestoso e vivace Fuga, Allegro moderato Frederic Mompou Pastoral (Cançó i dansa núm. XV, 1972) (1893 - 1987) Valentí Miserachs Piccola suite catalana (1943) Allegretto - Andante mosso - Allegro Jordi Alcaraz Retablo (1975) (1943 - 1985) Hendrik Andriessen Sonata da chiesa (1892 -1996) Tema - 5 variacions - Final 5 Diumenge 19 de juliol 21.30h CADAQUÉS Parròquia de Santa Maria MODEST MORENO, orgue PROGRAMA A LA MEMÒRIA DEL P. GREGORI ESTRADA (+18 de març de 2015) Hans Kotter Kochersperger Spanieler (1480/85 - 1541) Antonio de Cabezón Tiento XVII del cuarto tono sobre (1510 - 1566) Malheur me bat Johannes Henricus Kapteijn Pastorella (s. XIX - XX) Francisco Correa de Arauxo Quarto tiento de quarto tono (XVIII) (1584 - 1654) Segundo tiento de medio registro de baxon de primer tono (XXXV) Modest Moreno i Morera Déu vos salve, Maria (1956) (Al P. Gregori M. Estrada, amb motiu dels seus setanta- cinc anys de Professió Monàstica. Festa de la Transfiguració, 2009) P. Narcís Casanoves* Pas XII en re menor (1747 - 1799) P. Jacint Boada* Sonata (1772 - 1859) Modest Moreno i Morera En la flaire de la rosa taronja i verda MRC Wolfgang Amadeus Mozart Andante für eine Walze in eine kleine (1756 - 1791) Orgel, KV 616 Joan Baptista Cabanilles Batalla Imperial (1644 - 1712) * Escola montserratina 6 Diumenge 19 de juliol 22h SITGES Parròquia de Sant Bartomeu i Santa Tecla JOAN PARADELL, orgue PROGRAMA Anònim Batalha de sexto tom (s. XVII) Pablo Bruna Tiento de dos tiples de 6° tono (1611 - 1679) Tiento de falsas de 2° tono Johann Sebastian Bach Simfonia de la Cantata BWV 156 (1685 - 1750) Toccata en fa major, BWV 540 Georg Friedrich Haendel Arribada de la Reina de Saba (1685 - 1759) (de l'Oratori Solomon, transcripció per a orgue de B. Taylor) Johann Sebastian Bach Toccata i fuga en re menor, BWV 565 Pietro Morandi Sonata Prima (s. XVIII) Allegro con spirito Adagio Allegretto Paul Huber Toccata über die Glocken des Domes (1918 - 2001) zu St. Gallen 7 Dimarts 21 de juliol 20h CASTELLÓ D’EMPÚRIES Basílica de Santa Maria JOAN PARADELL, orgue PROGRAMA Anònim Batalha de sexto tom (s. XVII) Pablo Bruna Tiento de dos tiples de 6° tono (1611 - 1679) Tiento de falsas de 2° tono Domenico Zipoli Toccata (1688 - 1726) Benedetto Marcello Sonata I en re menor (1686 - 1739) Largo Allegro Presto Johann Sebastian Bach Wer nur den lieben Gott lässt walten, BWV 690 (1685 - 1750) Wer nur den lieben Gott lässt walten, BWV 691 Anonimo italiano Aria di Fiorenza (s. XVI - XVII) (arxiu Doria Pamphilj) Pietro Morandi Sonata Prima (s. XVIII) Allegro con spirito Adagio Allegretto Nicolò Bonanni Sonata per organo Chucchu (1737 - 1821) Paul Huber Toccata über die Glocken des Domes (1918 - 2001) zu St. Gallen 8 Divendres 24 de juliol 21h BERGA Parròquia de Santa Eulàlia JOAN CASALS, orgue PROGRAMA Johann Pachelbel Ricercar (1653 - 1706) Johann Sebastian Bach Pastorale, BWV 590 (1685 - 1750) Preludi - Allemande - Ària - Giga Felix Mendelssohn Sonata II en do menor, op. 65, no. 2 (1809 - 1847) Grave-Adagio Allegro maestoso e vivace Fuga, Allegro moderato Frederic Mompou Pastoral (Cançó i dansa núm. XV, 1972) (1893 - 1987) Valentí Miserachs Piccola suite catalana (1943) Allegretto - Andante mosso - Allegro Jordi Alcaraz Retablo (1975) (1943 - 1985) Hendrik Andriessen Sonata da chiesa (1892 -1996) Tema - 5 variacions - Final 9 Dissabte 25 de juliol 22h VALLMOLL Parròquia de Santa Maria FRANCESC PI, orgue MARIÀ FRANCO, tenora PROGRAMA Enric Morera** La sardana de les monges (1865 - 1942) Lluís Albert Preludi i sardana (1923) Frederic Mompou Pastoral (Cançó i dansa n. 15)* (1893 - 1987) Joan Lluís Moraleda Suite Reis de Mallorca (1943) Preludi Vou-veri-vou (cançó de bressol mallorquina) Toccata d'orgue i xeremia Marcos Bosch Temptativa n. 2* (1966) Josep Pagès Havanera (1946 - 2001) Salvador Pueyo Pensar...* (1935) Eduard Toldrà Camperola (1895 - 1962) Antoni Carcellé És la Moreneta (1904 - 1983) * Obres per a orgue sol ** En el 150è aniversari del seu naixement 10 Diumenge 26 de juliol 18h IGUALADA Basílica de Santa Maria FRANCESC PI, orgue MARIÀ FRANCO, tenora PROGRAMA Enric Morera** La sardana de les monges (1865 - 1942) Lluís Albert Preludi i sardana (1923) Frederic Mompou Pastoral (Cançó i dansa n. 15)* (1893 - 1987) Joan Lluís Moraleda Suite Reis de Mallorca (1943) Preludi Vou-veri-vou (cançó de bressol mallorquina) Toccata d'orgue i xeremia Marcos Bosch Temptativa n. 2* (1966) Josep Pagès Havanera (1946 - 2001) Salvador Pueyo Pensar...* (1935) Eduard Toldrà Camperola (1895 - 1962) Antoni Carcellé És la Moreneta (1904 - 1983) * Obres per a orgue sol ** En el 150è aniversari del seu naixement 11 Divendres 31 de juliol 21h MONTBRIÓ DEL CAMP Parròquia de Sant Pere Apòstol DANIEL PARACHE, orgue PROGRAMA Jan Pieterszoon Sweelinck Ballet del Granduca (1562 - 1621) António Carreira Canção a quatro glosada (ca. 1520/30 - ca. 1587/97) Girolamo Frescobaldi Toccata avant'il ricercar (1583 - 1643) Ricercar (con obligo de cantare la quinta parte senza toccarla) Lucas Puxol Tiento de 6º tom (S XVII) Francisco Correa de Arauxo Tiento de quarto tono (XV) (1584 - 1654) Johann Pachelbel Ricercare in c (1653 - 1706) Arietta mit Variationen in F Ciaccona in d Freixanet Sonata (s. XVIII) Pablo Nasarre Tocata del primer tono (1664 - 1724) Antonio Mestres Tocata de sexto tono (S XVIII) João de Sousa Carvalho Allegro (1745 - 1798) P. Robert de la Riba Pastoral (1912 - 1999) En Pere Gallerí (Sardana per a orgue) 12 Dissabte 1 d’agost 21h EL PLA DE SANTA MARIA Església romànica BERNAT BAILBÉ, orgue PROGRAMA Johann Sebastian Bach Fuga sobre el Magnificat, BWV 733 (1685 - 1750) Leopold Mozart Els mesos de l'any (1719 - 1787) Abril - Maig - Juny - Juliol - Agost Juan Sessé Fuga número 2 en mi menor (1736 - 1801) Hector Berlioz Tres peces (1803 - 1869) Elevació Toccata Serenata a la Madonna Jacques-Nicolas Lemmens Preludi (1823 - 1881) Joseph Jongen Pastorale (1873 - 1953) Josep Cumellas i Ribó Sis petites peces (1875 - 1940) Preludi Pregària Ofertori Elevació Pastoral Postludi Edward Elgar Introit i final dels Vesper Voluntaries (1857 - 1934) Louis Vierne Carrilló (1873 - 1937) 13 Diumenge 2 d’agost 19h LA POBLA DE CÉRVOLES Parròquia de la M.
Recommended publications
  • Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
    Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 By Leon Chisholm A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Professor Mary Ann Smart Professor Massimo Mazzotti Summer 2015 Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 Copyright 2015 by Leon Chisholm Abstract Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 by Leon Chisholm Doctor of Philosophy in Music University of California, Berkeley Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Keyboard instruments are ubiquitous in the history of European music. Despite the centrality of keyboards to everyday music making, their influence over the ways in which musicians have conceptualized music and, consequently, the music that they have created has received little attention. This dissertation explores how keyboard playing fits into revolutionary developments in music around 1600 – a period which roughly coincided with the emergence of the keyboard as the multipurpose instrument that has served musicians ever since. During the sixteenth century, keyboard playing became an increasingly common mode of experiencing polyphonic music, challenging the longstanding status of ensemble singing as the paradigmatic vehicle for the art of counterpoint – and ultimately replacing it in the eighteenth century. The competing paradigms differed radically: whereas ensemble singing comprised a group of musicians using their bodies as instruments, keyboard playing involved a lone musician operating a machine with her hands.
    [Show full text]
  • The Pioneering Contribution of Macario Santiago Kastner
    nova série | new series 4/1 (2017), pp. 141-166 ISSN 2183-8410 http://rpm-ns.pt Programming Early Portuguese Repertoires Beyond the Pyrenees: The Pioneering Contribution of Macario Santiago Kastner Sonia Gonzalo Delgado [email protected] Resumo Macario Santiago Kastner (1908-92) é reconhecido como ‘o primeiro que entre nós soube escrever o nome de Portugal no mapa da musicologia internacional’ (Manuel Carlos de Brito 1989). Kastner estabeleceu-se em Lisboa, em 1934, e dedicou parte do seu percurso a descobrir a música portuguesa e espanhola dos séculos XVI a XVIII. Fascinado pela música ibérica desde o início da década de 30, dedicou-se à programação de repertório português para tecla por toda a Europa, desenvolvendo uma longa carreira como intérprete. Kastner foi, ao longo dessa década, o primeiro a interpretar Carlos Seixas em Sofia, Amesterdão e Helsínquia, também o primeiro a publicar uma colecção de peças portuguesas para tecla – Cravistas Portuguezes (1935) – e pioneiro na introdução do clavicórdio na interpretação desse repertório de acordo com a sua visão da prática instrumental historicamente informada. Existe um grande número de fontes por explorar (programas de concertos, recensões de concertos, correspondência com o seu mentor Joan Gibert Camins, o seu currículo pessoal e brochuras promocionais), preservadas na Biblioteca Nacional de Portugal e na Biblioteca de Catalunya, entre as quais se podem encontrar documentos relativos ao início da sua carreira. Pretende-se neste artigo analisar a actividade de Kastner na década de 30 na promoção da música portuguesa por toda a Europa, com particular ênfase nas estratégias de configuração dos programas – tanto do repertório, como da abordagem organológica – de forma a criar um nicho para a expansão no mercado da música antiga.
    [Show full text]
  • Spring 2014 Newsletter
    Newsletter VOLUME 3, NO. 1 Spring 2014 ISSN 2328-5621 FOUR CENTURIES OF MASTERPIECES: KEYBOARDS AND THEIR MUSIC The National Music Museum on the Campus of the University of South Dakota Vermillion, South Dakota, May 14 to 17, 2014 The 2014 HKSNA meeting will be hosted by National Music Museum (NMM) in Vermillion, South Dakota, May 14th to 17th. Inspired by the breadth of the NMM’s superlative collection of his- torical keyboard instruments, the theme “Four Centuries of Master- pieces: Keyboards and Their Music” will be celebrated in a daz- zling series of events over three days and four nights. Featured per- formances by internationally renowned artists will explore reper- toire and instruments spanning the centuries from the early 1500s to the mid-1800s. Founded in 1973 on the campus of the University of South Da- kota in Vermillion, the National Music Museum is one of the great institutions of its kind in the world. Its renowned collections, which The National Music Museum. Photo by Tony Jones. include more than 15,000 American, European, and non-Western instruments from virtually all cultures and historical periods, are the most inclusive anywhere. The NMM is a partnership between the USD, which provides staff and facilities for preser- vation, teaching, and research, and the Board of Trustees of the NMM, a non-profit corporation that is responsible for acquisitions, public exhibiting, and programming. The Museum’s meteoric rise to world-class status has attracted inter- national attention, and each year it attracts thousands of visitors and researchers who make the journey to Vermillion from all fifty states and many other countries.
    [Show full text]
  • The Harpsichord: a Research and Information Guide
    THE HARPSICHORD: A RESEARCH AND INFORMATION GUIDE BY SONIA M. LEE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Charlotte Mattax Moersch, Chair and Co-Director of Research Professor Emeritus Donald W. Krummel, Co-Director of Research Professor Emeritus John W. Hill Associate Professor Emerita Heidi Von Gunden ABSTRACT This study is an annotated bibliography of selected literature on harpsichord studies published before 2011. It is intended to serve as a guide and as a reference manual for anyone researching the harpsichord or harpsichord related topics, including harpsichord making and maintenance, historical and contemporary harpsichord repertoire, as well as performance practice. This guide is not meant to be comprehensive, but rather to provide a user-friendly resource on the subject. ii ACKNOWLEDGEMENTS I would like to express my deepest gratitude to my dissertation advisers Professor Charlotte Mattax Moersch and Professor Donald W. Krummel for their tremendous help on this project. My gratitude also goes to the other members of my committee, Professor John W. Hill and Professor Heidi Von Gunden, who shared with me their knowledge and wisdom. I am extremely thankful to the librarians and staff of the University of Illinois Library System for assisting me in obtaining obscure and rare publications from numerous libraries and archives throughout the United States and abroad. Among the many friends who provided support and encouragement are Clara, Carmen, Cibele and Marcelo, Hilda, Iker, James and Diana, Kydalla, Lynn, Maria-Carmen, Réjean, Vivian, and Yolo.
    [Show full text]
  • Programm MUSIK MAI in DER JUNI KLOSTERKIRCHE AUGUST MURI SEPTEMBER
    programm MUSIK MAI IN DER JUNI KLOSTERKIRCHE AUGUST MURI SEPTEMBER www.murikultur.ch inspiriert 2016 | 02 | Vorwort | Saison 2016 Stimmt an die Saiten, ergreift die Leier, lasst euren Lobgesang erschallen ... Joseph Haydn - Die Schöpfung Et resurrexit, et resurrexit tertia die secundum scripturas ... Luigi Gatti - Schöpfungsmesse ie Musik in der Klosterkirche Muri 2016 beginnt mit einem festlichen Gottes- Ddienst: Am Pfingstsonntag wird der Projektchor Muri zusammen mit vier Solisten und dem Capriccio Barockorchester Luigi Gattis Schöpfungsmesse zur Aufführung bringen. Darin erweist der Salzburger Hof- und Domkapell- meister zu Beginn des 19. Jahrhunderts einem berühmten zeitgenössischen Werk die Ehre: Seine geschickte Unterlegung des Textes der Messe holt eine Auswahl von Arien und Chören aus Joseph Haydns Oratorium Die Schöpfung in gekonnt reduzierter Instrumentation vom Konzertsaal in die Liturgie. Saison 2016 | Vorwort | 03 | Noch im Mai bringt das Freiburger Dufay En- semble im Hochchor der Klosterkirche Muri mit Giovanni Pierluigi da Palestrinas sagenumwobe- ner Missa Papae Marcelli eine weitere Vertonung des Messordinariums zu Gehör. Als 24stimmige Komposition in fünf Chören findet Georg Muffats Missa in labore requies im Oktogon der Kloster- kirche Muri eine perfekte Aufführungssituation vor. Diese haben die Cappella Murensis und das Ensemble Les Cornets Noirs für eine Aufnahme dieses Werks nutzen dürfen, die sie im Juni vor- stellen möchten. Bescheidener, aber nicht weniger passend für die Klosterkirche Muri präsentiert sich die Missa ab octo des Luzerner Komponisten Johannes Benn, der seinen Lebensabend im Kloster Muri verbracht hat: Das 1644 gedruckte Werk stellt den musikalischen Beitrag der Cappella Murensis zum Gottesdienst am Fest des Hl. Leon- tius dar. Vor dem Hintergrund dieser langen Tradition er- fährt der griechisch-lateinische Ordinariumstext, durchbrochen von deutscher, englischer, franzö- sischer und schwedischer Lyrik, in Silvan Lohers Messe ein weiteres Mal musikalische Ausdeutung.
    [Show full text]
  • CONCERTO DOS CLÉRIGOS 0 1 / a G O S T O | 1 2 H 0 0 I G R E J a D O S C L É R I G O S
    CONCERTO DOS CLÉRIGOS 0 1 / A g o s t o | 1 2 h 0 0 I g r e j a d o s C l é r i g o s P R O G R A M A JOHANN KASPAR FERDINAND FISCHER (c. 1656 -1746) Suite Uranie . Toccata . Allemande . Courante . Sarabande . Gavotte . Gigue . Riguadon . Menuet . Passacaglia JEAN- BAPTISTE LULLY (1632 – 1687) Cuatro Piezas de Clarines O r g a n i s t a : F e r n a n d o C r u z CONCERTO DOS CLÉRIGOS 0 2 / A g o s t o | 1 2 h 0 0 I g r e j a d o s C l é r i g o s P R O G R A M A PIETER CORNET (1583-1626) Toccata del 3º Tono Salve Regina (5 versos) Courante (4 variações) Fantasia O r g a n i s t a : R u i S o a r e s CONCERTO DOS CLÉRIGOS 0 3 / A g o s t o | 1 2 h 0 0 I g r e j a d o s C l é r i g o s P R O G R A M A Concerto Nº 1 em Ré M, BWV 972 - Vivaldi/Bach Allegro Larghetto Allegro Concerto Nº 3, BWV 974 – Marcelo/Bach Allegro Adagio Presto O r g a n i s t a : R u i S o a r e s CONCERTO DOS CLÉRIGOS 0 4 A g o s t o | 1 2 h 0 0 I g r e j a d o s C l é r i g o s P R O G R A M A Georg Bohem (1661-1733) Praeludium, Fuge und Postludium Johann Pachelbel (1653-1706) do “Hexachordum Apollinis”: Aria Quinta (Aria com 6 variações) Anónimo, Camphuysen Manuscript, Holanda, séc.XVII, Daphne (3 variações) Dietrich Buxtehude (1637-1707) Toccata in G BuxWV165 O r g a n i s t a : A n t ó n i o P e d r o s a CONCERTO DOS CLÉRIGOS 0 5 / A g o s t o | 1 2 h 0 0 I g r e j a d o s C l é r i g o s P R O G R A M A Jan Pieterszoon Sweelinck (1562-1621) Es-ce mars? Echo Fantasia in a Allein Gott in der Hoeh sey Ehr Fantasia mit Bindungen Balleth del granduca O r g a n i s t a : A n t ó n i o P e d r o s a CONCERTO DOS CLÉRIGOS 0 6 / A g o s t o | 1 2 h 0 0 I g r e j a d o s C l é r i g o s P R O G R A M A Pedro de Araújo (Portugal c.
    [Show full text]
  • Chronology the Early Baroque Era
    Chronology The Early Baroque Era MUSIC AND MUSICIANS POLITICS, WAR, RULERS 1600 Euridice, pastoral opera by Jacopo 1600 Henri IV, having divorced Margaret Peri (1561-1633) and Giulio Caccini of Valois, marries Maria de' Medici. (c1545-1618), given for wedding of Maria de' Medici and Henri IV of France, Florence. Rappresentatione di Anima, et di Corpo by Emilio de' Cavalieri (c1550--1602) performed before the Collegio Sacro, Rome. G.M. Artusi publishes criticisms of Monteverdi's contrapuntal licence in his madrigals. 1601 Claudio Monteverdi (1567-1643) 1601 The Earl of Essex leads a rebellion appointed maestro di cappella at Mantua. against Queen Elizabeth I; he is tried for Luzzaschi publishes virtuoso madrigals treason and executed. composed for the ladies of Ferrara. Thomas Morley (c1557-1602) issues The Triumphes of Oriana, madrigals honouring Elizabeth I. 1602 Cavalieri (c52) dies, Rome. Caccini publishes Le nuove musiche, Florence. First book of madrigals by Salamone Rossi 1603 Death of Queen Elizabeth I; (1570--cl630) (with unfigured bass) and accession ofJames VI of Scotland as Cento concerti ecclesiastici by Lodovico James I of England. Amnesty in Ireland. Viadana (c1560--1627) (with continuo) published, Venice. 1604 Caccini family in Paris at the 1604 'False Dmitry' defeated by Tsar invitation of Maria de' Medici. Boris of Russia (d 1605). Incorporation of the Company of Musicians in London. Lachrimae or Seaven Teares by John Dowland (1563-1626) published, London. 50 pseaumes de David, polyphonic Psalter setting by Jan Pieterszoon Sweelinck ( 1562-1621), published, Amsterdam. 1605 Monteverdi replies to Artusi's 1605 Death of Pope Clement VIII; criticisms in his fifth book of madrigals.
    [Show full text]
  • Reviews of This Artist
    Rezension für: Martin Neu Bach and the North German Tradition Vol. I Dietrich Buxtehude | Georg Böhm | Johann Sebastian Bach SACD aud 92.547 Nordbayerische Nachrichten 18. März 2010 (Matthias Kronau - 2010.03.18) Norddeutsche Tradition aus Herzogenaurach Eine neue Orgel-CD lässt die Ahrend-Orgel in St. Otto weltweit erklingen Norddeutsche Tradition aus Herzogenaurach Full review text restrained for copyright reasons. Falter Woche 12/2010 vom 24.3.2010 (Seite 24) (Carsten Fastner - 2010.03.24) Bach für Kenner, Liebhaber und Entdecker Bach für Kenner, Liebhaber und Entdecker Full review text restrained for copyright reasons. Fono Forum Mai 2012 (Friedrich Sprondel - 2012.05.01) Wege zu Bach Bach nahm so viele Einflüsse in seine Orgelmusik auf, dass sich einem neugierigen Interpreten viele Wege zu ihm auftun – und manche Aufnahme zeigt, dass auch noch neue zu begehen sind. Die Britin Margaret Philips bringt ihre Bach-Gesamteinspielung in Doppelfolgen heraus; jede Scheibe ist dabei einem prominenten Instrument gewidmet. In Folge sechs ist das, neben der neuen Aubertin-Orgel der Pariser Kirche St Louis en I' Île, die legendäre Müller-Orgel der Bavokerk in Haarlem; Folge sieben wurde an der Hildebrandt-Orgel von 1728 in Sangerhausen und an der grandiosen Silbermann-Orgel der Freiberger Petrikirche aufgezeichnet. Philips spielt tadellos und mit sicherem Geschmack in Tempo und Registerwahl. Interessant ist, welche der großen Orgelwerke sie welchem Instrument zuweist. So erklingen in Folge sechs die großen Präludien und Fugen in e- und h-Moll
    [Show full text]
  • Luís De Freitas Branco (1890-1955)
    Luís de Freitas Branco (1890-1955) Direcção Artística: JOÃO VAZ · ANTÓNIO DUARTE Organização: JUVENTUDE MUSICAL PORTUGUESA Sé Patriarcal de Lisboa, Igreja de São Vicente de Fora, Igreja de São Roque, Igreja de Santo António de Lisboa, Igreja de São Luís dos Franceses, Basílica da Estrela, Basílica do Palácio Nacional de Mafra Entrada livre em todos os concertos Sexta-feira, 23 de Setembro, 21.30h Sé Patriarcal de Lisboa Concerto de Abertura Música Sacra Parisiense do Novecentos Jehan Alain Litanies órgão* Jean Langlais Arabesque (n.º 3 das 24 Pièces) órgão** Francis Poulenc Litanies à la Vierge Noire coro*** e órgão* André Fleury Andante (n.º 9 das 24 Pièces) órgão** Pierre Villette Hymne à la Vierge O Salutaris Hostia coro**** Louis Vierne Choral (n.º 16 das 24 Pièces en Style Libre) órgão** Charles-Marie Widor Missa para dois coros e dois órgãos, op. 36 Kyrie Gloria Sanctus Benedictus Agnus Dei dois coros***** e dois órgãos * João Vaz órgão ** António Duarte órgão de coro *** Coro Infantil do Instituto Gregoriano de Lisboa Armando Possante direcção **** Coro de Câmara de Lisboa Teresita Gutierrez Marques direcção ***** Coro de Câmara do Instituto Gregoriano de Lisboa ***** Coro Masculino da Escola de Música do Conservatório Nacional de Lisboa Paulo Brandão Direcção Sábado, 24 de Setembro, 21.30h Igreja de Santo António de Lisboa Recital de Trompete e Órgão Claude Gervaise Suite de 8º tom Largo Allegretto Andante Risolutto Moderato Animato Manuel Rodrigues Coelho Kyrie do 1º tom, 5 versos * Dietrich Buxtehude Ciacona em Mi Menor, BuxWV
    [Show full text]
  • 03 Von Johannes 55-80
    ANUARIO MUSICAL, N.º 61 enero-diciembre 2006, 55-80 ISSN: 0211-3538 AM FUßE DES VULKANS - ORGELKUNST UND KONTRAPUNKT IN NEAPEL UM 1600 von JOHANNES RING Zusammenfassung: 1575 veröffentlichte Rocco Rodio in Neapel in seinem Libro di ricercate eine Fantasia über den Kirchenhymnus “Ave maris stella”. Im Kontext der progressiven Beiträge zur Tastenmusik seiner italienischen Zeitgenossen Antonio Valente (1575), Claudio Merulo und Andrea Gabrieli erscheint Rodios Cantus firmus-Satz geradezu anachronistisch. Doch Rodios Intention ist die des Kontrapunktikers. Für ihn war die kontrapunktische Kunst die entscheidende Basis des kompositorischen Handwerkes. Rodios Intention wird beleuchtet durch das Umfeld seines Wirkens –den diskussionsfreudigen Akademien in Neapel– und durch Ereignisse in Rom und Palermo, die im Auftritt des Spaniers Sebastián Raval gipfeln. Ihren eigentlichen musikhistorischen Kontext findet Rodios „Ave maris stella“ in der (liturgischen) Orgelmusik von Antonio de Cabezón, Manuel Rodriguez Coelho und Jean Titelouze und vielleicht sogar von António Carreira. Abstract (At the Foot of the Volcano - Organ and Counterpoint in Naples around 1600). In 1575, Rocco Rodio published a “Fantasia” on the hymnus “Ave maris stella” in Naples in his Libro di ricercate. In the context of the progressive contributions to music for keyboard instruments of his contemporaries Antonio Valente (1575), Claudio Merulo and Andrea Gabrieli, Rodio’s setting of cantus firmus seems nothing short of anachronistic. But Rodio’s intention lies in the implementation of counterpoint. For him, the art of counterpoint was the decisive basis of the composer’s craft. Rodio’s inten- tion is illuminated by the circumstances of his creative activity –the academies in Naples, always eager to dispute,– and by certain events in Rome and Palermo that culminated in the appearance of the Spaniard named Sebastián Raval.
    [Show full text]
  • The Origins, History, and Development of the Tiento De Medio Registro from the Sixteenth to the Eighteenth Century
    THE ORIGINS, HISTORY, AND DEVELOPMENT OF THE TIENTO DE MEDIO REGISTRO FROM THE SIXTEENTH TO THE EIGHTEENTH CENTURY By ©2015 HEATHER LYNN PAISAR Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degrees of Doctor of Philosophy and Doctor of Musical Arts. ________________________________ Chairperson, Dr. Paul Laird ________________________________ Co-chairperson, Dr. Michael Bauer ________________________________ Dr. James Higdon ________________________________ Dr. Roberta Freund Schwartz ________________________________ Dr. Scott Brandon Murphy ________________________________ Dr. Luis Corteguera Date Defended: May 12, 2015 The Dissertation Committee for Heather Lynn Paisar certifies that this is the approved version of the following dissertation: THE ORIGINS, HISTORY, AND DEVELOPMENT OF THE TIENTO DE MEDIO REGISTRO FROM THE SIXTEENTH TO THE EIGHTEENTH CENTURY ________________________________ Chairperson, Dr. Paul Laird ________________________________ Co-chairperson, Dr. Michael Bauer Date approved: May 12, 2015 ii ABSTRACT “The Origins, History, and Development of the Tiento de medio registro from the Sixteenth to the Eighteenth Century” The tiento de medio registro was one of the most popular types of organ music in the Iberian Peninsula from the late sixteenth century until the beginning of the eighteenth century. A subgenre of the tiento, this form was originally developed in the 1530s as a means to “try out” a lute
    [Show full text]
  • Ely Cathedral Choir
    Index Page Choral Music Choir of St Paul’s Cathedral 3 Choir of Guildford Cathedral 3 Coro Cervantes 3 Vasari Singers 4 Choir of Lincoln College, Oxford 5 Choir of Gonville and Caius College, Cambridge 5 Choir of Queens’ College Cambridge 6 Clare College Chapel Choir 6 Saint Louis Chamber Chorus 7 Chapter House Choir, York 7 Cambridge University Chamber Choir 7 Choir of Belfast Cathedral 7 Choir of the Queen’s College, Oxford 8 Ely Cathedral Choir 8 Lincoln Cathedral Choir 8 Various Choirs 9 / 10 / 11 / 12 Vocal 13 / 14 / 15 Instrumental Complete Organ Works of Marcel Dupré 16 Music for Organ 17 / 18 / 19 / 20 Music for Organ & Violin 20 Music for Organ, Harpsichord, Muselar 20 Music for Clavichord 20 Music for Piano 21 / 22 / 23 Music for Piano & Cello 24 Music for Piano & Flute 24 Music for Piano & Violin 25 Music for Flute & Harp 26 Music for Guitar 27 Music for Lute 27 Various Instruments 28 / 29 Chamber Music Piano Trios 30 Various Ensemble 31 / 32 / 33 / 34 Music for Brass 34 Opera 35 Orchestral Music 36 / 37 with Organ 38 with Solo Instrument 39 / 40 World Music 40 CD List 41 / 42 / 43 / 44 / 45 Distributors 46 2 Choral Music THE CHOIR OF ST PAUL’S CATHEDRAL CORONATION ANTHEMS & HYMNS (GMCD 7102) Directed by Barry Rose / Christopher Dearnley Organ “Jubilant” Fanfare - Arthur Bliss; I was glad when they said unto me - Charles H.H. Parry; O taste and see - Ralph Vaughan Williams; Credo from the “Mass in G minor” - Ralph Vaughan Williams; Praise, my soul, the King of heaven - John Goss; Trumpet Tune from “King Arthur” - Henry Purcell;
    [Show full text]