Lange Nacht Der Museen
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PRESSEMITTEILUNG 27.09.2013 Zurück Zuhause
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 27.09.2013 Zurück Zuhause Festival mit Thees Uhlmann in Hemmoor Nach dem großen Erfolg des Willkommen Zuhause Festivals 2012 im letzten Jahr findet nun die zweite Auflage der ersten Festivalkonferenz Deutschlands statt. Mit einem neuen Namen wird das Zurück Zuhause Festival das Konzept von 2012 nicht nur um eine Stadt und einen Gastgeber erweitern, sondern auch zu einem einzigartigen crossmedialen und interaktiven Event ausgebaut. Weihnachten ist das Fest der Liebe. Familien kommen zusammen, überhäufen sich mit Geschenken, schlemmen was das Zeug hält - Tage voll Glückseligkeit und Harmonie. Aber, Hand aufs Herz, wir wissen alle wie es ist. Noch bevor der erste Lamettastreifen den Nadelbaum umhüllt, droht ein dermaßener Lagerkoller, dass man schon vor der Bescherung fluchtartig das Weite suchen könnte. Wie gut, dass zwischen den Jahren das Zurück Zuhause Festival in vier deutschen Städten stattfindet, mit dem man dem scheinheiligen Weihnachtsidyll entfliehen kann. Denn vier deutsche Top-Künstler werden am 27.12.2013 in ihren Geburtsorten zum Gastgeber und bringen gemeinsam mit Jugendfreunden und großen Idolen ein Festival-starkes Line-Up auf die Bühnen. In Bielefeld lädt Casper zum Weihnachtssingen, Cro feiert das Fest der Liebe in Schwäbisch-Gmünd, Thees Uhlmann läutete den dritten Weihnachtsfeiertag im niedersächsischen Hemmoor ein und Miss Platnum sorgt in Berlin für die richtigen Töne zum Jahresausklang. Jüngst veröffentlichte Uhlmann seine neue Platte, und war schon das Solo-Debüt ein Erfolg, ist „#2“ nach Erscheinen sogar auf Platz zwei in den Charts eingestiegen. Zurecht: Der Mann ist noch altersweiser, noch besser, noch klarer geworden als auf seinem Vorgänger. -
Fourth Consultation for Points of Contact for the Purpose of Accident Notification and Mutual Assistance Designated Within the UNECE 25-26 March 2010, Zagreb
Fourth Consultation for Points of Contact for the Purpose of Accident Notification and Mutual Assistance designated within the UNECE 25-26 March 2010, Zagreb Problems in notifications – obligations for use of several notification systems in an event of emergency situation Mr. Christian Krol Official Counsellor, Department for Civil Protection, Crisis- and Disaster Protection Management in the MoI BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 Content General remarks and basic principles Origin, tasks and structure of National Crisis and Disaster Protection Management in Austria The Federal Alarm Centre as Initial Point of Contact Systems operated/monitored by Duty Officers in the Federal Alarm Centre Recommendations/Conclusions BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 General remarks and basic principles BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 83,858 km² 8.09 million inhabitants 9 Provinces/“Länder“ Czech Republic Slovakia Germany Switzer- land Hun- gary Liechtenstein Italy Slovenia BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 13 Federal Ministries BKA BMeiA BMUKK BMF BMI BMJ BMLVS BMLFUW BMASK BMG BMVIT BMWFJ BMWF Subordinated authorities 9 provincial governments W B NÖ OÖ ST K S T V 99 administrative districts 2359 local authorities BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 Basic Principles: Precautionary measures -
Notes of Michael J. Zeps, SJ
Marquette University e-Publications@Marquette History Faculty Research and Publications History Department 1-1-2011 Documents of Baudirektion Wien 1919-1941: Notes of Michael J. Zeps, S.J. Michael J. Zeps S.J. Marquette University, [email protected] Preface While doing research in Vienna for my dissertation on relations between Church and State in Austria between the wars I became intrigued by the outward appearance of the public housing projects put up by Red Vienna at the same time. They seemed to have a martial cast to them not at all restricted to the famous Karl-Marx-Hof so, against advice that I would find nothing, I decided to see what could be found in the archives of the Stadtbauamt to tie the architecture of the program to the civil war of 1934 when the structures became the principal focus of conflict. I found no direct tie anywhere in the documents but uncovered some circumstantial evidence that might be explored in the future. One reason for publishing these notes is to save researchers from the same dead end I ran into. This is not to say no evidence was ever present because there are many missing documents in the sequence which might turn up in the future—there is more than one complaint to be found about staff members taking documents and not returning them—and the socialists who controlled the records had an interest in denying any connection both before and after the civil war. Certain kinds of records are simply not there including assessments of personnel which are in the files of the Magistratsdirektion not accessible to the public and minutes of most meetings within the various Magistrats Abteilungen connected with the program. -
Arbeitsbüchlein 01 Werbung
ARBEITSBÜCHLEIN 01 WERBUNG T 040 . 432 54 799 · M 0160 . 753 48 21 · E [email protected] WWW.FREEWOLF.BIZ 15.01 LIDL BAKE OFF · MARKENAUFTRITT Namens- , Design- und Kampagnenentwicklung für Lidl‘s Backshop. Nach und nach werden über 3000 Filialen in Deutschland damit ausgestattet. Fotos und Foodstyling: Himmel & Burwick Unser BROT HIGHFIELD · FESTIVALAUFTRITT 2014 + 2015 Konzept und Gestaltung für das Musik-Festival bei Leipzig vom Button bis zur Bühne. Illustration: Bakea LOGO KIND HÖRGERÄTE · KAMPAGNE Entwicklung einer Kampagne für Kind Hörgeräte (kind.com). Konzept, Kampagnenclaim „Ich hab ein Kind im Ohr“ & Markenclaim „Das ganze Leben hören“, Gestaltung KÜHNE · KAMPAGNE Konzeption, Gestaltung HURRICANE & SOUTHSIDE · FESTIVALAUFTRITT 2013 Konzept und Gestaltung vom Button bis zur Bühne. Illustration: Dani Blázquez PRÄSENTIERT HURRICANE FESTIVAL 2013 PRÄSENTIERT HURRICANE FESTIVAL 2013 RAMMSTEIN · QUEENS OF THE STONE AGE · ARCTIC MONKEYS DEICHKIND · BILLY TALENT · PAUL KALKBRENNER · SIGUR RÓS PORTISHEAD · THE SMASHING PUMPKINS · SKA-P · THE GASLIGHT ANTHEM THE NATIONAL · EDITORS · TWO DOOR CINEMA CLUB · THE HIVES OF MONSTERS AND MEN · BLOC PARTY · NOFX · KASABIAN · GOGOL BORDELLO BEN HOWARD · JIMMY EAT WORLD · MARTERIA · PARKWAY DRIVE FRITTENBUDE · A LT-J · MAX HERRE · LEFT BOY · CITY AND COLOUR MACKLEMORE & RYAN LEWIS · SHOUT OUT LOUDS · JOHNNY BORRELL & ZAZOU FRANK TURNER & THE SLEEPING SOULS · TEGAN & SARA · TYLER, THE CREATOR DARWIN DEEZ · TAME IMPALA · JOHNOSSI · PRINZ PI · BOYSETSFIRE · DANKO JONES TRIGGERFINGER · ARCHIVE · GET -
Spring 04 2-16B.Idd
CENTER FOR AUSTRIAN STUDIES AUSTRIAN STUDIES NEWSLETTER Vol. 16, No. 1 Spring 2004 Barbara Krauss-Christensen retires by Daniel Pinkerton For 26 years—through changes of directors, location, financing, and scholarly mission—the one constant at the Center for Austrian Stud- ies has been Barbara Krauss-Christensen, our executive secretary. On July 1, 2004, she will retire, marking the end of an era, and changing CAS forever. Krauss-Christensen arrived at the Center in the fall of 1978, one year after its founding, an M.A. in German in hand. “Barbara was the rock upon which the Center was founded,” William Wright, the Cen- ter’s founding director, asserted. “She had little to work with in those lean, early days, but she never faltered or fretted. She was always there, ready to see to the welfare and mission of the Center. In later years, after prosperity brought many more people into the office, it would be easy to forget how Barbara had carried the load quite alone for many years.” Over the years, Krauss-Christensen learned more than any direc- tor or visitor possibly could about the ins and outs of university and government paperwork—visas, reimbursement forms, budgeting, and the like. “While directors have come and gone, it has been Barbara who has held the Center together and has maintained an institutional memory better and more reliably than any computer,” according to former CAS interim director Gerhard Weiss. “If it had not been for the reassurance of Barbara’s presence, I never would have accepted the Center’s interim directorship.” “Her fierce loyalty to the Center and its mission, and her willingness to put in long hours were major factors in the Center’s success,” for- mer director David Good maintains. -
CCS 2016 Venue Guide
ACM CCS 2016 - Venue Guide Contents Venue Overview ............................................................................................................................................ 2 Directions (to CCS 2016 Conference Venue) ................................................................................................ 3 Conference Venue................................................................................................................................................ 3 How to get to the Conference Venue ................................................................................................................... 4 Directions (airport – city center) ................................................................................................................. 8 Vienna Sightseeing Map .................................................................................................................................... 13 Welcome to Vienna! .......................................................................................................................................... 14 About Vienna ..................................................................................................................................................... 16 The Culinary Side of Vienna .............................................................................................................................. 18 Tips from a Local .............................................................................................................................................. -
Dank an - Thanks to Andrea, Liesbeth Waechter-Böhm, Marta Rotter, Bernadette Harrant, Jonny Foot, Sowie an Alle Gastautoren, Mitarbeiter, Fotografen Und Bauherren
APOP ® Dank an - Thanks to Andrea, Liesbeth Waechter-Böhm, Marta Rotter, Bernadette Harrant, Jonny Foot, sowie an alle Gastautoren, Mitarbeiter, Fotografen und Bauherren ... Autoren Georg Driendl 1956 in Innsbruck geboren, 1983 Diplom an der Akademie der Bildenden Künste in Wien bei Roland Rainer und Timo Pentillä, 1983-1985 konzeptionelle Studien, städtebauliche Analysen und Arbeiten im Experimentalfilmbereich, 1985-1995 Bürogemeinschaft driendl*steixner, seit 1996 driendl*architects: wir entwickeln und erarbeiten prototypische Lösungen für Möbel, Gebäude, Infrastruktur, künstliche Umwelt, Stadt und setzen uns mit Geschichte sowie Theorie von Baukultur auseinander. Lehrtätigkeit: 2004 Gastprofessur an der Chiba University Tokyo, 2003-2004; Gastprofessur an der Universität Innsbruck; 2000, 2001 Gastprofessur an der TU Graz; 1997 Gastprofessur an der TU Cottbus; seit 1997 Kooperation mit – und mehrere Gastprofessuren an der TU Wien Auszeichnungen, Auswahl: 2009 Great Leaf Award Nominierung (GB); 2009 IOC/ IAKS International Architecture Award, Silber; 2009 ISR Architektur Award, Preis für herausragende Architektur am Berg 1. Preis (A); 2009 Green Good Design Award (USA); 2008 Staatspreis für Architektur, Zweifachnominierung (A); 2008 Chicago Athenaeum International Architecture Award (USA); ; 2008 1. Innovationspreis / Solidbau (A); 2008 1. Österreichischer Stahlbaupreis (A); 2007 Europa Nostra Prize (Diploma) for Cultural Heritage (EU) ; 2007 Chicago Athenaeum International Architecture Award (USA); ; 2007 Otto Wagner Städtebaupreis, Würdigung -
Roland Rainer. (Un)Disputed a New Look at the Work (1936–1963) Sammlungslab #3
Roland Rainer. (Un)Disputed A New Look at the Work (1936–1963) SammlungsLab #3 Exhibition: 20.10 – 10.12.2018, Gallery Press conference: Fri 19.10, 11:00 Opening: Fri 19.10, 19:00 At least since the study commissioned by the City of Vienna of person-related street signs, where Roland-Rainer-Platz is categorised as "a case requiring discussion", issues have arisen around the gaps the architect himself left in his biography during the Nazi period. Roland Rainer (1910–2004) numbers among the most notable Austrian architects of the 20th century. His buildings are key to the identity of modern democratic Austria. Rainer's housing estate concept for the "structured and dispersed city" is still considered the most important model of space-saving, low-level housing. During the Nazi period, Rainer acquired his knowledge of fundamental urban research at the Deutsche Akademie für Städtebau, Reichs- und Landesplanung, which served him after 1945 as the basis for a series of theoretical publications. The continuity of the concepts in Rainer's work and his professional career suggest his flexibility in adapting to different political systems. He left only a rudimentary commentary on the Nazi years in his own biographical accounts, and many questions open. The acquisition of Roland Rainer's estate by the Az W in 2015 has provided an opportunity to re-examine his oeuvre and his biography. The focus is on the period from 1936, when Rainer left for Berlin, until 1963, the year he resigned his position with the City of Vienna planning department. In the third edition of the SammlungsLab series of exhibitions, in cooperation with the Academy of Fine Arts Vienna, the first findings of extensive research in archives in Austria and abroad are presented and discussed in an accompanying international symposium. -
11592823.Pdf
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Musikerlebnisse: Das Verhältnis von Musik und Literatur in autobiographischen Werken als Musiker tätiger Autoren Verfasserin Ursula Havlicek angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2010 Studienkennzahl lt. Studienblatt: A 393 Studienrichtung lt. Studienblatt: Diplomstudium Vergleichende Literaturwissenschaft Betreuer: Univ.-Prof. Dr. Norbert Bachleitner Für meinen Sensei. He says all the things I want they go [Tegan and Sara] Inhalt Einleitung ...................................................................................................................................7 1. Die Autoren und ihre Werke ................................................................................................11 1.1. Nagel: Wo die wilden Maden graben ............................................................................11 1.1.1. Der Autor: Nagel ....................................................................................................11 1.1.2. Das Werk: Wo die wilden Maden graben ...............................................................13 1.2. Heinz Strunk: Fleisch ist mein Gemüse - Eine Landjugend mit Musik.........................16 1.2.1. Der Autor: Heinz Strunk ........................................................................................16 1.2.2. Das Werk: Fleisch ist mein Gemüse - Eine Landjugend mit Musik.......................17 1.3. Austrofred: -
Visitor Attractions
Visitor Attractions As a former imperial city, Vienna has a vast cultural imperial apartments and over two dozen collections heritage spanning medieval times to the present day. – the legacy of the collecting passion of the Habsburg Top attractions include the Gothic St. Stephen’s Cathe- dynasty. Viennese art nouveau (Jugendstil) has also dral, baroque imperial palaces and mansions and brought forth unique places of interest such as the Se- the magnificent Ring Boulevard with the State Opera, cession with its gilded leaf cupola. Contemporary archi- Burgtheater (National Theater), Votive Church, City Hall, tecture is to be found in the shape of the Haas-Haus, Parliament and the Museums of Fine Arts and Natural whose glass front reflects St. Stephen’s Cathedral, and History. The former imperial residences Hofburg and the Gasometers, former gas storage facilities which Schönbrunn also offer the opportunity to follow in have been converted into a residential and commercial imperial footsteps. Schönbrunn zoo and park shine complex. This mix of old and new, tradition and moder- in baroque splendor, while Hofburg Palace boasts nity, is what gives Vienna its extra special flair. © WienTourismus/Karl Thomas Thomas WienTourismus/Karl © Osmark WienTourismus/Robert © Osmark WienTourismus/Robert © Anker Clock TIP This gilded masterpiece of art nouveau was created in 1911 by the Danube Tower painter and sculptor Franz von Matsch. Every day at noon, twelve An unforgettable panorama of Vienna’s Danube scenery, the old historical Viennese figures parade across the clock to musical ac- city and the Vienna Woods is afforded at 170m in the Danube Tow- companiment. Christmas carols can be heard at 17:00 and 18:00 er. -
The History of Europe — Told by Its Theatres
THE HISTORY OF EUROPE — TOLD BY ITS THEATRES Exhibition magazine CONTENT 4 Introductions We live in Europe, and it is therefore our task to make this part of the world work, in a peaceful way and for the best of all people liv - 6 Mediterranean experience ing here. To achieve this, we have to cooperate across borders, be - 10 religious impact cause only together we can solve the challenges we are facing together. For this, institutions are necessary that make cooperation 14 Changing society – possible on a permanent basis. For this, it is necessary to jointly changing building create an idea of how Europe shall develop now and in the future. 18 The Theatre royal, drury lane For this, it is necessary to remember where we come from – to remember our common history in Europe. 22 Max littmann For this, the touring exhibition The history of Europe – told by and the democratisation its theatres proposes a unique starting point: our theatres. And this of the auditorium is not a coincidence. Since the first ancient civilisations developed 24 Aesthetics and technology in Europe 2500 years ago, the history of Europe has also been the 28 The nation history of its theatre. For 2500 years, theatre performances have been reflecting our present, past and possible future. For the per - 34 Spirit of the nation set ablaze formances, this special form of a joint experience and of joint re - 38 To maintain the common flection, Europeans have developed special buildings that in turn identity – the Teatr Wielki mirror the development of society. And thus today we find theatre in Warsaw buildings from many eras everywhere in Europe. -
Baroque Architecture in the Former Habsburg Residences of Graz and Innsbruck
EMBODIMENTS OF POWER? Baroque Architecture in the Former Habsburg Residences of Graz and Innsbruck Mark Hengerer Introduction Having overcome the political, religious, and economic crisis of the Thirty Years' War, princes in central Europe started to reconstruct their palaces and build towns as monuments of power. Baroque residences such as Karlsruhe combine the princely palace with the city, and even the territory, and were considered para digms of rule in the age of absolutism.' In Austrian Vienna, both the nobility and the imperial family undertook reshaping the city as a baroque residence only after the second Ottoman siege in 1683. Despite the Reichsstif of Emperor Karl VI, the baroque parts of the Viennese Hofburg and the baroque summer residence of Sch6nbrunn were executed as the style itself was on the wane, and were still incomplete in the Enlightenment period.2 It may be stated, then, that the com plex symbolic setting of baroque Viennese architecture reveals the complex power relations between the House of Habsburg and the nobility, who together formed a SOft of "diarchy," so that the Habsburgs did not exercise absolutist rule. 3 Ad ditionally, it cannot be overlooked that the lower nobility and burghers, though hardly politically influential, imitated the new style, which was of course by no means protected by any sort of copyright.4 For all these reasons, reading baroque cities as embodiments of powers is prob lematic. Such a project is faced with a phenomenon situated between complex actual power relations and a more or less learned discourse on princely power and 10 architecture (which was part of the art realm as well), and princes, noblemen, and citizens inspired to build in the baroque style.