Minutes of Proceedings
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Sparring Partners
12 PROFILE HOLLIE ADAMS SPARRING PARTNERS Bruce Beresford don’t get made to the ones that do is enormous.’’ Decades after their freshly and Sue Because of this dispiriting reality, she says Milliken at “there was a point where I thought, ‘What am I published letters, Bruce Beresford’s doing in this business? I would try prostitution, home, above, but I am too old.’ ” She quickly adds, “I’m not re- Beresford and Sue Milliken and on the set ally serious …’’ in younger “Oh, what?’’ cuts in Beresford, feigning sur- still bicker, but it usually days, left prise that his colleague has never resorted to sex work. Cue more laughter. Dressed in a brown, ends in laughter, writes tweedy suit and scarlet socks, the director — who admits (but only reluctantly) to being 75 — Rosemary Neill is a natural comedian and storyteller. He re- cently saw himself being interviewed on tele- vision and “I thought, ‘Who is that old guy who bears a faint resemblance to me?’ ’’ m I boring you?’’ Sue Milliken Milliken, 76, is a former chairwoman of the interrupts herself, mid-sen- Australian Film Commission and her producing tence, to admonish her friend credits range from the Vietnam film The Odd and long-time collaborator Angry Shot to the 2014 documentary The Red- Bruce Beresford. ‘’Yes,’’ Beres- fern Story. Like Beresford, she is as sharp as a ‘Aford replies impassively as he casually flips tack (and gives as good as she gets). She has a through a pile of CDs on his living room coffee whippet-thin, agile frame — despite her ad- table. -
Modern Languages Videos Use the Find
Modern Languages Videos Use the Find function to search this list Alpine Fire Director: Fredi M. Murer with Thomas Nock, Johanna Lier, Dorothea Moritz, Rolf Illig. 1986, 115 minutes, Romani with English subtitles. Surrounded by the beauty of the Swiss Alps, a family lives in sparse isolation from society. This is the story of a deaf-mute son and his sister who tries to teach him and tame his bad temper. Both are frustrated and going through adolescence without the usual emotional support of the parents. And so they turn to each other with hauntingly strange and tragic events. LLC Library CALL NO. MLFR 002 Castle: The Story of Its Construction – with book. With book. David MaCaulay. 1983, 60 minutes, English. LLC Library CALL NO. MLGP 029 Cathedral: The Story of Its Construction – with book. David MaCaulay: 1985, 60 minutes, English. LLC Library CALL NO. MLGP 030 Divine Renewal of Ise Shrine, The 198?, 60 minutes. Describes the ceremonies and rituals associated with the 60th reconstruction, moving, and dedication of the Grand Shrine of Ise in October, 1973. JCU Library CALL NO. BL2224.6.D58 Program 03&04 Program 03 Caravans of Gold. Program 04 Kings and Cities. LLC Library CALL NO. MLAF 002 Videos about Africa Cultural Comparisons La France, la Mauritania, et la Côte d’Ivoire LLC Library CALL NO. MLAF 007 Program 01&02 Program 01 Different But Equal. Program 02 Mastering a Continent. LLC Library CALL NO. MLAF 001 Program 05&06 Program 05 The Bible and the Gun. Program 06 This Magnificent African Cake. LLC Library CALL NO. -
SANDI CV March 2019
CURRICULUM VITAE 2019 UTOPIA series 4 TV Series Position: COSTUME DESIGNER WORKING DOG CAST: Rob Sitch Celia Paquola Kitty Flannagan Director: Rob Sitch 2018 The InBESTigators TV Series Position: COSTUME DESIGNER GRISTMILL PRODUCTIONS Director: Robyn Butler Wayne Hope CAST: Aston Droomer Anna Cooke Abby Bergman Jamil Seka Nina Buxton Tim Bartley Ian Reiser 2017-18 BACK IN VERY SMALL BUSINESS TV Series Position: COSTUME DESIGNER GRISTMILL PRODUCTIONS CAST: Wayne Hope Robyn Nevin Kim Gyngell Director: Robyn Butler 2017 ROMPER STOMPER TV Series Position: COSTUME BUYER NEXT GEN Designer: Anna Borghesi CAST: Toby Wallace Jacqui McKenzie David Wenham Directors: Geoffrey Wright James Napier Robertson Daina Reid DI & VIV & ROSE Theatre Prod Position: COSTUMIER MELBOURNE THEATRE CO Designer: Dale Ferguson CAST: Nadine Garner Beilinda McLory Mandy McElhinney Director: Marion Potts HAVE YOU BEEN PAYING ATTENTION? TV Series Position: COSTUME DESIGNER WORKING DOG / NETWORK 10 CAST: Tom Gleisner Sam Pang Ed Kavallee Director: Peter Lawler UTOPIA series 3 TV Series Position: COSTUME DESIGNER WORKING DOG CAST: Rob Sitch Celia Paquola Kitty Flannagan Director: Rob Sitch ________________________________________________ 4 /76-80 Ireland Street, West Melbourne, Vic 3003 mobile: 0412 114 958 email: [email protected] 2016 T.V. COMMERCIALS TVC’S Position: COSTUME DESIGNER MR SMITH HAVE YOU BEEN PAYING ATTENTION? TV Series Position: COSTUME DESIGNER WORKING DOG / NETWORK 10 CAST: Tom Gleisner Sam Pang Ed Kavallee Director: Peter Lawler LITTLE LUNCH series -
On Cue Cat on a Hot Tin Roof Final.Pdf
EDUCATION On Cue CAT ON A HOT TIN ROOF Table of Contents About On Cue and STC 2 Curriculum Connections 3 Cast and Creatives 4 The Director in Conversation 5 Synopsis/Context & History 7 Context & History 8 Character Analysis 9 Style and Form 14 Themes and Ideas 18 Elements of Production 22 Reference List 24 Compiled by Jacqui Cowell. The activities and resources contained in this document are designed for educators as the starting point for developing more comprehensive lessons for this production. Jacqui Cowell is the Education Projects Officer for the Sydney Theatre Company. You can contact Jacqui on [email protected]. © Copyright protects this Education Resource. Except for purposes permitted by the Copyright Act, reproduction by whatever means in prohibited. How ever, limited photocopying for classroom use only is permitted by educational institutions. 1 About On Cue and STC ABOUT ON CUE ABOUT SYDNEY THEATRE COMPANY STC Ed has a suite of resources located on our website to In 1980, STC’s first Artistic Director Richard Wherrett defined enrich and strengthen teaching and learning surrounding STC’s mission as to provide “first class theatrical entertainment the plays in the STC season. for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun.” Each school show will be accompanied by an On Cue e-publication which will feature essential information for Almost 40 years later, that ethos still rings true. teachers and students, such as curriculum links, information about the playwright, synopsis, character analysis, thematic STC offers a diverse program of distinctive theatre of vision analysis and suggested learning experiences. -
1 Sydney Theatre Company Annual Report 2014
Sydney Theatre Company Annual Report 2014 1 Kate Box, Melita Jurisic, Robert Menzies, Hugo Weaving, Ivan Donato, Eden Falk, Paula Arundell and John Gaden in Macbeth. Photo: Brett Boardman Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director 5 2014 in Numbers ACTORS AND CREATIVES 237 EMPLOYED $350,791 C R 12TEACHING TIX OF TI KET P ICE TIX SAVINGS PASSED ON TO ARTISTS 733 4,877 SUNCORP TWENTIES CUSTOMERS EMPLOYED REGIONAL $20.834M AND INTERSTATE TOTAL TICKET PERFORMANCES INCOME EARNED WORLD 6PREMIERES 1,187 WEEKS PLAYWRIGHTS AVERAGE OF WORK 9 ON COMMISSION CAPACITY FOR ACTORS 6 7 David Gonski Andrew Chairman Upton In the last four annual reports, I have reported on work undertaken by the organisation to modernise operations and governance structures to best support the Company’s artistic aspirations into the Artistic Director future. Most recently, in 2013, I wrote about the security of 45 year leases over the Roslyn Packer Theatre (formerly Sydney Theatre) and James Duncan in The Long Way Home. Richard Roxburgh in Cyrano de Bergerac. our tenancy at The Wharf, and the subsequent winding up of New Photo: Lisa Tomasetti 2014 was a year that brought the Company together through thick Photo: Brett Boardman South Wales Cultural Management, the body that had previously and thin. -
Amigos Playtext.P65 1 2/06/04, 12:53 PM 2 AMIGOS
INTRODUCTION i DAVID WILLIAMSON’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002) and Birthrights (2003) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. David Williamson has won the Australian Film Institute film script award for Petersen (1974), Don’s Party (1976), Gallipoli (1981) and Travelling North (1987) and has won eleven Australian Writers’ Guild AWGIE Awards. -
Australian Cinema Umbrella Australian Cinema
20152017 UMBRELLAUMBRELLA CATALOGUECATALOGUE AUSTRALIAN CINEMA UMBRELLA AUSTRALIAN CINEMA DVD DVD DCP DVD BD THE ADVENTURES OF BARRY MCKENZIE ANGEL BABY AUTOLUMINESCENT Reviled by the critics! This year marks the 20th Anniversary of this Containing a selection of rare footage and moving interviews Adored by fair-dinkum Aussies! landmark Australian Drama. with Rowland S. Howard, Nick Cave, Wim Wenders, Mick Harvey, Lydia Lunch, Henry Rollins, Thurston Moore, In this fan-bloody-tastic classic, directed by Bruce Beresford Winner of 7 AFI Awards, including Best Film, Best Director, Best Actor and Best Actress. Bobby Gillespie, and Adalita, AUTOLUMINESCENT traces (his first feature) Australia’s favourite wild colonial boy, the life of Roland S. Howard, as words and images etch Barry McKenzie (Barry Crocker), journeys to the old country Written and directed by Michael Rymer (Hannibal) and light into what has always been ‘the mysterious dark’. accompanied by his Aunt Edna Everage (Barry Humphries) starring Jacqueline McKenzie (Romper Stomper), John to take a Captain Cook and further his cultural and intellectual Lynch (In the Name of the Father) and Colin Friels (Malcolm), “ IF YOU MAKE SOMETHING THAT IS SO MAGICAL, SO UNIQUE education. this multi-award winning drama tells a tragic tale of love YOU WILL PAY THE PRICE... IT’S THE DEVIL’S BARGAIN.” between two people with schizophrenia as they struggle with LYDIA LUNCH life without medication. “ HEARTBREAKINGLY GOOD AND FILLED WITH A DESPERATE INTENSITY.” JANET MASLIN, THE NEW YORK TIMES FOR ALL ENQUIRIES REGARDING UMBRELLA’S THEATRICAL CATALOGUE umbrellaent.films @Umbrella_Films PLEASE CONTACT ACHALA DATAR – [email protected] | 03 9020 5134 AUSTRALIAN CINEMA BP SUPER SHOW DVD LOUIS ARMSTRONG One of the greatest musical talents of all time, Louis ‘Satchmo’ Armstrong raised his trumpet and delivered a sensational concert for the BP Supershow, recorded at Australia’s Television City (GTV 9 Studios) in 1964. -
Ageing Well EUREKA STREET &UNIYA
l!fl.U WITH (100 EUREKA STREET &UNIYA ~inister to Yourself present !VIid-life Sabbatical in the Th e jesu it Lenten Seminars 2002 San francisco Bay Area AUSTRALIA'S REFUGEE POLICY -FACTS, NEEDS AND LIMITS Integrate theology, spirituality, ministry speakers Deepen your journey with God Frank Brennan SJ and Mark Raper SJ With responses from an ex pert panel in Nurture personal development each state. loca tions Melbourne: W ednesday 13 March SCHOOL OF THEOLOGY c;:)!~ APPLI~D Xav ier Co llege, Kew, 7.30pm ..,t2;;;;;;;;;;;;;~- U~:;..- Graduate Theological Union Sydney: Thursday 14 M arch 2400 Ridge Road St Aloysius, M il so ns Point, 6.30pm Berkeley, CA 94 709 Perth: Monday 1 8 March (athol ic Education Centre, Four Month s, Fa ll/S pring or Nine Month s Leedervi ll e, 7.3 0pm Audit, Credit or M.A. Adelaide: W ednesday 20 March Room/Boa rd ava ilable on site • Partial Scho larships St Ignatius, Norwood, 7.30pm 510-652-1651 • 800-831-0555 Brisbane: Friday 22 M arch Holy Spirit Church, Auchenflower, 7 .30pm [email protected] • www.satgtu.org Serving lait y, clergy and religious since 7960 All welcome. Enquiries Kirsty Grant (03) 9427 73 11 booU.I offer I Ageing Well Ageing Surprising guideposts to a happier life from the landmark Harvard study of adult development Well By George Va illant 'To know how to grow old is the master work of wisdom, and one of the m ost difficult urpn s in~ g uid epost~ to .1 happier life chapters in the great art of living', wrote Henri Amiel in 1874. -
Lust and Revenge Tail Credits
Karl-Heinz Applebaum Nicholas Hope Cecilia Applebaum Gosia Dobrowolska Georgina Oliphant Claudia Karvan Lily Carmichael Victoria Eagger George Oliphant Chris Haywood Baba Charles Norman Kaye Anna Ulli Birvé Psychiatrist Robert Menzies Gallery Director Bryan Dawe Gallery Sleaze John Hargreaves Art Critic Max Gillies George's Advisor Wendy Hughes Obnoxious Woman Pamela Rabe New Age Customer Paul Cox Claudia Eva Hamburg Harry John Larkin Ian Henry Salter Geoffrey Roger Newcombe Gallery Attendant Nino Martinetti Waitress Louise Doyle Piper Brian Erskine Advisor Bernard Eddy Production Manager and First Assistant Director David Lightfoot Second Assistant Director Louise Doyle Production Co-ordinator Gina Ploenges-Beltchev Continuity Julie Feddersen D.O.P. and Camera Operator Nino Martinetti A.C.S. Focus Puller Craig Phillpot Clapper/Loader Michael Bambacas Production Designer Neil Angwin Art Director/Wardrobe Supervisor Ruth Munro Trainee Standby Wardrobe Rosetta Ashton Art Department Assistant Bianca Boege Sculptor Andrew Stock Sound Recordist James Currie Boom Operator Michael Bakaloff Gaffer Graeme Shelton Best Boy Zac Murphy Key Grip John Smith Grip Brian Scragg Make-up/Hair Sue Taylor Wendy Hughes' Make-up Peter Frampton Stills Photographer Lisa Tomasetti Accountant Sharon Jackson Accounts Assistant Trudy Talbot Unit Manager Charles Kiroff Assistant Unit Manager Michael Gill Trainee Location Manager Leanne Spirou Production Runner Tod Telford Production Assistant Vanitha Naidu Caterer Silverscreen Caterers Editor John Scott Assistant Editor -
Literature Review
The impact of the counterculture on Australian cinema in the mid to late 20th century A thesis submitted in partial fulfillment of the requirement for the degree of Master of Art Administration (Hons) within the School of Art History and Art Education, College of Fine Arts, University of New South Wales, Sydney, Australia. Fiona Hooton 1 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hooton First name: Fiona Other name/s: Abbreviation for degree as given in the University calendar: School: School of Art History and Art Education Faculty:COFA Title: The impact of the counterculture on Australian cinema in the mid to late 20th century 2 Abstract 350 words maximum: (PLEASE TYPE) This thesis discusses the impact of the counterculture on Australian cinema in the late 20thcentury through the work of the Sydney Underground Film group, Ubu. This group, active between 1965 -1970, was a significant part of an underground counter culture, to which many young Australians subscribed. As a group, Ubu was more than a rat bag assemblage of University students. It was an antipodean aspect of an ongoing artistic and political movement that began with the European avant-garde at the beginning of the 20th century and that radically transformed artistic conventions in theatre, painting, literature, photography and film. Three purposes underpin this thesis: firstly to track the art historical links between a European avant-garde heritage and Ubu. Experimental film is a genre that is informed by cross art form interrelations between theatre, painting, literature, photography and film and the major modernist aesthetic philosophies of the last century. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International . A Beil & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 1348852 Working Matilda: The representation of women and their working lives in Australian cinema Anderson, Majda Kristin, M.A. The American University, 1991 Copyright ©1991 by Anderson, Majda Kristin. -
Newsfront End Credits
Many cameramen and technicians were responsible for the Newsreel footage used in this film and we would like to thank them all; Terry Banks Mark McDonald Alan Barnes John McPhail Wally Batty Volk Moll Eric Bierre Stan Murdoch Wally Bird Bert Nichols Anthony Buckley Damien Parer Al Burn Jim Pearson George Burn Stan Pentreath William Carty Kevin Roach Phil Dority Lloyd Sheils Bob Feeney Arthur Smith Jack Fletcher Joe Stafford Bill Grimmond Wally Sully Viv Harber Geoff Thompson Bob Hawkins Bill Trerise Les Hendy Ray Vaughan Ron Horner Les Wasley Bud Kramer Sid Whitely John Leake Bede Whiteman Gordon Lloyd Syd Wood Frank McKeckie Ross Wood George Malcolm Len Maguire Bill Hunter Amy McKenzie Wendy Hughes Frank Maguire Gerard Kennedy Chris Hewitt Chris Haywood Charlie Henderson John Ewart Fay Maguire Angela Punch A.G.Marwood Don Crosby Geoff the Editor Bryan Brown Cliff the Production Manager John Clayton Ellie Lorna Lesly Ken the Narrator John Dease Bruce the second Editor Drew Forsythe Greasy the Sound Mixer Tony Barry Len's new assistant Mark Holden Sir Charles Alexander Archdale Macka the Projectionist Bill Lyle Charlie's assistant Paul Jones Redex Trial Drivers Bruce Spence Les Foxcroft Dinah Robyn Moase Father Coughlan John Flaus Redex Singer Chad Morgan Maitland Mayor Don Philps Merv the Scriptwriter Peter Carroll Andy the Cameraman Rob Steele Fred the Accountant Brian Blain Len's Father Gerry Duggan Len's Mother Jone Winchester Nightclub singer Ken Bernard Maitland chemist Alan Penney Fay's Father Slim de Grey Fay's Mother Kay Eklund Fay's Brother Kit Taylor Redex Mayor Ray Marshall T.V.