Boxing Helena Charles Walter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Quint : an Interdisciplinary Quarterly from the North 1
the quint : an interdisciplinary quarterly from the north 1 Editorial Advisory Board the quint volume ten issue one Ying Kong, University College of the North Moshen Ashtiany, Columbia University Martin Kuester, University of Marburg Brenda Austin-Smith, University of Ronald Marken, Professor Emeritus, an interdisciplinary quarterly from Manitoba University of Saskatchewan Keith Batterbe. University of Turku Camille McCutcheon, University of South the north Donald Beecher, Carleton University Carolina Upstate Melanie Belmore, University College of the Lorraine Meyer, Brandon University ISSN 1920-1028 North Ray Merlock, University of South Carolina editor Gerald Bowler, Independent Scholar Upstate Sue Matheson Robert Budde, University Northern British Antonia Mills, Professor Emeritus, Columbia University of Northern British Columbia Ikuko Mizunoe, Professor Emeritus, John Butler, Independent Scholar Kyoritsu Women’s University David Carpenter, Professor Emeritus, the quint welcomes submissions. See our guidelines University of Saskatchewan Avis Mysyk, Cape Breton University or contact us at: Terrence Craig, Mount Allison University Hisam Nakamura, Tenri University the quint Lynn Echevarria, Yukon College Andrew Patrick Nelson, University of University College of the North Montana P.O. Box 3000 Erwin Erdhardt, III, University of Sherry Peden, University College of the The Pas, Manitoba Cincinnati North Canada R9A 1K7 Peter Falconer, University of Bristol Julie Pelletier, University of Winnipeg We cannot be held responsible for unsolicited -
Main Line V. Basinger and the Mixed Motive Manager: Reexamining the Agent's Privilege to Induce Breach of Contract Stephen P
Hastings Law Journal Volume 46 | Issue 2 Article 6 1-1995 Main Line v. Basinger and the Mixed Motive Manager: Reexamining the Agent's Privilege to Induce Breach of Contract Stephen P. Clark Follow this and additional works at: https://repository.uchastings.edu/hastings_law_journal Part of the Law Commons Recommended Citation Stephen P. Clark, Main Line v. Basinger and the Mixed Motive Manager: Reexamining the Agent's Privilege to Induce Breach of Contract, 46 Hastings L.J. 609 (1995). Available at: https://repository.uchastings.edu/hastings_law_journal/vol46/iss2/6 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Main Line v. Basinger and the Mixed Motive Manager: Reexamining the Agent's Privilege to Induce Breach of Contract by STEPHEN P. CLARK* Introduction In Main Line Pictures,Inc. v. Basinger,1 an independent produc- tion company sued Kim Basinger for breaching an oral agreement to appear in the film Boxing Helena. On March 24, 1993, the jury ruled for Main Line Pictures on the contract claim and ordered Basinger to pay $8.92 million in damages. 2 Since then, pundits and lawyers alike have speculated whether the verdict against Basinger will change the way Hollywood does business.3 Main Line's tortious inducement claim against International Creative Management (ICM), Basinger's agent at the time of the breach has received far less attention. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Jennifer Chambers Lynch Céline Gobert
Document generated on 10/01/2021 8 p.m. 24 images Jennifer Chambers Lynch Céline Gobert Le cinéma de genre au féminin Number 179, October–November 2016 URI: https://id.erudit.org/iderudit/83640ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article Gobert, C. (2016). Jennifer Chambers Lynch. 24 images, (179), 27–27. Tous droits réservés © 24/30 I/S, 2016 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DOSSIER — Le cinéma de genre au féminin JENNIFER CHAMBERS LYNCH vec quatre ®ilms au compteur, la ®ilmographie de la ®ille de David dont elle signe également le scénario. Charcuté par les producteurs, Lynch a fait couler autant d’encre que si elle en comptait une ce troisième ®ilm ne ressemble en rien à ce que Lynch avait en tête : dizaine.A Tout commence en 1993 avec le très controversé Boxing elle reniera le résultat fermement, ce qui rappelle les mésaventures Helena, dont la cinéaste indique avoir écrit le scénario à l’âge de 19 qu’avait connues son père David avec Dune, quelque vingt ans plus tôt. -
Genre, Authorship and Contemporary Women Filmmakers
KATARZYNA PASZKIEWICZ GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Not for distribution or resale. For personal use only. Not for distribution or resale. For personal use only. GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Not for distribution or resale. For personal use only. Not for distribution or resale. For personal use only. GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Katarzyna Paszkiewicz Not for distribution or resale. For personal use only. Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Katarzyna Paszkiewicz, 2018 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 10/12.5pt Sabon by Servis Filmsetting Ltd, Stockport, Cheshire and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 2526 1 (hardback) ISBN 978 1 4744 2527 8 (webready PDF) ISBN 978 1 4744 2528 5 (epub) The right of Katarzyna Paszkiewicz to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Not for distribution or resale. For personal use only. CONTENTS List of Figures vi Acknowledgements viii Introduction: Impossible Liaisons? Genre and Feminist Film Criticism 1 1. Subversive Auteur, Subversive Genre 34 2. -
THE BRAIN THAT WOULDN't DIE and BOXING HELENA: DESIRE and the DISMEMBERMENT of the FEMALE BODY Michel Hardin
Document generated on 09/24/2021 4:44 p.m. Surfaces THE BRAIN THAT WOULDN'T DIE AND BOXING HELENA: DESIRE AND THE DISMEMBERMENT OF THE FEMALE BODY Michel Hardin TROISIÈME CONGRÈS INTERNATIONAL SUR LE DISCOURS Article abstract HUMANISTE. LA RÉSISTANCE HUMANISTE AU DOGMATISME The author compares The Brain That Wouldn't Die, a 1960 B-movie with AUJOURD’HUI ET À LA FIN DU MOYEN ÂGE Jennifer Chambers Lynch's Boxing Helena (1993) in order to show how THIRD INTERNATIONAL CONFERENCE ON HUMANISTIC spectators not only take on the sadistic position which has long been thought to DISCOURSE. HUMANISTIC RESISTANCE TO DOGMATISM TODAY be the one position informing Hollywood cinema but tend to shift between AND AT THE END OF THE MIDDLE AGES different positions, including masochistic positions. Both movies relate the Volume 9, 2001 fetish fantasies of a doctor: in both narratives, the protagonists artificially maintain alive dismembered female bodies. In neither movie is the desire that produces these fetish fantasies clearly critiqued. To some extent, the Oedipal URI: https://id.erudit.org/iderudit/1065059ar conflict might explain the sexual neuroses of the protagonists. However, both DOI: https://doi.org/10.7202/1065059ar movies have the spectator shift the identification process from one character to the other. In Boxing Helena, such shifts in spectator identification are mirrored See table of contents on the screen, creating a critique of film, film theory, and voyeurism. Publisher(s) Les Presses de l’Université de Montréal ISSN 1188-2492 (print) 1200-5320 (digital) Explore this journal Cite this article Hardin, M. (2001).