UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
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Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
UMG V Veoh 9Th Opening Brief.Pdf
Case: 09-56777 04/20/2010 Page: 1 of 100 ID: 7308924 DktEntry: 11-1 No. 09-56777 ____________ IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT ___________________ UMG RECORDINGS, INC.; UNIVERSAL MUSIC CORP.; SONGS OF UNIVERSAL, INC.; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC.; RONDOR MUSIC INTERNATIONAL, INC.; UNIVERSAL MUSIC—MGB NA LLC; UNIVERSAL MUSIC—Z TUNES LLC; UNIVERSAL MUSIC—MBG MUSIC PUBLISHING LTD., Plaintiffs-Appellants v. VEOH NETWORKS, INC., Defendant-Appellee. _______________________________ On Appeal from the United States District Court for the Central District of California, Western Division—Los Angeles Honorable A. Howard Matz, District Judge __________________________________ APPELLANTS’ BRIEF _____________________________________ Steven Marenberg, Esq. State Bar No. 101033 Brian Ledahl, Esq. State Bar No. 186579 Carter Batsell State Bar No. 254396 IRELL & MANELLA, LLP 1800 Avenue of the Stars Suite 900 Los Angeles, California 90067 Telephone: (310) 277-1010 Facsimile: (310) 203-7199 ATTORNEYS FOR APPELLANTS 2221905 Case: 09-56777 04/20/2010 Page: 2 of 100 ID: 7308924 DktEntry: 11-1 TABLE OF CONTENTS Page CORPORATE DISCLOSURE STATEMENT................................................ 2 JURISDICTIONAL STATEMENT ................................................................. 3 ISSUES PRESENTED ..................................................................................... 4 STATEMENT OF THE CASE ........................................................................ 6 FACTS ........................................................................................................... -
Retos De La Convergencia Digital Para La Televisión1
QUADERNS ISSN: 1138-9761 / www.cac.cat DEL CAC Retos de la convergencia digital para la televisión1 EMILI PRADO Catedrático de comunicación audiovisual y publicidad de la Universidad Autónoma de Barcelona. Director del Grupo de Investigación en Imagen, Sonido y (GRISS)2 [email protected] Resumen Abstract El presente trabajo aborda el mapa de las transformaciones This work looks at the task of mapping out the technological tecnológicas que intervienen en el proceso de convergencia transformations involved in the convergence process, establis- estableciendo un estado de la cuestión tecnológica y del gra- hing the current state of affairs in technological terms and the do de plasmación de la convergencia digital. Se centra en los extent to which digital convergence has occurred. It concen- cambios que eso implica para el sistema de comunicación y trates on the changes that this implies for the communication sus consecuencias en el ámbito de la producción, la distribu- system and the consequences in the areas of production, dis- ción y el consumo de contenidos televisivos. Finalmente, abor- tribution and consumption of TV content. Finally, it tackles da las consecuencias de dichas transformaciones en el plano the consequences of these transformations at a social and social y cultural y los efectos sobre las políticas de comunica- cultural level and the effects on communication policies. ción. Éstas afrontan un desafío de primera magnitud porque These are facing a huge challenge because their effectiveness toda su efectividad histórica se fundamentaba en una estruc- to date has been founded on a channel-based structure of the tura del sistema audiovisual constituida sobre la base de cana- audiovisual system, while the system resulting from conver- les, mientras que el sistema resultante de la convergencia se gence will be based on a structure that, although it will inclu- basará en una estructura que, a pesar de incluir los canales, de channels, will be network-based. -
Clickscapes Trends 2021 Weekly Variables
ClickScapes Trends 2021 Weekly VariableS Connection Type Variable Type Tier 1 Interest Category Variable Home Internet Website Arts & Entertainment 1075koolfm.com Home Internet Website Arts & Entertainment 8tracks.com Home Internet Website Arts & Entertainment 9gag.com Home Internet Website Arts & Entertainment abs-cbn.com Home Internet Website Arts & Entertainment aetv.com Home Internet Website Arts & Entertainment ago.ca Home Internet Website Arts & Entertainment allmusic.com Home Internet Website Arts & Entertainment amazonvideo.com Home Internet Website Arts & Entertainment amphitheatrecogeco.com Home Internet Website Arts & Entertainment ancestry.ca Home Internet Website Arts & Entertainment ancestry.com Home Internet Website Arts & Entertainment applemusic.com Home Internet Website Arts & Entertainment archambault.ca Home Internet Website Arts & Entertainment archive.org Home Internet Website Arts & Entertainment artnet.com Home Internet Website Arts & Entertainment atomtickets.com Home Internet Website Arts & Entertainment audible.ca Home Internet Website Arts & Entertainment audible.com Home Internet Website Arts & Entertainment audiobooks.com Home Internet Website Arts & Entertainment audioboom.com Home Internet Website Arts & Entertainment bandcamp.com Home Internet Website Arts & Entertainment bandsintown.com Home Internet Website Arts & Entertainment barnesandnoble.com Home Internet Website Arts & Entertainment bellmedia.ca Home Internet Website Arts & Entertainment bgr.com Home Internet Website Arts & Entertainment bibliocommons.com -
Investigating the Network Characteristics of Two Popular Web-Based Video Streaming Sites
European Scientific Journal November 2017 edition Vol.13, No.33 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Investigating the Network Characteristics of Two Popular Web-Based Video Streaming Sites Dr. Feras Mohammed Almatarneh University of Tabuk Department of Computer Science, College Duba Saudi Arabia Doi: 10.19044/esj.2017.v13n33p305 URL:http://dx.doi.org/10.19044/esj.2017.v13n33p305 Abstract The determinants of the strategies to be employed by video streaming sites are application (mobile devices or web browsers) and container of the video application. They affect video streaming network characteristics, which is often the traffic flow, and its quality. It is against this background that studies on streaming strategies suggested the need to investigate and identify the relationship between buffer time, video stream protocol, packet speed and size, upload time, and waiting period, specifically to aid network administrative support in case of network traffic bottlenecks. In view of this, this study investigates the network characteristics of YouTube and Vimeo, using experimental methodology, and involving WireShark as network analyzer. Google Chrome and Firefox are the web browsers employed, while packet size, protocols, packet interval, TCP window size and accumulation ratio are the metrics. Short ON-OFF, Long ON-OFF, and No ON-OFF cycles are the three streaming strategies identified. It is further shown that both Vimeo and YouTube employ these strategies but the choice depends on the container of the video streamed. Keywords: Network characteristics, streaming strategies, video streaming sites, traffic flow Introduction Video streaming is one of the techniques for video distribution over the internet. It helps in lecture and news broadcast, and allows users’ access, without any geographical constraints (Karki, Seenivasan, Claypool, & Kinicki, 2010; Tan & Zakhor, 1999). -
Universidade Federal De Juiz De Fora Faculdade De Comunicação Social Mestrado Em Comunicação
UNIVERSIDADE FEDERAL DE JUIZ DE FORA FACULDADE DE COMUNICAÇÃO SOCIAL MESTRADO EM COMUNICAÇÃO Pedro Augusto Silva Miranda INTIMIDADE MEDIADA: as estratégias narrativas do GloboNews Em Pauta na comunicação com o público Juiz de Fora 2019 Pedro Augusto Silva Miranda INTIMIDADE MEDIADA: as estratégias narrativas do GloboNews Em Pauta na comunicação com o público Dissertação apresentada ao Programa de Pós- graduação em Comunicação, da Universidade Federal de Juiz de Fora como requisito parcial a obtenção do grau de Mestre em Comunicação. Área de concentração: Comunicação e Sociedade. Orientadora: Prof.a Dra. Cláudia de Albuquerque Thomé Juiz de Fora 2019 Ficha catalográfica elaborada através do programa de geração automática da Biblioteca Universitária da UFJF, com os dados fornecidos pelo(a) autor(a) Miranda, Pedro Augusto Silva. Intimidade Mediada : as estratégias narrativas do GloboNews Em Pauta na comunicação com o público / Pedro Augusto Silva Miranda. -- 2019. 173 p. Orientadora: Cláudia de Albuquerque Thomé Dissertação (mestrado acadêmico) - Universidade Federal de Juiz de Fora, Faculdade de Comunicação Social. Programa de Pós Graduação em Comunicação, 2019. 1. Narrativas. 2. Estratégias. 3. TV por assinatura. 4. Telejornalismo. 5. GloboNews Em Pauta. I. Thomé, Cláudia de Albuquerque, orient. II. Título. Dedico este trabalho aos meus pais, Xavier e Maria, e ao meu irmão Junior. Exemplos de coragem, dedicação e amor incondicional. AGRADECIMENTOS Agradeço, primeiramente, a Deus, por permitir que esse momento acontecesse e por ser luz em meio às adversidades dessa caminhada. Obrigado por me fazer acreditar e mostrar que todos os meus sonhos são possíveis. Agradeço a minha família, pai, mãe e irmão, por sempre estarem ao meu lado com muito amor e acreditando em mim e que tudo daria certo. -
The Impact of the Veoh Litigations on Viacom V. Youtube, 10 N.C
NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY Volume 10 Article 7 Issue 2 Spring 2009 3-1-2009 Click Here to Share - The mpI act of the Veoh Litigations on Viacom v. YouTube Phong Dinh Follow this and additional works at: http://scholarship.law.unc.edu/ncjolt Part of the Law Commons Recommended Citation Phong Dinh, Click Here to Share - The Impact of the Veoh Litigations on Viacom v. YouTube, 10 N.C. J.L. & Tech. 447 (2009). Available at: http://scholarship.law.unc.edu/ncjolt/vol10/iss2/7 This Notes is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of Law & Technology by an authorized administrator of Carolina Law Scholarship Repository. For more information, please contact [email protected]. NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY VOLUME 10, ISSUE 2: SPRING 2009 CLICK HERE TO SHARE! THE IMPACT OF THE VEOH LITIGATIONS ON VIACOM V. YOUTUBE Phong Dinh' In the high-bandwidth Internet age, video sharing websites such as YouTube and Yahoo! Video are growing in popularity. The ease with which such sharing is accomplished has aided users in illegally uploading copyrighted movies, TV shows, and music. In a recent lawsuit, Viacom and its copyright-owning affiliates sought one billion dollars in damages against YouTube, one of the Web's most popular video-sharing websites, for copyright infringement. In response, YouTube invoked the affirmative defense of the Digital Millennium Copyright Act's safe harbor provisions, codified at § 512. The Act states that a service provider is not liable for hosting copyrighted information on its own system for a prolonged period of time as long the service provider has met the threshold requirementsfor these provisions and the specific requirements for at least one of the four safe harbors. -
Watch Deadman Wonderland Online
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Up Roullj K .I1:: OCTI T I I ,„
ir^> fg fpHFTT up rOULLJ K .I1:: OCTI t I i ,„ Note to the Executive Assistant of the Secretary-General Elizabeth, As per your request and in addition to the briefing with the Spanish-speaking press and representatives from the wire services (list attached? this coming Friday 17 October at noon, these are OSSG's__prop_qs_a_ls ,_£or__jc^d^_^_c^r&raQe_mbe_fpice and during the Secretary-Gene^aj^'_s_J;rip__tojfhile and Venezuela. ~ - 15-20 minute Television interview with a correspondent from either UNIVISION or CBS-Telenoticias; in New York, during the week of 20-31 October (CNN in Spanish cannot yet compete with these two Spanish-speaking networks in the Latin American market). This interview, to be aired shortly before 4 November, will serve as a "curtain-raiser' for the Chilean segment of the trip. - 20-minute interview with "El Mercuric", Chile's pre-eminent national daily (approximate circulation, 370/400,0000); preferably before the trip (if we can persuade them to send their chief diplomatic correspondent to New York). If not, then in Santiago, upon arrival, on 5/11/97, a.m., for publication in their next day issue. - As per Mr. Rosenthal's indication, on past visits by Secretaries-General, ECLAC has successfully organized a press conference at their premises; this practice should continue. If agreed, OSSG will co-ordinate with Ms. Laura Lopez, ECLAC's Chief of Information. Ideally, the press conference should occur immediately before departure. As this is not feasible due to the early flight to Venezuela on Friday 7 November, we recommend that the press conference takes place in the afternoon (later than earlier) of Thursday 6 November. -
Directory of Environmental Literature and Teaching Council For
DOCUMENT RESUME ED 093 674 SE 017 918 AUTHOR Johnson, Carol, Comp.; Smith, Jacgui, Comp. TITLE Directory of Environmental Literature and Teaching Aids. INSTITUTION Council for Environmental Education, London (England) . PUB DATE [73] NOTE 171p. AVAILABLE FROM The Council for Environmental Education, 26 Bedford Square, London WC1B 3HU EDRS PRICE MF-$0.75 HC-$7.80 PLUS POSTAGE DESCRIPTORS Classroom Materials; *Directories; Ecology; *Environmental Education; Guides; Information Sources; *Instructional Materials; *Resource Guides; *Resource Materials; Resources ABSTRACT The Council for Environmental Education has produced this document listing environmental literature and teaching aids (DELTA version). Includcid are the first four of the supplements which will be issued at intervals to keep Delta up to date. The directory includes lists of books, films, filmstlips and slides, posters, games and study kits. The lists are comprehensive, but not exhaustive. However, this directory should form a useful starting point for anyone looking for material for courses on conservation, pollution, or any form of environmental education for pupils from age 5 upwards. (JP) -..- ED 0 I.,............_ ,rnmm-o,.,P, ,.,....,93,r8 i) -I 4T - INTRODUCTION Inrecent years, there has been a noticeable increase in publicinterest in matters concerning the environment.This interest has been reflected by the teaching profession, and there have been several encouraging indications of the trend towards the use of the local and national environment as a medium for children's education. One of the main difficulties experienced by teachersin breaking away from the strict confines of established disciplines is that they may' not feel fully equipped to cope with the wide range of subjects which an environmental approach encompasses.There is therefore a great need for environment-based handbooks, classbooks and teaching aids upon which the teacher can draw for information and inspiration. -
Gimme-Shelter-Complete-LR.Pdf
Case: 09-55902 12/20/2011 ID: 8006118 DktEntry: 39-1 Page: 1 of 49 FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT UMG RECORDINGS, INC., a Delaware corporation; UNIVERSAL MUSIC CORP., a New York corporation; SONGS OF UNIVERSAL, INC., a California corporation; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC., a Delaware corporation; RONDOR MUSIC INTERNATIONAL, INC., a California corporation; UNIVERSAL MUSIC-MGB NA LLC, a California Limited Liability Company; UNIVERSAL MUSIC-Z TUNES LLC, a New York Limited Liability Company; UNIVERSAL MUSIC-MBG MUSIC PUBLISHING LTD., a UK Company, Plaintiffs-Appellants, v. SHELTER CAPITAL PARTNERS LLC, a Delaware Limited Liability Company; SHELTER VENTURE FUND LP, a Delaware Limited Partnership; SPARK CAPITAL LLC, a Delaware Limited Liability Company; SPARK CAPITAL, L.P., a Delaware Limited Partnership; 21055 Case: 09-55902 12/20/2011 ID: 8006118 DktEntry: 39-1 Page: 2 of 49 21056 UMG RECORDINGS v. SHELTER CAPITAL PARTNERS TORNANTE COMPANY, LLC, a Delaware Limited Liability Company, No. 09-55902 Defendants-Appellees, D.C. No. and 2:07-cv-05744- VEOH NETWORKS, INC., a California AHM-AJW corporation, Defendant. UMG RECORDINGS, INC., a Delaware corporation; UNIVERSAL MUSIC CORP., a New York corporation; SONGS OF UNIVERSAL, INC., a California corporation; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC., a Delaware corporation; RONDOR MUSIC INTERNATIONAL, INC., a California corporation; UNIVERSAL MUSIC-MGB NA LLC, a California Limited Liability Company; UNIVERSAL MUSIC-Z TUNES LLC, a New York Limited Liability Company; UNIVERSAL MUSIC-MBG MUSIC PUBLISHING LTD., a UK Company, Plaintiffs-Appellants, v. VEOH NETWORKS, INC., a California corporation, Defendant-Appellee, Case: 09-55902 12/20/2011 ID: 8006118 DktEntry: 39-1 Page: 3 of 49 UMG RECORDINGS v. -
Latinoamérica, En La Comunicación Mundial
Martín Díez, María Antonia (2000): Latinoamérica, en la comunicación mundial. Revista Latina de Comunicación Social, 31. Revista Latina de Comunicación Social 31 – julio de 2000 Edita: Laboratorio de Tecnologías de la Información y Nuevos Análisis de Comunicación Social Depósito Legal: TF-135-98 / ISSN: 1138-5820 Año 3º – Director: Dr. José Manuel de Pablos Coello, catedrático de Periodismo Facultad de Ciencias de la Información: Pirámide del Campus de Guajara - Universidad de La Laguna 38200 La Laguna (Tenerife, Canarias; España) Teléfonos: (34) 922 31 72 31 / 41 - Fax: (34) 922 31 72 54 ÁMBITOS, Revista Andaluza de Comunicación, Número 3-4 Año 2000 - Universidad de Sevilla Latinoamérica, en la comunicación mundial Dra. María Antonia Martín Díez © Universidad Europea de Madrid La estructura de la comunicación latinoamericana se encuentra inmersa dentro del sistema internacional de la información (1). En ella encontramos, obviamente, las tendencias de intercambio e interdependencia actuales. Estas se pueden producir bien como relaciones paralelas (junto a), bien como relaciones opuestas (frente a). Entre las numerosas tendencias que subyacen en la estructura de la comunicación latinoamericana cuya investigación nos ha llevado a descubrir, destacamos las siguientes: 1-. Regionalización versus globalización. 2-. Poder autónomo versus poder dependiente. 3-. Proteccionismo versus librecambismo. 4-. Estatismo versus privatización. 5-. Civilización occidental versus otras civilizaciones. 6-. Culturas propias versus cultura norteamericana. 7-. Exposición ideológica directa versus método del entretenimiento. Vamos a recorrer cada uno de esos grupos de tendencias: I)-. Regionalización versus globalización La comunicación internacional se ha desarrollado bajo el importante influjo de la economía y de la técnica. Es lo que ha condicionado -como dice Armand Mattelart-, no sólo las estrategias sino también las teorías.