Frodsham Life May 2017
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John Simm ~ 47 Screen Credits and More
John Simm ~ 47 Screen Credits and more The eldest of three children, actor and musician John Ronald Simm was born on 10 July 1970 in Leeds, West Yorkshire and grew up in Nelson, Lancashire. He attended Edge End High School, Nelson followed by Blackpool Drama College at 16 and The Drama Centre, London at 19. He lives in North London with his wife, actress Kate Magowan and their children Ryan, born on 13 August 2001 and Molly, born on 9 February 2007. Simm won the Best Actor award at the Valencia Film Festival for his film debut in Boston Kickout (1995) and has been twice BAFTA nominated (to date) for Life On Mars (2006) and Exile (2011). He supports Man U, is "a Beatles nut" and owns seven guitars. John Simm quotes I think I can be closed in. I can close this outer shell, cut myself off and be quite cold. I can cut other people off if I need to. I don't think I'm angry, though. Maybe my wife would disagree. I love Manchester. I always have, ever since I was a kid, and I go back as much as I can. Manchester's my spiritual home. I've been in London for 22 years now but Manchester's the only other place ... in the country that I could live. You never undertake a project because you think other people will like it - because that way lies madness - but rather because you believe in it. Twitter has restored my faith in humanity. I thought I'd hate it, but while there are lots of knobheads, there are even more lovely people. -
Create Design Perform Learn 2021 Prospectus
create perform design learn 2021 Prospectus The Royal Central School of Speech and Drama University of London Eton Avenue At Central, we believe that our world-leading training London NW3 3HY should be accessible to everyone who wishes to develop UK their creativity and positively impact the industry. Telephone: +44 (0)20 7722 8183 Email: [email protected] www.cssd.ac.uk We are a unique and special community and treat all members and visitors with dignity and respect. @CSSDLondon By celebrating and respecting our different cultures, abilities and identities we aim to shape a better future for the arts and society. Excellence requires diversity, which brings richness, knowledge, innovation, new understanding and skills. Our differences enrich our learning, insight and wisdom. CBP002372 Printed on 100% recycled paper. World Land Trust is an international conservation charity, which protects the world’s most biologically important and threatened habitats. Madeline Samuel Malone MFA Voice Studies: Teaching Charlemagne and Coaching BA (Hons) Acting Musical Theatre ‘I found I had an early affinity for ‘I applied for Central through Open singing and theatre. However, I took Door, who offer a package of support the path well-travelled, obtaining to young people from low income a Bachelor of Commerce degree, backgrounds, which includes free followed by a Master’s in Adult auditions to drama schools, as well Education. I began a corporate career, as practical tutoring, workshops and but I never managed to shake off travel bursaries. my desire to work in theatre and to educate. At the time, I knew almost nothing about Central but it turned out to be I struggled with my identity for years, the perfect fit for me; a course centred specifically my voice, for which I had in acting that also develops my singing been bullied. -
A Supporter of The
SUPPORTERS NEWS NOVEMBER 2015 2016 A PROUD YEAR TO BE A SUPPORTER OF THE RSC “I think we are going to be very proud of the reopening of The Other Place and the Swan Wing, when they open to the public next year”. On a recent visit to our two building projects I was amazed by the progress being made and wanted to share with our Supporters the excitement of the work taking place. The two workplaces have completely different energies, each one appropriate to the project. The beehive at TOP hums with noise as dozens of workmen busy themselves, tearing holes for new windows in the outside walls, or punching holes for roof lights in the ceiling. The innovative recycling efforts, and the industrious repurposing of the old rusty box that was the Courtyard Theatre, is zooming towards its conclusion. Meanwhile the work process at the Swan Wing is altogether quieter, and more intensely detailed, focused as it is on the challenges of restoring the fabric of a building which has stood by the Avon for nearly 135 years. The Swan Theatre Photo by Stewart Hemley The Swan Wing masonry has all been cleared in a careful sequence, using differently techniques and has revealed again the three terracotta plaques that grace the front of the Swan. The oriel bay window which usually over looks Weston square, now reveals fairy sculptures that peer beneath the window. A perky imp sheltering under a large anemone, and a demonic little goblin sits cross legged in a corner stretching his bat wings. All over the exterior of the building, piece in repairs, mortar repairs, discreet pinning and lime consolidation have all been undertaken to restore the fragile carved and plain stone surfaces. -
Front Matter
Cambridge University Press 978-1-107-01625-5 - Christopher Marlowe in Context Edited by Emily C. Bartels and Emma Smith Frontmatter More information CHRISTOPHER MARLOWE IN CONTEXT A contemporary of William Shakespeare and Ben Jonson , Christopher Marlowe was one of the most infl uential early modern dramatists, whose life and mysterious death have long been the sub- ject of critical and popular speculation. Th is collection sets Marlowe’s plays and poems in their historical context, exploring his world and his wider cultural infl uence. Chapters by leading international schol- ars discuss both his major and lesser-known works. Divided into three sections, ‘Marlowe’s works’, ‘Marlowe’s world’, and ‘Reception’, the book ranges from Marlowe’s relationship with his own audience through to adaptations of his plays for modern cinema. Other con- texts for Marlowe include history and politics, religion, and science. Discussions of Marlowe’s critics and Marlowe’s appeal today, in per- formance, literature, and biography, show how and why his works continue to resonate; and a comprehensive further reading list pro- vides helpful suggestions for those who want to fi nd out more. emily c. bartels is Professor of English at Rutgers University and Director of the Bread Loaf School of English, Middlebury College. She is author of Spectacles of Strangeness: Imperialism, Alienation, and Marlowe (1993), which won the Roma Gill Prize for Best Work on Christopher Marlowe, 1993–94, and Speaking of the Moor: From Alcazar to Othello (2008). She has edited Critical Essays on Christopher Marlowe (1997) and published essays on early modern drama, race, gender, and survivorship. -
QUEEN ANNE / @Rscqueenanne / #Rscqueenanne
PRESS RELEASE 08.05.17 TRH Productions, Scott Landis, Tulchin Bartner Productions and Zeilinger Productions present the Royal Shakespeare Company Production of QUEEN ANNE www.RSCQueenAnne.com / @RSCQueenAnne / #RSCQueenAnne FURTHER CASTING ANNOUNCED FOR QUEEN ANNE AT THEATRE ROYAL HAYMARKET QUEEN ANNE WILL PLAY FROM 30 JUNE UNTIL 30 SEPTEMBER 2017, TICKETS ARE NOW ON SALE AT WWW.RSCQUEENANNE.COM IMAGES CAN BE DOWNLOADED HERE USERNAME: QueenAnne PASSWORD: QueenAnne Romola Garai will star as Sarah, Duchess of Marlborough alongside Emma Cunniffe as the eponymous monarch in the Royal Shakespeare Company’s production of Queen Anne. Completing the cast will be Daisy Ashford as Lady Clarendon, Sheena Bhattessa as Lady Somerset, Gabrielle Brooks as Jezebel and Lady Russell, Dave Fishley as King William III and Groom, Jonny Glynn as Jonathan Swift, Chu Omambala as John Churchill and Sid Sagar as Samuel Masham and Inns of Court Singer. They join the previously announced Jonathan Christie (Arthur Maynwaring), Michael Fenton Stevens (Dr John Radcliffe), James Garnon (Robert Harley), Richard Hope (Sidney Godolphin), Hywel Morgan (Prince George), Beth Park (Abigail Hill) and Carl Prekopp (Daniel Defoe). Queen Anne originally opened at the Swan Theatre in Stratford-upon-Avon in November 2015. It will transfer to Theatre Royal Haymarket for a thirteen week limited run from 30 June until 30 September, with a press night on 10 July. Tickets are now on sale at www.RSCQueenAnne.com. Written by Helen Edmundson (The Heresy of Love, RSC) and directed by Natalie Abrahami (Happy Days, Young Vic), this gripping new play explores the life of one of England’s little-known sovereigns and her intimate friendship with her childhood confidante Sarah, Duchess of Marlborough. -
By Jim Cartwright Directed by John Tiffany Press Highlights Jerwood Theatre Downstairs, Royal Court 21 July 2017 – 9 September 2017
Road By Jim Cartwright Directed by John Tiffany Press Highlights Jerwood Theatre Downstairs, Royal Court 21 July 2017 – 9 September 2017 Blouinartinfo 12.04.17 View Slideshow A scene from ‘Road’ by Jim Cartwright (Courtesy: Bench Theatre) RELATED VENUES Royal Court Theatre A well-known play entitled “Road” by Jim Cartwright will be presented at the Royal Court Theatre, London, from July 21 through September 9, 2017. A novel production of Cartwright’s 1986 transforming play, now being directed by Royal Court Associate Director John Tiffany, adroitly offers a manifestation of the populaces of an anonymous northern road in Eighties Britain. It reconnoiters the livelihood of the folks in an underprivileged working class area at the period of high redundancy. The action takes place over the course of one evening as the residents of the road prepare to go out, follows them at the club they go to and then on home afterwards. A passionate, poetic and positive portrayal of working class life it is often performed on a promenade, allowing the audience to follow the narrator (Scullery) along the road and visit different sets and the different homes of the characters. The show will be staged at Jerwood Theatre Downstairs, Royal Court Theatre, Sloane Square, London SW1W 8AS, United Kingdom. For details, visit: https://royalcourttheatre.com Click on the slideshow for the sneak peek at the show. WhatsOnStage Will Longman 12.06.17 Casting has been announced for Jim Cartwright's play Road, which opens at the Royal Court in July. Directed by John Tiffany, the play is Cartwright's first and is about a group of people who live on the same road in a working class area of Lancashire during Margaret Thatcher's government. -
The Impact of Thatcherism on Representations of Work And
The Impact of Thatcherism on Representations of Work and Unemployment in Television Drama from 1979 to 1994 by Helen Louise Davis Institute of Education University of London June 1999 Submitted for Examination for Degree of PhD 1 Abstract This thesis argues for an analysis of popular television in relation to the dominant political ideas and values of Thatcherism. Examining the power of popular entertainment genres to inscribe and inform public understanding of political debates, the thesis offers an analysis of television realism in relation to genres such as situation comedy and drama serials. Using the work of Antonio Gramsci, Stuart Hall, Michel Foucault, Roland Barthes and the Bakhtin Circle, the methodology concentrates on a discursive model of interpretation which draws on elements of semiotic and discourse analysis. It refers to the field of hermeneutics in order to address some of the problems of textual analysis and considers the ontological problems of television realism, particularly as they relate to the representation of political ideas. The thesis also considers the role of realism as an important ideological feature of dramatic representation on television. The contribution of the thesis to the field of Media Studies lies in its engagement with the sphere of political discourse in relation to popular television programmes over a specific period of intense ideological activity. In choosing to examine Thatcherite discourse in relation to work and unemployment, the thesis considers issues of class and gender in relation to changing attitudes to unemployment as expressed through narrative and other discursive patterns in the medium of television drama. The thesis argues that television drama of the period responded to the dominant rhetoric of Thatcherite politics concerning work and unemployment with a variety of identifiable structures and dramatic strategies. -
Agatha Christie's Poirot Episode Guide
Agatha Christie’s Poirot Episode Guide Episodes 001–075 Last episode aired Wednesday November 13, 2013 www.itv.com c c 2013 www.tv.com c 2013 www.itv.com c 2013 wikipedia.org The summaries and recaps of all the Agatha Christie’s Poirot episodes were downloaded from http://www.tv.com and http://www.itv.com and http://wikipedia.org and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 The Adventure of the Clapham Cook . .3 2 Murder in the Mews . .5 3 The Adventure of Johnnie Waverly . .7 4 Four and Twenty Blackbirds . .9 5 The Third Floor Flat . 11 6 Triangle at Rhodes . 13 7 Problem at Sea . 15 8 The Incredible Theft . 17 9 The King of Clubs . 19 10 The Dream . 21 Season 2 23 1 Peril at End House (1) . 25 2 Peril at End House (2) . 27 3 The Veiled Lady . 29 4 The Lost Mine . 31 5 The Cornish Mystery . 33 6 The Disappearance of Mr Davenheim . 35 7 Double Sin . 37 8 The Adventure of the Cheap Flat . 39 9 The Kidnapped Prime Minister . 41 10 The Adventure of the Western Star . 43 11 The Mysterious Affair at Styles (1) . 45 12 The Mysterious Affair at Styles (2) . 47 Season 3 49 1 How Does Your Garden Grow? . 51 2 The Million Dollar Bond Robbery . -
Annual Report and Accounts 130Th Report of the Board
Collaborative Inquiring 20 05/ 20 Engaging 06 Ambitious Annual Report and Accounts 130th report of the Board To be submitted to the Annual General Meeting of the Governors convened for Friday 17 November 2006. To the Governors of the Royal Shakespeare Company, Stratford- upon-Avon, notice is hereby given that the Annual General Meeting of the Governors will be held in the Town Hall, Stratford-upon- Avon on Friday 17 November 2006 commencing at 2.30pm to consider the report of the Board and the Statement of Financial Activities and the Balance Sheet of the Corporation at 31 March 2006, to elect the Board for the ensuing year, and to transact such business as may be transacted at the Annual General Meetings of the Royal Shakespeare Company. By order of the Board Vikki Heywood Secretary to the Governors Archana Ramaswamy in A Midsummer Night’s Dream created by Dash Arts photo: C P Satyajit in association with the British Council for The Complete Works festival Our purpose 03 Chairman’s statement 05 Contents Artistic Director’s report 07 Executive Director’s report 09 Summary accounts 10 – 19 Key achievements 20 – 21 Collaborative 22 – 25 Inquiring 26 – 29 Engaging 30 – 33 Ambitious 34 – 37 Transforming our theatres 38 – 41 Impact 42 – 43 Supporting our work 44 – 47 trilogy photo: Ellie Kurttz Year in performance 48 – 51 Henry VI Acting companies 52 – 53 The Company 54 – 55 Corporate governance 56 Associate artists 57 2005/2006 Front cover: Wela Frasier, in rehearsal for the in rehearsal Frasier, cover: Wela Front photo: Stewart Hemley Left to right: Lorna Brown, Nadine Marshall and Tanya Moodie in trade by debbie tucker green Connect with Shakespeare Our purpose is to connect and help others to connect with Shakespeare – responding to his plays through the work of contemporary actors, writers and artists.