DOCSLIB.ORG

Dr. Dre 2001 Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dr. Dre 2001 Mp3, Flac, Wma Dr. Dre 2001 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: 2001 Country: UK Released: 1999 Style: Gangsta MP3 version RAR size: 1875 mb FLAC version RAR size: 1462 mb WMA version RAR size: 1453 mb Rating: 4.3 Votes: 668 Other Formats: AUD RA WMA VOX MIDI MOD AHX Tracklist Hide Credits Lolo (Intro) 1 0:40 Other [Low Rider Provided By] – Kevin "Elbow" SmithPerformer – Tray-Dee*, Xzibit The Watcher Backing Vocals – Eminem, Knoc-Turnal*Bass – Mike ElizondoEngineer – Richard "Segal" 2 HurediaEngineer [Assistant] – Alex Slinn, Michelle Lynn Forbes*, Steve Macauley , Ted 3:28 ReigerKeyboards – Camara Kambon, Scott StorchPercussion – Taku HiranoProducer – Dr. Dre, Mel-ManWritten-By – A. Young*, M. Mathers* Fuck You Bass – Mike ElizondoEngineer – Richard "Segal" HurediaEngineer [Assistant] – Dave Tenhouten, Pete Novack*, Steve Macauley Featuring – Devin a/k/a The Dude*, Snoop 3 3:25 DoggGuitar – Sean CruseKeyboards – Camara Kambon, Scott StorchPercussion – Taku HiranoProducer – Dr. Dre, Mel-ManWritten-By – A. Young*, B. Bailey*, C. Broadus*, D. Copeland* Still D.R.E. Engineer – Richard "Segal" HurediaEngineer [Assistant] – Jeff Burns, Michelle Forbes, 4 Steve MacAuley Featuring – Snoop DoggKeyboards – Camara Kambon, Scott 4:28 StorchProducer – Dr. Dre, Mel-ManWritten-By – A. Young*, M. Bradford*, S. Storch*, S. Carter* Big Ego's Engineer – Richard "Segal" HurediaEngineer [Assistant] – Daniel Romero*, Michelle Lynn 5 Forbes*, Patrick Shevilin*Featuring – HittmanKeyboards – Scott StorchProducer – Dr. 4:01 Dre, Mel-ManWritten-By – A. Young*, B. Bailey*, M. Bradford*, R. Bembry*, S. Storch*, T. Curry* Xxplosive Backing Vocals – HittmanBass – Colin WolfeEngineer – Richard "Segal" HurediaEngineer [Assistant] – Dave Tenhouten, Pete Novack*, Steve Macauley , Tom Gordon Featuring – 6 3:35 Six Two*, Hittman, Kurupt, Nate DoggGuitar – Sean CruseKeyboards – Camara KambonPercussion – Taku HiranoProducer – Dr. Dre, Mel-ManWritten-By – A. Young*, B. Bailey*, C. Longmiles*, N. Hale*, R. Brown* What's The Difference Backing Vocals – Phish Engineer – Richard "Segal" HurediaEngineer [Assistant] – Dave 7 Tenhouten, Dylan Vaughn , Mauricio Iragorri*, Pete Novack*Featuring – Eminem, 4:04 XzibitKeyboards – Camara KambonProducer – Dr. Dre, Mel-ManWritten-By – A. Joyner*, M. Mathers*, M. Bradford*, R. Bembry*, S. Harris* Bar One 8 0:51 Performer – Eddie Griffin, Ms. Roq, Traci Nelson Light Speed Backing Vocals – Knoc-Turn'al, Ms. Roc*Bass – Mike ElizondoEngineer – Richard "Segal" 9 HurediaEngineer [Assistant] – Dave Tenhouten, Michelle Lynn Forbes*, Steve Macauley 2:41 Featuring – HittmanGuitar – Sean CruseKeyboards – Camara KambonProducer – Dr. Dre, Mel-ManWritten-By – A. Young*, B. Bailey* Forgot About Dre Bass – Mike ElizondoEngineer – Richard "Segal" HurediaEngineer [Assistant] – Michelle 10 3:42 Lynn Forbes*, Tom Gordon Featuring – EminemGuitar – Sean CruseKeyboards – Camara KambonProducer – Dr. Dre, Mel-ManWritten-By – A. Young*, M. Mathers*, M. Bradford* The Next Episode Backing Vocals – KuruptBass – Preston CrumpEngineer – Richard "Segal" HurediaEngineer [Assistant] – Dave Tenhouten, Michelle Lynn Forbes*, Tom Gordon 11 2:42 Featuring – Snoop DoggGuitar – Sean CruseKeyboards – Camara KambonProducer – Dr. Dre, Mel-ManVocals [Uncredited] – Nate DoggWritten-By – A. Young*, B. Bailey*, C. Broadus*, M. Bradford* Let's Get High Backing Vocals – Anthony , Traci NelsonBass – Mike ElizondoEngineer – Richard "Segal" HurediaEngineer [Assistant] – Ian Blanch, Michelle Lynn Forbes*, Patrick 12 2:27 ShevelinFeaturing – Hittman, Kurupt, Ms. RoqGuitar – Sean CruseKeyboards – Camara Kambon, Scott StorchProducer – Dr. Dre, Mel-ManVocals [Additional] – Mel-Man, ScrunchoWritten-By – A. Young*, B. Bailey*, M. Mathers*, R. Weaver*, R. Brown* Bitch Niggaz Bass – Mel-ManEngineer – Richard "Segal" HurediaEngineer [Assistant] – Dave Tenhouten, Marek , Michelle Lynn Forbes*, Steve Macauley Featuring – Six-Two*, 13 4:14 Hittman, Snoop DoggGuitar – Sean CruseKeyboards – Camara Kambon, Scott StorchPercussion – Taku HiranoProducer – Dr. Dre, Mel-ManScratches – DJ Pen*Written- By – B. Bailey*, C. Broadus*, C. Longmiles*, M. Bradford* The Car Bomb 14 1:01 Performer – Charis Henry, Mel-Man Murder Ink Backing Vocals – Traci NelsonBass – Mike ElizondoEngineer – Richard "Segal" 15 HurediaEngineer [Assistant] – Dave Tenhouten, Michelle Lynn Forbes*, Tom Gordon 2:28 Featuring – Hittman, Ms. RoqKeyboards – Camara Kambon, Scott StorchProducer – Dr. Dre, Mel-ManWritten-By – A. Young*, B. Bailey*, R. Weaver* Ed-Ucation 16 1:32 Performer – Eddie Griffin Some L.A. Niggaz Backing Vocals – Koka*Bass – Mike ElizondoEngineer – Richard "Segal" HurediaEngineer [Assistant] – Dave Tenhouten, Dirty J Lemiere*, Michelle Lynn Forbes*, Steve Macauley 17 4:25 Featuring – DeFari*, King T*, Knoc-Turn'al, Koka*, MC Ren, Time Bomb , XzibitGuitar – Sean CruseKeyboards – Camara KambonProducer – Dr. Dre, Mel-ManWritten-By – A. Joyner*, A. Young*, B. Bailey*, D. Johnson*, M. Holder*, R. McBride*, R. Harbor* Pause 4 Porno 18 1:33 Music By [Music Provided By] – Aaron Harris, Laylow Performer – Jake Steed Housewife Bass – Mike ElizondoEngineer – Richard "Segal" HurediaEngineer [Assistant] – Michelle 19 Lynn Forbes*, Steve Macauley , Tom Gordon Featuring – Hittman, KuruptGuitar – Sean 4:03 CruseKeyboards – Camara KambonProducer – Dr. Dre, Mel-ManWritten-By – A. Young*, B. Bailey*, M. Bradford*, R. Brown*, T. Curry* Ackrite Engineer – Richard "Segal" HurediaEngineer [Assistant] – Dirty J Lemeire*, Steve 20 3:40 Macauley Featuring – HittmanKeyboards – Camara KambonProducer – Dr. Dre, Mel- ManWritten-By – A. Young*, B. Bailey*, M. Bradford* Bang Bang Backing Vocals – T. Y. Nichols*Engineer – Richard "Segal" HurediaEngineer [Assistant] – 21 Dirty J Lemiere*, Mauricio Iragorri*, Michelle Lynn Forbes*Featuring – Hittman, Knoc- 3:42 Turn'alGuitar – Sean CruseKeyboards – Camara Kambon, Carl BreedingProducer – Dr. Dre, Mel-ManWritten-By – A. Young*, B. Bailey*, M. Mathers*, R. Harbor* The Message Engineer – Kieran Walsh, Richard "Segal" HurediaEngineer [Assistant] – Dave Tenhouten, 22a 5:29 Elai Tubo, Michelle Lynn Forbes*Featuring – Mary J. Blige, RellKeyboards – Camara Kambon, Finesse*Producer – Lord Finnesse* Outro 22b 0:25 Performer – Thomas Chong Companies, etc. Made By – Universal M & L, Germany Phonographic Copyright (p) – Aftermath Entertainment Phonographic Copyright (p) – Interscope Records Copyright (c) – Aftermath Entertainment Copyright (c) – Interscope Records Mastered At – Bernie Grundman Mastering Recorded At – D&D Studios Recorded At – Encore Studios Recorded At – Sierra Sonics Studios Recorded At – Skip Saylor Recording Recorded At – Can-Am Recorders Recorded At – A&M Studios Recorded At – Record One, Los Angeles Recorded At – Dre's Crib Recorded At – Larrabee Sound Studios Mixed At – Larrabee Sound Studios Mixed At – Larrabee North Published By – WB Music Corp. Published By – Ain't Nuthin' Goin' On But Fu-kin' Published By – Famous Music Publishing Published By – Eight Mile Style Published By – My Own Chit Music Published By – EMI Blackwood Music Inc. Published By – N-The-Water Publishing Published By – Loot On Loose Leaves Published By – Big Yacht Publishing Published By – Hard Workin' Black Folks Publishing Published By – Lil Lulu Publishing Published By – Scott Storch Music Published By – Sony Music Publishing Published By – Phat Cat Music Published By – Antraphil Music Published By – Sharon Hill Music Published By – Nate Dogg Music Published By – Voco Music Published By – Hennessy For Everyone Music Published By – City Housing Publishing Published By – Rockin' It Music Published By – Big Deezzz Publishing Published By – Knoc-Turn' Al Music Published By – Young Loc Ridaz Published By – Dope Deal Musick Published By – ЗАО "Юниверсал Мьюзик" Distributed By – ЗАО "Юниверсал Мьюзик" Credits A&R [A&R Direction] – Charles "Big Chuck" Stanton*, Mike Lynn* Art Direction, Design – Jason Clark Artwork [Collage Concept] – Charis Henry Coordinator [Aftermath Project Coordinator] – Damon "Bing" Chatman Coordinator [Interscope Photo Shoot Coordinator] – Ekaterina Kenney Coordinator [Interscope Production Coordinator] – Andrew Van Meter Edited By [Album Editing] – Paul Foley Engineer [Album & Mix Engineer] – Richard "Segal" Huredia Executive-Producer – Dr. Dre Management [Aftermath Product Manager] – Kirdis G. Tucker* Management [Interscope Product Manager] – Michelle Thomas Management [Production Manager] – Larry Chatman Mastered By – Brian "Big Bass" Gardner* Mixed By – Dr. Dre Photography By – Donn Thompson, Stan Musilik Photography By [Collage Photography] – Richard "Segal" Huredia Technician [Sound Check Provided By] – Kim Bullard Notes Track 2 recorded at Larrabee West. Track 3 recorded at Encore, Larrabee West Studios, Dre's Crib. Track 4 recorded at A&M Recording/Record One. Track 5 recorded at Skip Saylor's, Can-Am Studios. Track 6 recorded at Sierra Sonics Studios. Track 7 recorded at Skip Saylor's, Larrabee West Studios. Track 9 recorded at Encore, Larrabee North Studios. Tack 10 recorded at Sierra Sonics Studios, Larrabee West Studios. Track 11 recorded at Sierra Sonics, Encore Studios. Track 12 recorded at Skip Saylor's Studios. Track 13 recorded at Skip Saylor's & Larrabee West Studios. Track 15 recorded at Sierra Sonics, Encore, Larrabee West Studios. Track 17 recorded at Encore Studios, Larrabee North, Larrabee West. Track 19 recorded at Sierra Sonics, Larrabee North Studios. Track 20 recorded at Larrabee West. Track 21 recorded at Encore, Larrabee West Studios. Track 22 recorded
Load more

Recommended publications
  • Rfswccs 5 Z Ó Oz Ó Rn Y Tn W N Q =W W 30 X= TITLE ARTIST Wó O TITLE ARTIST I H IMPRINT NUMBER/PROMOTION LABEL CL CL .1 L' S'' N
    COMPILED FROM A NATIONAL SAMPLE OF BROADCAST DATA SYSTEMS R &B RADIO PLAYLISTS AND RETAIL STORE SALES REPORTS COLLECTED, COMPILED, AND PROVIDED BY SOUNDSCAN. Billboard,, HOT R&B/I IIP -NOP. nnnn SoundScano .MOM _...- HIM AUGUST 12, 2000 nIIIIMM_ES AEON rfswccs 5 z ó oz ó rn Y tN W N Q =w W 30 x= TITLE ARTIST Wó O TITLE ARTIST I H IMPRINT NUMBER/PROMOTION LABEL CL CL .1 L' S'' N . 3 E . (SONGWRI IMPRINT & NUMBER/PROMOTION LABEL cs o. 3 53 N Q Ú PRODUCER (SONGWRIII & 19 COME BACK IN ONE PIECE AALIYAH FEATURING DMX --ow No. 1 50 46 40 36 ',_ 3 G WORRELL) B1pfA01M0 SOUOTRJq CUEMRGEI t 10 17 INCOMPLETE * 2 weeks at No. 1 SISQO I 1 I IMAGINE THAT LL COOL J . RAWFOH. '.' ' :AN,S.CRAWFORD,K.HUDSON) (0 (D) DRAGON/DEE SOUL 562854ADJMG 51 63 77 6 * 51 ROCKWII, .) T.SMITH,D.STINSON) (TI DEF JAM 56282730JMG t LET'S GET MARRIED * JAGGED EDGE 1 2 2 1 19 000H. * DE LA SOUL FEATURING REDMAN J. DUPRI.B. M.COX ,SEY.B.CASEY,B.M.COXI (T) (X) SO SO DEF 7943P/COLUMBIA 1 52 55 64 5 52 DE LA SOUL (K.MERCER,V.MASON,D.JOLICOEUR,L SCI IFRIN) (T) TOMMY BOY 2118' t NO MORE RUFF ENDZ 2 3 2 15 * SUMMER RAIN CARL THOMAS O ( 53 EDDIE F.,D.LIGHTY E. FERRELL ,D.LIGHTY,C.LIGHTY,B.MUHAMMAD) (C) (D) (T) EPIC 794001 53 61 73 3 HEAVY D (D.ROGERS.D.MYERS,S.WONDER W.CAMPBELL) GHEE 41450N/BAD BOY ALBUM & SOUNDTRACK CUT / ARISTA t NEXT 6 6 14 WIFEY * 4 BAD BOYZ SHYNE FEATURING BARRINGTON LEVY ® KAYGEE,E.BERKELEY (K.GIST,E.BERKELEY,R.L.HUGGAR) (T) t * 53 ARISTA 13856' 54 53 55 5 EZ ELPEE (1.
    [Show full text]
  • "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude.
    [Show full text]
  • 3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
    3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money
    [Show full text]
  • Keyfinder V2 Dataset © Ibrahim Sha'ath 2014
    KeyFinder v2 dataset © Ibrahim Sha'ath 2014 ARTIST TITLE KEY 10CC Dreadlock Holiday Gm 187 Lockdown Gunman (Natural Born Chillers Remix) Ebm 4hero Star Chasers (Masters At Work Main Mix) Am 50 Cent In Da Club C#m 808 State Pacifc State Ebm A Guy Called Gerald Voodoo Ray A A Tribe Called Quest Can I Kick It? (Boilerhouse Mix) Em A Tribe Called Quest Find A Way Ebm A Tribe Called Quest Vivrant Thing (feat Violator) Bbm A-Skillz Drop The Funk Em Aaliyah Are You That Somebody? Dm AC-DC Back In Black Em AC-DC You Shook Me All Night Long G Acid District Keep On Searching G#m Adam F Aromatherapy (Edit) Am Adam F Circles (Album Edit) Dm Adam F Dirty Harry's Revenge (feat Beenie Man and Siamese) G#m Adam F Metropolis Fm Adam F Smash Sumthin (feat Redman) Cm Adam F Stand Clear (feat M.O.P.) (Origin Unknown Remix) F#m Adam F Where's My (feat Lil' Mo) Fm Adam K & Soha Question Gm Adamski Killer (feat Seal) Bbm Adana Twins Anymore (Manik Remix) Ebm Afrika Bambaataa Mind Control (The Danmass Instrumental) Ebm Agent Sumo Mayhem Fm Air Sexy Boy Dm Aktarv8r Afterwrath Am Aktarv8r Shinkirou A Alexis Raphael Kitchens & Bedrooms Fm Algol Callisto's Warm Oceans Am Alison Limerick Where Love Lives (Original 7" Radio Edit) Em Alix Perez Forsaken (feat Peven Everett and Spectrasoul) Cm Alphabet Pony Atoms Em Alphabet Pony Clones Am Alter Ego Rocker Am Althea & Donna Uptown Top Ranking (2001 digital remaster) Am Alton Ellis Black Man's Pride F Aluna George Your Drums, Your Love (Duke Dumont Remix) G# Amerie 1 Thing Ebm Amira My Desire (Dreem Teem Remix) Fm Amirali
    [Show full text]
  • Het Verleden in Hiphopmuziek Verwijzingen Naar Het Verleden Van Onderdrukking in De Hiphopcultuur Van De Jaren Negentig
    Het verleden in hiphopmuziek Verwijzingen naar het verleden van onderdrukking in de hiphopcultuur van de jaren negentig. Naam: Joris Martens Studentnummer: S4381459 Begeleider: Dhr. Riswick Inleverdatum: 15-6-2017 Radboud Universiteit Nijmegen Inhoud Inleiding .................................................................................................................................................. 2 Status Quaestionis ................................................................................................................................... 4 Bronselectie en methode ......................................................................................................................... 8 Hoofdstuk 1: ‘Verandering hangt in de lucht’ 1990-1993 .................................................................... 11 Hoofdstuk 2: ‘Hernieuwde assertiviteit’ 1994-1997 ............................................................................. 16 Hoofdstuk 3: ‘Over de grenzen van het genre heen kijken’ 1998-2000 ................................................ 23 Conclusie ............................................................................................................................................... 28 Bibliografie ............................................................................................................................................ 30 Bronnen ............................................................................................................................................. 30 Internet
    [Show full text]
  • (FINAL) Filed by Defendant Veoh Networks, Inc
    UMG Recordings, Inc. et al v. Veoh Networks, Inc. et al Doc. 580 Att. 1 UMG Recordings, Inc., et al. v. Veoh Networks, Inc., et al. CV-07-5744 AHM (AJWx) Row Artist Title URL/Media ID SR PA Other© 1 +44 When Your Heart Stops Beating http://www.veoh.com/videos/v869096McprGBcc?searchId=8821896460382821081&rank=1 SR 395 256 PA 1 364 849 2 +44 When Your Heart Stops Beating http://www.veoh.com/videos/v1133892z5yt6q6k?searchId=8821896460382821081&rank=8 PA 1 364 849 3 +44 When Your Heart Stops Beating http://www.veoh.com/videos/v695862AQm8Z5s7?searchId=946857493592288007&rank=0 SR 395 256 PA 1 364 849 4 2Pac Brenda's Got A Baby http://www.veoh.com/videos/v852259jZCSyARX?searchId=6217364643296157058&rank=30 SR 172 261 PA 587 100 5 2Pac Changes http://www.veoh.com/videos/v852495gYwncfN2?searchId=1391447604421227290&rank=10 SR 246 223 PA 1 070 591 6 2Pac Dear Mama http://www.veoh.com/videos/v85546948gd4QEF?searchId=3596862544988098709&rank=0 SR 198 941 PA 773 741 7 2Pac Ghetto Gospel http://www.veoh.com/videos/v855943bTEQ6FzG?searchId=7482146787032411194&rank=0 SR 366 107 PA 1 269 944 8 2Pac I Ain't Mad At Cha http://www.veoh.com/videos/v856255mJ4XsWjn?searchId=7482146787032406262&rank=0 SR 331 786 PA 1 070 600 9 2Pac I Get Around http://www.veoh.com/videos/v788210reqneRhp?searchId=2584475142970298848&rank=0 SR 152 641 PA 719 815 10 2Pac Keep Ya Head Up http://www.veoh.com/videos/v856849traMm4Z6?searchId=5895476316743364377&rank=0 SR 152 641 PA 690 021 11 2PAC Until The End Of Time http://www.veoh.com/videos/v8576938enGKpjJ?searchId=6653307685097158544&rank=41 SR 295 873 PA 1 051 883 12 2Pac & The Outlaws Hit 'Em Up http://www.veoh.com/videos/v957512y6atqR9Z?searchId=2584475142970298848&rank=14 PA 911 002 13 2Pac f/Snoop Dogg 2 Of Amerikaz Most Wanted http://www.veoh.com/videos/v852089hWrqzsfG?searchId=6217364643296190229&rank=50 SR 331 786 PA 1 070 596 14 2Pac f/Top Dogg All About U http://www.veoh.com/videos/v852168qhzdC24X?searchId=4274417651442338767&rank=0 SR 331 786 PA 780 085 15 2Pac, Nas, J.
    [Show full text]
  • Rap Music Conventions and Themes
    UC Irvine UC Irvine Previously Published Works Title Rap on Trial: A Legal Guide for Attorneys Permalink https://escholarship.org/uc/item/4n09w1df Authors Lerner, Jack I Kubrin, Charis E Publication Date 2021-06-09 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Rap On Trial A LEGAL GUIDE for Attorneys Jack I. Lerner, UCI School of Law Charis E. Kubrin, UCI Criminology, Law & Society and members of the UCI Intellectual Property, Arts, and Technology Clinic RAP ON TRIAL: A LEGAL GUIDE FOR ATTORNEYS Jack I. Lerner, UCI School of Law Charis E. Kubrin, UCI Criminology, Law & Society and members of the UCI Intellectual Property, Arts, and Technology Clinic Version 1.0 June 2021 The latest version of this guide can be found at https://endrapontrial.org. Cite as: Jack I. Lerner, Charis E. Kubrin et al., Rap on Trial Legal Guide 1 (Version 1.0 2021). ACKNOWLEDGEMENTS This work would not have been possible without the tireless efforts of law students in the UCI Intellectual Property, Arts, and Technology Clinic, who conducted research, interviewed scholars and experts, helped build the companion Brief Bank and Case Compendium, and helped prepare early drafts of parts of this guide. We especially thank Oluwatobi Agbelemose, Atiya Adejimi, Nafisa Ahmed, Paniz Arab, Iden Asghar- Rezaei, Kledio Baci, Michelle Emeterio, Evan Franson, Julia Gaffney, Arianna Goolsby, Emily Horak, Stephanie Hosman, Savannah Levin, Roxanne Markus, Ellie McPike, Mimi Nguyen, Ikechukwu Nnadi, Arjay Parhar, Anthony Perez, Hedyeh Tirgardoon, Katherine Vetter, Yufei Wang, Bria Watson, and Benjamin Whittle. We also thank the attorneys and experts who generously donated their time and expertise to help ensure this guide is grounded in practice and experience, including Carie Allen, Anita Burns, Mitra Ebadolahi, Dan Goldberg, Kevin J.
    [Show full text]
  • 5010 Mapaнаmusic Production Cw2наpractical Work
    COVENTRY UNIVERSITY FACULTY OF ARTS AND HUMANITIES MUSIC TECHNOLOGY BSC 5010 MAPA­ MUSIC PRODUCTION CW2­ PRACTICAL WORK: RECORDING PORTOFOLIO + RESEARCH (50%) SILVIU STEFAN NITU STUDENT ID ­ 8343174 COVENTRY UNIVERSITY FACULTY OF ARTS AND HUMANITIES MUSIC TECHNOLOGY BSC Dr. Dre is an American rapper, record producer, entrepreneur, actor, and audio engineer. He is, probably, the most important man in the hip­hop industry, being one of the best producers and rappers, and, also, one of the richest rappers in the world. His real name is Andre Romell Young, and he was born on 18t h of February, 1965, in Compton, California. His first stage name is, actually, “Dr. J”. At first, he began as a DJ. At the club, he met rapper Antoine Carraby, who later became a member of DJ Yella of N.W.A. In 1986, Dr. Dre met O'Shea Jackson, also known as Ice Cube, who collaborated with him to record songs for Ruthless Records, a hip hop record label run by Eazy­E. N.W.A and West Coast rapper Ice­T are credited as seminal artists of the gangsta rap genre. His first album is called “The Chronic”, with Suge Knight as executive producer. Ice Cube left N.WA. in 1989, because of financial disputes, and, in 1991, Dre had a dispute with Easy­E, and decided to leave the group, when it was at the peak of its popularity. His bodyguard at that time, Suge Knight, and the N.W.A lyricist, The D.O.C. helped Dre to close the contract with the record label.
    [Show full text]
  • Don't Judge a Man by the Color of His
    DON’T JUDGE A MAN BY THE COLOR OF HIS RAG: THE REALITY AND RESISTANCE OF GANGSTA RAP AMONG LOS ANGELES GANG MEMBERS A Thesis by MAMIE C. DAVIS Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Chair of Committee, Antonio C. La Pastina Committee Members, Josh Heuman Judith Hamera Head of Department, J. Kevin Barge August 2014 Major Subject: Communication Copyright 2014 Mamie C. Davis ABSTRACT This thesis shares interactive, performative stories regarding the intersection of gang culture and gangsta rap music. For a total of twenty-one days in a nine month span, I conducted ethnographic participant observation and in-depth interviews with sixteen former gang members and gangsta rap artists. While there I encountered, rode around, and hung with countless gang members belonging to both Crips and Bloods in South Central, Long Beach, Compton, and Inglewood. Although focusing on historic influences, this thesis travels through the present and positions itself as a future, utopic plot. The time period discussed in the thesis, 1986-1996, coincides with the first wave of gangsta rap and the years of active gangbanging and/or music training for these men. In the time discussed, the narratives and interviews have collectively shared one story: music was used to resist oppression while also reinforcing the oppressed mindset. By categorizing gangsta rap as a dystopian performative, I provide insight on the reality of music through reception and resistance of the LA Black Community. Through my journey to Los Angeles, I discovered that the reality of the music is deeper than the subculture; instead, it is planted in the larger community.
    [Show full text]