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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Jerry Williams Jr. Discography
SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968. -
PROGRAMME LUC PLAMONDON Parolier
PROGRAMME LUC PLAMONDON Parolier Né à Saint-Raymond de Portneuf, Luc Plamondon est initié très jeune au monde de la musique. Sa tante Augustine lui apprendra le piano et lui fera jouer des rôles dans des opérettes. ll commence secrètement à écrire des chansons et des pièces de théâtre à son adolescence. Dix ans plus tard, après de longues études à Québec, Montréal, Paris, Londres, Berlin, Rome et à Grenades, il se retrouve aux États-Unis. Suivra une année d’errance. À New York, il se gave de comédies musicales, puis, à San Francisco, il tombe sous le choc de Hair, le premier rock musical, l’étincelle qui l’amènera dix ans plus tard à écrire Starmania, dont la création à Paris sera dirigée par... Tom O’Horgan, le célèbre metteur en scène original de Hair. C’est en revenant à Montréal qu’il écrit sa première chanson Dans ma Camaro, qui sera le hit de l'été 70. C’est en Diane Dufresne cependant qu’il trouvera son interprète fétiche, pour qui il écrira 75 chansons. Considéré comme le premier parolier rock de la langue française, il est appelé dans les années 70 - 80 à travailler, entre autres, avec Julien Clerc, Robert Charlebois, Françoise Hardy, Johnny Hallyday et Ginette Reno. En 1978, l’opéra rock Starmania (musique de Michel Berger) sort sur disque avec Diane Dufresne, France Gall, Fabienne Thibeault, Nanette Workman, Daniel Balavoine et Claude Dubois. Le spectacle est créé sur scène en 1979 au Palais des Congrès de Paris. Le succès immédiat et toujours grandissant des chansons de Starmania a donné lieu à de multiples productions dans différents pays au cours des quatre dernières décennies qui totalisent plus de 6 millions de spectateurs et autant d’albums. -
Night Moves Pdf, Epub, Ebook
NIGHT MOVES PDF, EPUB, EBOOK Jessica Hopper | 184 pages | 18 Sep 2018 | University of Texas Press | 9781477317884 | English | Austin, TX, United States Night Moves PDF Book Interviewed by Redbeard. They pull in Harmon, a man with a sketchy past, to help them pull off their big plan. Marty Heller Kenneth Mars This is the 33rd novel in the Alex Delaware series and I have read many, if not most, of the books. View all 5 comments. Our loss is that we have solid material like this woven together by two not very satisfying references. He was on one of his dreary night-long stake-outs, now a weary detective looking into other peoples' lives, when the second Kennedy was. Stranger in Town Another well executed tale of a murder solved by the winning team of Alex and Milo. We weren't in love, oh no, far from it We weren't searchin' for some pie in the sky summit We were just young and restless and bored Livin' by the sword And we'd steal away every chance we could To the backroom, to the alley or the trusty woods I used her, she used me But neither one cared We were gettin' our share Workin' on our night moves Tryin' to lose the awkward teenage blues Workin' on our night moves And it was summertime Sweet, summertime, summertime. Director: Kelly Reichardt. Another 1 nomination. Get a sneak peek of the new version of this page. Metacritic Reviews. It also charted at number five in Canada and was a top 25 hit in Australia. -
WISHBONE ASH: Review and Pictures P.8 Ursaries: Arch from Uad Wed
Volume 49. Issue 4. Tues. Mar. 25, 1974. WISHBONE ASH: review and pictures p.8 ursaries: arch from uad wed. 26 1pm Page 2 do very well in the exams at the end of moral reasons. But it was all a joke, the year, unless he has in some way made wasn’t it? the knowledge contained in those essays Peter Keeble. his own. It is, after all, one of the fun Yes Peter, it was a joke. Your comments ctions of exams to provide a forum for ^CRACCUM Volume 49, Issue 4 however, only lead me to conclude that students to show what they know or perhaps those broadcasting officials were T( T uesday March 25, 1974 believe without the marker having to justified a few years back in deciding that worry about the probability that what he New Zealanders weren’t quite ready for is reading has been copied from someone satire. The author of this “anonymous am else. In many departments questions scurrilous article” was Bill Ralston who, ne differ .sufficiently from year to year to like you and me, is a Masters’ student in expose answers that are mere regurgit the Political Studies Dept. His ‘anonymity ation of someone else’s work with no 0 0 0 was neither requested nor intended - and Whether by real appreciation of the facts or argu Articles for CRACCUM are cunningly results from a “ technical error”. Ed imperialist de< ments involved. As for swopping essays squeezed out of their contributors by trade, aid, anc l with friends who have covered different Mike Rann, who is also the editor. -
699-5914 Page 1 De
Location/Animation Productions PAC info@ showpac.com (450) 699-5914 Song Name Singer Name no. DO WAH DIDDY 2 LIVE CREW 000030 TON AMOUR A CHANGER MA VIE LES CLASSELS 001001 LE DEBUT D'UN TEMPS NOUVEAU RENEE CLAUDE 001002 SUR LES CHEMINS D'ETE(DANS MA CAMARO) STEPHANE VENNE 001003 L'AUTOROUTE SANS RETOUR DANNY BOUDREAU 001420 1500 MILES ERIC LAPOINTE 001421 ADAMO MEDLEY 1 ADAMO 001422 ADAMO MEDLEY2 ADAMO 001423 N'EST CE PAS MERVEILLEUX ADAMO 001424 NOTRE ROMAN ADAMO 001425 ELLE ADAMO 001426 JE VEUX TOUT ARIANNE MOFFATT 001427 SOULMAN BEN L'ONCLE SOUL 001428 JE POURSUIS MON BONHEUR DANIEL BÉLANGER 001429 LE RENDEZ VOUS VALÉRIE CAROPENTIER 001430 ON S'EST AIMÉ À CAUSE CÉLINE DION 001431 J'ATTENDS CHARLOTTE CARDIN GOYER 001432 OUBLIE MOI COEUR DE PIRATE 001433 CRIER TOUT BAS COEUR DE PIRATE 001434 SI TU M'AIMES ENCORE JEAN MARC COUTURE 001435 ENCORE UN SOIR CELINE DION 001436 TU PEUX PARTIR DANIEL BÉLANGER 001437 DANZA DOMINIQUE HUDSON 001438 QUAND JE VOIS TES YEUX DOMINIQUE HUDSON 001439 ÇA ME MANQUE ERIC LAPOINTE 001440 LES ALLUMEUSES HUGO LAPOINTE 001441 TU M'AIMES TROP HUGO LAPOINTE 001442 DIS QUAND REVIENDRAS TU ISABELLE BOULAY 001443 JE PENSE À TOI GREGORY CHARLES 001444 TOI QUI ME FAIT VIVRE JEAN MARC COUTURE 001445 COMME ON ATTENDS LE PRINTEMPS JEROME COUTURE 001446 JE NE CHERCHE PAS AILLEURS JJ LECHANTEUR 001447 LE GROS PARTY JJ ROLLAND 001448 NON IL NE FAUT PAS PLEURER JJ ROLLAND 001449 L'AMOUR DE MA VIE JJ ROLLAND 001450 NANIE JOCELYN THÉRIAULT 001451 NON NE RACCROCHEZ PAS JOCELYNE BÉDARD 001452 LE KID J PAINCHAUD 001454 LES VIEUX -
Eleven Seconds Underwater Matthew .W Vadnais Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1999 Eleven seconds underwater Matthew .W Vadnais Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Fiction Commons Recommended Citation Vadnais, Matthew W., "Eleven seconds underwater" (1999). Retrospective Theses and Dissertations. 177. https://lib.dr.iastate.edu/rtd/177 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Eleven seconds underwater by Matthew William Vadnais A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Creative Writing) Major Professor: Barbara Haas Iowa State University Ames, Iowa 1999 Copyright© Matthew William Vadnais, 1999. All rights reserved 11 Graduate College Iowa State University This is to certify that the Master's Thesis of Matthew William Vadnais has met the thesis requirements of Iowa State University Signature redacted for privacy Major Professor Signature redacted for privacy For the Major Program Signature redacted for privacy For the Graduate College iii For my parents for knowing how to let go. For Allen Blair, Joshua Vadnais, and Patrick Wilson for knowing how to hold on. And for Mary Ann Hudson for everything else. iv TABLE OF CONTENTS PREFACE vi PARK MEMO RE: THE MYTH OF PROLOGUE 1 PART I. -
Uriah Heep – 70S Music for Today
8/24/2017 Uriah Heep - 70s Music For Today The Latest News NEWS ENTERTAINMENT HEALTH SCIENCE POLITICS FOOD TECH Search Home / Entertainment / Uriah Heep – 70s Music For Today Uriah Heep – 70s Music For Today RECENT POSTS ENTERTAINMENT FEATURED NEWS 7 Steps to Writing an Awesome By Alexander Baron Business School Essay Bacteria Powered Solar Cell Makes Clean Energy Zika Virus Associated With New Type Of Brain Disease Pertussis (Whooping Cough) Immunisation Prole Raised Using Mice To Predict Zika Infection In People 2 0 1 0 1 0 0 0 6 2 0 SHARES a d y n f h k m The greatest music ever written, performed, improvised and recorded can be dated from 1963 – the breakthrough of The Beatles – until about the mid-1990s. Three hundred years from now, if Man still exists, our descendants will look back on the stars of that Golden Age with the same reverence reserved for Beethoven and Mozart today. https://www.infotextmanuscripts.org/tln/Uriah%20Heep%20-%2070s%20Music%20For%20Today-.html 1/3 8/24/2017 Uriah Heep - 70s Music For Today Uriah Heep were never in the same class as Barclay James Harvest, Deep Purple, Pink Floyd, UFO, or others in that genre, but nobody can fault their work ethic. From their formation in 1969 until 1980 they released 13 studio albums, the rst in June 1970. And they are still performing today. The band’s origins actually date back to 1967 when teenage guitarist Mick Box formed The Stalkers. Box is the only founder member in the current line-up. -
12X5 / the Rolling Stones (No. 2)
12x5 and Rolling Stones No. 2 ALO Andrew Loog Oldham probably does not get the credit he deserves for forming the early and lasting image of the Stones as the bad boys of rock and roll. One of his primary vehicles for doing this was through the early album art produced for Rolling Stones albums. He invited controversy with his liner notes and he legitimized the Stones role in the Swinging London scene by having a well-established artist like David Bailey photograph the Stones for the second US and second UK releases. Oldham’s album covers set the Stones on the course of courting controversy over the years. In the early days it was his intentional design. It began with the record company and Oldham’s controversial insistence on leaving their first album nameless. It continued on their second UK release with Oldham’s screed on the back of the album. Every record tells a story and the album cover is an integral part of that story. That started in earnest with Rolling Stones No. 2. Putting a Stones album out was already complicated. And It Was About To Get More Complicated Things were getting complicated with Rolling Stones album releases on opposite sides of the Atlantic. In the UK the Stones first album was followed by the extended play (EP) 5X5, released August 14, 1964. The title was an obvious and unimaginative play on words, five tracks played by five band members. Notice no title or band name on the front of the cover. Oldham said, “5x5 was culled from the London, the US branch of Decca said EPs were not Chess sessions. -
1982-07-17 Kerrville Folk Festival and JJW Birthday Bash Page 48
BB049GREENLYMONT3O MARLk3 MONTY GREENLY 0 3 I! uc Y NEWSPAPER 374 0 E: L. M LONG RE ACH CA 9 0807 ewh m $3 A Billboard PublicationDilisoar The International Newsweekly Of Music & Home Entertainment July 17, 1982 (U.S.) AFTER `GOOD' JUNE AC Formats Hurting On AM Dial Holiday Sales Give Latest Arbitron Ratings Underscore FM Penetration By DOUGLAS E. HALL Billboard in the analysis of Arbitron AM cannot get off the ground, stuck o Retailers A Boost data, characterizes KXOK as "being with a 1.1, down from 1.6 in the win- in ter and 1.3 a year ago. ABC has suc- By IRV LICHTMAN NEW YORK -Adult contempo- battered" by its FM competitors formats are becoming as vul- AC. He notes that with each passing cessfully propped up its adult con- NEW YORK -Retailers were while prerecorded cassettes contin- rary on the AM dial as were top book, the age point at which listen - temporary WLS -AM by giving the generally encouraged by July 4 ued to gain a greater share of sales, nerable the same waveband a ership breaks from AM to FM is ris- FM like call letters and simulcasting weekend business, many declaring it according to dealers surveyed. 40 stations on few years ago, judging by the latest ing. As this once hit stations with the maximum the FCC allows. The maintained an upward sales trend Business was up a modest 2% or spring Arbitrons for Chicago, De- teen listeners, it's now hurting those result: WLS -AM is up to 4.8 from evident over the past month or so. -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 126 January Oxford’s Music Magazine 2006 Harry Angel The Devil’s in the Music Interview inside Photo by Miles Walkden Photo by Miles Plus The new bands to watch in 2006 NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 Evenings and Boywithatoy are among the local NEWNEWSS artists remixing the band. PINDROP PERFORMANCES is a new Nightshift: PO Box 312, Kidlington, OX5 1ZU monthly live music club night launched this Phone: 01865 372255 email: [email protected] month at The Port Mahon in St Clement’s. Pindrop aims to showcase the best up and coming alternative folk and electronic acts THIS YEAR’S OXFORD PUNT will take while the ground floor venue frontage will around. The first night takes place on Sunday place on Wednesday 10th May. Arrangements include a new bar area. A timetable for the 29th January and features Brickwork Lizards, for the annual showcase of the best unsigned refurbishment is yet to be finalised; in the The Thumb Quintet and Dan Glazebrook and music in Oxfordshire, organised by Nightshift, meantime the Zodiac is booking its spring Josie Webber. Each event starts at 5pm and are almost complete, with five venues already programme. Notable gigs already confirmed finishes at 8pm and tickets are limited to 35. confirmed and two more to be confirmed. As include: The Kooks (10th February), Julian Get them from Polar Bear on Cowley Road. ever, the Punt will kick off at Borders in Cope (14th Feb), The Paddingtons (16th Feb), Magdalen Street before moving on to Jongleurs, Regina Spektor (16th Feb), Battle (4th March), OXFORDBANDS.COM has launched an The Wheatsheaf, The City Tavern and finishing The Buzzcocks (5th Mar), Cave In (6th Mar), 65 updated version of its interactive venue guide. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.