USHMM Finding

Total Page:16

File Type:pdf, Size:1020Kb

USHMM Finding http://collections.ushmm.org Contact [email protected] for further information about this collection Wspomnienia, 1945 Memoirs RG‐15.117M United States Holocaust Memorial Museum Archive 100 Raoul Wallenberg Place SW Washington, DC 20024‐2126 Tel. (202) 479‐9717 Email: [email protected] Descriptive Summary Title: Wspomnienia (Memoirs) Dates: 1945 RG Number: RG‐15.117M Accession Number: 2007. 41 Extent: 91 microfilm reels (35 mm); 56,133 digital images (PDF) Repository: United States Holocaust Memorial Museum Archive, 100 Raoul Wallenberg Place SW, Washington, DC 20024‐2126 Languages: Polish, German, Hebrew, Slovak, Yiddish Administrative Information Access: No restrictions on access. Reproduction and Use: Reproduction of more than 30 pages of documents for the third party requires the written permission of the State Museum Auschwitz‐Birkenau in Oswiecim. Preferred Citation: RG‐15.117M, Wspomnienia, 1945. United States Holocaust Memorial Museum Archives, Washington, DC. Acquisition Information: Memoirs were contributed by former prisoners of Auschwitz‐Birkenau, written after the end of the war, and collected by the Archives at the State Museum Auschwitz‐Birkenau in Oświęcim. The collection is open, which means that memoirs and testimonies are still being collected. The United States Holocaust Memorial Museum Archives received the filmed collection via the 1 http://collections.ushmm.org http://collections.ushmm.org Contact [email protected] for further information about this collection United States Holocaust Museum International Archives Project in April 2007. Reproduction and/or acquisition was made possible with funding from the Conference on Jewish Material Claims Against Germany. Accruals: Accruals may have been received since this collection was first processed, see the Archives catalog at collections.ushmm.org for further information. Custodial History Existence and Location of Originals: The original records are held by the Państwowe Muzeum Oświęcim‐Brzezinka, ul. Więźniów Oświęcimia 20, 32‐603, Oświęcim, Poland. Tel. 011 48 33 843 20 77. More information about this repository can be found at www.auschwitz.org.pl. Related Materials Malcówna, Anna. Bibliografia KL Auschwitz za lata 1942‐1980, Wydawnictwo Państwowego Muzeum w Oświęcimiu: Oświęcim, 1991. Processing History: Aleksandra B. Borecka Scope and Content This collection of “Memoirs” from the Archives of the Auschwitz Museum contains more than 1000 memoirs and testimonies of several hundreds of the former prisoners of KL Auschwitz‐ Birkenau, collected in 251 volumes. Some of the prisoners give testimonies several times, so the texts some of the people might be located in several volumes. Information gathered in this collection concerned all possible aspects of life in the camp, including slave labor and extermination. Almost all memoirs were written after the liberation of the camp in January 1945. Since the opening of the Museum on January 2, 1947, the Museum’s staff has encouraged former prisoners to write memoirs and send manuscripts to the archives. Not all of the memoirs were actually put into written form by the survivor’s themselves, but rather the survivors sometimes gave testimony before archival staff who recorded their testimony in writing. This collection is one of the most precious archival sources concerning the history of KL Auschwitz‐Birkenau. The collection is open, which means that memoirs and testimonies are still being collected. System of Arrangement The system of arrangement of the source repository has been preserved in the microfilmed reels. The memoirs are organized by author names and memoir title in 251 volumes. Indexing Terms Auschwitz (Concentration camp) Birkenau (Concentration camp) World War, 1939‐1945‐‐Poland‐‐Oświęcim. World War, 1939‐1945‐‐Personal narratives, Polish. World War, 1939‐1945‐‐Prisoners and prisons, Polish. 2 http://collections.ushmm.org http://collections.ushmm.org Contact [email protected] for further information about this collection Holocaust survivors‐‐Poland. World War, 1939‐1945‐‐Atrocities. Poland‐‐World War, 1939‐1945‐‐Atrocities‐‐Personal narratives. Poland‐‐History‐‐Occupation, 1939‐1945. Personal narratives. Memoirs. Diaries. CONTAINER LIST Note: Some of memoirs from this collection were published; however the large majority of them haven’t been published yet. Therefore this collection is not yet the source of published material, for the most part. Each microfilm unit contains table of content of particular volumes. In order to use the collection efficiently, it will be necessary to prepare index of the author names. Reel List, page 3‐11 Description of Content in Polish, page 11‐120 Reel 1: Microfilm numbers: 2390, 2391, 2392 Volume of memoirs: 1, 2, 3 Reel 2: Microfilm numbers: 2393, 2394, 2395, 2396 Volume of memoirs: 3a, 4, 5, 6 Reel 3: Microfilm numbers: 2397, 2398, 2399, 2400, 2401, 2402, 2403 Volume of memoirs: 7, 8, 9, 10, 11, 12, 13 Reel 4: Microfilm numbers: 2404, 2405, 2406, 2407, 2408 Volume of memoirs: 14, 15, 16, 17, 18 Reel 5: Microfilm numbers: 2409, 2410, 2411, 2412 Volume of memoirs: 19, 20, 21, 22 Reel 6: Microfilm numbers: 2413, 2414, 2415, 2416 Volume of memoirs: 23, 24, 25, 26 3 http://collections.ushmm.org http://collections.ushmm.org Contact [email protected] for further information about this collection Reel 7: Microfilm numbers: 2417, 2418, 2419, 2420, 2421 Volume of memoirs: 27, 28, 29, 30, 31 Reel 8: Microfilm numbers: 2422, 2423, 2424, 2425, 2426 Volume of memoirs: 32, 33, 34, 35, 36, 37 Reel 9: Microfilm numbers: 2427, 2428, 2429, 2430, 2431 Volume of memoirs: 38, 39, 40, 41, 42 Reel 10: Microfilm numbers: 2432, 2433, 2434, 2435 Volume of memoirs: 43, 44, 45, 46, 46a Reel 11: Microfilm numbers: 2436, 2437, 2438 Volume of memoirs: 47, 48, 48c Reel 12: Microfilm numbers: 2439, 2440, 2441, 2442 Volume of memoirs: 48a, 48b, 49, 50, 52 Reel 13: Microfilm numbers: 2443, 2444, 2445 Volume of memoirs: 53, 54, 54a Reel 14: Microfilm numbers: 2446, 2447, 2448, 2449 Volume of memoirs: 55, 56, 57a, 58 Reel 15: Microfilm numbers: 2450, 2451, 2452 Volume of memoirs: 59, 60, 61 Reel 16: Microfilm numbers: 2453, 2454 Volume of memoirs: 62, 63 Reel 17: Microfilm numbers: 2455 Volume of memoirs: 64, 64a, 64b, 64c Reel 18: Microfilm numbers: 2456, 2457 Volume of memoirs: 65, 66 4 http://collections.ushmm.org http://collections.ushmm.org Contact [email protected] for further information about this collection Reel 19: Microfilm numbers: 2458, 2459, 2460 Volume of memoirs: 67, 67a, 68, 69 Reel 20: Microfilm numbers: 2461, 2462, 2463 Volume of memoirs: 70, 71, 72 Reel 21: Microfilm numbers: 2464, 2465 Volume of memoirs: 73, 73b Reel 22: Microfilm numbers: 2466, 2467 Volume of memoirs: 74, 75 Reel 23: Microfilm numbers: 2468, 2469 Volume of memoirs: 76, 77 Reel 24: Microfilm numbers: 2470 Volume of memoirs: 78 Reel 25: Microfilm numbers: 2471, 2472, 2473, 2474 Volume of memoirs: 79, 80, 81, 82 Reel 26: Microfilm numbers: 2475, 2476, 2477 Volume of memoirs: 83, 84, 85 Reel 27: Microfilm numbers: 2478, 2479 Volume of memoirs: 86, 87 Reel 28: Microfilm numbers: 2480, 2481, 2482 Volume of memoirs: 88, 89, 90 Reel 29: Microfilm numbers: 2483, 2484, 2485 Volume of memoirs: 91, 92, 93 Reel 30: Microfilm numbers: 2486 5 http://collections.ushmm.org http://collections.ushmm.org Contact [email protected] for further information about this collection Volume of memoirs: 94 Reel 31: Microfilm numbers: 2487, 2488 Volume of memoirs: 95, 96 Reel 32: Microfilm numbers: 2489, 2490 Volume of memoirs: 97, 98, 98a Reel 33: Microfilm numbers: 2491, 2492, 2493 Volume of memoirs: 99, 100, 101 Reel 34: Microfilm numbers: 2494, 2495, 2496, 2497 Volume of memoirs: 102, 103, 104, 105 Reel 35: Microfilm numbers: 2498, 2499, 2500 Volume of memoirs: 106, 107, 108 Reel 36: Microfilm numbers: 2501, 2502, 2503 Volume of memoirs: 109, 110, 111 Reel 37: Microfilm numbers: 2504, 2505, 2506 Volume of memoirs: 112, 112a, 112b, 113, 114 Reel 38: Microfilm numbers: 2507, 2508, 2509 Volume of memoirs: 115, 116, 117 Reel 39: Microfilm numbers: 2510, 2511 Volume of memoirs: 117a, 118 Reel 40: Microfilm numbers: 2512, 2513, 2514 Volume of memoirs: 119, 119a, 120 Reel 41: Microfilm numbers: 2515, 2516 Volume of memoirs: 121, 122 Reel 42: 6 http://collections.ushmm.org http://collections.ushmm.org Contact [email protected] for further information about this collection Microfilm numbers: 2518, 2519, 2520 Volume of memoirs: 123, 124, 125 Reel 43: Microfilm numbers: 2521, 2522 Volume of memoirs: 126, 126a, 127 Reel 44: Microfilm numbers: 2523, 2524, 2525 Volume of memoirs: 128, 129, 130 Reel 45: Microfilm numbers: 2526 Volume of memoirs: 131 Reel 46: Microfilm numbers: 2527, 2528 Volume of memoirs: 132, 133 Reel 47: Microfilm numbers: 2529, 2530, 2531 Volume of memoirs: 135a, 135, 136, 136a Reel 48: Microfilm numbers: 2532, 2533, 2534 Volume of memoirs: 137, 138, 139 Reel 49: Microfilm numbers: 2535, 2536 Volume of memoirs: 140, 140a Reel 50: Microfilm numbers: 2537, 2538, 2539 Volume of memoirs: 141, 142, 143 Reel 51: Microfilm numbers: 2540, 2541 Volume of memoirs: 144, 145 Reel 52: Microfilm numbers: 2542, 2543 Volume of memoirs: 146, 147 Reel 53: Microfilm numbers: 2544, 2545, 2546, 2547 Volume of memoirs: 148, 148a, 149, 149a Reel 54: 7 http://collections.ushmm.org http://collections.ushmm.org Contact [email protected] for further information about this collection Microfilm numbers: 2548, 2549, 1550 Volume of memoirs: 150, 151, 152 Reel 55: Microfilm numbers: 2551, 2552 Volume of memoirs: 153, 154, 154a Reel 56: Microfilm
Recommended publications
  • Thesis Title the Lagermuseum Creative Manuscript and 'Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum' C
    Thesis Title The Lagermuseum Creative Manuscript and ‘Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum’ Critical Thesis Author Dr Claire Griffiths, BA (Hons), MA, PhD Qualification Creative and Critical Writing PhD Institution University of East Anglia, Norwich School of Literature, Drama and Creative Writing Date January 2015 Word Count 91,102 (excluding appendices) This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract The Lagermuseum My creative manuscript – an extract of a longer novel – seeks to illuminate a little- known aspect of the history of the Auschwitz concentration and death camp complex, namely the trade and display of prisoner artworks. However, it is also concerned with exposing the governing paradigms inherent to contemporary encounters with the Holocaust, calling attention to the curatorial processes present in all interrogations of this most contentious historical subject. Questions relating to ownership, display and representational hierarchies permeate the text, characterised by a shape-shifting curator figure and artworks which refuse to adhere to the canon he creates for them. The Lagermuseum is thus in constant dialogue with my critical thesis, examining the fictional devices which often remain unacknowledged within established
    [Show full text]
  • CATÁLOGO BIBLIOTECA DE LA DEPORTACIÓN Biblioteca Centro De Documentación Ministerio De Defensa
    CATÁLOGO BIBLIOTECA DE LA DEPORTACIÓN Biblioteca Centro de Documentación Ministerio de Defensa INTRODUCCIÓN A principios del año 2017 la Asociación Biblioteca de la Deportación, una organización sevillana dedica al fomento de la memoria del pasado, donaba a la Biblioteca Centro de Documentación de Defensa su impresionante fondo bibliográfico, películas, documentales y láminas. Un total de 47 cajas con más de 1.500 obras, que con tanto esfuerzo habían conseguido transformar en un fondo único para el interesado en los estudios sobre totalitarismos, persecuciones políticas o de cualquier otro tipo, antisemitismo, Holocausto, deportación, exilio, víctimas y verdugos. Nuestro agradecimiento a la Asociación por pensar en nosotros como depositarios de este fondo, al mismo tiempo satisfacción al saber que las obras no se perderán ni desperdigarán, será un fondo siempre vivo y con entidad propia. Creemos que es nuestra responsabilidad recoger, conservar y difundir esta Biblioteca, que tiene un interés indudable desde muchos puntos de vista: político, sociológico, antropológico, filosófico, también literario. Nuestro cometido es conservar y poner al servicio de nuestro usuario y del interesado estas obras para su consulta. ¿Qué podemos encontrar en este fondo? En primer lugar la mitad del mismo son libros en castellano, otra mitad se reparte en libros en otros idiomas, sobre todo francés, pero también inglés, alemán, italiano, catalán o gallego. Hay también películas y documentales, centrados en el Holocausto y exilio republicano español. Encontramos pinturas originales, como un acrílico collage de Michel Gired, números sueltos de revistas especializadas, folletos de lugares de la memoria, por ejemplo del Museo Memorial de Auschwitz, catálogos y carteles de exposiciones nacionales e internacionales.
    [Show full text]
  • Saving Authenticity —Common Responsibility
    O Ś WIĘ CIM ISSN 1899-4407 PEOPLE CULTURE HISTORY SAVING AUTHENTICITY —COMMON RESPONSIBILITY 66TH ANNIVERSARY OF THE LIBERATION OF AUSCHWITZ no. 26 February 2011 Oś—Oświęcim, People, History, Culture magazine, no. 26, February 2011 EDITORIAL BOARD: Oś—Oświęcim, People, History, Culture magazine EDITORIAL The February issue of Oś is domi- We handed over two pages of the families to the Auschwitz Memorial Site. nated by the events of January 27, monthly to participants of the project en- The exhibition can be viewed at the Mu- the 66th anniversary of the lib- titled Memory and Commemoration in the seum, and also on the website: www. eration of the former Nazi German Era of Web 2.0. In the January seminar, auschwitz.org.pl. Concentration and Extermination organized by Maximilian Kolbe Werk, Presently, we also invite you for the Camp of Auschwitz. In this issue you young people from several countries March review of fi lms on Jewish top- Editor: can read an account of the ceremony took part. The articles in Oś are the fi rst ics at the Jewish Center. At the Monday Paweł Sawicki and the most important words that were effects of the group’s work in the press. screenings, as many as 14 fi lms will be Editorial secretary: uttered during the event—speeches by We would like to draw your attention to shown from the International Film Festi- Agnieszka Juskowiak-Sawicka former prisoners as well as Presidents: an interview with one of the participants val Jewish Motifs. The monthly Oś is one Editorial board: of the Republic of Poland, Bronisław of the project, Mustafa Yakupov from of the media patrons of the event.
    [Show full text]
  • No. 16 April 2010 Oś—Oświęcim, People, History, Culture Magazine, No
    O Ś WIĘ CIM ISSNISSNN 1899-44071899-9 4407 PEOPLE CULTURE HISTORY no. 16 April 2010 Oś—Oświęcim, People, History, Culture magazine, no. 16, April 2010 EDITORIAL BOARD: Oś—Oświęcim, People, History, Culture magazine EDITORIAL This issue of the magazine 10 and it was even harder rible and unexpected facts. selves and raise our aware- was published in a time to understand and explain We can only hope that this ness of life that we can di- diffi cult for all Poles–dur- it. We should remember to situation will make us bet- rect only seemingly. ing the National Mourn- be together in this diffi cult ter and we will be able to ing, when it was yet hard period, maybe it will help use the wave of sadness and Paweł Sawicki to believe in what had hap- us to get back to normal life emotions that stroke us so Editor-in-chief Editor: pened near Katyń on April and to deal with those ter- heavily to strengthen our- [email protected] Paweł Sawicki Editorial secretary: Agnieszka Juskowiak-Sawicka Editorial board: Bartosz Bartyzel Wiktor Boberek A GALLERY OF THE 20TH CENTURY Jarek Mensfelt Olga Onyszkiewicz Jadwiga Pinderska-Lech Today we have a spring- trunk large enough for the of useful birds. One of their old MAPLE growing in the Artur Szyndler time, green and ecological small hands of a child. We “generations,” perhaps be- courtyard of the building at Columnist: topic! The history of this hid our treasures there: cause of their wild instincts, 23 Jagiełło Street. A tree of Mirosław Ganobis tree is the history of this ten- girls—rag dolls, ribbons, came to like the branches our childhood games and Design and layout: ement building, in whose and beads.
    [Show full text]
  • Third International Biennial of Socio-Political POSTER in Oświę Cim No
    O Ś W i Ę c i M ISSN 1899-4407 PEOPLE CULTURE ciM HISTORY THiRD inTERnaTiOnaL biEnniaL Of SOciO-POLiTicaL POSTER in OŚWiĘ no. 22 October 2010 oś—oświęcim, People, history, culture magazine, no. 22, october 2010 EDITORIAL BOARD: oś—oświęcim, People, history, culture magazine EDITORIAL “Confrontation and Refl ection” is the It is accompanied by a brief conversa- meeting was the tenth anniversary of title of the winning poster in the Third tion with Zofi a Posmysz, whose novel this institution. The last page includes Biennial of Socio-Political Poster in was the inspiration for the composer. a series of photos from the anniversary Oświęcim, which adorns the cover. Its In this month’s issue you will fi nd celebrations. author Bangqian Zheng is from China. two interviews. For four years Dr. We also invite you to read the text of The 74 best posters of the contest can Piotr M.A. Cywiński has led the work an extraordinary collection of decorat- editor: be viewed at the International Youth of the Auschwitz Memorial Site. He ed greeting cards made by Auschwitz Paweł Sawicki Meeting Center until the end of the talks about, among other things, why prisoners. Helena Datoń-Szpak has editorial secretary: year. In this month’s Oś you will fi nd he agreed to accept a job offer at that made a precious donation to the Mu- Agnieszka Juskowiak-Sawicka a review of the exhibit and a report point and if he regrets that decision, seum. During the war, while working editorial board: about the awards ceremony.
    [Show full text]
  • Pathology As a Crime: Analysis of Dissection Protocols from Flossenbürg Concentration Camp, 1944-1945
    University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2019-01-09 Pathology as a Crime: Analysis of Dissection Protocols from Flossenbürg Concentration Camp, 1944-1945 Tannenbaum, Jessica Tannenbaum, J. (2019). Pathology as a Crime: Analysis of Dissection Protocols from Flossenbürg Concentration Camp, 1944--1945 (Unpublished master's thesis). University of Calgary, Calgary, AB. http://hdl.handle.net/1880/109443 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Pathology as a Crime: Analysis of Dissection Protocols from Flossenbürg Concentration Camp, 1944–1945 by Jessica Tannenbaum A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN HISTORY CALGARY, ALBERTA JANUARY, 2019 © Jessica Tannenbaum 2019 Abstract The present thesis examines 161 dissection protocols that were produced in the Flossenbürg concentration camp between July 1944 and April 1945. After an introductory overview of the history of pathology and an outline of the history of the Flossenbürg camp, the study describes the protocols in regards to formal and qualitative criteria. The analysis scrutinizes the conclusions or so-called diagnoses of the dissectors at the end of each protocol from a forensic perspective.
    [Show full text]
  • 64Th Anniversary of the Liberation of Auschwitz-Birkenau
    O Ś WIĘ CIM ISSN 1899-4407 PEOPLE CULTURE HISTORY OF AUSCHWITZ-BIRKENAU 64TH ANNIVERSARY OF THE LIBERATION 64TH ANNIVERSARY OF THE LIBERATION no. 1 January 2009 Oś—Oświęcim, People, History, Culture magazine, no. 1, January 2009 EDITORIAL BOARD: Oś—Oświęcim, People, History, Culture magazine EDITORIAL It is not easy to explain what ”Oś” for Dialogue and Prayer. Each of the forming the consciences of people really is. The literal translation institutions sees the Auschwitz Me- who take responsibility for the fu- should be “axis,” but it does not morial in a different way, but these ture. That is why we decided to create show the obvious connection with perspectives are mutually comple- the English edition of the magazine. the name of the town “Oświęcim.” mentary. The Museum protects the After more than sixty years, people That is we decided to keep the sites of the former camp, the IYMH from all over the world continue to Polish word. The rest is although promotes the idea of international visit the sites of the former concentra- Editor: clear: Oświęcim, people, history dialogue between young people tion camp and extermination center. Paweł Sawicki and culture. Generally speaking it through various activities; the Jew- In 2008 the Memorial was visited by Editorial secretary: is a project intended to present the ish Center look after the heritage more than one million people from Agnieszka Juskowiak activities undertaken to protect the of Jewish citizens of Oświęcim that around the globe. The message of Editorial board: Auschwitz Memorial – the real axis created its history and the Center of this place still has its strong mean- Bartosz Bartyzel of cooperation.
    [Show full text]
  • Phdt Colosseum
    Life in the Satellite Camp „Colosseum“ – Six Stories of Survival “At the meeting of former prisoners of the Nazi concentration camp Flossenbürg I was moved deeply by the great cordiality and frankness extended towards us, the descendants of the Nazi perpetrators, by the victims; it was my very first meeting with survivors and I had been afraid of having to look into hardened faces, full of distrust and scarred for life. Six years have passed since then, and instead of meeting with rejection, I have formed a number of friendships – which have deepened over the years through regular correspondence. When the study group at the EBW (Evangelisches Bildungwerk; Protestant Educational Society) was founded, I did not need to be persuaded to join. The talks between economic and political representatives about the starting of a foundation for the compensation of former forced labourers were stagnating, while at the same time my experiences with the survivors motivated me to speak out for those who had been subjected to forced labour in Regensburg and did not have a lobby.” The historian Sylvia Seifert M.A. is a member of the board of the “ArGe ehemaliges KZ Flossenbürg e.V.” (study group former concentration camp Flossenbürg”) and currently works at a publishing house. Six Stories of Survival In July of 1997, Zbigniew Kolakowski, a native of Poland, unexpectedly knocked on the doors of the editorial office of the Regensburg weekly “Woche”, stating that he was one more survivor of the Colosseum. i When we, the members of the ArGe ehemaliges KZ Flossenbürg e.V., heard of this sixth survivor of the satellite camp Colosseum, we were greatly excited, particularly since we had met the Romanian Eduard Lorber at the meeting of survivors in Flossenbürg in June, only a couple of weeks before the sudden appearance of Kolakowski.
    [Show full text]