Peace Plinths from Parliament Square to Be Featured in Gallery Show

Total Page:16

File Type:pdf, Size:1020Kb

Peace Plinths from Parliament Square to Be Featured in Gallery Show PRESS RELEASE RELASE DATE 17TH SEPTEMBER 2012 org uk PEACE PLINTHS FROM PARLIAMENT SQUARE TO BE FEATURED IN GALLERY SHOW For the first time since their removal from Parliament Square the 2 ‘Peace Plinths’ will be re-united and unveiled as the centre piece of Art Below’s ‘Peace Project’ opening to the public at London’s Gallery Different (Off Tottenham Court Road) on 12th October for one week. This exhibition features the work of celebrated artists including Alison Jackson, Ben Eine, Inkie, Billy Childish, kennardphillipps, and Sarah Maple. The gallery show will open with a private view on the 11th October. Proceeds of selected works including the plinths will go to The Halabja Community Playground Project in Northern Iraq. Selected works in the show will also form part of Art Below’s billboard exhibition at Regent’s Park tube station throughout October. This coincides with the Frieze Art Fair (11th -14th October) in Regent’s Park. Since January 2011, Art Below have been working with peace campaigner and founder of the peace plinths Maria Gallastegui calling on artists across the world to put their heads and hearts into creating art which carries the message of ending war on the planet and achieving the vision of peace. In February 2011 Schoony, the special effects artist who made prosthetics for many major films including Rambo stepped forward with his sculpture depicting child soldiers sprayed with the words Dulce Et Decorum Est - words from Wilfred Owen’s World War I poem. Schoony said: ‘Sending children to war is horrific and highlighting this injustice is really important to me.’ A year before that street artist T.W.A.T featured stencil work on the plinth to bring attention to the role a British mass outlet superstore chain plays in funding and supporting regimes around the world. The two Peace Plinths have bared witness to both turbulent and exciting times. Allowed to remain during the Royal Wedding last year, but removed for the Olympics. Art Below organised for one of the plinths known as ‘Number 10’ to be shipped to Los Angeles, where it was unveiled at the opening night of The BritWeek T4C Artists Competition at the historic Farmers and Merchants Building on 12 April 2012. On 3rd May 2012 The Plinth known as ‘The Tardis’ was seized from Parliament Square and has been held in police custody, now to be released for ‘The Peace Project’ exhibition. For further information & high resolution images please contact Benjamin Moore: E: [email protected] T: 0207 731 0333 ARTISTS FEATURING WORK IN ART BELOW’S PEACE PROJECT Alison Jackson Billy Childish Ben Eine Cathy Lomax Harry Pye Inkie Johan Andersson Johan Wahlstrom kennardphillipps Philip Levine Sarah Maple Tam Carrigan Tessa Lawer PEACE PLINTH ARTISTS Emma Stoner Paul Smith (DON) Schoony T.W.A.T NOTES FOR EDITORS: Peace Plinths: The Peace Plinths were built by peace campaigner, Maria Gallastegui in response to the SOCPA (Serious Organised Crime and Police Act), passed in 2005. The Act enforced strict restrictions on protests in the vicinity of Westminster. Maria built the first Peace Plinth, ‘Number 10’, to the exact dimensions stipulated by SOCPA, 3meters long by 2meters tall. The plinth adopted its name from its iconic door, made by Maria, which is an exact copy of that belonging to 10 Downing Street. Since November 2009 Maria used the plinth as a base and home within the city’s centre. She went on to build a second plinth, aptly named ‘The Tardis’. (3meters long by 2meters tall.) Initiated by Art Below, the plinths have provided a powerful platform from which to exhibit art in the heart of London’s political centre over the last four years. Especially for The Peace Project exhibition, the interior of ‘The Tardis’ will be recreated so the visiting public can go inside and experience what it would be like to be on vigil within the square. Art Below: Art Below is an independent public arts organisation that gives artists access to advertising space to showcase their work in the London Underground. Founded in 2006 by brothers Ben and Simon Moore, they have developed a strong portfolio of public art exhibits, often capturing the attention of the world’s press. Such stories include Banksy’s poster display at London Bridge tube,the Amy Winehouse tribute poster at Camden Town tube, and Charles Bronson poster display at Angel tube. ‘Directional art with an unorthodox backdrop lends Art Below its fresh, original edge that’s currently causing a creative awakening amongst commuters’ THE GUARDIAN Maria Gallastegui: Longtime resident of the East pavement of Parliament Square, 53-year-old Maria Gallastequi has spent a lifetime campaigning for peace and opposing all forms of warfare. Maria is most widely known for her 24 hour, tented vigil in protest against the UK’s involvement in armed conflict. She occupied the heart of London’s political centre, living in Parliament Square for six years. On 27 April 2012, Maria Gallastegui, lost her legal battle to continue her peaceful vigil within Parliament square. The Halabja Community Playground Project: Halabja is a Kurdish Town in Northern Iraq that sits roughly 8-10 miles from the Iranian border. In March 2012 it was finally recognised, within a court of law, that Halabja had fallen victim to a horrendous genocide in 1988. Iraqi planes dropped gas canisters on the town and surround- ing area. Devasted by bombs, artillery fire, and chemical weapons, at least 5,000 people died and a further 7,000 were injured or suffered the effects of long term illness. The majority of victims were Kurdish civilians, including children. The suffering in this area still continues to be felt today. Since 2009 the Halabja Community Playground Project have been raising money and resources in the UK and then taking specialist expertise and volunteers out to Halabja to empower the local community to create their own playground. The Halabja Community Playground Project forge relationships with the children and adults in Halabja, so together they can build a safe place to play, supporting the next generation. Alison Jackson: BAFTA award winner Alison Jackson is a contemporary artist exploring the cult of celebrity through the medium of lookalikes. By choreographing scandalous scenarios Jackson manipulates fantasy and reality, presenting a voyeuristic opportunity to pry into the private lives of others. Infiltrating the platforms of TV, Internet, Press, and books, Jackson is a commentator on the growing phenomenon of contemporary popular culture. Billy Childish: Regarded by some as the most prolific painter, poet and songwriter of his generation, artist Billy Childish is a cult figure with an international following throughout Europe, America and Japan. Childish was born in Kent and initially refused entry to art school on leaving secondary education. Diagnosed with dyslexia at the age of 28 Childish went on to use his art to explore worldly themes such as war, history and social protest. Ben Eine: Ben Flynn, a.k.a. EINE, shot to international fame when David Cameron presented one of his works to President Obama as a gift on his first official state visit, but is arguably more famous for ‘Alphabet Street’ – the shutters and murals he painted in his trademark colours and typography in Middlesex Street, London– described by The Times as ‘a street now internationally recognized as a living piece of art with direct links to The White House.’ Born 1970. London, England. Ben Eine is one of London’s most prolific and original street artists who specialises in the central element of all graffiti – the form of letters. Inkie: Inkie is one of the most notorious graffiti writers in UK history to emerge out of the 80’s Bristol scene. Painting alongside 3D and Banksy, coming 2nd in the 1989 World Street Art Championships, the Kingpin was arrested as the head of 72 other writers in the UK’s largest ever Graffiti bust, Operation Anderson. Kennard Phillipps: kennardphillipps is an artist collaboration forged between Peter Kennard and Cat Phillipps during the build-up to the US/UK invasion of Iraq in 2002. Kennard and Phillipps work together to create pieces that confront political and corporate power in solidarity with the social movements that form in resistance against state and commercial oppression. Each piece is adapted to exist in various environments: in galleries, on the street, for publication in print and on the internet. Occupy Everything centres on their work relating to the global protests and occupations which were widespread in 2011. A large proportion was used on the street by Kennard and Philliipps and will exhibited alongside photographs and documentation showing it in action. Most of the materials used to make the work are newspaper based, with a lot of the work being printed, drawn and painted on the pink pages of the Financial Times. Peter Kennard was born in London in 1949. Originally trained as a painter at the Slade School of Art and later at the Royal College of Art, Kennard has been a politically involved artist since late 1960s-early 1970s, creating works that engage politically with both the viewer and the environment. An artist-activist since the time of the Vietnam war, he has been recognized by Art in America as “one of the very few artists - the only one it might be said - who has had a direct effect on recent British politics”. One of his latest projects is the book ‘@earth’, a story without words of global destruction and resistance told through the language of photomontage. Cat Phillipps was born in Edinburgh in 1972 and moved to London in 1996 looking for work. Phillipps studied photography at London College of Printing and worked in the photographic industry of advertising, fashion and journalism.
Recommended publications
  • Rose Wylie 'Tilt the Horizontal Into a Slant'
    Rose Wylie Tilt The Horizontal Into A Slant 4 TILT THE HORIZONTAL INTO A SLANT TILT THE HORIZONTAL INTO A SLANT 5 INTRO Rose Wylie’s pictures are bold, occasionally chaotic, often unpredictable, and always fiercely independent, without being domineering. Wylie works directly on to large unprimed, unstretched canvases and her inspiration comes from many and varied sources, most of them popular and vernacular. The cutout techniques of collage and the framing devices of film, cartoon strips and Renaissance panels inform her compositions and repeated motifs. Often working from memory, she distils her subjects into succinct observations, using text to give additional emphasis to her recollections. Wylie borrows from first-hand imagery of her everyday life as well as films, newspapers, magazines, and television allowing herself to follow loosely associated trains of thought, often in the initial form of drawings on paper. The ensuing paintings are spontaneous but carefully considered: mixing up ideas and feelings from both external and personal worlds. Rose Wylie favours the particular, not the general; although subjects and meaning are important, the act of focused looking is even more so. Every image is rooted in a specific moment of attention, and while her work is contemporary in terms of its fragmentation and cultural references, it is perhaps more traditional in its commitment to the most fundamental aspects of picturemaking: drawing, colour, and texture. 8 TILT THE HORIZONTAL INTO A SLANT TILT THE HORIZONTAL INTO A SLANT 9 COMING UNSTUCK the power zing back and forth between the painting and us, the viewer? It’s both elegant It may come as a surprise to some, when and inelegant but never either ‘quirky’ or considering Wylie’s work that words like ‘power’ ‘goofy’.
    [Show full text]
  • Artist of the Day 2016 F: +44 (0)20 7439 7733
    PRESS RELEASE T: +44 (0)20 7439 7766 ARTIST OF THE DAY 2016 F: +44 (0)20 7439 7733 21 Cork Street 20 June - 2 July 2016 London W1S 3LZ Monday - Friday 11am - 7pm [email protected] Saturday - 11am - 6pm www.flowersgallery.com Flowers Gallery is pleased to announce the 23rd edition of Artist of the Day, a valuable platform for emerging artists since 1983. The two-week exhibition showcases the work of ten artists, nominated by prominent figures in contemporary art. The criteria for selection is talent, originality, promise and the ability to benefit from a one-day solo exhibition of their work at Flowers Gallery, Cork Street. “Every year we look forward to encountering the unknown and unpredictable. The constraint of time to install and promote an exhibition for one day only ensures there is a tangible energy in the gallery, with each day’s show incomparable to the other days. Artist of the Day has given a platform and context to artists who may not have exhibited much before, accompanied by the support and dedication of their selectors. The relationship between the selector and the artist adds an intimate power to the installations, and as a gallery we have gone on to work with many of the selected artists long term.” – Matthew Flowers Past selectors have included Patrick Caulfield, Helen Chadwick, Jake & Dinos Chapman, Tracey Emin, Gilbert & George, Maggi Hambling, Albert Irvin, Cornelia Parker, Bridget Riley and Gavin Turk; while Billy Childish, Adam Dant, Dexter Dalwood, Nicola Hicks, Claerwen James and Seba Kurtis, Untitled, 2015, Lambda C-Type print Lynette Yiadom-Boakye have featured as chosen artists.
    [Show full text]
  • Art and Design Advanced Unit 4: A2 Externally Set Assignment
    Pearson Edexcel GCE Art and Design Advanced Unit 4: A2 Externally Set Assignment Timed Examination: 12 hours Paper Reference 6AD04-6CC04 You do not need any other materials. Instructions to Teacher-Examiners Centres will receive this paper in January 2016. It will also be available on the secure content section of the Pearson Edexcel website at this time. This paper should be given to the Teacher–Examiner for confidential reference as soon as it is received in the centre in order to prepare for the externally set assignment. This paper may be released to candidates from 1 February 2016. There is no prescribed time limit for the preparatory study period. The 12-hour timed examination should be the culmination of candidates’ studies. Instructions to Candidates This paper is given to you in advance of the examination so that you can make sufficient preparation. This booklet contains the theme for the Unit 4 Externally Set Assignment for the following specifications: 9AD01 Art, Craft and Design (unendorsed) 9FA01 Fine Art 9TD01 Three-Dimensional Design 9PY01 Photography – Lens and Light-Based Media 9TE01 Textile Design 9GC01 Graphic Communication 9CC01 Critical and Contextual Studies Candidates for all endorsements are advised to read the entire paper. Turn over P46723A ©2016 Pearson Education Ltd. *P46723A* 1/1/1/1/1/1/c2 Each submission for the A2 Externally Set Assignment, whether unendorsed or endorsed, should be based on the theme given in this paper. You are advised to read through the entire paper, as helpful starting points may be found outside your chosen endorsement. If you are entered for an endorsed specification, you should produce work predominantly in your chosen discipline for the Externally Set Assignment.
    [Show full text]
  • Unga, Is an Israeli Artist and Founding Member of the Seminal Israeli Street Art Crew, Broken Fingaz
    UNGA Unga, is an Israeli artist and founding member of the seminal Israeli Street Art crew, Broken Fingaz. Press for Unga Very Nearly Almost http://verynearlyalmost.com/dev/2015/11/unga-you-will-die- today-solo-show-interview/ Fatcap http://www.fatcap.com/article/unga-broken-fingaz.html Artist Site: http://brokenfingaz.com/ STEPHEN HIAM Stephen Haim, is a German artist. He is known for making large public painted works with the use of a modified leaf blower Interview with Stephen Haim Graffuturism http://graffuturism.com/2012/03/28/artist-feature-stephen-hiam/ Artist Site http://www.stephenhiam.com/ Instagram https://www.instagram.com/stephen_hiam/ CLEON PETERSON Cleon Peterson is an LA based artist whose chaotic and violent paintings show clashing figures symbolizing a struggle between power and submission. Interviews with Cleon Peterson Juxtapoz http://www.juxtapoz.com/news/in-the-magazine-cleon-peterson/ Complex http://www.complex.com/style/2014/07/cleon-peterson-interview Artist Site: http://cleonpeterson.com/ Instagram: https://www.instagram.com/cleonpeterson/ VINZ - FEEL FREE Vinz is a street artist from Valencia, Spain. The artist paints animal heads on large-scale photographes of human bodies and pastes them on the streets. Interviews with VINZ Feel Free Urban Arcade http://www.urbanartcade.com/Vinz-Feel-Free Fecal Face http://www.fecalface.com/SF/good-stuff/4512-vinz-feel-free Artist Site http://vinzfeelfree.com/ Instagram https://www.instagram.com/vinzfeelfree/ BROKEN FINGAZ Hailing from the northern Israeli town of Haifa, the Broken Fingaz graffiti crew, (comprising members Deso, Kip, Tant and Unga) de- scribe themselves as ‘gypsies’, and in the most positive sense, they embody the notion.
    [Show full text]
  • Artist Billy Childish Comes of Age
    Artist Billy Childish comes of age Once known mainly for his relationship with artist Tracey Emin, Billy Childish, co-founder of the Stuckist movement – and a man of many names – has finally come into his own, writes Fionnuala McHugh 5 APR 2014 / UPDATED ON 15 MAY 2015 Childish in his studio. Photo by Fionnuala McHugh Billy Childish is a musician, a poet, a novelist, a photographer and a painter. Unless you’re familiar with the independent British music scene of the late 1970s and early 80s, however, you almost certainly won’t have heard of him. Until recently, he tended to be defined via his relationship with a rather better-known British artist called Tracey Emin, with whom he’d had a relationship in the 80s. If his name was known to the general public at all, it was because it had been stitched, along with many others, on to a tent in her seminal opus Everyone I Have Ever Slept With 1963 – 1995. One exasperated day, Emin yelled at Childish, “Your paintings are stuck. You are stuck, stuck, stuck!” As a result of this observation, the Stuckist art movement was formed in 1999 (whereupon the friendship with Emin foundered for about a decade). The Stuckists were against conceptual art of which embroidered tents, rotting sharks, blaspheming elephant dung, etc were only the most obvious examples. A core belief of the Stuckists was that “artists who don’t paint aren’t artists”, and although Childish left the movement a couple of years later, this is the way he continues to think.
    [Show full text]
  • Billy Childish Flowers, Nudes and Birch Trees: New Paintings 2015 September 10-October 31, 2015 536 West 22Nd Street, New York #Billychildish
    Billy Childish flowers, nudes and birch trees: New Paintings 2015 September 10-October 31, 2015 536 West 22nd Street, New York #billychildish Opening Reception: Thursday, September 10, 6-8PM birch wood, 2015, oil and charcoal on linen, 72.05 x 108.07 inches, 183 x 274.5 cm. Courtesy the artist and Lehmann Maupin, New York and Hong Kong. New York, August 11, 2015—Lehmann Maupin is pleased to present its fourth exhibition with British artist Billy Childish, a prolific painter, writer, and musician. The artist’s vivid oil paintings offer fragmented fields of intense color applied frenetically, often leaving charcoal marks and the linen canvas exposed, further emphasizing the immediate and intuitive nature of Childish’s work. The artist will be present for an opening reception at the gallery on Thursday, September 10 from 6-8PM. Working in traditional genres such as portraiture, still life, and landscape, Childish’s paintings are spiritually charged expressions that come from a place of deep personal meaning. These powerful works, including unabashed nudes, self-portraits, and dense woodland scenes, honor the simple nature of being and in the process transcend the ordinary. Eschewing any hint of post-modernist irony in his work, he allows the basics of personal expression to come forth through the fundamentals of painting. A self-proclaimed “Radical Traditionalist,” Childish has said, “The reason I honor tradition is that it provides a form and structure that allows freedom—the ego is subjugated and the requirements of the painting are met. Tradition is not to be worshipped or adored; it is a vehicle to take you to new places, or we could say to arrive at the perennial.” While he is occasionally associated with British groups like the Stuckists and YBAs, Childish does not see himself as connected to a particular contemporary movement; however, he is highly regarded and well known by his peers, including renowned artists Peter Doig and Tracey Emin.
    [Show full text]
  • About Henry Street Settlement
    TO BENEFIT Henry Street Settlement ORGANIZED BY Art Dealers Association of America March 1– 5, Gala Preview February 28 FOUNDED 1962 Park Avenue Armory at 67th Street, New York City MEDIA MATERIALS Lead sponsoring partner of The Art Show The ADAA Announces Program Highlights at the 2017 Edition of The Art Show ART DEALERS ASSOCIATION OF AMERICA 205 Lexington Avenue, Suite #901 New York, NY 10016 [email protected] www.artdealers.org tel: 212.488.5550 fax: 646.688.6809 Images (left to right): Scott Olson, Untitled (2016), courtesy James Cohan; Larry Bell with Untitled (Wedge) at GE Headquarters, Fairfield, CT in 1984, courtesy Anthony Meier Fine Arts; George Inness, A June Day (1881), courtesy Thomas Colville Fine Art. #TheArtShowNYC Program Features Keynote Event with Museum and Cultural Leaders from across the U.S., a Silent Bidding Sale of an Alexander Calder Sculpture to Benefit the ADAA Foundation, and the Annual Art Show Gala Preview to Benefit Henry Street Settlement ADAA Member Galleries Will Present Ambitious Solo Exhibitions, Group Shows, and New Works at The Art Show, March 1–5, 2017 To download hi-res images of highlights of The Art Show, visit http://bit.ly/2kSTTPW New York, January 25, 2017—The Art Dealers Association of America (ADAA) today announced additional program highlights of the 2017 edition of The Art Show. The nation’s most respected and longest-running art fair will take place on March 1-5, 2017, at the Park Avenue Armory in New York, with a Gala Preview on February 28 to benefit Henry Street Settlement.
    [Show full text]
  • THE OTHER ART FAIR 22-25 March 2018 Victoria House, Bloomsbury Square London WC1 “The Future of Art” – the Guardian
    THE OTHER ART FAIR 22-25 March 2018 Victoria House, Bloomsbury Square London WC1 “The Future of Art” – The Guardian The Other Art Fair at Victoria House The Other Art Fair, presented by Saatchi Art, has become one of the most important and exciting showcases for emerging artists. Unique in its approach, The Other Art Fair offers astute collectors the chance to discover and buy work directly from the rising stars in global contemporary art, with editions now in London, Bristol, Sydney, Melbourne, New York and Los Angeles. 22-25 March 2018 will see The Other Art Fair return to Central London’s historic Victoria House. 120 contemporary artists will be exhibiting a variety of hand-picked works across all mediums, chosen by a respected selection committee that this year includes VP Art Advisory + Chief Curator at Saatchi Art Rebecca Wilson, founder of Jealous Gallery and Print Studio Dario Illari, director of BEERS London Gallery and author of ‘100 Painters of Tomorrow’ Kurt Beers and New York-born and London based contemporary art critic, editor and teacher Dr. Gilda Williams. Since its launch in 2011, The Other Art Fair has welcomed more than 200,000 visitors from around the world to its fairs and facilitated total sales in excess of £4 million, while becoming an unmissable event on London’s art calendar. With its distinguished committee of experts and guest curators, The Other Art Fair has established itself as the fair of choice for London’s emerging collectors. Uniquely, over 60% of clients at the The Other Art Fair London 2016 edition were first time buyers.
    [Show full text]
  • Is Street Art Vandalism?
    Large-Type Edition The University of the State of New York REGENTS HIGH SCHOOL EXAMINATION REGENTS EXAMINATION IN ENGLISH LANGUAGE ARTS Tuesday, June 12, 2018 — 9:15 a.m. to 12:15 p.m., only The possession or use of any communications device is strictly prohibited when taking this examination. If you have or use any communications device, no matter how briefly, your examination will be invalidated and no score will be calculated for you. A separate answer sheet has been provided for you. Follow the instructions for completing the student information on your answer sheet. You must also fill in the heading on each page of your essay booklet that has a space for it, and write your name at the top of each sheet of scrap paper. The examination has three parts. For Part 1, you are to read the texts and answer all 24 multiple-choice questions. For Part 2, you are to read the texts and write one source-based argument. For Part 3, you are to read the text and write a text-analysis response. The source-based argument and text-analysis response should be written in pen. Keep in mind that the language and perspectives in a text may reflect the historical and/or cultural context of the time or place in which it was written. When you have completed the examination, you must sign the statement printed at the bottom of the front of the answer sheet, indicating that you had no unlawful knowledge of the questions or answers prior to the examination and that you have neither given nor received assistance in answering any of the questions during the examination.
    [Show full text]
  • Amnesty Journal W W
    L A N R DAS MAGAZIN FÜR DIE MENSCHENRECHTE U O J / E D 02/03 . Y T S 2018 E N FEBRUAR/ M MÄRZ A . W AMNESTY JOURNAL W W KAMPF DEN KILLERROBOTERN WIE AUTONOME WAFFENSYSTEME NEUE KRIEGE SCHÜREN HEIMLICHE REBELLEN DIE RISSE HEILEN SOUNDTRACK DER POLITIK Kreativer Widerstand Denis Mukwege behandelt Afrikanische Musiker im besetzten Mossul Vergewaltigungsopfer im Kongo mischen sich ein Kriegsspiele. INHALT Die Grenzen zwischen Unterhaltungs- und Rüstungsindustrie 12 verlaufen fließend. Mit Joysticks groß gewordene Computerkids eignen sich hervorragend als Operatoren von Killerrobotern und Kampfdrohnen. TITEL: KAMPF DEN KILLERROBOTERN Unterhaltungs- und Rüstungsindustrie: Krieg und Spiele 12 Die heimlichen Rebellen von Mossul. Whistleblower: Mutige Aussteiger 14 Drei Jahre lang beherrsch - ten die Dschihadisten des Drohnenangriffe der USA: Tod per Knopfdruck 16 Islamischen Staats die Ramstein: »Deutschland verstößt gegen Völkerrecht« 21 irakische Millionenmetro - pole. Doch nicht alle Be - Krieg im Jemen: Still und verstörend 22 wohner gehorchten deren Verbot von Zigaretten und Operation Seepferdchen 24 Überwachung des Mittelmeers: Musik. Seit der Befreiung Autonome Waffensysteme: Menschen töten ohne Menschen 26 der Stadt wagen sich die heimlichen Rebellen wieder ans Tageslicht. 30 THEMEN Irak: Die heimlichen Rebellen von Mossul 30 Syrien: »Assad stieß nie auf Widerstand« 35 Kuba: Zensur statt Zäsur 36 Honduras: Die Oligarchen lässt man laufen 40 DR Kongo: Die Risse heilen 42 36 Deutschland: Schüler zweiter Klasse 44 Nachruf: Arsenij Roginskij 46 KULTUR Afrikanische Musiker: Soundtrack der Politik 48 Zensur statt Zäsur. Vor der Parlamentswahl im Februar setzt das Ruanda: »Der Genozid ist Teil von mir« 52 Regime in Havanna auf Repression. Die Hoffnung auf Öffnung ist trotz des nahenden Abgangs von Raúl Castro verflogen.
    [Show full text]
  • Street Art Sizzle
    artsy horeditch: treet art sizzle The cool hub of London's urban art has everything from murals, stencils, wheat pastes and all that comes to your mind when you think of art. Words: Punita Malhotra Who would have imagined that a neglected part of London’s East End was destined to emerge as a cultural hotspot for up-and- coming alternative art from around the globe. And that nondescript bricks and cracked concrete would make such an iconic backdrop for stencils, spray paint, paste- ups, and even sculptures. Welcome to new epicentre of contemporary London's street art scene. Pasted posters and paint- splattered walls have been in vogue ever since Shoreditch redefined grit and grunge. Fascinating crossroads of Indian and hipster cultures and popular, vibrant, quirky, rapidly gentrifying neighbourhood, Shoreditch is home to a multicultural community evolved from brick makers (1600’s), weavers (1700’s), and Bangladeshi restaurateurs (1900’s). These communities have embraced the English hip-hop and electronic music-influenced era of the 1980s and here artists tag their names in desperation, wherever they can find spots on the walls. Slow stroll to explore art It is zero snob appeal from the word ‘go’. Accessibility quotient sky-high… interaction, touch-and-feel, photography, even sabotage…no bar. Whether fresh or eroded away…the perfect imperfections of Shoreditch touches even the most unaffected of hearts. From seemingly senseless pops of colourful imagery to intense political, social, cultural or 32 nov-dec /2019 jazeeraairways.com 33 artsy photo-quality portraits of Salvador Dali, Belgian muralist, roa, draws animals by painting Malala Yousafzai, David Bowie, and Frida a white shape and then filling it with black and gray Kahlo grace many crammed walls.
    [Show full text]
  • Billy Childish
    BILLY CHILDISH Born Chatham, Kent, United Kingdom, 1959 Lives Whitstable, Kent, United Kingdom EDUCATION 1977 Medway College of Design, Kent 1978 St. Martins School of Art, London SOLO EXHIBITIONS 2020 wolves, sunsets and the self, Lehmann Maupin, Seoul, Korea remember all the / high and exalted things / remember all the low / and broken things, Lehmann Maupin, New York, NY 2019 man in the mouth of a cave, Carl Freedman Gallery, Margate, United Kingdom 2018 heaven’s journey, Neugerriemschneider, Berlin, Germany 2017 Billy Childish: Man With Jackdaw, Villa Schöningen, Berlin, Germany mountain view house, Goss-Michael Foundation, Dallas, TX 2016 Billy Childish in Print (A Survey), Rochester Art Gallery, Kent, United Kingdom the house at grass valley, Carl Freedman Gallery, Margate, United Kingdom Opelvillen Rüsselsheim, Frankfurt, Germany 2015 billy childish at cactus garden, Galleria Paolo Curti / Annamaria Gambuzzi & Co., Milan, Italy flowers, nudes and birch trees, Lehmann Maupin, New York, NY at segantini’s hut, neugerriemschneider, Berlin, Germany 2014 Pushkin House, London, United Kingdom edge of the forest, Lehmann Maupin, Hong Kong 2013 darkness was here yesterday, Carl Freedman Gallery, London, United Kingdom all apparent achievements and misdemeanours are non defining, neugerriemschneider, Berlin, Germany paintings that change the universe like digging in the gutter with a broken lolly stick, Lehmann Maupin, New York, NY Animal Totems, Lying Poets and Other Mundane Renditions in Paint, International Art Objects, Los Angeles, CA 2012 Billy Childish. Frozen estuary and Other Paintings of the Divine Ordinary, Part II, Hoxton Arches, London, United Kingdom Billy Childish. Frozen estuary and Other Paintings of the Divine Ordinary, The Gallery: No.I, The Smithery, The Historic Dockyard, Chatham, Kent, United Kingdom Billy Childish.
    [Show full text]