The “Gospel” of Judas? What Does It Really Say? by Father Steven Tsichlis
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Gnostic Myth of Sophia in Dark City (1998) Fryderyk Kwiatkowski Jagiellonian University in Kraków, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Nebraska, Omaha Journal of Religion & Film Volume 21 Article 34 Issue 1 April 2017 4-1-2017 How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998) Fryderyk Kwiatkowski Jagiellonian University in Kraków, [email protected] Recommended Citation Kwiatkowski, Fryderyk (2017) "How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998)," Journal of Religion & Film: Vol. 21 : Iss. 1 , Article 34. Available at: https://digitalcommons.unomaha.edu/jrf/vol21/iss1/34 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998) Abstract In the second half of the 20th century, a fascinating revival of ancient Gnostic ideas in American popular culture could be observed. One of the major streams through which Gnostic ideas are transmitted is Hollywood cinema. Many works that emerged at the end of 1990s can be viewed through the ideas of ancient Gnostic systems: The Truman Show (1998), The Thirteenth Floor (1999), The Others (2001), Vanilla Sky (2001) or The Matrix trilogy (1999-2003). In this article, the author analyses Dark City (1998) and demonstrates that the story depicted in the film is heavily indebted to the Gnostic myth of Sophia. -
Paradise Reconsidered in Gnostic Mythmaking Nag Hammadi and Manichaean Studies
Paradise Reconsidered in Gnostic Mythmaking Nag Hammadi and Manichaean Studies Editors Johannes van Oort & Einar Thomassen Editorial Board A. D. DeConick—W.-P. Funk—I. Gardner C. W. Hedrick—S. N. C. Lieu—A. Marjanen P. Nagel—L. Painchaud—B. A. Pearson S. G. Richter—J. M. Robinson—M. Scopello W. Sundermann—J. D. Turner—G. Wurst VOLUME 68 Paradise Reconsidered in Gnostic Mythmaking Rethinking Sethianism in Light of the Ophite Evidence By Tuomas Rasimus LEIDEN • BOSTON 2009 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Rasimus, Tuomas. Paradise reconsidered in Gnostic mythmaking : rethinking Sethianism in light of the Ophite evidence / by Tuomas Rasimus. p. cm. — (Nag Hammadi and Manichaean studies ; v. 68) Revision of the author’s thesis (doctoral)—University of Helsinki and Université Laval, 2006. Includes bibliographical (p. ) references and indexes. ISBN 978-90-04-17323-1 (hardback : alk. paper) 1. Sethians. 2. Ophites. I. Title. II. Series. BT1390.R38 2009 273'.1—dc22 2009029148 ISSN 0929-2470 ISBN 978 90 04 17323 1 Copyright 2009 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
GNOSIS and NAG HAMMADI Anne Mcguire
12 GNOSIS AND NAG HAMMADI Anne McGuire Introduction Introductory remarks on “gnosis” and “Gnosticism” “Gnosticism” is a modern European term that !rst appears in the seventeenth-century writings of Cambridge Platonist Henry More (1614–87). For More, “Gnosticism” designates one of the earliest Christian heresies, connected to controversies addressed in Revelation 2:18–29 and in his own day.1 The term “gnosis,” on the other hand, is one of several ancient Greek nouns for “knowledge,” speci!cally experiential or esoteric knowledge based on direct experience, which can be distinguished from mere perception, understanding, or skill. For Plato and other ancient thinkers, “gnosis” refers to that knowledge which enables perception of the underlying structures of reality, Being itself, or the divine.2 Such gnosis was valued highly in many early Christian communities,3 yet the claims of some early Christians to possess gnosis came under suspicion and critique in the post-Pauline letter of 1 Timothy, which urges its readers to “avoid the profane chatter and contradictions of falsely so-called gnosis.”4 With this began the polemical contrast between “false gnosis” and “true faith.” It is this polemical sense of “false gnosis” that Bishop Irenaeus of Lyons took up in the title of his major anti-heretical work: Refutation and Overthrow of Falsely So-Called Gnosis, or Against Heresies, written c. "# 180.5 Irenaeus used 1 Timothy’s phrase not only to designate his opponents’ gnosis as false, but, even more important, to construct a broad category of -
THE GNOSTIC SOCIETY LIBRARY “The Nag Hammadi Library”
THE GNOSTIC SOCIETY LIBRARY “The Nag Hammadi Library” The “Nag Hammadi Library” is a collection of early Christian Gnostic texts discovered near the Egyptian town of Nag Hammadi, in 1945. Nag Hammadi library The Nag Hammadi library (popularly known as The Gnostic Gospels) is a collection of early Christian Gnostic texts discovered near the town of Nag Hammâdi in 1945. That year, twelve leather-bound papyrus codices buried in a sealed jar were found by a local peasant named Mohammed Ali. The writings in these codices comprised fifty-two mostly Gnostic tractates (treatises), but they also include three works belonging to the Corpus Hermeticum and a partial translation / alteration of Plato's “Republic”. In his "Introduction" to “The Nag Hammadi Library” in English, James Robinson suggests that these codices may have belonged to a nearby Pachomian monastery, and were buried after Bishop Athanasius condemned the uncritical use of non-canonical books in his Festal Letter of 367 AD. The contents of the codices were written in Coptic, though the works were probably all translations from Greek. The best-known of these works is probably the “Gospel of Thomas”, of which the “Nag Hammadi Codices” contain the only complete text. After the discovery it was recognized that fragments of these sayings of Jesus appeared in manuscripts discovered at Oxyrhynchus in 1898, and matching quotations were recognized in other early Christian sources. Subsequently, a 1st or 2nd century date of composition circa 80 AD for the lost Greek originals of the Gospel of Thomas has been proposed, though this is disputed by many if not the majority of biblical matter researchers. -
The Fifth Gospel. the Gospel of Thomas Comes Of
The Fifth Gospel NEWI ED TION The Fifth Gospel The Gospel of Thomas Comes of Age NEWI ED TION Stephen J. Patterson With an essay by James M. Robinson And a New revised translation from Hans-Gebhard Bethge, et al. Published by T&T Clark International A Continuum Imprint The Tower Building, 80 Maiden Lane, 11 York Road, Suite 704, London SE1 7NX New York, NY 10038 www.continuumbooks.com All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage or retrieval system, without permission in writing from the publishers. © Stephen J. Patterson, Hans-Gebhard Bethge, James M. Robinson 2011 Stephen J. Patterson, Hans-Gebhard Bethge and James M. Robinson have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as the Author of this work. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN: 978-0-567-31084-2 Typeset by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NN Contents Introduction Stephen J. Patterson vii CHAPTER 1 Revised English Translation 1 CHAPTER 2 Understanding the Gospel of Thomas Today 26 CHAPTER 3 The Story of the Nag Hammadi Library 67 Further Reading 97 Notes 100 General Index 118 Index of Gospel of Thomas References 126 Index of Biblical References 128 Introduction Stephen J. Patterson The Gospel of Thomas ranks among the most important manuscript discoveries in the last two hundred years. The debate it unleashed in the 1950s, when scholars first got a glimpse of the new gospel, continues unabated today. -
Nag Hammadi, Gnosticism and New Testament Interpretation
Grace Theological Journal 8.2 (1987) 195-212 Copyright © 1987 by Grace Theological Seminary. Cited with permission. NAG HAMMADI, GNOSTICISM AND NEW TESTAMENT INTERPRETATION WILLIAM W. COMBS The Gnostic heresy alluded to in the NT and widely repudiated by Christian writers in the second century and after has been in- creasingly studied in the last forty years. The discovery in upper Egypt of an extensive collection of Gnostic writings on papyri trans- formed a poorly known movement in early Christianity into a well documented heresy of diverse beliefs and practices. The relationship of Gnosticism and the NT is an issue that has not been resolved by the new documents. Attempts to explain the theology of the NT as dependent on Gnostic teachings rest on ques- tionable hypotheses. The Gnostic redeemer-myth cannot be docu- mented before the second century: Thus, though the Gnostic writings provide helpful insight into the heresies growing out of Christianity, it cannot be assumed that the NT grew out of Gnostic teachings. * * * INTRODUCTION STUDENTS of the NT have generally been interested in the subject of Gnosticism because of its consistent appearance in discussions of the "Colossian heresy" and the interpretation of John's first epistle. It is felt that Gnosticism supplies the background against which these and other issues should be understood. However, some who use the terms "Gnostic" and "Gnosticism" lack a clear understanding of the movement itself. In fact, our knowledge of Gnosticism has suffered considerably from a lack of primary sources. Now, however, with the discovery of the Nag Hammadi (hereafter, NH) codices, this void is being filled. -
EARL 8/2 No. 2
ATTRIDGE/VALENTINIAN AND SETHIAN APOCALYPSES 173 Valentinian and Sethian Apocalyptic Traditions* HAROLD W. ATTRIDGE The paper reexamines the relationship between “apocalyptic” and “gnostic” traditions, on the assumption that global definitions of these phenomena are problematic. Valentinian and Sethian corpora in the Nag Hammadi collection display different appropriations of apocalyptic literary forms and conceptual schemes. Apart from a few late works with traces of Valentinian positions, this tradition largely ignores features characteristic of apocalyptic literature. Valentinian eschatology seems to be founded primarily on philosophical cosmology and psychology. Sethian texts preserve many features of Jewish revelatory literature, and many details associated with various eschatological schemes familiar from apocalyptic sources. The most extensive use of the characteristic “heavenly ascent” topos in Sethian literature, however, seems to be a third-century development, perhaps responding to contemporary forms of religious propaganda. It has been almost forty years since R. M. Grant made his famous, and frequently discussed, suggestion that Gnosticism was born out of disap- pointed apocalyptic hopes.1 While containing an element of truth, the very formulation seems curiously dated. At the end of the millennium we are much more aware of the difficulties of dealing with each term of *A version of this paper was presented to the joint session of the Nag Hammadi and Pseudepigrapha groups at the annual meeting of the Society of Biblical Literature in Orlando, November 22, 1998. The subject of the joint session was the relationship of “apocalyptic” and “Gnosticism.” 1. Robert M. Grant, Gnosticism and Early Christianity (New York: Columbia University Press, 1959; rev. ed. 1966), 27–38. -
Kiss of Judas the Apostle JUDAS ISCARIOT Page 1
Kiss of Judas The Apostle JUDAS ISCARIOT Page 1 Born: Kerioth, Judea Died: 30 AD, Jerusalem, Israel Death: Hanged himself from a tree He was the son of Simon. He was the Treasurer for the Disciples. He betrayed Jesus for 30 silver coins. He committed suicide after Jesus was captured. He was replaced by Matthias as the 12th Disciple. Judas Iscariot is typically remembered for one thing: his betrayal of Jesus. He was one of the twelve disciples who lived with and followed Jesus for three years. He witnessed Jesus’ ministry, His teaching, and His many miracles. He was the treasurer for the group and used this trusted position to steal from their resources (John 12:6). Judas was a common name in that era, and there are several other Judases mentioned in the New Testament. One of the other disciples was named Judas (John 14:22), and so was one of Jesus’ own half-brothers (Mark 6:3). To differentiate, John 6:71 and John 13:26 refer to Christ’s betrayer as “Judas, son of Simon Iscariot.” Scholars have several ideas about the derivation of the surname. One is that Iscariot refers to Kerioth, a region or town in Judea. The surname Iscariot is useful, if for no other reason, in that it leaves no doubt about which Judas is being referred to. Here are some of the facts from key verses about Judas and his betrayal: Money was important to Judas. As already mentioned, he was a thief, and, according to Matthew 26:13–15, the chief priests paid him “thirty silver coins” to betray the Lord. -
Scrovegni Chapel 1 Scrovegni Chapel
Scrovegni Chapel 1 Scrovegni Chapel The Scrovegni Chapel, or Cappella degli Scrovegni, also known as the Arena Chapel, is a church in Padua, Veneto, Italy. It contains a fresco cycle by Giotto, completed about 1305, that is one of the most important masterpieces of Western art. The church was dedicated to Santa Maria della Carità at the Feast of the Annunciation, 1305. Giotto's fresco cycle focuses on the life of the Virgin Mary and celebrates her role in human salvation. The chapel is also known as the Arena Chapel because it was built on land purchased by Enrico Scrovegni that abutted the site of a Roman arena. This space is where an open-air procession and sacred representation of the Annunciation to the Virgin had been played out for a generation before the chapel was built. A motet by Marchetto da Padova appears to have been composed for the dedication on March 25, 1305.[1] The chapel was commissioned by Enrico Scrovegni, whose family fortune was made through the practice of usury, which at this time meant charging interest when loaning money, a sin so grave that it resulted in exclusion from the Christian sacraments.[2] Built on family estate, it is often suggested that Enrico built the chapel in penitence for his father's sins and for Capella degli Scrovegni absolution for his own. Enrico's father Reginaldo degli Scrovegni is the usurer encountered by Dante in the Seventh Circle of Hell. A recent study suggests that Enrico himself was involved in usurious practices and that the chapel was intended as restitution for his own sins.[3] Enrico's tomb is in the apse, and he is also portrayed in the Last Judgment presenting a model of the chapel to the Virgin. -
Giotto's Fleeing Apostle
Giotto’s Fleeing Apostle PAUL BAROLSKY —In memory of Andrew Ladis Ihave previously suggested in these pages that in the Humanities, to which this journal is dedicated, the doctrine of ut pictura poesis dominates our thinking to such an extent that we often make false or over-simplified equa- tions between texts and images, even though there is never an exact identity between words, which tell, and mute im- ages, which show. The falsifying equation between text and image is a corrupting factor in what is called “iconography,” the discipline that seeks, however imperfectly, to give verbal meaning to wordless images. Texts may suggest connota- tions or implications of images, but images never render the exact denotations of these texts. I would like to suggest here a single example of such a delicate if not fragile link between text and image—a case in which the artist begins with a text but transforms it into something other than what the words of the text describe. My example is found in the art of one of the great masters in the history of European art. I speak of Giotto. Of all the personages that Giotto painted in the Scrovegni Chapel, one of the most mysterious is the forbidding, hooded figure with his back to us, who clutches a drapery in his clenched fist in the left foreground of the Arrest of Jesus (fig. 1). This ominous figure leads us down a fascinating path. In his magisterial book Giotto’s O, Andrew Ladis ob- serves that the “anonymous henchman” has in his “rigid grasp” the robe of an “inconstant and indeterminate apostle who flees . -
The Apocryphal Gospels
A NOW YOU KNOW MEDIA W R I T T E N GUID E The Apocryphal Gospels: Exploring the Lost Books of the Bible by Fr. Bertrand Buby, S.M., S.T.D. LEARN WHILE LISTENING ANYTIME. ANYWHERE. THE APOCRYPHAL GOSPELS: EXPLORING THE LOST BOOKS OF THE BIBLE WRITTEN G U I D E Now You Know Media Copyright Notice: This document is protected by copyright law. ALL RIGHTS RESERVED. You are permitted to view, copy, print and distribute this document (up to seven copies), subject to your agreement that: Your use of the information is for informational, personal and noncommercial purposes only. You will not modify the documents or graphics. You will not copy or distribute graphics separate from their accompanying text and you will not quote materials out of their context. You agree that Now You Know Media may revoke this permission at any time and you shall immediately stop your activities related to this permission upon notice from Now You Know Media. WWW.NOWYOUKNOWMEDIA.COM / 1 - 800- 955- 3904 / © 2010 2 THE APOCRYPHAL GOSPELS: EXPLORING THE LOST BOOKS OF THE BIBLE WRITTEN G U I D E Table of Contents Topic 1: An Introduction to the Apocryphal Gospels ...................................................7 Topic 2: The Protogospel of James (Protoevangelium of Jacobi)...............................10 Topic 3: The Sayings Gospel of Didymus Judas Thomas...........................................13 Topic 4: Apocryphal Infancy Gospels of Pseudo-Thomas and Others .......................16 Topic 5: Jewish Christian Apocryphal Gospels ..........................................................19