Kylie Minogue Greatest Remix Hits Vol. I Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Kylie Minogue Greatest Remix Hits Vol. I Mp3, Flac, Wma Kylie Minogue Greatest Remix Hits Vol. I mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Greatest Remix Hits Vol. I Country: Japan Released: 1993 Style: Synth-pop MP3 version RAR size: 1522 mb FLAC version RAR size: 1728 mb WMA version RAR size: 1594 mb Rating: 4.6 Votes: 152 Other Formats: AAC AHX AA DTS XM AIFF MP2 Tracklist 1-1 –Kylie Minogue I Should Be So Lucky (The Bicentennial Mix) 6:12 Got To Be Certain (Ashes To Ashes) (The Extra Beat 1-2 –Kylie Minogue 6:52 Boys Mix) 1-3 –Kylie Minogue The Loco-Motion (Sankie Mix) 6:55 1-4 –Kylie Minogue Je Ne Sais Pas Pourquoi (Moi Non Plus Mix) 5:55 1-5 –Kylie Minogue Made In Heaven 3:31 1-6 –Kylie Minogue All I Wanna Do Is Make You Mine (Extended) 6:02 1-7 –Kylie Minogue It's No Secret (Extended) 5:34 1-8 –Kylie Minogue Hand On Your Heart (Dub) 5:33 1-9 –Kylie Minogue Just Wanna Love You 3:34 1-10 –Kylie Minogue Never Too Late (Extended) 6:11 1-11 –Kylie Minogue We Know The Meaning Of Love (Extended) 5:51 2-1 –Kylie Minogue Step Back In Time (Walkin' Rhythm Mix) 8:00 2-2 –Kylie Minogue What Do I Have To Do (UK Remix) 7:08 2-3 –Kylie Minogue Shocked (DNA Mix) 6:20 2-4 –Kylie Minogue Word Is Out (12" Version) 5:53 –The Visionmasters* And Tony King 2-5 Keep On Pumpin' It Up (Astral Flight Mix) 6:55 Featuring Kylie Minogue 2-6 –Kylie Minogue If You Were With Me Now (Extended Version) 5:11 2-7 –Kylie Minogue Do You Dare (New Rave Mix) 6:40 2-8 –Kylie Minogue Finer Feelings (Brothers In Rhythm 7" Mix) 3:47 2-9 –Kylie Minogue Closer (Edit) 3:59 2-10 –Kylie Minogue What Kind Of Fool (Tech No Logical Mix) 6:54 2-11 –Kylie Minogue Celebration (Have A Party Mix) 7:03 Companies, etc. Manufactured By – Warner Music Japan Inc. Phonographic Copyright (p) – WEA International Inc. Notes (P)1993 WEA International Inc. A Time Warner Company. Made in Japan. Manufactured by Warner Music Japan Inc. Barcode and Other Identifiers Barcode: 4 988053 606812 Rights Society: JASRAC Matrix / Runout (CD1): WMC5-681 1 Matrix / Runout (CD2): WMC5-682 1 Other versions Category Artist Title (Format) Label Category Country Year Greatest Remix Hits 1 MUSH32213.2 Kylie Minogue Mushroom MUSH32213.2 Australia 1998 (2xCD, Comp, RM) Greatest Remix Hits Vol. D29191 Kylie Minogue Mushroom D29191 Australia 1997 1 (2xCD, Comp) Related Music albums to Greatest Remix Hits Vol. I by Kylie Minogue Kylie Minogue - Locomotion Kylie Minogue - On A Night Like This Kylie Minogue - Never Too Late Kylie Minogue - Golden Kylie Minogue - Rhythm of Love Kylie Minogue - Ultimate Kylie Kylie Minogue - A Christmas Gift Kylie Minogue - I Still Love You (Je Ne Sais Pas Pourquoi) Kylie Minogue - KylieX2008 Kylie Minogue - Dancing.
Recommended publications
  • Black Reconstruction
    BLACK RECONSTRUCTION AN ESSAY TOWARD A HISTORY OF THE PART WHICH BLACK FOLK PLAYED IN THE ATTEMPT TO RECONSTRUCT DEMOCRACY IN AMERICA, 1860-1880 BY W. E. Burghardt Du Bois PROFESSOROF SOCIOLOGY IN THE ATLANTA UNIVERSITY HARCOURT, BRACE AND COMPANY NEW YORK XVI. BACK TOWARD SLAVERY How civil war in the South began again—indeed had never ceased; and how black Prometheus bound to the Rock of Ages by hate, hurt and humiliation, has his vitals eaten out as they grow, yet lives and fights It must be remembered and never forgotten that the civil war in the South which overthrew Reconstruction was a determined effort to reduce black labor as nearly as possible to a condition of unlimited exploitation and build a new class of capitalists on this foundation. The wage of the Negro worker, despite the war amendments, was to be reduced to the level of bare subsistence by taxation, peonage, caste, and every method of discrimination. This program had to be carried out in open defiance of the clear letter of the law. The lawlessness in the South since the Civil War has varied in its phases. First, it was that kind of disregard for law which follows all war. Then it became a labor war, an attempt on the part of impov- erished capitalists and landholders to force laborers to work on the capitalist's own terms. From this, it changed to a war between labor- ers, white and black men fighting for the same jobs. Afterward, the white laborer joined the white landholder and capitalist and beat the black laborer into subjection through secret organizations and the rise of a new doctrine of race hatred.
    [Show full text]
  • The Kennel Club Registration Printed: 03/02/2020 09:58:27 PRA (Cord1) Tests February 2020 Page: 1 of 65
    Report: r_dna_test The Kennel Club Registration Printed: 03/02/2020 09:58:27 PRA (cord1) Tests February 2020 Page: 1 of 65 Below is a list of Kennel Club registered dogs of the breed specified above, together with their sire and dam, giving the date that they were DNA tested for the recessively inherited disease specified above. The result of the test can be either CLEAR (no copies of the mutant gene), CARRIER (one copy of the mutant gene) or AFFECTED (two copies of the mutant gene). Note that the progeny of a clear sire and clear dam will also be clear (hereditarily clear), and the progeny of two hereditarily clear, or one hereditarily clear and one tested clear dog will also be hereditarily clear. Further information on this scheme can be obtained from The Kennel Club Dog Name Reg/Stud No DOB Sex Sire Dam Test Date Result BREED: DACHSHUND (MINIATURE SMOOTH HAIRED) AAH MAISIES DAISY GRACE AP00571501 07/12/2011 B BLACK PASSION OF DONNADOON ROIJUL BRACKENS EARLY DAWN 13/05/2014 CLEAR ABBAGIRLS CRUNCHY NUT AJ00196101 06/11/2007 B BILBO BOSS FOR WELCUMEN ABBAGIRLS INAD-INAD 19/06/2012 CLEAR ABBAGIRLS WEETABIX AJ00196105 06/11/2007 B BILBO BOSS FOR WELCUMEN ABBAGIRLS INAD-INAD 02/12/2009 CLEAR ABBEYDAC SHANNON AT DOVESTREAM AM04565204 02/11/2011 B CALERICA SEE THE STARS DOVESTREAM XOTIC DREAM AT ABBEYDAC 16/01/2012 CLEAR ABERTAWE SIMPLY SIMON AT DAYJARIS AJ01291601 21/02/2008 D TWELVESROW BRAVE EFFORT AT GLYNDWR KENMILLIX CHOCOLATE BABE 24/02/2009 CLEAR ACREHILL FAMILY AFFAIR AJ03876301 14/07/2008 D SIOUXLINE MAVERICK MINIMEAD MISTY GIRL 19/09/2008
    [Show full text]
  • “Simply a Theist”: Herndon on Lincoln's Religion
    “Simply a Theist”: Herndon on Lincoln’s Religion RICHARD Carwardine On the evening of Friday, December 12, 1873, William Herndon rose to address a public meeting at the courthouse in Springfield. Un- daunted by the bad weather, the people of the Illinois state capital had turned out in good numbers, enticed by the speaker’s reputation and his advertised subject: Lincoln’s religion. Expecting a forthright lecture from Lincoln’s former associate, Herndon’s hearers were not disappointed, for he did not mince his words as he sought to show that his sometime law partner had lived and died “an unbeliever.” “Mr. Lincoln,” he declared, “was simply a Theist—an unbeliever in Christianity.” The president had died as he had lived: “an infidel . in the orthodox sense of the term.” It was “twaddle” to argue that he had ever been a Christian. Those hero-worshipping biographers who had turned him into a declared follower of Christ had indulged in self-deluding romantic fiction. Herndon’s propositions and the trenchancy with which he advanced them threw Springfield into a fever of excitement. Spread countrywide as a broadside, and in the newspaper press, Lincoln’s Religion drew down onto Herndon’s head a storm of obloquy. His black treachery, snorted the New York Herald, revealed “the heart of Judas beating beneath an exterior of friendship.”1 It was not the first time Herndon had put this case before the public. What was new was his appetite to do it in person, before a hometown audience, with a fanfare, and without concessions to the finer feelings of Christian churchgoers.
    [Show full text]
  • The Birthmark’
    ISSN 2039-9340 Mediterranean Journal of Social Sciences Vol. 3 (11) November 2012 Kantian Notions of Feminine Beauty and Masculine Sublimity in Hawthorne’s ‘The Birthmark’ Najmeh Hafezi (Corresponding Author) MA in English Literature, Islamic Azad University-Arak Branch, Arak, Iran Address: Postal Code: 3713156635, Qom, Iran Tel: +989381454192 Email: [email protected] Dr. Moussa Ahmadian Associate professor, Dept. of English Language and Literature, Faculty of Arts and Humanities, Arak University, Arak 38156-8-8349, PO Box: 879, Iran Tel: +98861313511 E-mail: [email protected]; [email protected] Dr. Fazel Asadi Amjad Associate professor, Dept. of English Language and Literature, Faculty of Arts and Humanities, Khawrazmi University, Tehran, Iran Tel: +989127646512 Email: [email protected]; [email protected] Doi:10.5901/mjss.2012.v3n11p459 Abstract: Hawthorne’s ‘The Birthmark’ is one of his short stories whose theme falls among the domain of experimenting human nature in the fields of art, religion, and science. Regardless of the birthmark itself which represents the Original Sin, a conflict between masculine attitude and feminine perspective toward perfection and beauty is artfully manifested in this story. The paper study employs the notions of the beautiful and the sublime according to Immanuel Kant’s Observations on the Feeling of the Beautiful and Sublime in which he puts forward the idea that different sexes possess different perceptions of events and environment. From his viewpoint, women are mostly capable to feel the beautiful and sympathy, while men, with their tendency to perfection, possess and convey the feeling of the sublime. Several events, disputes and descriptions in ‘The Birthmark’, clearly exemplify women’s zeal for beauty and men’s seeking the perfection.
    [Show full text]
  • Scissor Sisters by Claude J
    Scissor Sisters by Claude J. Summers Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com The American pop band Scissor Sisters was spawned in New York City's gay club scene and has cultivated a large glbtq fan base around the world, especially in the United Kingdom and the United States. With four of its current five members openly gay men; with the lyrics of their songs regularly addressing transgressive sexuality and glbtq subjects, such as transsexual prostitutes and coming out to one's family; and with the group's music and flamboyant presentation drawing on the rich heritage of gay dance music, especially disco and Scissor Sisters lead glam rock: it is not a stretch to suggest that the band expresses a contemporary gay singers Ana Matronic artistic vision, notwithstanding its consistent rejection of the label "gay band." and Jake Shears. Image of Ana Matronic by Wikimedia Commons Although co-founder Jake Shears has said that "I don't believe sexuality really matters contributor HD. Image of when it comes to music," he has nevertheless expressed the desire for the band to be Jake Shears by "openly gay" in a way that other bands have not been in the past, without coyness or Wikimedia Commons apology. Contributor Ames. Both images appear under the Creative Commons Whatever label one attaches to the group, there is no doubt that the band seems to Attribution 2.0 Generic crystallize the joyful energy and genderbending campiness, as well as the sardonic license. poses, tender yearning, and uninhibited eroticism, of many glbtq young people.
    [Show full text]
  • Kylie Minogue Kylie's Remixes Volume 2 Mp3, Flac, Wma
    Kylie Minogue Kylie's Remixes Volume 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Kylie's Remixes Volume 2 Country: Australia Released: 1993 Style: Europop, Hi NRG, Synth-pop MP3 version RAR size: 1310 mb FLAC version RAR size: 1808 mb WMA version RAR size: 1629 mb Rating: 4.1 Votes: 528 Other Formats: ASF AHX VOX VQF MIDI WMA MP3 Tracklist Hide Credits Better The Devil You Know (U.S. Mix) A1 –Kylie Minogue 6:06 Remix – Keith 'KC' Cohen* Step Back In Time (Walkin' Rhythm Mix) A2 –Kylie Minogue 8:01 Mixed By – Phil Harding & Ian Curnow What Do I Have To Do? (U.K. Remix) A3 –Kylie Minogue 7:10 Remix – Pete Hammond Shocked (DNA Mix) A4 –Kylie Minogue 6:16 Remix – DNA Word Is Out (12" Version) A5 –Kylie Minogue 5:53 Mixed By – Phil Harding If You Were With Me Now (Extended Version) A6 –Kylie Minogue Duet With Keith Washington 5:11 Mixed By – Phil Harding Keep On Pumpin' It (12" Version) B1 –Visionmasters* Featuring Kylie Minogue 7:25 Mixed By – Phil Harding Give Me Just A Little More Time (12" Version) B2 –Kylie Minogue 4:36 Mixed By – Dave Ford Finer Feelings (Brothers In Rhythm 12") B3 –Kylie Minogue 6:51 Remix – Brothers In Rhythm Do You Dare (NRG Mix) B4 –Kylie Minogue 7:07 Mixed By – Dave Ford Closer B5 –Kylie Minogue 6:47 Mixed By – Dave Ford Companies, etc. Phonographic Copyright (p) – Mushroom Records International BV Copyright (c) – Mushroom Records International BV Credits Producer – Stock And Waterman* (tracks: 5 to 11), Stock Aitken Waterman* (tracks: 1 to 4) Written-By – Wayne* (tracks: 8), Washington* (tracks: 6), Minogue* (tracks: 6, 7, 10, 11), Dunbar* (tracks: 8), Stock & Waterman (tracks: 5 to 7, 9 to 11), Stock, Aitken & Waterman (tracks: 1 to 4 ) Notes This Compilation ℗ © 1993 Mushroom Records International B.V.
    [Show full text]
  • Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
    Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2
    [Show full text]
  • KYLIE MINOGUE - the ABBEY ROAD SESSIONS - Release: 29
    2012-09-06 14:09 CEST KYLIE MINOGUE - THE ABBEY ROAD SESSIONS - Release: 29. oktober Kylie Minogue fortsætter fejringen af sit 25-års jubilæum med ”The Abbey Road Sessions” “The Abbey Road Sessions” indeholder Kylie Minogues største hits i nye arrangementer, mange med fuldt orkester. Albummet indeholder desuden det ikke-før udgivede nummer ”Flowers”. Kylie Minogue udgiver sit nye album ”The Abbey Road Sessions” på Parlaphone Records den 29. oktober. Albummet indeholder 16 sange, alle radikalt omarrangeret, der spænder over Kylie’s fantastiske 25 årige karriere. Albummet er optaget i det legendariske Abbey Road Studio med Kylie’s band og et fuldt orkester. Nick Cave har geninspillet sin vokal til den berømte duet ”Where The Wild Roses Grow” specielt til dette album. Af andre højdepunkter kan nævnes den fantastisk gribende ”Better The Devil You Know”, den altid fængende ”Confide In Me”, en dampende version af ”On A Night Like This”, en glad ”All The Lovers”, den smukke ”Finer Feelings” og en udgave af ”The Locomotion” der svinger som var vi tilbage i 50’erne. I takt med at man kommer igennem de 16 sange står en ting lysende klart, uden sine popproduktioner står følelserne i Kylie’s sange helt tydeligt frem, det samme gør hendes fantastiske stemme. Trackliste: 1. All The Lovers 2. On A Night Like This 3. Better The Devil You Know 4. Hand On Your Heart 5. I Believe In You 6. Come Into My World 7. Finer Feelings 8. Confide In Me 9. Slow 10. The Locomotion 11. Can’t Get You Out Of My Head 12.
    [Show full text]
  • Steve Anderson Full Discography
    Steve Anderson - Complete Discography Artist Album or Project Description Label Format A Man Called Adam Bread Love And Dreams Remixer Big Life CD Single ABC The Look Of Love Remixer DMC DMC Mix ABC Viva Love Remixer DeConstruction CD Single Adeva It Should Have Been Me Remixer DMC DMC Mix Alanis Morrisette Uninvited Remixer DMC White Label Alexander O’Neal If You Were Here Tonight Remixer DMC DMC Mix Alexander O’Neal Love Makes No Sense Remixer A+M CD Single Alison Limerick And Still I Rise Producer/Co-writer Arista Album Alison Limerick Getting It Right Producer/Co-writer Arista Album Track Alison Limerick Hear My Call Producer/Co-writer Arista CD Single Alison Limerick Make It On My Own Producer/Co-writer Arista CD Single Alison Limerick The Difference Is You Producer/Co-writer Arista Album Track Alison Limerick Trouble Producer/Co-writer Arista Album Track Alison Limerick Where Love Lives Remixer Arista CD Single Alison Limerick You And I Producer/Co-writer Arista Album Track Alyson WIlliams My Love Is So Raw Remixer DMC DMC Mix Amy Grant Baby Baby Remixer A+M CD Single Amy Grant Good For You Remixer A+M CD Single Angel Baby Format 2.1 Producer/Co-writer DMC Album Track Art Of Noise Beatbox Remixer DMC DMC Mix Art Of Noise Dream In Color Remixer ZTT CD Single Asia Blue Escaping Remixer A+M CD Single Atomic Kitten Feels So Good Producer/Co-writer Innocent Album Track Bas Noir I’m Glad You Came To Me Remixer Virgin CD Single Basic Black Whatever It Takes Remixer Motown CD Single Billie Ray Martin Imitation Of Life Remixer East West
    [Show full text]
  • El Videoclip Como Paradigma De La Música Contemporánea, De 1970 a 2015
    UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL Y PUBLICIDAD I TESIS DOCTORAL El videoclip como paradigma de la música contemporánea, de 1970 a 2015 MEMORIA PARA OPTAR AL GRADO DE DOCTORA PRESENTADA POR Lara García Soto DIRECTOR Francisco Reyes Sánchez Madrid, 2017 © Lara García Soto, 2016 Universidad Complutense de Madrid Facultad de CC. de la Información Comunicación Audiovisual y Publicidad I El videoclip como paradigma de la música contemporánea, de 1970 a 2015 Tesis doctoral presentada por: Lara García Soto. Tesis doctoral dirigida por: Francisco Reyes Sánchez. Madrid, 2015 El ejemplo, la fuerza y el esfuerzo, mis padres. La paciencia y apoyo, Adrián. La música, baile y mi inspiración, Michael Jackson. Gracias. ÍNDICE 1. Introducción y Objeto de estudio……………………………………1 2. Objetivos……………………………………………………………….6 3. Metodología………………………………………............................10 4. Orígenes……………………………………………………………….13 4.1. Cine sonoro y experiencias artísticas………………………13 4.2. Cine Musical…………………………………………………..18 4.3. Soundies y Scopitones……………………………………….25 4.4. La llegada de las películas rock, grabaciones de conciertos. Décadas de los 50 y 60……………………………………………29 4.5. El videoarte……………………………….............................38 4.6. La televisión y los programas musicales………………......41 4.6.1. La MTV………………………………………………...........48 4.6.2. Programas musicales en España………………………...57 4.6.3. Los canales temáticos de música y videoclips………….65 5. Historia de la música y relación con los videoclips……………….68 5.1. Los años 70…………………………………………………..69 5.2. Los años 80…………………………………………………..76 5.2.1. La televisión y los videoclips. Desarrollo del rap…..80 5.2.2. El primer muro. El PMRC…………………………….86 5.2.3. Continúa la evolución: música, tecnología y moda..89 5.2.4.
    [Show full text]
  • On STAGE WA MARITIME MUSEUM FREMANTLE 16.02.2019—09.06.2019 CONTENTS
    LEARNING RESOURCE KIT WA MARITIME MUSEUM presents A TOURING EXHIBITION BY ARTS CENTRE MELBOURNE AND THE AUSTRALIAN MUSIC VAULT on STAGE WA MARITIME MUSEUM FREMANTLE 16.02.2019—09.06.2019 CONTENTS: Welcome How to use this Resource Section 1 - What is an Exhibition? 1.1. Activity Introduction 1.2. Prezi – What is an Exhibition? 1.3. Types of Exhibition Spaces 1.4. The ACM Collection 1.5. Acquiring Artefacts and Artworks 1.6. Conservation of Artworks and Artefacts 1.7. ACM on Display 1.8. Activity – Who works in the team? 1.9. The Collections Team 1.10. Activity – The Exhibition of Me Section 2 – All Things Kylie 2.1. Introduction 2.2. Prezi – Kylie Career Overview 2.3. Video – Kylie – the curator’s insight 2.4. Activity – Visiting the Kylie on Stage Exhibition live or online Section 3 – Designing an Icon 3.1. What makes an Icon? 3.2. Interpreting a Song 3.3. Activity – Interpreting a Song 3.4. Garment Design Elements and Principles 3.5. Activity – Design Elements and Principles 3.6. Activity – Design Analysis Activity 3.7. Activity – Mood Board Activity 3.8. Activity – Designing a Costume 3.9. Activity – Making a Costume Appendix A – Offer of Donation Form Appendix B – Condition Report - Kylie Costume Appendix C – ACM Exhibitions Appendix D – Catalogue Worksheet Appendix E – Condition Report – Blank Appendix F – Elements and Principles Template Novice Appendix G – Elements and Principles Template Advanced Appendix H – Croquis Templates Curriculum Links Credits WELCOME Thank-you for downloading the Kylie on Stage Learning Resources. We hope you and your students enjoy learning about collections, exhibitions, music and costumes and of course Kylie Minogue as much as us! Kylie on Stage is a major free exhibition celebrating magical moments from Kylie’s highly successful concert tours around Australia.
    [Show full text]
  • The Pleasures of Friendship
    PREFACE. IN submitting the following pages to the notice of the public, the Author experiences a delicacy of sentiment, that words must fall far short of expressing; being aware, that in so doing, she exposes herself to criticism, and probably to reprehension. She attempts not to pronounce her Work free from error; on the contrary, she feels persuaded that the first attempt of a young and inexperienced female, must be a source from whence the scrutinous reader may draw ample food for critical remark. Should, however, her feeble efforts be deemed worthy the public regard, she trusts it will be found, that whilst endeavouring to engage and entertain the youthful mind, she has not neglected to enforce the precepts of Religion and Morality. If by such an union she eventually succeeds in the attainment of so great an object, her exertions will be amply repaid in the happiness of knowing that her time has not been vainly or unprofitably employed. THE PLEASURES OF FRIENDSHIP. DURING the summer of 1800, I was prevailed on by the entreaties of my family, to commence a tour through Scotland and Wales. On approaching the town of Caermarthen, I was particularly struck with the picturesque situation of an elegant mansion. I expressed my admiration to Mrs. B. who had formerly resided in the neighbourhood; and who informed me that it was Llyndridge. “ What!” exclaimed all my little family in a breath, “ Llyndridge, the residence of your amiable friends Mrs. Wallace and Mrs. Mansfield?” “ The same, my loves; in that pretty cottage, situated at a short distance from the house, they resided many years.” “ I wish, dear mamma,” said Augusta, the eldest of Mrs.
    [Show full text]