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Foreign Soil by Maxine Beneba Clarke HACHETTE
2015 STELLA PRIZE SHORTLISTED TITLE Foreign Soil by Maxine Beneba Clarke HACHETTE ‘Wondrous as she seemed, Shu Yi wasn’t a problem I wanted to take on. Besides, with her arrival my own life had become easier: Melinda and the others hadn’t come looking for me in months. At home, my thankful mother had finally taken the plastic undersheet off my bed.’ Maxine Beneba Clarke, Foreign Soil INTRODUCTION TO THE TEXT suitable for study. A short synopsis and series of This collection of short stories won the Victorian reading questions are allocated for each story, along Premier’s Award for an Unpublished Manuscript in with any themes that are not included in the general 2013, and was subsequently published by Hachette list of the book’s themes below. Following this Australia. It went on to be critically recognised and breakdown are activities that can be applied to the appear on the shortlists for numerous awards. book more broadly. Like all of Maxine Beneba Clarke’s work, this ABOUT THE AUTHOR collection reflects an awareness of voices that are often pushed to the fringes of society, and frequently MAXINE BENEBA CLARKE is speaks to the experiences of immigrants, refugees and an Australian writer and slam single mothers, in addition to lesbian, gay, bisexual, poetry champion of Afro-Caribbean transgender and intersex people. In Foreign Soil, descent. She is the author of the Clarke captures the anger, hope, despair, desperation, poetry collections Gil Scott Heron is strength and desire felt by members of these groups, on Parole (Picaro Press, 2009) and Nothing Here Needs and many others. -
PAUL RANFORD Is a Producer with Over 30 Years Production Experience Across Film and Television. Recent Feature Film Credits
PAUL RANFORD is a producer with over 30 years production experience across film and television. Recent feature film credits include True History of The Kelly Gang from director Justin Kurzel; Ambience Entertainment’s Storm Boy, directed by Shawn Seet; and Sony Pictures’ Will Gluck helmed Peter Rabbit. Recent television credits include the ABC-TV/Netflix six-part series Stateless, starring Cate Blanchett, Dominic West and Yvonne Strahovski and the award-winning series Secret City and Deadline Gallipoli, all in association with Matchbox Pictures and NBCUniversal. Production credits also include the international titles Mad Max: Fury Road, Matrix Revolutions and Matrix Reloaded. Selected Work History: Producer Stateless (TV series) Matchbox Pictures / NBCUniversal / Dirty Films Directors: Emma Freeman, Jocelyn Moorhouse Executive Producers: Cate Blanchett, Tony Ayres, Elise McCredie Producer True History of the Kelly Gang (Feature) Porchlight Films / Daybreak Films/ Film 4/ Memento Films Director: Justin Kurzel Producers: Liz Watts, Hal Vogel, Justin Kurzel Co-Producer Storm Boy (Feature) Ambience Entertainment/ Piccadilly Pictures Director: Shawn Seet Producers: Michael Boughen, Matthew Street Unit Production Manager Peter RaBBit (Feature) Sony Pictures / Animal Logic Director: Will Gluck Producers: Will Gluck, Zareh Nalbandian Line Producer Secret City (TV series) Matchbox Pictures/ NBCUniversal / Foxtel Director: Emma Freeman Producer: Joanna Werner Executive Producers: Penny Chapman, Penny Win Line Producer Deadline Gallipoli (TV series) -
Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
Ruth Park a Celebration
Ruth Park A CELEBRATION Ruth Park A Celebration Compiled and edited by Joy Hooton Friends of the National Library of Australia Canberra 1996 Acknowledgements All but one of the photographs in this volume were supplied by Ruth Park. The photograph facing page one was supplied by the Mitchell Library and is reproduced courtesy of the Australian Broadcasting Commission. Published with the assistance of Penguin Australia © Friends of the National Library of Australia National Library of Australia Cataloguing-in-Publication entry Ruth Park : a celebration. Bibliography. ISBN 0 646 29461 X. 1. Park, Ruth. 2. Women novelists, Australian—20th century. 3. Novelists, Australian—20th century. I. Hooton, Joy W. (Joy Wendy), 1935- II. National Library of Australia. Friends. A823.3 Publisher's editor: Annabel Pengilley. Designer: Kathy Jakupec. Printer: Goanna Print, Canberra. Cover photograph by Wesley Stacey Contents Joy Hooton surveys Ruth Park's life and work 1 Michael King a fellow New Zealander pays tribute to Ruth Park's influence in the country of her birth 14 Elizabeth Riddell writes on A Fence around the Cuckcoo 15 Marcie Muir pays tribute to Ruth Park's writing for children and young adults 17 Marion Halligan writes on Ruth Park's novels: Some Sorcery in the Subconscious' 20 A Select Bibliography 28 Awards 33 Ruth Park, aged 26 Joy Hooton surveys Ruth Park's life and work Ruth Park was born in Auckland, New Zealand, the daughter of a pioneering bridge builder and road maker, whose work took his family into the wild territory of North Auckland and the King Country. As a result she had a singular early childhood, growing up as 'a forest creature', familiar with the New Zealand bush rather than with the products of civilisation or with children of her own age. -
Exoticism Or Visceral Cosmopolitanism: Difference and Desire in Chinese Australian Women's Writing
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2019 Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing Wenche Ommundsen University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Ommundsen, Wenche, "Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing" (2019). Faculty of Law, Humanities and the Arts - Papers. 4002. https://ro.uow.edu.au/lhapapers/4002 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing Abstract In Visceral Cosmopolitanism, Mica Nava posits a positive and, by her own admission, utopian alternative to postcolonial readings of the sexualisation of difference: a cosmopolitanism located with the antiracist 'micro-narratives and encounters of the emotional, gendered and domestic everyday' (2007: 14). Olivia Khoo, in The Chinese Exotic, defines a new, diasporic Chineseness which 'conceives of women and femininity, not as the oppressed, but as forming part of the new visibility of Asia' (2007: 12). My reading of recent fiction by Chinese Australian women writers proposes to test these theories against more established models for understanding East/West intimate encounters such as exoticism, Orientalism and Occidentalism, speculating that they may offer a more nuanced understanding of both the complexity and the normalisation of difference in the affective cultures of the twenty-first century. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
A Good and Pleasant Thing
A Good and Pleasant Thing RR2020_Melanie Cheng_Good and Pleasant Thing [Music] Welcome to the Victorian Seniors Festival, In The Groove, Radio Reimagined in 2020. This project has been produced on the lands of the Woi Wurrung and Boon Wurrung peoples of the Kulin Nation. We pay our respects to Elders, past, present and emerging, and welcome all First Nations people listening today. As part of our Spoken Word series, please enjoy Melanie Cheng’s A Good and Pleasant Thing. Twenty years ago, supermarkets didn’t stock Chinese mushrooms. Now they had a whole aisle dedicated to international cuisine. Lebanese, Greek and Mexican on one side, Chinese, Vietnamese and Indian on the other. Mrs Chan hardly ever went to the shops by herself. On Wednesdays her eldest daughter, Lily, took her to Footscray Market to buy fresh vegetables, and every Friday her youngest daughter, Daisy, ordered bulky items, like toilet paper, for her online. But today was her grandson Martin’s twentieth birthday, and Mrs Chan wanted to surprise him—to surprise all of them—by cooking a family favourite. Chinese clay pot chicken and mushroom rice. She found the chicken thighs towards the front of the supermarket, cradled in polystyrene. The meat would be days old by now, but it would have to do. In Hong Kong, Mrs Chan would have sent her maid to choose a live chicken at Wan Chai Market and pick it up an hour later— dead, plucked and washed. When the Chan family feasted on the flesh for dinner, the meat would be less than six hours old. -
65Th Miff Announces Guest Line-Up
65TH MIFF ANNOUNCES GUEST LINE-UP HUGO WEAVING, RACHEL GRIFFITHS, RACHEL WARD TERENCE DAVIES, CELIA ROWLSON-HALL, ROBERT GREENE ERIC DARNELL, JESSICA BRILLHART, OSCAR RABY + MANY MORE MELBOURNE, 13 JULY 2016 – Celebrating 65 years, the Melbourne International Film Festival (MIFF) is thrilled to reveal a line-up of special guests including the brightest names in feature- filmmaking, award-winning documentary makers, and a huge array of Australia’s finest acting and filmmaking talent – from 28 July – 14 August. MIFF will kick off the festival in style when it welcomes the team behind the MIFF Premiere Fund supported tale of time travel, The Death and Life of Otto Bloom. Melbourne director Cris Jones and cast members Xavier Samuel, Matilda Brown and Rachel Ward will hit the blue carpet for the festi- val’s glittering Opening Night celebrations, presented by Grey Goose Vodka. Plenty of guests will be in town for MIFF’s opening weekend with director Jocelyn Moorhouse and actor Hugo Weaving attending the 25th anniversary screening of the classic Australian film, Proof – presented in association with the National Film & Sound Archive. Also joining MIFF for its opening weekend will be film critic Margaret Pomeranz, who will host the special Talking Pictures event Breaking the Celluloid Ceiling – joined by some of Australia’s finest di- rectors including Gillian Armstrong and Jocelyn Moorhouse. Veteran UK director Terence Davies will be in town for the festival’s opening weekend on behalf of his long-awaited passion project Sunset Song, featuring a career-making performance from former model Agyness Deyn. He’ll be joined by film critic David Stratton, who will host the special Talking Pictures event In Conversation with Terence Davies. -
Book Kit List with Summaries.Xlsx
Hornsby Library Book Club Kits Prize ficton Kit No. AUTHOR No.Pages Australian? TITLE winner? or nf DESCRIPTION It is 1939. Nazi Germany. By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left there by accident, and it is her first act of 1 BOOK THIEF, THE Zusak, Markus 584 pages Y Y f book thievery. So begins a love affair with books and words, as Liesel learns to read. When Liesel's foster family hides a Jewish fist-fighter in their basement, Liesel's world is both opened up, and closed down. The Lieutenant is a story about a man discovering his true self in extraordinary circumstances. This powerful 2 LIEUTENANT, THE Grenville, Kate 307 pages Y Y f novel will enthral readers of Kate Grenville's bestselling The Secret River, winner of the Commonwealth Writers' Prize. Gina Davies is a 26-year-old pole dancer in Sydney. When she has a one-night stand with a man suspected of Flanagan, 5 UNKNOWN TERRORIST, THE 325 pages Y Y f plotting to plant bombs, Gina finds that she, too, is a wanted person who must endure trial by an increasingly Richard. hysterical media, as every truth of her life is turned into a lie. A small village on a lush tropical island in the South Pacific. War is encroaching from the other end of the island. When the villagers' safe, predictable lives come to a halt, Bougainville's children are surprised to find the 9 MISTER PIP Jones, Lloyd 220 pages n y f island's only white man, a recluse, re-opening the school. -
The Fisher King
Movies & Languages 2016-2017 The Dressmaker About the movie (subtitled version) DIRECTOR Jocelyn Moorhouse YEAR / COUNTRY 2015 / Australia GENRE Comedy / Drama ACTORS Kate Winslet, Judy Davis, Liam Hemsworth, Hugo Weaving PLOT After many years spent mastering the art of dressmaking at couture houses in Paris,Tilly Dunnage returns home in the tiny middle-of-nowhere town of Dungatar where she was banished from as a child after a tragic event. She plans to check on her ailing and mentally unstable mother and then leave. But Tilly decides to remain in order to reconnect with her mother and unravel the mystery of why she was banished and why she feels “cursed”... an obsession with the past that needs to be exorcised. However, though regarded as an outcast and even a “murderess” by the town gossips, Tilly's exquisite fashion dresses prove irresistible to the town's drab womenfolk. But as her dresses begin to arouse competition and envy in town, causing resentments to surface, it becomes clear that Tilly's mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion! LANGUAGE English (Australian accent). GRAMMAR WISHES A WISH states the opposite of reality. Therefore, use the same verb forms after the verb WISH as you use after clauses for unreal conditions. REAL SITUATION WISH Present Time I'm taking five courses. I wish (that) I weren't taking so many courses. I can't concentrate today! I wish (that) I could concentrate today! I have to write a paper. I wish (that) I didn't have to write a paper. -
Australia Day
TEXT PUBLISHING Book Club Notes Australia Day Melanie Cheng ISBN 9781925498592 FICTION, TRADE PAPERBACK www.textpublishing.com.au/book-clubs PRAISE FOR AUSTRALIA DAY ‘The author’s empathetic eye and easy facility with Winner of the Victorian Premier’s Literary Award for an dialogue make the anthology a strong debut.’ BIG ISSUE Unpublished Manuscript, 2016 ‘A bittersweet, beautifully crafted collection.’ ‘Melanie Cheng is an astonishingly deft and incisive BOOKS+PUBLISHING writer. With economy and elegance, she creates a dazzling mosaic of contemporary life, of how we live now. ABOUT MELANIE CHENG Hers is a compelling new voice in Australian literature.’ CHRISTOS TSIOLKAS Melanie Cheng is a writer and general practitioner. She was born in Adelaide, grew up in Hong Kong and ‘What a wonderful book, a book with bite. These stories now lives in Melbourne. In 2016 she won the Victorian have a real edge to them. They are complex without Premier’s Literary Award for an Unpublished Manuscript. being contrived, humanising, but never sentimental or Australia Day is her first book. cloying—and, ultimately, very moving.’ ALICE PUNG ‘In each story, Melanie Cheng creates an entire A READER’S INTRODUCTION TO AUSTRALIA DAY microcosm, peeling back the superficial to expose the raw nerves of contemporary Australian society. Her eye is Melanie Cheng has populated these beautifully written sharp and sympathetic, her characters flawed and funny stories with a rich variety of characters, all with vivid inner and utterly believable.’ JENNIFER DOWN lives, conflicting emotions and intangible motivations. She skilfully draws their worlds, their families and their ‘Melanie Cheng’s stories are a deep dive into the relationships. -
London Book Fair 2019 Black Inc
BLACK INC. LONDON BOOK FAIR 2019 BLACK INC. LONDON BOOK FAIR 2019 Act of Grace 3 The Godmother 5 Melting Moments 7 See What You Made Me Do 8 Solved! 10 Tired of Winning 11 Contest for the Indo-Pacific 12 How to Defend Australia 13 Botany Bay and the First Fleet 14 Salt 15 Murder on Easey Street 16 It’s Your Money 17 Poster Boy 18 The Song Remains the Same 20 Songs 21 Shots 22 On David Malouf 23 On Shirley Hazzard 24 Writers on Writers 25 Deep Time Dreaming 27 The Shortest History of Europe 28 How to Win a Nobel Prize 29 Destination Simple 30 The Motivation Hoax 31 Black Inc. agents 32 Black Inc. contacts 34 Act of Grace Anna Krien The exhilarating debut novel from the award-winning author of Night Games. Toohey, an Australian soldier, returns from Baghdad with shrapnel lodged in his neck and crippled by PTSD. Melbourne teenager Robbie is grappling with her father’s early onset dementia and the silences in her family history that now may never be filled. Nasim, an aspiring Iraqi pianist, witnesses her family’s fall from the graces of Saddam Hussein. Escaping torture at the hands of psychopathic dictator- in-waiting Uday Hussein, she reaches Australia, searching for the music she thought she’d never hear again. Gerry, who grows up under the tyrannical rule of his father Toohey, must find a way to heal from a childhood of violence and damage. OCTOBER 2019 LITERARY FICTION The lives of these four characters intersect over decades, as their stories intertwine in a brilliant ISBN: 9781863959551 meditation on fear and sacrifice, trauma and eISBN: 9781743820339 survival, and what people will do to outrun the Imprint: Black Inc.