2007 Annual Report Contents
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PUBLICIS P1/25 Angl
2003 annual report Paris > In our own image—a new look for a new welcome on the world’s most stylish avenue, the Champs Elysées. I want something that does not yet exist Marcel Bleustein-Blanchet Founder of Publicis, 1906-1996 CONTENTS The events leading up to the creation The big picture: today’s Publicis of Publicis Groupe in its new form Groupe—its culture, structure, started with a string of acquisitions business and finances P.16. Fifteen from 2000 to 2002, among them Saatchi years of near-continuous growth in & Saatchi and selected specialized revenues, operating profit and net agencies. Publicis then merged with income P.20. Organic growth and Bcom3 in 2002, a move that catapulted moves into new markets backed by us into fourth place in the worldwide an innovative approach to motivating advertising industry. The year 2003 employees P.22. In 2003, Publicis was our first in this new position P.4. introduces its Peak Performance The main highlight of 2003 was the program P.23. Responsibility to successful integration of Bcom3, an shareholders: Publicis turns in Europe’s industry giant with an entirely different top stockmarket performance in the corporate culture P.6. Supervisory Board industry and one of the top three chair Elisabeth Badinter and Chairman worldwide P.28. The new Publicis and CEO Maurice Lévy comment on this Groupe helps clients win. An successful integration, highlighting the outstanding portfolio of leading brands, new Groupe’s capacity to pursue growth an excellent balance between local and without losing its identity P.8 & 10. world players P.32. -
Gender Issues
GENDER ISSUES EQUALITY IN THE MEDIA GUIDE FOR JOURNALISTS MARS – GENDER ISSUES – Guide Sheets for Equality in the Media– p. 1 1 Authors – Document produced by Louis LAPEYRONNIE , Consultant on semiotics, under the supervising of Reynald BLION, Media & Diversity and MARS joint EU / CoE Programme, Council of Europe. This document has been produced with the financial assistance of the European Union and the Council of Europe. The views expressed herein can in no way be taken to reflect the official opinion of the European Union or that of the Council of Europe. 1 Louis Lapeyronnie worked in July and August 2012 as a study visitor within the joint European Union / Council of Europe MARS – Media Against Racism in Sport - Programme. In this framework, he conceived and produced practical sheets for journalists for better taking into account diversity and equality between women and men within the media. After he graduated in Economics from the Université Montesquieu de Bordeaux 4 (2008) and in Communication at UQAM, Université du Québec à Montréal (2011), Louis Lapeyronnie graduated in 2012 in management of cultural industries from the École des Hautes Études de Commerce (HEC), Montréal. He is furthering his own experience by working in the audiovisual sector in France and in Canada, in particular in the area of production within Seppia (Strasbourg) and Films Séville (Montréal), or regularly as a volunteer at film festivals. As a semiotics consultant, he contributed to the analysis of TV and radio programmes for the French national report on Image of Women in the Media (2011), under the presidency of CSA councillor, Michèle Reiser MARS – GENDER ISSUES – Guide Sheets for Equality in the Media– p. -
An Alternative Enlightenment: the Moral Philosophy Of
AN ALTERNATIVE ENLIGHTENMENT: THE MORAL PHILOSOPHY OF JEANNE MARIE LE PRINCE DE BEAUMONT (1711-1780) by Margaret P. Schaller A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, Florida August 2008 Copyright by Margaret P. Schaller 2008 ii AN ALTERNATIVE ENLIGHTENMENT: THE MORAL PHILOSOPHY OF JEANNE MARIE LE PRINCE DE BEAUMONT (1711-1780) By Margaret P. Schaller This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Jan Walsh Hokenson, Department of Languages, Linguistics, and Comparative Literatures, and has been approved by the members of her supervisory committee. It was submitted to the faculty of The Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor ofPhi1osophy. Dr. obin N. Fiore, Committee Member Dr. il!:!r: A.~er, Committee Member Dr. Marcella L. Munson, Committee Member ~ nath Pendakur, Dean, The Dorothy F. Schmidt College of Arts and Letters Dr. Barry T. osson, Dean, Graduate College 111 ACKNOWLEDGEMENTS I would like to thank the many professors, colleagues, and friends who have supported me in this academic achievement. In particular, I wish to acknowledge the continuing support and mentorship of my dissertation director and professor, Dr. Jan Hokenson, whose outstanding scholarship and guidance have inspired me to reflect, to question, and to ')ust say it" during my masters and my doctoral studies at Florida Atlantic University. I am also grateful to have an exceptional dissertation committee; Drs. -
The Problem of the Enlightenment Salon
UVL fll The Problem of the Enlightenment Salon European History or Post-Revolutionary Politics 1755-1850 Nancy W. Collins UCL Department of History 2006 1 ABSTRACT In the last twenty-five years, many historians have focused on the salon as a nexus of Enlightenment France, describing the institution as one of the 'origins of the French Revolution' and as 'central' to an understanding of modem French and European societies. In my thesis, I challenge this widely accepted argument and propose that our understanding of this institution must be revised. I demonstrate that the salon story is a nineteenth- century phenomenon rather than an eighteenth-century institution. I begin by demonstrating that the category of the salon has been used anachronistically and was not employed by the so-called salonnieres (i. e. Vichy du Deffand, Lespinasse, Geoffrin) or its members (i. e. Morellet, Delille, d'Alembert) in their extensive correspondence, of which thousands of letters are extant. Eighteenth-century individuals would be astonished and confused to learn that they held and participated in a salon institution. Rather, the concept - with its definitions of female- led gatherings in formal interiors - emerges in nineteenth-century published sources, particularly post-Revolutionary memoirs, which are narratives largely shaped by nostalgia and contemporary political partisanship. Often written by individuals who sought to revise views of the ancien regime with stories of a glorious past, these narratives buttressed their attempts to affect political change. Historians' overemphasis on these readily accessible sources has led to their reification of the salon and the attendant acceptance of such nineteenth-century conceptualisations of eighteenth-century lives.