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JANE JL :->x„- . .-¦ **¦¦..: _____-__*æ_____^__^___i__^:___.-,.',.^^'. ¦¦¦,-¦-......,.._..:..,. .?v Esther Fernandez e José Cibrian numa cena do filme fl ¦ ... mI ¦*, . cerrar suas depois.de'_ter' produzido.,alguns '¦yÊjÈ Vamos assistir breve — e será, ao que parece, uma das melhores a época), teve que portas,' Contreras Torres começava a lutar, H ora se inicia— um lilme" mexicano que pos- Fumes/ Já nesse tempo, Miguel m cousas da temporadaque *E§lÍfl com a mesma tenacidade de hoje. Entretanto, súe uma historia interessante — Santa — novela de Frederico Gamboa., pelo cinema mexicano os cinemas mexicanos se encheram e as bilheterias com Esther Fernandez e Josó Cibrian, que pela terceira vez é filmada somente com Santa o apreciava as"produções nacionais. Era o nome no México e cuja primeira versão foi das melhores produções do cinema provaram que público então ausente, triumava na tela. silencioso daquele país. Quando o filme estreiou no México, a 11 de de Gamboa, quem muito lida, a adaptação iiel ao original, a côr local dos Julho de 1918, foi um dia de festa para a cinematografia da terra A obra *eito o milagre, realizado também pelo adaptador de Juarez. ambientes, haviam — Luis G. Peredo. A era Elena Sanchez Ve- O cinema nascera naquela república amiga um ano antes, com e diretor protagonista acos- lenzuela e Alíonso Bussón fazia o cego. Anos mais tarde foi realizada um Mime que se chamava La Luz. Porem, o público mexicano, versão de Santa, com Lupita Tovar. E 25 anos após a tumado com o teatro, a ouvir os diálogos de peças celebres, em que as a segunda surgia a terceira Santa, considerada um dos atrizes apresentavam modelos de Paris, não se entusiasmava muito estréia da primeira até agora realizados, um dos filmes mais com o cinema. Foi a Bertini, Menichel.li e Suzanna Grandais celulóides mais humanos graças das "estréia comoventes até. aqui apresentados. Digno de figurar ao lado- que começou a aceitar a arte muda. Conta-se que durante uma j-t-v dos estúdios ..americanos e*franceses. W o de um xilmo nacional, um exíbidor viu-se na contigencia de ter que verdadeiras obras primas '.\•¦ -F '.; os críticos.* Esperemo-lo. y,y. - devolver o dinheiro das entradas ao público. Um grande estúdio (para : que dizem 1 fl k limmWm à tüfír ^^mJMjêê ~~S ^~e V L V I O C A R O O S O cído à 10 de Março de 1903 em MUSICAL SCORES Davenport, Ya. e falecido à 6 de Agosto dc 1931 em Long Island, HOI LYWOOD CANTEEN — (War- N. Y. Bix Beiderbecke está con- ncr's ali slars pias Jimmy Dorsey, siderado como um dos maiores houic Armstrong, Carmen Cavai- músicos que o jazz teve e se la- laro and lheir bands). vooe menta sua prematura desapari- ção, pois, sem duvida alguma, se — Don't Fence Me p&ra* haveria realizado uma Musicas: vivesse, In — Sweet Dreams Sweetheart obra ainda mais importante que — The THE TROLLEY SONG What Are Vou Doing De Hugh Martin c Ralph a que nos legou e na atualidade — You Can Rest Of Your Life Blane — Do jUme M.G.Al. constituiria um exemplo para — Corns Always Tell A Yank MEET ME IN ST. LOUIS colegas e companheiros, que equi- Countrv.- For Mv (lAinda Seremos Felizes). vocaram o caminho do bom jazz. Começou, ainda muito criança ding, went the bell Clang, clang. clang went the trolley; ding, ding, a estudar o piano e logo se dedi- Zing, zíng, zing, went my heart stríngs, for the moment I saw her cou à cometa. Iniciou sua car- dias vknturosos{Sing A reira com os Wolverines (1923 24), J ingle - Universal - Com Alar. Chug, chug, chug, went the motor; bump, bump, bump, went the tocando depois com Charlie Strai- brake Jones, June Vincent, Kings J/en). ght em Chicago (1925), com Thump, thump, thump, went my heart strings; when she smiled Frankie Trumbauer no Arcadia I could fui the car strake Me In Ballroom em St. Louis (1926-27), JI usicasBclieve I said I hoped she hadnt stepped Charms — I tipped my hat and took a seat, com Jean Goldkette em Detroit e Ali Those Endearing up on her feet When Vou And 1 Were Young, com Paul Whiteman (de 28 a 30). I lost my breath she broked so lonely that Maggie - Dear Old GirlLet I asked her name then Bix estava, então, enfermo e teve it scared me half to death Me Call You Sweetheart Beau- que abandonar o trabalho. Ten- the buzzer; went the wheels tiful — Sing A — Buzz, buzz, buzz, went plop, plop, plop, tou voltar à atividade, porém as Love Jingle my heart strings Were The íanes That Makes Stop, stop stop, went forças não lhe responderam. Dei- hold of her steeve with my hand The Planes - Madame Mozelle — As she started to leave I took xou uma boa obra gravada e a on with me and it was grand The Night We Called It A Day- And as it were planned she staged coleção de seus discos, pela ex- holding mine, to the end of the line. Love You Are My Music. Just the stand with her hand traordinaria qualidade de seus selos, constitue a preocupação de muitos aficionados ao jazz. Solos: WHO'S WHO EM JAZZ I'M SECRETARY TO THE SULTAN Wolverine Blues (com os Wolve- rines em Gennett); Davenport HARRY—-Pistonista bran- — JAMES, De Leo Robin Da jita Blues And His Rhythm co nascido em Albanv, Geórgia, .. (Bix Jug- SULTANA DE SORTE, DA In A Mist de à 15 de Março tle 1916. Filho glers); (solo piano) Paramount. At The Band Ball, Sorry, tle acrobatas circenses, Jazz, passou Thou Swell, 01' Man River a maior de sua infância (Bix parte I'm the secretary to the Sultan, he's mighty potentate Gang); Singin' The as lonas, onde aprendeu bateria And His sob He can't recall the names of ali the girls he married Trumbauer) tarde instrumento Blues (com Frankie e mais o * que complex my card index i - i So he hired me to keep him straight; it's ali so Sunday, Cie- o tornaria conhecido nos Roses, Idolising, quatro Keeps larger every year but every afternoon et three River cantos do Estudou tle- growing "Take mentine, Blue (com Jean planeta, The Sultan always sends for me and says a letter, dear". Blues, My num em Beaumont, Goldkette); Washboard pois ginásio San, Texas. Aos desesseis, atuou na Melancoly Baby, Sugar, From Monday On. banda de Gill tocando suces- Coquette, Joe GOING MY WAY W7hen, Mississip Mud, sivamente com Hogan Hanock, Lovable, Versos dc Johnny Burke— Melancholv Ligon Smith e Herman Waldman. The Man I Love e Jí ei o d ia de Jimmy Van Baby todos com Paul Wht- Atinai com Ben Pollack (35- — Para- (12"), Heusen Do jilme teman. 37), abandonnndo-o em Janeiro mount — O BOM PASTOR. de 37, quando ingressou na or- de Benny Goodman, fa- questra This road leads to Rainbowville, Going My W7ay ? MERRY CHRISTMAS & HAP- sua estreia no famoso sendo pro- Up ahead is Bluebird Hill, Going My Way? PY NEW YEAR de Leis grama radio yankee a baskct fui 1 of wishes and off start Dance Em 39 deixou Goodman Just pack you With Sunday morning in heart Agradecemos aos nossos preza, organizar orquestra your "Dreamer's para própria, Round the bend sec a sign Highway" dos leitores que nos enviaram ,OÒm a conseguiu formar entre youTl qual Happiness is down the linc, Going My Way? por ocasião do Natal e Ano Novo* os maiores nomes da musica po- The smiles will look weil on oh, I hope votos de Boas Festas e Feliz americana. Antes de se youll gather you, you're pular Going My Way, too. Ano Novo e especialmente a a casar com estrela cinemalogra- Miss Baby (que obtém presen- Betty Giable, Harrv fica havia temente grande êxito em suas sido esposo da ex-vocalista tle atuações nas big cities nordesti- Eldridge, Williams, sua banda, Louise Tobin.
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  • D E C E M B E R , 19 4 8 V O L . T NO. 1?

    D E C E M B E R , 19 4 8 V O L . T NO. 1?

    news DECEMBER, 19 4 8 VOl. t NO. 1? CAPITOL NEWS CAPITOL NEWS PACE 3 Studios On 'Arty' Published Monthly by CAPITOL PUBLICATIONS, INC. Sunset and Vine, Hollywood 28, Calif. Printed in U. S. A. Kick As '48 Ends; EDITED BY DAVE DEXTER, JR. Why No Musicals? HERE’S THAT MAN . AGAIN Are Hollywood’s film factories closing their doors to music? H E STIFF-ARM ED the office door, did the little man with the flower/ That’s the question being bandied these days as production charts m sportshirt, and charged over to the desk with his hands waving. reveal that fewer musicals are now in production than at any other time 9 since the depression. “ Christmas cheer and all that stuff,” he bellowed, “ and have you But things ain’t like they used to be. Columbia has only one in the dug Manone’s book? It’s departed, it’s so gone it’s back again. But The dancing girls are car-hops now and Deadline works, ‘ ‘Jo lso n Sings A g a in .” many a musician is driving a grocery W ingy left out my favprite W ingy story. W e were driving over to Mighty Metro has none. Monogram truck. Pasadena one afternoon and when we passed Forest Lawn— you know has none. Paramount has one— the Bing Crosby “ Top o’ the Morning’’ Andy Russell leaves his home In the that’s the largest cemetery in the world— he stopped the Chevvy and film— but it is actually a drama Valley, just outside Hollywood, and goes DORIS D REW recently won Frankie Savitt’s Estate walked up to the big crematorium where the caretaker was standing Lame's vocalist contest over 500 with Incidental music, a far cry from east this month.
  • Lars-Göran ULANDER: Barry ULANOV: Piero UMILIANI

    Lars-Göran ULANDER: Barry ULANOV: Piero UMILIANI

    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Lars-Göran ULANDER: "They all laughed at me when I sat down at the piano... but..." Lars-Göran Ulanders Septett: Ast Boström -tp; Lars Lystedt -vtb; Lars-Göran Ulander -as; Yngve Magnusson -bs,g; Ray Carlsson, Lars-Gunnar Gunnarsson -b; Sten Öberg -d; Berndt Egerbladh - presentation; recorded December 28, 1965 in Broadcast 'Jazzforum', Umeå it was the actual outdoor temperature the morning of recording 86710 MINUS 38 GRADER CELSIUS 7.41 private recording ------------------------------------------ Barry ULANOV: 'Barry Ulanov's All Star Modern Jazz Musicians': Dizzy Gillespie -tp; John LaPorta -cl; Charlie Parker -as; Lennie Tristano -p; Billy Bauer -g; Ray Brown -b; Max Roach -d; recorded September 13, 1947 in New York 4056 HOT HOUSE 5.07 Bombasi 11235 4057 FINE AND DANDY 2.06 --- 'Barry Ulanov's All Star Modern Jazz Musicians': Lennie Tristano -p; Billy Bauer -g; Ray Brown -b; recorded September 13, 1947 in New York 4061 I SURRENDER DEAR 3.03 --- 'Barry Ulanov's All Star Modern Jazz Musicians': Dizzy Gillespie -tp; John LaPorta -cl; Charlie Parker -as; Lennie Tristano -p; Billy Bauer -g; Ray Brown -b; Max Roach -d; recorded September 20, 1947 in New York 4058 ON THE SUNNY SIDE OF THE STREET 3.23 --- 4059 HOW DEEP IS THE OCEAN 2.59 --- 4060 TIGER RAG 3.46 --- "Rare Broadcasting Performances" Fats Navarro -tp; John LaPorta -cl; Charlie Parker -as; Allen Eager -ts; Lennie Tristano