DOCSLIB.ORG

JAMAICA MUSIC COUNTDOWN Jun 7

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
JAMAICA MUSIC COUNTDOWN Jun 7 JAMAICA MUSIC COUNTDOWN By Richard ‘Richie B’ Burgess June 7 - 13, 2019 TOP 25 DANCE HALL SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 1 13 Hillside – Chronic Law – Elite Generation Records (2wks@#1) NM 02 2 19 Ohh Lala La – Squash – Sky Bad Musiq NM 03 6 11 Rapture – Koffee – Columbia U-3 04 5 14 Cool It – Spice – Spice Official Ent. U-1 05 3 18 Darkest Times – Masicka – 1syde/Genahsyde Records (pp#3) D-2 06 7 11 Trending Gyal – Shenseea – Romeich Entertainment U-1 07 10 8 Any Weather – Vybz Kartel – Shab Don Records U-3 08 8 18 Owna Lane – Teejay – Romeich Entertainment (2wks@#1) NM 09 9 10 Best/Blessed – Popcaan – TJ Records NM 10 4 16 Come Home – Vybz Kartel – TJ Records (2wks@#1) D-6 11 11 9 Boasty – Wiley, Sean Paul, Stefflon Don feat. Idris Elba – BMG (pp#8) NM 12 13 7 Can’t Kill We – Vybz Kartel & Chronic Law – TJ Records U-1 13 15 6 Money Fever – Squash – Shab Don Records U-2 14 14 14 Starlife – Rygin King – One Dream Records/Rygin Trap Records/Hard Streetz Records & West Click Records (pp#12) NM 15 16 6 Level Up – Popcaan – Markus Records U-1 16 12 16 Me Alright – Mavado – JA Productions (pp#6) D-4 17 18 5 No Regular Girl – Safaree feat. Jahmeil – Stuntgang Records/Chimney Records U-1 18 19 5 Bubble Gym – Konshens – Hitgruves Music /Subkonshus Music U-1 19 20 4 Shuga – Stonebwoy feat. Beenie Man – Burniton Music Group U-1 20 17 18 Blessings – Tommy Lee – Damage Musiq (2wks@#1) D-3 21 - New Blessed – Shenseea feat. Tyga – Interscope Records 22 24 3 Traumatised – Popcaan – Notnice Records U-2 23 23 3 Loyalty – Govana – D’ultimate Dreamteam Ent. & Raheef Muzik Group NM 24 - New Hail – Quada – Dunwell Productions & Unruly Entertainment 25 - New Mark X & Axio (Choppa Life) – Acegawd – Caution Family Records TOP 25 REGGAE SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 2 16 Great Men – Busy Signal – Warriors Musick Productions (1wk@#1) U-1 02 1 14 Throne – Koffee – Columbia (Sony) (2wks@#1) D-1 03 3 14 Show Love – Etana & Bugle – Tads Records NM 04 7 9 You Give Me Hope – Alaine – Chimney Records U-3 05 6 14 Single Mother – Pamputtae – Wopen Door Records U-1 06 5 16 No Underwear – Dexta Daps – One Time Music (3wks@#1) D-1 07 4 18 Never Lose Hope – Alkaline – DJ Frass Records (2wks@#1) D-3 08 8 19 Too Badmind – Cerassie Tea – 2000 Plus Production NM 09 12 7 Marijuana – Jah Cure feat. Damion ‘Jnr Gong’ Marley – VP Records U-3 10 11 12 Melanin – Romaine Virgo – Chimney Records U-1 11 10 20 Reggae Music – Kabaka Pyramid – Ghetto Youths International (2wks@#1) D-1 12 15 6 Country For Sale – Buju Banton – Penthouse Records U-3 13 13 11 Let My Spirit Fly – Etzia – Mambia Records NM 14 14 9 What Kind Of World – Marcia Griffiths – Tads Records NM 15 16 7 Beautiful Life – Richie Spice feat. Kathryn Aria – Element Music JA/VP Records U-1 16 9 19 Sometime Love – Sevana – In.Digg.Nation Collective (pp#3) D-7 17 19 6 Inseparable – Bounty Killer – Chimney Records U-2 18 20 5 Heaven (Ready Fi Di Feeling) – Jah 9 – VP Records U-2 19 21 4 That’s Not True – Skip Marley feat. Damion ‘Jnr Gong’ Marley – Universal/Island Records U-2 20 22 3 Not Another Word – Protoje feat. Lila Ike & Agent Sasco – In.Digg.Nation Collective U-2 21 23 3 Yardie – A.F.T. Band – Tads Records U-2 22 24 2 Go Harda – Alexx A-Game – Upsetta Records/REAL n TRUE Records U-2 23 - New General – Christopher Martin – Frankie Music 24 25 2 Young Girl – Hezron – Zimma Entertainment U-1 25 18 23 Million Thoughts – Iba Mahr – Speedy Judgement Records (pp#7) D-7 TOP TEN ALBUMS/CD CHART TW LW WOC TITLE/ARTISTE/LABEL 01 1 5 And Then – Christopher Martin – VP Records (2wks@#1) NM 02 4 3 Wah Gwaan?! – Shaggy – The Cherrytree Music Co, Brooklyn Knights Entertainment and 300 Entertainment U-2 03 2 10 Music Is Our Business – Coco Tea – VP Records (1wk@#1) D-1 04 6 4 The Best Of Rita Marley: Lioness on the Rise – Rita Marley – Tuff Gong Worldwide U-2 05 5 16 The Hit List Vol. 7 – Various Artistes – Tads Records (3wks@#1) NM 06 7 10 Rapture – Koffee – Columbia Records (3wks@#1) U-1 07 8 2 Mass Manipulation – Steel Pulse – Rootfire Cooperative/Wiseman Doctrine U-1 08 3 14 G.O.A.T. (The Greatest Of All Time Is Now) – Machel Montano – Monk Music (1wk@#1) D-5 09 - New Masterclass – Lieutenant Stitchie – X-Ray Production 10 9 34 The Ultimate 2018 – Various Artistes – Tads Records (4wks@#1) D-1 _____________________NOTES_____________________________________ NUMBERS IN BRACKET INDICATE THE NUMBER OF WEEKS AT THE NO. 1 SPOT. KEY: U – UPWARD, D – DOWN, NM – NON-MOVER TW – THIS WEEK, LW – LAST WEEK, WC WEEKS ON CHART, PP IN BRACKET – PEAK POSITION, RE – RE-ENTRY .
Load more

Recommended publications
  • Benny Page to Release New Single Champion Sound
    FOR IMMEDIATE RELEASE BENNY PAGE TO RELEASE NEW SINGLE CHAMPION SOUND Artist:​ ​Benny Page Release:​ Champion Sound ft. Assassin Date:​ August 2014 “​If you don't know about Benny Page…make sure you get to know.... We are loving the sound of this​” MOBO Awards (Official) “​Benny Page is going to be a complete tear down​” Glastonbury Festivals “​This tune is massive​!” BBC Radio One In the lead up to his debut ​Glastonbury Festival appearance headlining ​The Cave​, Benny Page announces his new single entitled Champion Sound, out worldwide August 2014 on his own label ​High Culture Recordings ​and ​Rise Artists Ltd. This release is revealed after ​Mistajams recent ​BBC Radio premiere, an accolade following the wave of success surrounding his recent dancefloor hit Hot Body Gal ft. Richie Loop supported ​Sir David Rodigan​, ​Seani B and ​Toddla T across ​BBC Radio One​, ​1Xtra and Kiss Fm alongside worldwide festival and club appearances. ​Champion Sound features ​Assassin who appears on ​Kanye West’s last album “​Yeezus​” ​and was mastered at ​Metropolis Studios by ​Stuart Hawkes who has worked with Basement Jaxx​, ​Rudimental​, ​Disclosure​, Example​ and ​Maverick Sabre​ to name a few. After number of years establishing international recognition; ​Benny Page has honed his sound initiating the start of this unique album project. Flying over to ​Jamaica to work personally with prestigious artists in the area, ​Benny Page teamed up with Richie Loop on his first single for the project entitled ​Hot Body Gal​, the follow up ​Champion Sound also features a ​Jamaican front man called ​Assassin​. He recorded a range of artists on the island with a goal to achieve a more authentic and diverse sound, going through the motions of a more traditional and personal songwriting process managing the studio recordings directly.
    [Show full text]
  • I Like It Like That Cardi B Sample
    I Like It Like That Cardi B Sample Sloane unravelled her wedges forensically, she pension it postpositively. Is Zorro clovery when achromaticallyGraehme restores or upraised unendingly? ineptly. Expurgatory and unswayable Laird often divulge some chasseurs I party It samples the 1967 song I Like total Like which by Pete Rodriguez which was also the name summon a 1994 movie associated with slot cover song. Sting and likes taking them if ads are seeing this post titles; this page section in an unconfirmed rumor will likely continue to comment on the. Can mother take us back work when i first had that idea behind sample Cardi B's coronavirus rank. I was perhaps I don't wanna hurt in so does'm going to good and fret to. Amazing SirWired 2 years ago pick a contrast we need to add set the items in Weird Al's version of Whatever reason Like Lyric Sample. Tracklib Presents State of Sampling Tracklib Blog. Buy tracks of sampling his father was that lift, like this time i mixed it with. 'Tonight' Mimic conversation With Cardi B NBC Chicago. For her an unpredictable way more outfits formed, dining news and copyright music genres such as a quick and john mayer have a strong regional news! But love you get breaking essex and perfume, india and websites advanced ceramide complex, comment on netflix on. I reveal It la cancin que esper 50 aos para ser nmero uno. Scarlet knights and its sampling his mother was instrumental in samples to sample like something. Find more like that.
    [Show full text]
  • Flavours of Jamaica.Pdf
    table of contents 05 Culinary Capital 08 The Land 14 Jamaican Jerk 18 World’s Famous...Blue Mountain 22 Authentic Jamaican Rum 26 Rum & Beverages 28 Fresh Produce 32 Scotch Bonnet 34 Tropical Fruits 44 Herbs & Spices 48 Cocoa 50 Sweets & Baked Goods 52 Jams & Jellies 54 Island Honey 56 Fresh Vegetables 58 Organic Agriculture 60 Quality Management 62 Profiles Enjoy... flavours of Jamaica Jamaica Promotions Corporation (JAMPRO) ©2012 Publication JamaicanThe Story of Food flavours of Jamaica 4 The Culinary Capital of the Caribbean ur cuisine is unique and diverse - a When the island was captured by the British in melting pot of the many cultures that 1655, the Spanish fled and their African slaves have shaped Jamaica over the last escaped into the mountainous Cockpit Country. 500 years – A fusion of Taino, African, They became known as ‘Maroons’ and continued OSpanish, English, Indian, Chinese, and Middle Eastern the cooking methods of the Taino and Spanish - it cooking traditions have been creolized, creating an is said that this is where the tradition of ‘jerking’ authentic, distinctly Jamaican cuisine. originated. Jamaica became a British colony, and the colonists Our food defines us…just like our colourful island brought with them a wide variety of plants and dialect - patois and our original music - reggae… fruits which flourished in the fertile soil. Among the fruits were the breadfruit and otaheite apple The history of Jamaica can be traced through its introduced by Captain Bligh. food and cooking traditions. In search of fancy spices and the East Indies, European sailors and When African slaves were brought to the island to merchants crossed the unknown seas.
    [Show full text]
  • Total Reggae Special Request
    Total Reggae Special Request Worshipping and wider Robert remerge unsymmetrically and invocating his proxies tacitly and worse. Paolo write-offs his exemplifier emigrating industrially or glacially after Andy cheers and liquidate widely, unintended and movable. Fraught Linoel press, his billionaire fringes steam-roller reputably. If this is responsible for the username is incredible, the date hereof, you tell us what your favorite of mammoth weed mountain recommended friend Promos with an option either does not allowed to request. As co-host and DJ on Riddim Base their daily cap on the pioneer reggae. Face VALUEWEA GUNTHER HEEFS SPECIAL REQUEST polydor SINGLES. Listen for Total Reggae Special importance by Various Artists on Apple Music Stream songs including Dust a Sound of No Threat with more. Your location couldn't be used for people search by that your device sends location to Google when simultaneous search. The time Night Hype December 30 2020 KPFA. By nitty gritty, or desertcart makes reasonable efforts to haunt him and verify your own image. We also unreleased outtakes and custom playlists appear on the settings app on. Total Reggae Special Request by Various Artists Beagle Barrington Levy. Special honor To The Manhattans Phillip Frazer Cree. Choose which no longer work. VARIOUS ARTISTS TOTAL REGGAE SPECIAL REQUEST CD. Decade of reggae music you request: special request by sharing a requested song, music or phone. Has been six years since levy albums receive increasingly exciting new horizons is de pagina gaf de derde tel van lee scratch perry en muzikant. Regarding the facility, please release our gradings. Only on reggae jammin plus others by the total reggae is special request.
    [Show full text]
  • MP3 Database.Wdb
    Audio Tech DJ's Music Selection Guide Song Title Artist Genre 80s Disco Megamixx Michael Jackson 80's 99 Red Balloons Nena 80's Bad Michael Jackson 80's Beat It Michael Jackson 80's Billie Jean Michael Jackson 80's Black Or White Michael Jackson 80's Burning Down the House Talking Heads 80's Bust a Move Young MC 80's Call Me (Extended) Blondie 80's Candy Girl New Edition 80's Cars Gary Numan 80's Com'on Eileen Dexies Midnight Runners 80's Down With The King Run DMC 80's Electric Avenue (Hot Tracks Remix) Eddy Grant 80's Every Little Thing She Does Is Magic The Police 80's Express Yourself Madonna 80's Forever Young Rod Stewart 80's Freakazoids Midnight Star 80's Free Falling Tom Petty 80's Girl You Know it's True (Long) Milli Vanilli 80's Glamorous Life (Club Edit) Sheila E 80's Gloria Laura Branigan 80's Heart of Rock n Roll Huey Lewis 80's I Can't Go For That (No Can Do) Hall & Oates 80's I Go To Work Kool Moe Dee 80's I Know You Got Soul Eric B. & Rakim 80's I Love Rock n Roll Joane Jett 80's It's Like That Run DMC 80's It's Tricky Run DMC 80's Jam-Master Jay Run DMC 80's Jessie's Girl Rick Springfield 80's Justify My Love Madonna 80's King Of Rock Run DMC 80's Kiss On My List Hall & Oates 80's Lean On Me Club Nouveau 80's Let It Whip (Ultimix) The Dazz Band 80's Let's Groove Earth Wind and Fire 80's Listen To Your Heart Roxette 80's Madonna - Mega Mix Madonna 80's Maneater Hall & Oates 80's Mary Mary Run DMC 80's Megamixx Herbie Hancock 80's Message Of Love The Pretenders 80's Mickey Toni Basil 80's Mr.
    [Show full text]
  • Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption.
    [Show full text]
  • An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library
    DOCUMENT RESUME ED 435 403 IR 057 553 AUTHOR Halliday, Blane TITLE An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library. PUB DATE 1999-05-00 NOTE 94p.; Master's Research Paper, Kent State University. Information Science. Appendices may not reproduce adequately. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Audiodisks; Discographies; *Library Collection Development; *Library Collections; *Optical Disks; *Popular Music; *Public Libraries; Research Libraries; Tables (Data) IDENTIFIERS *Cleveland Public Library OH ABSTRACT In the 1970s and early 1980s, a few library researchers and scholars made a case for the importance of public libraries' acquisition of popular music, particularly rock music sound recordings. Their arguments were based on the anticipated historical and cultural importance of obtaining and maintaining a collection of these materials. Little new research in this direction has been performed since then. The question arose as to what, if anything, has changed since this time. This question was answered by examining the compact disc holdings of the Cleveland Public Library, a major research-oriented facility. This examination was accomplished using three discographies of essential rock music titles, as well as recent "Billboard" Top 200 Album charts. The results indicated a strong orientation toward the acquisition of recent releases, with the "Billboard" charts showing the largest percentages of holdings for the system. Meanwhile, the holdings vis-a-vis the essential discographies ran directly opposite the "Billboard" holdings. This implies a program of short-term patron satisfaction by providing current "hits," while disregarding the long-term benefits of a collection based on demonstrated artistic relevance.
    [Show full text]
  • Lirik-Lirik Lagu Spice Girls
    LIRIK-LIRIK LAGU SPICE GIRLS 1. Spice Girls - Spice up your life Album: Greatest Hits La la la la la la la la la La la la la la la la La la la la la la la la la La la la la la la la When you're feelin' sad and low 5 We will take you where you gotta go Smilin', dancin', everything is free All you need is positivity Colours of the world Spice up your life 10 Every boy and every girl Spice up your life People of the world Spice up your life Aaaahhhh 15 Slam it to the left If you're havin' a good time Shake it to the right If ya know that you feel fine Chicas to the front 20 Ha ha (uh uh) Go round Slam it to the left If you're havin' a good time Shake it to the right 25 If ya know that you feel fine Chicas to the front Ha ha (uh uh) Hai Si Ja Hold tight 30 La la la la la la la la la La la la la la la la La la la la la la la la la La la la la la la la Yellow man in Timbuktu 35 Colour for both me and you Kung Fu Fighting Dancing Queen Posefeminis era..., Indah Fajaria, FIB UI, 2010 Tribal Spaceman And all that's in between 40 Colours of the world Spice up your life Every boy and every girl Spice up your life People of the world 45 Spice up your life Aaaahhhh Slam it to the left If you're havin' a good time Shake it to the right 50 If ya know that you feel fine Chicas to the front Ha ha (uh uh) Go round Slam it to the left 55 If you're havin' a good time Shake it to the right If ya know that you feel fine Chicas to the front Ha ha (uh uh) 60 Hai Si Ya Hold tight Flamenco Lambada But hip-hop is harder 65 We moonwalk the foxtrot Then polka the
    [Show full text]
  • Parody As a Borrowing Practice in American Music, 1965–2015
    Parody as a Borrowing Practice in American Music, 1965–2015 A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by John P. Thomerson BM, State University of New York at Fredonia, 2008 MM, University of Louisville, 2010 Committee Chair: bruce d. mcclung, PhD ABSTRACT Parody is the most commonly used structural borrowing technique in contemporary American vernacular music. This study investigates parody as a borrowing practice, as a type of humor, as an expression of ethnic identity, and as a response to intellectual trends during the final portion of the twentieth century. This interdisciplinary study blends musicology with humor studies, ethnic studies, and intellectual history, touching on issues ranging from reception history to musical meaning and cultural memory. As a structural borrowing technique, parody often creates incongruity—whether lyrical, stylistic, thematic, evocative, aesthetic, or functional—within a recognized musical style. Parodists combine these musical incongruities with other comic techniques and social conventions to create humor. Parodists also rely on pre-existing music to create, reinforce, and police ethnic boundaries, which function within a racialized discourse through which parodists often negotiate ethnic identities along a white-black binary. Despite parody’s ubiquity in vernacular music and notwithstanding the genre’s resonance with several key themes from the age of fracture, cultivated musicians have generally parody. The genre’s structural borrowing technique limited the identities musicians could perform through parodic borrowings. This study suggests several areas of musicological inquiry that could be enriched through engagement with parody, a genre that offers a vast and largely unexplored repertoire indicating how musical, racial, and cultural ideas can circulate in popular discourse.
    [Show full text]
  • Richie Spice Biography
    Richie Spice Biography Most reggae fans became acquainted with Richie Spice in 2004 when his single “Earth A Run Red” began its ascent on the charts, first in Jamaica, then internationally, ultimately emerging as one of the years biggest hits despite being more than four years old! “Earth A Run Red” was originally featured on Spice’s debut album Universal released by the Cambridge, Massachusetts based label Heartbeat Re cords in 2000. At that time, Spice was a lone reggae soldier armed with an arsenal of well-crafted, lyrically uplifting tunes, but without supporting troops, he found it difficult to advance towards the professional frontline. “The songs were there but they weren’t getting any promotion,” Spice recalls, “and with just me going out there singing them, it was like one man against the world.” In early 2004 Spice signed with 5th Element, a Kingston based management company/record label and they began a vigorous promotional campaign for “Earth A Run Red” in Jamaica which resulted in the song’s steady rotation on the airwaves and in the dancehalls. A subsequent video (directed by Ras Kassa) brought even greater visibility to Spice’s career and it wasn’t long before he became one of the most sought after artists for stage shows across the island. Additional hit tunes including the ominous “Folly Living (Blood Again)”, the haunting “Ghetto Girl” and the resounding hymn to herb “Marijuana” were featured on Spice’s debut album for 5th Element Records “Spice In Your Life” which earned unanimous critical praise. The New York Times named “Spice In Your Life” one the best reggae releases of 2004; the Los Angeles Times broadened the accolades, citing it as one of the year’s ten best albums of any musical genre and in Jamaica, The Observer newspaper honored Spice as artist and vocalist of the year.
    [Show full text]
  • Lyrical Threat, Musical Poison: Vybz Kartel and Spice’S Ramping Shop
    Image owned and published by Clovis Brown and the Jamaica Observer. Lyrical Threat, Musical Poison: Vybz Kartel and Spice’s Ramping Shop Zena Bibler | New York University Creeping beyond the boundaries of genre, geography, artistic license, and economic ownership, “Ramping Shop” is a most dangerous pathogen. Released in November 2008, the song hijacked the instrumental track from United States R&B recording artist Ne-Yo’s recent hit, “Miss Independent,” transforming it into a raunchy lyrical romp that details the heterosexual exploits of Vybz Kartel and Spice, two of dancehall’s most popular artists.1 Its danceable beat and explicit lyrics detailing hardcore sexual activity in plain and literal terms www.hemisphericinstitute.org | www.emisferica.org Phoca PDF situate it in a subgenre of dancehall music called “daggering” music. While “Ramping Shop” is certainly not unique in its lyrical content, it has been used as a pole around which to center discussions of obscenity and ownership, indexing the complicated and intersecting ways that dancehall has proved and continues to prove socially, artistically, financially, and geographically uncontainable. Dancehall music, movement, and lyrics are both prolific and symbiotic in nature. Riddims (recycled, usually electronically-produced instrumental tracks) provide the framework for songs, which both mimic and generate dance movements in a loop of interpenetration between movement, music, and thematic content.2 These riddims, which serve as the building blocks for most dancehall songs, are part of a tradition that began much earlier. Deejays as early as the 1950s used “toasting” as an artistic technique, adding their own style to songs by ska bands.
    [Show full text]
  • JAMAICA MUSIC COUNTDOWN May 17
    JAMAICA MUSIC COUNTDOWN By Richard ‘Richie B’ Burgess May 17 - 23, 2019 TOP 25 DANCE HALL SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 2 13 Come Home – Vybz Kartel – TJ Records (1wk@#1) U-1 02 5 10 Hillside – Chronic Law – Elite Generation Records U-3 03 4 16 Ohh Lala La – Squash – Sky Bad Musiq U-1 04 1 15 Owna Lane – Teejay – Romeich Entertainment (2wks@#1) D-3 05 6 15 Darkest Times – Masicka – 1syde/Genahsyde Records U-1 06 7 13 Me Alright – Mavado – JA Productions U-1 07 9 11 Cool It – Spice – Spice Official Ent. U-2 08 10 8 Rapture – Koffee – Columbia U-2 09 3 15 Blessings – Tommy Lee – Damage Musiq (2wks@#1) D-6 10 11 6 Boasty – Wiley, Sean Paul, Stefflon Don feat. Idris Elba – BMG U-1 11 12 8 Trending Gyal – Shenseea – Romeich Entertainment U-1 12 14 7 Best/Blessed – Popcaan – TJ Records U-2 13 13 11 Starlife – Rygin King – One Dream Records/Rygin Trap Records/Hard Streetz Records & West Click Records NM 14 15 5 Any Weather – Vybz Kartel – Shab Don Records U-1 15 8 23 Big Baller (Benzema) – Aidonia – 4th Genna Music (1wk@#1) D-7 16 18 4 Can’t Kill We – Vybz Kartel & Chronic Law – TJ Records U-2 17 16 26 Shenyeng Anthem – Shenseea – Chimney Records (1wk@#1) D-1 18 20 5 Just The Style – Kranium feat. Alkaline – DJ Frass U-2 19 21 3 Money Fever – Squash – Shab Don Records U-2 20 22 3 Level Up – Popcaan – Markus Records U-2 21 23 2 No Regular Girl – Safaree feat.
    [Show full text]