1 Fiction About the Solving of Crime Jillian Dellit 1. Introduction 2. The
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Westonian Magazine in THIS ISSUE: BEHIND the NUMBERS Annual Report for 2016–2017
WINTER 2018 The Westonian Magazine IN THIS ISSUE: BEHIND THE NUMBERS Annual Report for 2016–2017 The [R]evolution of Science at Westtown FIG. 1 Mission-Based Science Meets the 21st Century The Westonian, a magazine for alumni, parents, and friends, is published by Westtown School. Its mission is “to capture the life of the school, to celebrate the impact that our students, faculty, and alumni have on our world, and to serve as a forum for connection, exploration, and conversation.” We publish issues in Winter and Summer. We welcome letters to the editor. You may send them to our home address or to [email protected]. HEAD OF SCHOOL Jeff DeVuono James Perkins ’56 Victoria H. Jueds Jacob Dresden ’62, Keith Reeves ’84 Co-Associate Clerk Anne Roche CONNECT BOARD OF TRUSTEES Diana Evans ’95 Kevin Roose ’05 Amy Taylor Brooks ’88 Jonathan W. Evans ’73, Daryl Shore ’99 Martha Brown Clerk Michael Sicoli ’88 Bryans ’68 Susan Carney Fahey Danielle Toaltoan ’03 Beah Burger- Davis Henderson ’62 Charlotte Triefus facebook.com/westtownschool Lenehan ’02 Gary M. Holloway, Jr. Kristen Waterfield twitter.com/westtownschool Luis Castillo ’80 Sydney Howe-Barksdale Robert McLear Edward C. Winslow III ’64 vimeo.com/westtownschool Michelle B. Caughey ’71, Ann Hutton Brenda Perkins ’75, Maximillian Yeh ’87 instagram.com/westtownschool Co-Associate Clerk Jess Lord ’90 Recording Clerk WINTER 2018 The Westonian Magazine Editor Lynette Assarsson, Associate Director FEATURES of Communications Manager of The (R)evolution of Web Features Greg Cross, 16 Science at -
JM Coetzee and Mathematics Peter Johnston
1 'Presences of the Infinite': J. M. Coetzee and Mathematics Peter Johnston PhD Royal Holloway University of London 2 Declaration of Authorship I, Peter Johnston, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Dated: 3 Abstract This thesis articulates the resonances between J. M. Coetzee's lifelong engagement with mathematics and his practice as a novelist, critic, and poet. Though the critical discourse surrounding Coetzee's literary work continues to flourish, and though the basic details of his background in mathematics are now widely acknowledged, his inheritance from that background has not yet been the subject of a comprehensive and mathematically- literate account. In providing such an account, I propose that these two strands of his intellectual trajectory not only developed in parallel, but together engendered several of the characteristic qualities of his finest work. The structure of the thesis is essentially thematic, but is also broadly chronological. Chapter 1 focuses on Coetzee's poetry, charting the increasing involvement of mathematical concepts and methods in his practice and poetics between 1958 and 1979. Chapter 2 situates his master's thesis alongside archival materials from the early stages of his academic career, and thus traces the development of his philosophical interest in the migration of quantificatory metaphors into other conceptual domains. Concentrating on his doctoral thesis and a series of contemporaneous reviews, essays, and lecture notes, Chapter 3 details the calculated ambivalence with which he therein articulates, adopts, and challenges various statistical methods designed to disclose objective truth. -
Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
Reading Group Notes
TEXT PUBLISHING melbourne australia Reading Group Notes Truth Peter Temple PAPERBACK ISBN 978-1-921520-71-6 RRP AUS $32.95, NZ $37.00 HARDBACK ISBN 978-1-921520-91-4 RRP AUS $45.00, NZ $50.00 Fiction Praise for Truth colleagues scheme and jostle, he finds all the certainties ‘[Temple] is the man who has transfigured the crime of his life are crumbling. novel and made it the pretext for an art that repudiates Truth is a novel about a man, a family, a city. It is about genre.’ Peter Craven, Weekend Australian violence, murder, love, corruption, honour and deceit. ‘Truth succeeds as...one of the best pieces of modern And it is about truth. Australian fiction this decade, if not for many decades.’ Courier Mail Truth is a companion piece of sorts, to Temple’s The Broken Shore. The protagonist here is Detective ‘Truth is a novel of rare power and much of that potency Inspector Stephen Villani, friend and former colleague of lies in its silences. The blank spaces occupy almost as The Broken Shore’s hero Joe Cashin. much of its pages as the print. The dialogue conveys only that which is necessary, sometimes not even that. Set predominantly in Melbourne, the ongoing theme The bareness of the bones reveals the soul. Propelled is that there is something rotten in the state of Victoria, forward by the momentum of the story, we cling to and in Villani’s life. It begins with Villani driving between fragments of veracity from which it is engineered.’ two shocking cases, and ends in devastating bushfire. -
Dialogue 2019
Dialogue 2019 CAE Book Groups Catalogue CAE BOOK GROUPS 253 FLINDERS LANE, MELBOURNE CAE.EDU.AU / 03 9652 0611 Contents 4 5 3 Join or Start a Growing Up, Book Discussion Service. 527 Collins Street Introduction CAE Book Group Moving On Contact Us 11 Level 2, 253 Flinders Lane Exceptional Women Melbourne VIC 3000 17 P (03) 9652 0611 Artist, 23 E [email protected] Maker, Thinker Relationships W www.cae.edu.au 31 45 Keep informed about upcoming Step Back in Time Families literary events, book reviews, book and movie giveaways and lots more. Email [email protected] to receive regular 38 email updates. Grand VIsions Start your own group 62 See page 4 for more information about Surviving, starting a group. Prevailing Join an existing group 55 70 Some of our existing groups are looking Journeys Dark Deeds for new members. Please contact CAE Book Groups, and we will help you find 78 82 87 a group in your area. Index by Index by Index by Author Title Large Type 87 91 Index by Enrolment Form Box Number 3 Introduction Centre for Adult Education CAE is a leading provider of Adult and Community Education and Theme Icons has been providing lifelong learning opportunities to Victorians for 70 years. CAE has a strong focus on delivering nationally F Fiction Large Print recognised and accredited training as well as non accredited L Nonfiction short courses, and connects with the community through socially N Adapted Books inclusive practices that recognise diversity and creativity. Located S Short Stories Book Group Favourite in the heart of the arts and café area of Melbourne’s CBD, CAE µ offers a vibrant and supportive adult learning environment, flexible learning options, skills recognition, practical training and supervised work placements. -
PETER Temple
“Where a good crime can be had by all” ISSUE #285 OCTOBER 2009 PEter TEmpLE bestselling author of The Broken Shore (winner of the Duncan Lawrie Dagger) and its sequel Truth will be in-store to sign copies on Thurs 29 October @ 12.30pm Peter MILne reCommends... Scottish author Philip Kerr Bill JAMES has won the world’s most Off-Street Parking 224pp Tp $27.95 lucrative crime fiction prize, Detective Constable Sharon Mayfield is on routine the RBA International Prize surveillance when she spots, outside his house, a dead for Crime Writing, for his man in a car. The locks had been sealed with superglue novel If the Dead Rise and Claude Huddart’s face has been mutilated. As with Not. Kerr’s book beat more most murders, there’s a jigsaw puzzle to be solved. than 160 others to land the But here the pieces don’t fit. Why is an informant, €125,000 (A$209,500) prize. Jeremy Dince, if that is his real name, being almost The book is the last in his exceptionally polite and helpful? And there’s just series of ‘Berlin noir’ novels something that doesn’t feel right about the grieving featuring detective Bernie Alice Huddart. Then there’s the younger and more Gunther, and covering a period that includes sinister Philip Otton, acquaintance of the bereaved Hitler’s rise to power and postwar Germany’s struggle Alice, and known to both Blenny and Dince. Sharon to come to terms with its past. The author said he was cannot fathom why she is being warned off and cannot work out the connection surprised at the size of the prize: “I recently got a prize between the protagonists until her police officer boyfriend Luke drops strange in France which was a few bottles of wine.” hints about the case and about her commanding officers. -
International Thrillers
Africa and The Middle East Asia —Djinn Patrol on the Purple Line by Deepa —The English Teacher by Yiftach R. Atir (Israel) Anappara (India) International —The Mask of Ra by P.C. Doherty —The Red Lotus by Chris Bohjalian (Vietnam) (Ancient Egypt; Chief Judge Amerotke #1) —Night Heron by Adam Brookes (Beijing, China) Thrillers —The Fist of God by Frederick Forsyth (Baghdad, —Bangkok 8 by John Burdett(Bangkok, Iraq) Thailand; —The Saturday Morning Murder by Batya Gur Sonchai Jitpleecheep Series #1) (Israel; Michael Ohayon #1) —Sacred Games by Vikram Chandra (India) —The Little Drummer Girl by John Le Carré —Death Notice by Zhou Haohui (Chengdu, (Palestine) China) —City of Secrets by Stewart O’Nan (Jerusalem, —The Devotion of Suspect X by Keigo Higashino Israel) (Japan; Detective Galileo #1) —Ivory by Tony Park (Botswana) —Star of the North by D.B. John —The Missing American by Kwei Quartey (Ghana) —A Quiet Place by Seichō Matsumoto (Japan) —The Twelfth Imam by Joel Rosenberg (Iran) —The Skull Mantra by Eliot Pattison(Tibet; Inspector Shan Tao Yun #1) Australia —Shinju by Laura Joh Rowland (Feudal Japan; Sano Ichiro #1) —The Dragon Man by Garry Disher (Melbourne; —Flower Net by Lisa See (China; Red Princess #1) Hal Challis #1) —Last Days in Shanghai by Casey Walker (China) —Cocaine Blues by Kerry Greenwood (Melbourne; Phryne Fisher #1) —Six Four by Hideo Yokoyama (Japan) —The Dry by Jane Harper (Australia; Aaron Falk #1) North and South America —Crucifixion Creek by Barry Maitland (Sydney; —In the Shadow of the Glacier by Vicki Delany Belltree -
Erskine Falls: a Crime Fiction Novel and Exegesis
Erskine Falls: a Crime Fiction Novel and Exegesis By CHRISTOPHER MALLON Student ID No: 983478X Dissertation submitted as fulfilment of the requirements for the Doctor of Philosophy (Humanities) Swinburne University of Technology March 2020 Abstract This practice-led PhD consists of two elements – a crime fiction novel titled Erskine Falls, and an accompanying exegesis that critically situates the author’s creative practice and the production of the text. Drawing on the traditions of hardboiled detective fiction and noir crime fiction, the novel negotiates the spectrum between these two sub-genres and explores a world which questions the many modern articulations of masculinity. Erskine Falls is a contemporaneously-set novel that follows a private eye who investigates the case of a missing girl who is from the affluent resort town of Lorne, Victoria, Australia. As the private eye moves through Lorne’s world of seaside wealth and tourism, he is simultaneously coming to terms with the post-industrial changes in his own home town of Geelong and dealing with a tumultuous relationship with his deceased business partner’s wife. His investigation eventually leads him into an underground world of criminality that belies the smiling touristic face of Lorne. The exegesis reflexively explores key writerly choices and focuses on genre, masculinity, voice, and place. Building upon the hardboiled and noir crime fiction subgenres, the project seeks to examine how the traditional hardboiled voice and its masculinities are negotiated within a contemporary, post-industrial regional Australian space. Using a practice-led methodology, the exegesis reflexively aims to situate the novel in a contemporary world through the subgenres of hardboiled detective and noir crime fiction. -
Philip Mclaren and the Indigenous-Australian Crime Novel
Coolabah, No.20, 2016, ISSN 1988-5946, Observatori: Centre d’Estudis Australians / Australian Studies Centre, Universitat de Barcelona Philip McLaren and the Indigenous-Australian Crime Novel Cornelis Martin Renes University of Barcelona [email protected] Copyright©2016 Cornelis Martin Renes. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged. Abstract: This paper locates the postcolonial crime novel as a space for disenfranchised groups to write back to the marginalisation inherent in the process of colonisation, and explores the example of Australia. From its inception in the mid-19th century, Australian crime fiction reflected upon the challenging harshness and otherness of the Australian experience for the free and convict settler, expelled from the metropole. It created a series of popular subgenres derived from the convict narrative proper, while more ‘standard’ modes of crime fiction, popularised in and through British and American crime fiction, were late to develop. Whereas Australian crime fiction has given expression to the white experience of the continent in manifold ways, up until recently it made no room for Indigenous voices – with the exception of the classic Inspector Napoleon Bonaparte series written by the prolific Arthur Upfield in the first half of the 20th century. For the longest time, this absence reflected the dispossession, dispersal and disenfranchisement of the colonised Indigenous peoples at large; there were neither Aboriginal voices nor Aboriginal authors, which made the textual space of the Australian crime novel a discursive terra nullius. This paper will look at the only Indigenous-Australian author to date with a substantial body of work in crime fiction, Philip McLaren, and elucidate how his four crime novels break new ground in Australian crime fiction by embedding themselves within a political framework of Aboriginal resilience and resistance to neo/colonialism. -
Loner by Georgina Young
The Text Publishing Company Frankfurt Rights Guide 2019 Recent Acquisitions ......................................................................................................................... 3 Recent Publications ......................................................................................................................... 4 Fiction ........................................................................................................................................... 5–20 A Room Made of Leaves by Kate Grenville ................................................................................................ 5 The Rain Heron by Robbie Arnott .............................................................................................................. 6 The List by Claire Christian ........................................................................................................................ 7 Moon Hill by Kirsten Reed ......................................................................................................................... 8 The Night Whistler by Greg Woodland ..................................................................................................... 9 Our Shadows by Gail Jones ....................................................................................................................... 10 Soldiers by Tom Remiger .......................................................................................................................... 11 Three O’Clock in the Morning by Gianrico -
Book Groups @ B Lue Mou Ntain S Library Bereft Chris Womersley
Bereft Chris Womersley Author Background • Birth— Melbourne, 1968 • Raised— Melbourne, Victoria • Currently—lives in Sydney Chris Womersley was born in Melbourne in 1968, where he lived for many years. He trained as a radio journalist and has travelled extensively to such places as India, South- East Asia, South America, North America, and West Africa. He currently works at Fairfax online in Sydney as a sub-editor. Chris has been writing for most of his life and has studied creative writing at Melbourne's RMIT. His short story 'The Shed' was published in Granta New Writing Book Groups @ Blue Mountains Library 14 and reprinted in Best Australian Stories 2006. He won the Josephine Ulrick Literature Prize for short story in 2007. The Low Road, his first novel, was shortlisted for the 2006 Victorian Premier’s Award for an unpublished manuscript and won the Ned Kelly Award for Best First Book in 2008. Ten Terrifying Questions To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled? I was born in Melbourne in 1968, and have lived in that city for most of my life, aside from periods trav- elling overseas and living in Sydney and the UK. I went to a few schools, but ended up at Melbourne High School where I did my HSC. 2. What did you want to be when you were twelve, eighteen and thirty? And why? At 12 I wanted to be an archaeologist because I liked the idea of hanging out in Egypt. At 18 I wanted to be a rock star because I liked the idea of hanging out in mansions in the south of France. -
CC Aug 07.Qxp
“where a good crime C r i m e can be had by all” c h r o n i c l e Issue #259 August 2007 CWA DAGGER AWARDS 2007 BOOKS ALIVE 2007 PETER TEMPLE WINS DUNCAN LAWRIE DAGGER PETER TEMPLE WINS DUNCAN LAWRIE DAGGER (25 JULY - 31 AUGUST) Congratulations to Australian Peter Temple on One of the busiest sections in Abbey’s is our growing Books Alive is on again winning the Duncan Lawrie Dagger, the world’s range of Historical Crime. and Abbey’s is most prestigious award for crime fiction for The celebrating by giving Broken Shore (352pp Pb $22.95). Formerly known away a brand new free as the Golden Dagger, past winners of this award book! Just purchase include literary giants John le Carré, Ian Rankin any title from The 2007 and Patricia Cornwell. Short-listed against well- Books Alive Great known writers James Lee Burke, Gillian Flynn and Read Guide between Giles Blunt, Temple thought his chances of 25 July and 31 August winning were slim. “You’re up against some of the and receive a free copy world’s best crime writers in English. I was proud of Peter FitzSimons’ enough just to be the first Aussie to make the new book, The Ballad shortlist, let alone win.” The Broken Shore, of Les Darcy. Temple’s 8th novel, was described by judges as 50 BOOKS SO GOOD, EVERYONE WILL WANT TO READ THEM “a well-written crime novel with excellent characterisation mingled with a subtle exploration of contemporary Australian landscape and mores.