Exe Dp Science
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Detailseite
W-1888_K 29.01.2006 20:50 Uhr Seite 36 Berlinale 2006 THE SCIENCE OF SLEEP Wettbewerb THE SCIENCE OF SLEEP Außer Konkurrenz THE SCIENCE OF SLEEP Regie: Michel Gondry Frankreich 2005 Darsteller Stéphane Miroux Gael García Bernal Länge 105 Min. Stéphanie Charlotte Gainsbourg Format 35 mm, 1:1.85 Guy Alain Chabat Farbe Christine Miroux Miou-Miou Monsieur Pouchet Pierre Vaneck Stabliste Zoé Emma de Caunes Buch Michel Gondry Martine Aurélia Petit Kamera Jean-Louis Bompoint Serge Sacha Bourdo Kameraassistenz Valério Villalba Sylvain Stéphane Metzger Schnitt Juliette Welfling Gérard Decourt Moyen Ton Guillaume Sciama Monsieur Persinnet Inigo Lezzi Jean Gargonne Ivana Yvette Petit Dominique Polizisten Jean-Michel Bernard Gaborieau Eric Mariotto Tonassistenz Jean-Pierre Milhau Ansager Bertrand Delpierre Olivier Burgaud Musik Jean-Michel Bernard Ausstattung Pierre Pell Stéphane Rosenbaum Charlotte Gainsbourg, Gael García Bernal Kostüm Florence Fontaine Maske Maya Benamer Regieassistenz Bertrand Delpierre THE SCIENCE OF SLEEP Casting Nathalie Guillaume Für den schüchternen und gehemmten Stéphane gewinnt das Leben end- Julie Navarro lich einen Sinn, als er sich von seiner Mutter überreden lässt, nach Frankreich, Produktionsltg. Inigo Lezzi das Land seiner Kindheit, zurückzukehren, wo angeblich ein ganz toller Job Aufnahmeleitung Attila Egry auf ihn wartet. Stéphane ist mit einer regen Fantasie begabt und stets droht Produzenten Georges Bermann Michel Gondry seine exaltierte Traumwelt aufs wirkliche Leben überzugreifen. Als der Job Frédéric Junqua seinen Erwartungen in gar keiner Weise entspricht, ist seine Enttäuschung entsprechend groß. Produktion Die Bekanntschaft mit Stéphanie, seiner attraktiven Nachbarin, tröstet ihn Partizan Films allerdings darüber hinweg. Binnen kurzem verliebt er sich in die junge Frau, c/o Gaumont 30, av. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Transcript Michel Gondry
TRANSCRIPT A PINEWOOD DIALOGUE WITH MICHEL GONDRY Michel Gondry is one of the most creative contemporary directors, known for his astonishingly inventive style that combines complex technological innovation with an almost childlike playfulness, and an ability to move fluidly between dream and reality. Gondry has directed feature films (Eternal Sunshine of the Spotless Mind, Be Kind Rewind, The Science of Sleep), documentaries (Dave Chappelle's Block Party), music videos for Bjork, Radiohead, The White Stripes, and Daft Punk, and numerous award-winning commercials. He is also an installation artist who has been featured at Deitch Projects. In this conversation with Chief Curator David Schwartz, Gondry discusses his remarkable career. A Pinewood Dialogue with Michel Gondry draw. And we started a band in maybe ’81, ’82, that moderated by Chief Curator David Schwartz lasted ten years; it was called Oui Oui. I had done (May 9, 2008): some experimentation with animation at an earlier age, and then one day I bought a film camera—I DAVID SCHWARTZ: Please welcome the birthday mean, I was flatmates with my friend Jean-Louis boy, Michel Gondry. (Applause) So what do you Bompoint, who is my DP now. He had some think of when you watch these videos; do you think equipment and he was a director, so he helped me of how hard they were to make? a little bit. That’s how it started. I was doing two minute animated pieces to fit our music, because MICHEL GONDRY: No, actually. I was thinking that the songs were quite minimalist and short, so they they look alright. -
MICHEL GONDRY RETROSPEKTYWA FILMÓW 2 MICHEL GONDRY 3 MICHEL GONDRY Ur
MICHEL GONDRY RETROSPEKTYWA FILMÓW 2 MICHEL GONDRY 3 MICHEL GONDRY ur. 8 maja 1963 roku w Wersalu, we Francji. Reżyser, scenarzysta, latach współpracował z największymi gwiazdami muzycznymi, pisarz, producent, wynalazca, plastyki i muzyk. Wnuk wynalazcy takimi jak: The Rolling Stones, The White Stripes, The Chemical Constanta Martina. Autor filmów fabularnych, dokumentalnych, wideo, Brothers, Kylie Minogue, Daft Punk, Radiohead, Massive Attack, teledysków i reklamówek. Zdobywca Oscara® za filmZakochany Neneh Cherry, Sheryl Crow, Beckiem, Foo Fighters i Wyclefem Je- bez pamięci. Aktywny i bardzo kreatywny na wielu płaszczyznach anem. Gondry ma też na swoim koncie sporo filmów reklamowych, artystycznych. Zaskakuje nowymi pomysłami i ideami. Znany nie tylko zrealizowanych dla takich firm, jak: Smirnoff, Air France czy Nike. ze swoich filmów, lecz również ze współpracy z Björk, Daft Punk, The W kręconych przez siebie teledyskach i reklamówkach Gondry Rolling Stones i Kanye Westem. Niedawno ukończył pracę nad ada- rozwinął kilka nowych technik filmowych, w tym morfing i filmowa- MICHEL GONDRY ptacją książki L’Écume des Jours francuskiego pisarza Borisa Viana. nie postaci z kilku kamer w tym samym czasie. Samodzielnie w długim metrażu Gondry zadebiutował w 2001 W dzieciństwie pragnął zostać malarzem lub wynalazcą. Na roku filmemWojna plemników, zrealizowanym w oparciu o sce- początku lat 80. ubiegłego wieku dostał się jednak do szkoły arty- nariusz Charliego Kaufmana. Sukcesem artystycznym okazał się stycznej w Paryżu, gdzie przez kilka lat szkolił swoje umiejętności kolejny film nakręcony przez spółkę Gondry-Kaufman,Zakocha - graficzne i gdzie wraz z przyjaciółmi założył pop-rockowy zespół ny bez pamięci (2004), uhonorowany w 2005 roku Oscarem®. Oui Oui. Grupa rozpadła się w 1992 roku, ale zdążyła wydać dwa W 2006 roku na ekrany kin wszedł kolejny film reżysera, wyprodu- albumy, a Gondry pełnił w niej rolę perkusisty i reżysera teledysków. -
Fatou N Diaye Nue
Fatou n diaye nue Continue Home explores Encyclopedia sugar-free mooncakes no sugar 2020 teacher heat report user lgdbaike F'Y201310 also 12138super_ (All 0 photos uploaded) More than 2 collaborations with people film... (All) Edit Lock Talk Download Video This term lacks review chart, complements the appropriate content to make the term more complete, can also be quickly updated, hurry to edit it! 1 Highlights of ▪ Film Works ▪ Series 2 Character Relationships Fatu N'Diaye Film Productions Play-time playwright starring Liz Francois Duperonlav Amoso, Firichid Ewash Actor 2006 Kigali Sunday Gentile Favreaux Luc Piccard, Fat Nou'Diaye Actor 206 Ka La David Gleeson Eric Aberanani, James Flynn Actor 2003 Fabu Daniel Vega Fatu N'Diaye, Diukunda Coma Actor 2002 Beautiful Singing VitaFlora Gomez Fatou N'Diaye, Ingelo Torres Actor 2002 Beautiful New World II Mission queen Exlibris Alan Shamonica Bellucci, Alan Chaba Actor 2001 Hope Fatu Daniel Vega Fatou N'Diaye, Pauline Fodouop Actor Transformer Une Bacchus Christopher Honore Amira Aquily, S'Bastien Hirel Actor Fatou Ntou'Diaye Serial Premiere Time Dramatic Director Starring in 2010 Bordel Pauline (8 episodes, 2013) Marbrook El Mejiana Chalier, Valerie Carsenti Actor Co-production Character Name Collaboration more than doubled Daniel Vega Daniel Vigne (2) : Hope in Law, Pascal N'Sonzi in Hope (2): Hope in Law, Hope in Co-Production (2): Hope in Law.By David Kundama Kaba Co-production (2): Hope Of Law, Claude Rich's Hope Claude Rich (2): Self-Help, Mission of the Beautiful New World II, Alan Sheba Alain Chabat (1): Mission Beautiful New World Reference II. -
Films in Competition and Parallel Sections
Marrakech Unveils Its Official Selection: Films in Competition and Parallel Sections • 14 films in Official Competition • 7 Moroccan films screened in the framework of a dedicated section • The 11th Continent, a new section to discover sharp and bold cinema • Gala screenings, Special Screenings, and general public screenings round out the programme Rabat, November 14, 2018, the Marrakech International Film Festival (FIFM) unveils the official selection. From November 30 to December 8, 2018, festival-goers and cinema-lovers alike will discover no fewer than 80 films coming from 29 different countries. The line-up is divided into several sections, the main ones including the Official Competition; Gala Screenings; Special Screenings; The 11th Continent; Moroccan Panorama; Jamaa El-Fna Square Screenings; Audio-described Cinema; and a Tribute section. Fourteen (14) films are thus in the running to win the Marrakech Etoile d’Or (or, the Gold Star), in the framework of the Official Competition of the 17th Edition of FIFM. In selecting these first or second feature-length films, the Festival grants priority to the discovery and consecration of new talents in world cinema. The selection is eclectic, its purpose being to showcase several cinematic universes developed in different regions of the world, with four (4) European films (from Austria, Bulgaria, Germany, and Serbia); three (3) films from Latin America (Argentina and Mexico); one (1) US film; two (2) Asian films (China and Japan); and four (4) films from the MENA region (Egypt, Morocco, Sudan, and Tunisia). Of the 14 films in competition, six are directed by women. Six great auteur films, with first-rate distribution, will be shown on the Festival’s gala evenings. -
Around $ 2 Medium 2-Topping Pizzas5 8” Individual $1-Topping99 Pizza 5And 16Each Oz
NEED A TRIM? AJW Landscaping 910-271-3777 September 8 - 14, 2018 Mowing – Edging – Pruning – Mulching Licensed – Insured – FREE Estimates 00941084 Carry Out ‘Kidding’ MANAGEr’s SPECIAL WEEKDAY SPECIAL around $ 2 MEDIUM 2-TOPPING Pizzas5 8” Individual $1-Topping99 Pizza 5and 16EACH oz. Beverage Jim Carrey stars (Additional toppings $1.40 each) in “Kidding” Monday Thru Friday from 11am - 4pm 1352 E Broad Ave. 1227 S Main St. Rockingham, NC 28379 Laurinburg, NC 28352 (910) 997-5696 (910) 276-6565 *Not valid with any other offers Joy Jacobs, Store Manager 234 E. Church Street Laurinburg, NC 910-277-8588 www.kimbrells.com Page 2 — Saturday, September 8, 2018 — Laurinburg Exchange Funny, not funny: Jim Carrey’s ‘Kidding’ mixes comedy and drama By Kyla Brewer ular television series role. At the to prepare the show to go on with- TV Media time of the announcement, Show- out him. At the same time, Deidre time executive David Nevins had grapples with her own challenging irst, there was Howdy Doody. high praise for the star. personal and professional issues. FThen came Captain Kangaroo, “No one inhabits a character like On the homefront, Jeff’s wife, Jill, the beloved Mr. Rogers and so on. Jim Carrey, and this role — which is has hit a rebellious streak. Cheerful, wise and kind, children’s like watching Humpty Dumpty after A show about a children’s enter- entertainers such as these have in- the fall — is going to leave televi- tainer is well timed, considering the spired generations of kids. A new sion audiences wondering how they current wave of Mr. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
BENOIT JACQUOT | Président Du Jury 2015 | President of the 2015 Jury PARTENAIRE OFFICIEL Dessange.Com
« Le cinéma est une Amérique qu’on découvre à chaque film, le rêve à chaque fois d’un moment inoubliable. À Deauville, je rêve de découvrir et de faire découvrir un film inoubliable.» “Cinema is an America that one discovers with each movie, on each occasion the dream of an unforgettable moment. At Deauville I dream of discovering and helping others to discover an unforgettable film.” BENOIT JACQUOT | Président du Jury 2015 | President of the 2015 Jury PARTENAIRE OFFICIEL dessange.com Pub JD Fest Deauville 2015.indd 1 22/07/15 12:06 SOMMAIRE | CONTENTS ÉDITORIAUX | EDITORIALS 5 LA COMPÉTITION 15 LE JURY 16 LE JURY RÉVÉLATION | REVELATION JURY 26 LES PRIX | AWARDS 30 LES FILMS 32 LES JURYS & LES PALMARÈS PRÉCÉDENTS | PAST JURYS & AWARD WINNERS 46 LES PREMIÈRES 49 LE FILM D’OUVERTURE | OPENING FILM 53 LE FILM DE CLÔTURE | CLOSING FILM 65 LE NOUVEL HOLLYWOOD | HOLLYWOOD RISING STARS 67 ELIZABETH OLSEN 68 ROBERT PATTINSON 72 LES HOMMAGES | TRIBUTES 77 MICHAEL BAY 78 LAWRENCE BENDER 84 ORLANDO BLOOM 88 PATRICIA CLARKSON 94 TERRENCE MALICK 100 IAN McKELLEN 114 KEANU REEVES 120 ORSON WELLES 126 LES DOCS DE L’ONCLE SAM | UNCLE SAM DOCUMENTARIES 135 DEAUVILLE SAISON 6 | DEAUVILLE SEASON 6 146 LE RENDEZ-VOUS DES PRODUCTEURS | PRODUCERS MEETING 153 LE PRIX D’ORNANO-VALENTI 155 LE PRIX LITTÉRAIRE LUCIEN BARRIÈRE 159 L’ÉQUIPE DU FESTIVAL | FESTIVAL TEAM 163 REMERCIEMENTS | AKNOWLEDGEMENTS 165 INDEX DES RÉALISATEURS | DIRECTORS 167 INDEX DES FILMS 168 © SHERYO - HAAS & HAHN © SHERYO 76, RUE EUGÈNE COLAS DEAUVILLE - 01 55 90 59 69 1506023_LGCH_FR_CATA FESTIVAL CINE DAUVILLE_JULY1_FW15_LPH_210x260.indd 1 08/06/15 11:50 PHILIPPE AUGIER Maire de Deauville Mayor of Deauville © Béatrice Augier Le Festival du Cinéma Américain a été le premier grand événement The Deauville American Film Festival was the first major cultural culturel créé par la Ville de Deauville. -
This Item Is the Archived Peer-Reviewed Author-Version Of
This item is the archived peer-reviewed author-version of: Audio-describing visual filmic allusions Reference: Lievois Katrien, Remael Aline.- Audio-describing visual filmic allusions Perspectives : studies in translatology - ISSN 0907-676X - 25:2(2017), p. 323-339 Full text (Publisher's DOI): https://doi.org/10.1080/0907676X.2016.1213303 To cite this reference: http://hdl.handle.net/10067/1348910151162165141 Institutional repository IRUA Audio-describing visual filmic allusions Katrien Lievois & Aline Remael Department of Applied Linguistics/Translators & Interpreters, University of Antwerp, Belgium Campus Zuid Schildersstraat 41 2000 Antwerpen België [email protected] Campus Zuid Schildersstraat 41 2000 Antwerpen België [email protected] Katrien Lievois is a lecturer of French language and culture at the Department of Applied Linguistics/Translators and Interpreters at the University of Antwerp, where she is also member of the research group Translation, Interpreting and Intercultural Studies (TricS). Her main research interests are (1) the translation of irony and intertextuality, (2) the (Dutch) translations of the African Francophone novel and (3) pseudotranslations. She is also the chief editor of Linguistica Antverpiensia New Series – Themes in Translation Studies (https://lans-tts.uantwerpen.be). Aline Remael is Department Chair, Research Coordinator and Professor of Translation Theory, Interpreting and Audiovisual Translation at the Department of Applied Linguistics/Translators and Interpreters, University of Antwerp. Her main research interests are audiovisual translation, media accessibility and new hybrid forms interpreting that have affinities with AVT. She was a partner in the European ADLAB-project on audio-description (www.adlabproject.eu), is leading a Flemish funded project on accessible theatre, and is currently a partner in an Erasmus Plus project entitled “Accessible Culture and Training” (ACT). -
Redefining Beur Cinema: Constituting Subjectivity Through Film
REDEFINING BEUR CINEMA: CONSTITUTING SUBJECTIVITY THROUGH FILM by Yahya Laayouni Licence, English Literature, Mohammed ibn Abdellah University, 2000 DESA, Mohammed ibn Abdellah University, 2003 Submitted to the Graduate Faculty of the Kenneth P. Dietrich Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2012 UNIVERITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Yahya Laayouni It was defended on April 10th 2012 and approved by Todd Reeser, Associate Professor, French and Italian Mohammed Bamyeh, Professor, Sociology Neil Doshi, Assistant Professor, French and Italian Dissertation Co-advisor: Giuseppina Mecchia, Associate Professor, French and Italian Dissertation Co-advisor: Randall Halle, Klaus W. Jonas Professor, German ii Copyright © by Yahya Laayouni 2012 iii REDEFINING BEUR CINEMA: CONSTITUTING SUBJECTIVITY THROUGH FILM Yahya Laayouni Ph.D. University of Pittsburgh, 2012 This dissertation focuses on Beurs’ modes of identification in France as depicted in film. The term “Beur” is not used as an identity based on birth or citizenship but rather as a socio- cultural construct that serves as an analytical tool to dismantle the notion of Frenchness. This study, thus, investigates how cinema reflects on the experience of the Beurs through filmic narrative. The aim is to trace the changing lives of the Beurs as they have been reconstructed in movies since the early eighties. This process is both synchronic and diachronic. Synchronic as it engages in the analysis of films with respect to their historical context and diachronic as it will permit the distilling of the commonalities between these films to lead to the conception of Beur cinema as a film genre.