DOCSLIB.ORG

Indecent [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Indecent Jimbyk1@Gmail.Com Press Contacts: Harry Forbes, WNET 212-560-8027 or [email protected] Tameka Davis, Olson Engage for BroadwayHD 212-656-9239 [email protected] Jim Byk, Indecent [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom Website: http://www.pbs.org/wnet/gperf Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS Broadway’s Critically Acclaimed and Tony Award -winning Indecent Coming to THIRTEEN’s Great Performances Friday, November 17 at 9 p.m. on PBS The Tony Award -winning play Indecent comes to THIRTEEN’s Great Performances , Friday, November 17 at 9 p.m. on PBS (check local listings) as part of the fall Broadway's best lineup. Indecent , along with the previously announced Great Performances airings of She Loves Me, Present Laughter , and Holiday Inn , was directed for television by Emmy Award-winner David Horn , executive producer of both Great Performances and THIRTEEN's local Theater Close-Up series. The four titles are productions by BroadwayHD in association with THIRTEEN PRODUCTIONS LLC for WNET. "It was especially gratifying for me to be able to film this important and moving play, one whose themes still very much resonate in our own times," said Horn. "Throughout Great Performances' over 40 year history, we have helped bring artists' visions on tough issues to a wide audience that mightn't otherwise have a chance to experience such impactful works." Indecent 's heart-wrenching and emotional themes remain relevant today. The deeply thought-provoking play, dramatizing how freedoms and ideas were persecuted in the 1920s, conveys the message of love and tolerance that needs to be preserved and shared with audiences worldwide. Written by Pulitzer Prize-winner Paula Vogel , created by Ms. Vogel and Rebecca Taichman , and directed by Ms. Taichman, Indecent is about the love and passion to create theatre, even in the most difficult of circumstances. The play follows a troupe of actors, the cast of Sholem Asch’s God of Vengeance , who risked their lives and careers against enormous challenges to perform a work in which they deeply believed, at a time when art, freedom and truth were on trial. It is a story told with compassion and honesty, but also with great theatricality, and joyous songs and dances. The capture of Indecent was completed just prior to its final Broadway performance in August. Eight high-definition cameras captured every heartbreaking moment of this production at Broadway's Cort Theatre. Indecent won two 2017 Tony Awards , for Best Direction of a Play (Rebecca Taichman) and Best Lighting Design of a Play (Christopher Akerlind). The production also received the Outer Critics Circle Award and Obie Award for Outstanding Director of a Play (Rebecca Taichman), the Drama Desk for Outstanding Lighting Design for a Play (Christopher Akerlind) and the Lortel Award for Outstanding Choreography (David Dorfman). Paula Vogel has been honored with a Special Citation as playwright and mentor from the New York Drama Critics Circle, and received a Lifetime Achievement Award from the Obie Awards. Indecent features Katrina Lenk , Mimi Lieber , Max Gordon Moore , Tom Nelis , Steven Rattazzi , Richard Topol and Adina Verson , and musicians Matt Darriau , Lisa Gutkin and Aaron Halva . The production also features Ben Cherry , Andrea Goss , Eleanor Reissa , Zoë Aqua , Uri Sharlin and Doug Wieselman . Indecent features music composed by Lisa Gutkin and Aaron Halva , who play onstage along with cast members throughout the show. “The themes of love and inclusion present in Indecent are something everyone can still appreciate and understand today,” said BroadwayHD co-founders, Stewart F. Lane and Bonnie Comley . “Recording these brilliant shows is so important, and we’re honored to be able to continue to spread this message for years to come.” “On behalf of the producing team for Indecent , we are truly grateful to our friends at WNET and BroadwayHD for choosing to preserve Paula Vogel and Rebecca Taichman’s remarkable production,” said producer Daryl Roth . “This timely and joyous play will be available to a much wider audience, spreading its vital message of the enduring power of art.” Indecent replaces the previously announced Prince of Broadway in the same timeslot. The Harold Prince performance documentary will now air sometime in 2018. The production is choreographed by David Dorfman . Scenic design is by Riccardo Hernandez ; costume design is by Emily Rebholz ; lighting design is by Christopher Akerlind ; sound design is by Matt Hubbs and projection design is by Tal Yarden . Indecent was produced on Broadway by Daryl Roth, Elizabeth Ireland McCann and Cody Lassen, Jerry Meyer, Jay Alix & Una Jackman, Elizabeth Armstrong, Julie Boardman, CoGro Partners, Nicole Eisenberg, Four Star Productions, GLS Productions, The John Gore Organization, Kathleen K. Johnson, Dana M. Lerner, Jenn Maley, Mano-Horn Productions, Marc Platt, and Storyboard Entertainment, in association with Yale Repertory Theatre, La Jolla Playhouse and Vineyard Theatre. Great Performances is produced by THIRTEEN PRODUCTIONS LLC for WNET, one of America’s most prolific and respected public media providers. Throughout its more than 40 year history on public television, Great Performances has provided viewers across the country with an unparalleled showcase of the best in all genres of the performing arts, serving as America’s most prestigious and enduring broadcaster of cultural programming. Indecent is a production of BroadwayHD in association with THIRTEEN PRODUCTIONS LLC for WNET. Indecent is directed for television by David Horn. It is produced by Stewart F. Lane and Bonnie Comley. For Great Performances , Mitch Owgang is producer; Bill O’Donnell is series producer; David Horn is executive producer. The Great Performances presentation is funded by The Joseph and Robert Cornell Memorial Foundation, the Anna-Maria and Stephen Kellen Arts Fund, the Irene Diamond Fund, The Agnes Varis Trust, The LuEsther T. Mertz Charitable Trust, The Starr Foundation, the Kate W. Cassidy Foundation, Ellen and James S. Marcus, The Philip and Janice Levin Foundation, the Thea Petschek Iervolino Foundation, The Abba Prentice Foundation, and PBS. Visit Great Performances Online at www.pbs.org/gperf for additional information about this and other programs. ### About WNET WNET is America’s flagship PBS station and parent company of THIRTEEN and WLIW21 . WNET also operates NJTV , the statewide public media network in New Jersey. Through its broadcast channels, three cable services (THIRTEEN PBSKids, Create and World) and online streaming sites, WNET brings quality arts, education and public affairs programming to more than five million viewers each week. WNET produces and presents such acclaimed PBS series as Nature , Great Performances , American Masters , PBS NewsHour Weekend , Charlie Rose and a range of documentaries, children’s programs, and local news and cultural offerings. WNET’s groundbreaking series for children and young adults include Get the Math , Oh Noah! and Cyberchase as well as Mission US , the award-winning interactive history game. WNET highlights the tri-state’s unique culture and diverse communities through NYC-ARTS , Theater Close-Up , NJTV News with Mary Alice Williams and MetroFocus , the daily multi-platform news magazine focusing on the New York region. In addition, WNET produces online-only programming including the award-winning series about gender identity, First Person , and an intergenerational look at tech and pop culture, The Chatterbox with Kevin and Grandma Lill . In 2015, THIRTEEN launched Passport, an online streaming service which allows members to see new and archival THIRTEEN and PBS programming anytime, anywhere: www.thirteen.org/passport . About BroadwayHD Since launching in 2015, BroadwayHD has aimed to extend the reach of Broadway-caliber productions to theater fans all over the world. BroadwayHD is the only theater streaming service of its kind, offering Broadway to all through an unprecedented theater experience. In addition to exclusive live-streamed content, BroadwayHD offers subscribers unlimited on-demand access to a library of over 190 theater productions from the comfort and convenience of their own homes—or wherever streaming is possible. It’s the Broadway you know and love, curated from the stage to your screen. BroadwayHD subscribers can stream can access on BroadwayHD.com, Chromecast and BroadwayHD’s Roku, Apple TV, iPad, iPhone and Android mobile apps. .
Load more

Recommended publications
  • OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
    Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 ​ ​ Tweet Share ​ ​ The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** ​ Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** ​ Produced by Lincoln Center Theater Written by J.T.
    [Show full text]
  • February 7, 2021
    VILLANOVA THEATRE PRESENTS STREAMING JANUARY 28 - FEBRUARY 7, 2021 About Villanova University Since 1842, Villanova University’s Augustinian Catholic intellectual tradition has been the cornerstone of an academic community in which students learn to think critically, act compassionately and succeed while serving others. There are more than 10,000 undergraduate, graduate and law students in the University’s six colleges – the College of Liberal Arts and Sciences, the Villanova School of Business, the College of Engineering, the M. Louise Fitzpatrick College of Nursing, the College of Professional Studies and the Villanova University School of Law. As students grow intellectually, Villanova prepares them to become ethical leaders who create positive change everywhere life takes them. In Gratitude The faculty, staff and students of Villanova Theatre extend sincere gratitude to those generous benefactors who have established endowed funds in support of our efforts: Marianne M. and Charles P. Connolly Jr. ’70 Dorothy Ann and Bernard A. Coyne, Ph.D. ̓55 Patricia M. ’78 and Joseph C. Franzetti ’78 The Donald R. Kurz Family Peter J. Lavezzoli ’60 Patricia A. Maskinas Msgr. Joseph F. X. McCahon ’65 Mary Anne C. Morgan ̓70 and Family & Friends of Brian G. Morgan ̓67, ̓70 Anthony T. Ponturo ’74 Eric J. Schaeffer and Susan Trimble Schaeffer ’78 The Thomas and Tracey Gravina Foundation For information about how you can support the Theatre Department, please contact Heather Potts-Brown, Director of Annual Giving, at (610) 519-4583. gratefully acknowledges the generous support of our many patrons & subscribers. We wish to offer special thanks to our donors. 20-21 Benefactors A Running Friend William R.
    [Show full text]
  • Indecent by PAULA VOGEL Directed by WENDY C
    McGuire Proscenium Stage / Feb 17 – Mar 24, 2018 Indecent by PAULA VOGEL directed by WENDY C. GOLDBERG PLAY GUIDE Inside THE PLAY Synopsis • 3 Characters and Setting • 4 Inspiration for Indecent • 5 Responses to Indecent • 6 Responses to The God of Vengeance • 7 THE PLAYWRIGHT On Paula Vogel • 8 Paula Vogel on Indecent • 9 Paula Vogel on Sholem Asch • 10-11 Glossary: Concepts, Words, Ideas • 12-15 ADDITIONAL INFORMATION For Further Reading and Understanding • 16 Play guides are made possible by Guthrie Theater Play Guide Copyright 2018 DRAMATURG Jo Holcomb GRAPHIC DESIGNER Akemi Graves CONTRIBUTORS Jo Holcomb Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 All rights reserved. With the exception of classroom use by teachers and individual personal use, no part of this Play Guide ADMINISTRATION 612.225.6000 may be reproduced in any form or by any means, electronic BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in guthrietheater.org • Joseph Haj, artistic director writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. The Guthrie Theater receives support from the National The Guthrie creates transformative theater experiences that ignite the imagination, stir Endowment for the Arts. This activity is made possible in part by the Minnesota State Arts Board, through an appropriation the heart, open the mind, and build community through the illumination of our common by the Minnesota State Legislature. The Minnesota State Arts Board received additional funds to support this activity from humanity.
    [Show full text]
  • Profile Season 19-20 Media Release
    2019-20: GENERATIONS Brenden Jacobs-Jenkins/ Lynn Nottage/ Paula Vogel FOR IMMEDIATE MEDIA RELEASE: Profile Theatre Press Contact: Jen Mitas, Marketing Consultant [email protected] 503-804-2402 Profile Theatre’s 2019-20 Season Celebrates the Voices and Visions of Three Playwrights Across Generations Lynn Nottage, Paula Vogel and Brenden Jacobs-Jenkins PORTLAND, OREGON. May 20, 2019- PROFILE THEATRE’S next season will fea- ture three of America’s most widely celebrated contemporary playwrights: Branden Jacobs-Jenkins (b. 1984), Lynn Nottage (b. 1964), and Paula Vogel (b. 1951). Profile Theatre is one of only three theaters in the country to dedicate their season to an in-depth exploration of a playwright’s vision, using that unique vision as a lens to broaden perspectives on our shared world. Now, in an innovation that deploys Pro- file’s mission to unique effect, we present Generations: two seasons of plays from three of America’s most beloved playwrights whose plays dramatize life, labor and death in the United States and beyond from three different generational vantage points. These visionaries are all connected through the prizes and programs that have shaped them. A gifted playwright, Vogel mentored a generation of playwrights, including Lynn Nottage, who studied with Vogel at Brown. Jacobs-Jenkins was the Paula Vogel Playwright-in-Residence at the Vineyard Theatre, and was on the Su- san Smith Blackburn committee that awarded the prize to Nottage for Sweat. All Pulitzer Prize nominated (or winning), all heralded for the beauty of their writing, their innovative theatricality and deep humanity, Vogel, Nottage and Jacobs-Jenkins’ work stands as a testament to the brilliance of American theatre.
    [Show full text]
  • Connected by Music Dear Friends of the School of Music
    sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends.
    [Show full text]
  • Broadway Profiles with Tamsen Fadal June 2020
    PROGRAMMING NOTE: Broadway Profiles with Tamsen Fadal June 2020 Broadway Profiles is a nationally syndicated television series reaching audiences across the country. The program features Broadway's biggest stars, exclusive interviews, previews of upcoming shows and behind-the-scenes access both on and off the stage. This is the month We should be talking about Broadway’s biggest night, The Tony Awards. But even though that show can’t go on, we’re still showcasing Broadways Best And Brightest stars. An inside look at the ‘Show Of Shows: Broadway.Com’s Tribute To The Tonys’. Celia Rose Gooding Is A Second Generation Broadway Star, The Daughter Of Lachanze, A Tony Winner, And One Of The Current Stars Of ‘Jagged Little Pill’. We’ll Show You How She’s Taking The Lessons She’s Learned From The Musical And Applying Them To Life During The Pandemic. Plus, How Celia Has Gained Strength From Her Mother. You Can’t Keep A Good Witch Down. Find Out How ‘Wicked’ Star Ginna Claire Mason Is Staying Centered During The Broadway Shutdown. Plus, How She’s Working To Stay Connected To Kids In Her Home City Of Nashville. N’Kenge Talks About Her Upcoming Role In ‘Caroline, Or Change’, Parenting During A Pandemic, And Finding New Ways To Perform During The Broadway Shutdown. Pulitzer Prize Winning Composer Tom Kitt Has Three Shows On Hold Because Of The Covid Crisis – ‘Jagged Little Pill’, ‘Flying Over Sunset’, And ‘The Visitor’. He Tells Us When He Thinks We’ll See His Work Again On The New York Stage.
    [Show full text]
  • Lesbian Representation and Impact in Late-20Th Century Theatre
    University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 The WOW Factor: Lesbian Representation and Impact in Late-20th Century Theatre Brenna L. Maginness University of Central Florida Part of the Playwriting Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Maginness, Brenna L., "The WOW Factor: Lesbian Representation and Impact in Late-20th Century Theatre" (2019). Honors Undergraduate Theses. 483. https://stars.library.ucf.edu/honorstheses/483 THE WOW FACTOR: LESBIAN REPRESENTATION AND IMPACT IN LATE-20TH CENTURY THEATRE by BRENNA MAGINNESS A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Theatre in the College of Arts and Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term 2019 Thesis Chair: Vandy Wood ABSTRACT The intent of this thesis is to investigate the influence of 1980’s and 1990’s lesbian playwrights on modern queer representation in theatre. By analyzing the successful works of troupes and artists born out of the Women’s One World (WOW) Café, it became apparent that the greatest changes in lesbian portrayal on stage came from queer and feminist authorship. Additionally, WOW Café became the common denominator in the success of many lesbian playwrights due to the freedom it gave its writers and performers.
    [Show full text]
  • Broadway Bound #305, 6/15/19, 2019 Tony Awards Wrap-Up, Garrett Stack
    Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 3:16 Alan J Lerner/Frederick Lowe Overture My Fair Lady Orchestra My Fair Lady: 2018 Broadway Cast Recording Broadway Records 2018 Opened on Broadway April 2018 starring Lauren Ambrose as Eliza, Harry Haden-Paton as CDS My Fair Lad 1 2018 6/15/19 Prof Higgens. 02 3:46 Steven Lutvak/Robt. Freedman I Don't Understand the Poor Jefferson Mays; Ensemble A Gentleman's Guide to Love and Murder (Original Ghostlight 2014 Opened 11/14/13 CDS Gentleman's 6 2014 6/15/19 Broadway Cast Recording) 03 1:38 Gerry Goffin/Carole King Take Good Care of My Baby Jake Epstein & Jessie Mueller Beautiful - The Carole King Musical (Original Ghostlight 2014 Opened 1/12/2014 CDS Beautiful 07 2014 9/13/14 6/15/19 Broadway Cast) 04 2:47 Carole King It's Too Late Jessie Mueller, Douglas Lyons, E. Clayton Beautiful: The Carole King Musical (Broadway Ghostlight 2014 Opened 1/12/2014 CDS Beautiful 0:08 21 2014 5/24/14 6/7/14 6/15/19 Cast) 05 3:24 Menken|Ashman|Rice|Beguelin Somebody's Got Your Back JCaomrneesl ioMuosn &ro eJ oIgshle hDaarvti,s Adam Jacobs & Aladdin Original Broadway Cast Disney 2014 Opened 3/20/2014 CDS Aladdin 15 2014 8/16/14 12/6/14 1/7/17 5/27/17 6/15/19 06 2:21 Jeanine Tesori/Lisa Kron Party Dress M“firciheanedl sC”erveris, Sydney Lucas, Beth Fun Home - Original Broadway Cast PS Classics 2015 Transfer from off-Broadway.
    [Show full text]
  • The Droll {Or, a Stage-Play About the END of Theatre} by Meg Miroshnik
    the droll {Or, a Stage-Play about the END of Theatre} by Meg Miroshnik Meg Miroshnik Jonathan Lomma [email protected] WME 917.673.8288 212.903.1552 [email protected] THE DROLL had its world premiere at the Undermain Theatre in Dallas, Texas. Blake Hackler directed and the cast was as follows: NIM DULLYN Katy Tye MARGARET KILLINGWORTH Rhonda Boutté ROSEY DREAD ROSEY Justin Locklear JAMES KILLINGWORTH Jack Greenman WILLIAM RIFEL Alex Organ DOLL CUTPURSE Jenny Ledel ROUNDHEAD Anthony L. Ramirez THE DROLL was also developed at the Pacific Playwrights Festival at South Coast Repertory. David Chambers directed and the cast was as follows: NIM DULLYN Laura Heisler MARGARET KILLINGWORTH Tessa Auberjonois ROSEY DREAD ROSEY Matt McGrath JAMES KILLINGWORTH Nick Ullett WILLIAM RIFEL Nathan Baesel DOLL CUTPURSE Katrina Lenk ROUNDHEAD Stephen Caffrey THE DROLL was first workshopped at Yale School of Drama. Devin Brain directed, Tanya Dean dramaturged, and the cast was as follows: NIM DULLYN Blake Segal MARGARET KILLINGWORTH Da’Vine Joy Randolph ROSEY DREAD ROSEY Irene Sofia Lucio JAMES KILLINGWORTH Zach Appelman WILLIAM RIFEL Matt Biagini DOLL CUTPURSE Rachel Spencer Hewitt ROUNDHEAD Brett Dalton 6/18/20 1 Dramaturg’s Note by Dr. Tanya Dean, Conservatoire, Technological University Dublin For actors performing in London at the beginning of the 17th century, life must have seemed full of possibility. The city’s thriving public theatres—like Blackfriars, the Cockpit and the Globe—enjoyed audiences of up to 3,000 people, who flocked to see performances of tragedies, comedies and histories. A succession of monarchs had been supporters of the arts— from Queen Elizabeth I (who died in 1603) to James I (who died in 1625).
    [Show full text]
  • Edition 3 | 2019-2020
    Our 5-star rated nursing and rehab center delivers a recovery experience that will be remembered for the warmth we exude and the clinical excellence we provide. COME SEE OUR MILLION DOLLAR RENOVATION OF OUR ENTIRE FACILITY ONLY 5-STAR CMS RATED SKILLED NURSING & REHAB FACILITY IN WATERBURY 2019–2020 SEASON Letter from the Chairman 7 Letter from the CEO 9 Bandstand 12 Sandy Hackett’s Rat Pack Show 25 Palace Theater Staff Directory 36 Program information for tonight’s presentation inside. The Palace would like to thank all of its Program advertisers for their support. ADVERTISING Onstage Publications Advertising Department 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. This program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business, Inc. Contents ©2020. All rights reserved. Printed in the U.S.A. letter from the chairman n my role as Chairman of the Board of the Palace Theater, I I have the pleasure of presiding over this beautiful and valued performing arts center and watching it grow each year. This year is particularly exciting, as it is our 15th Anniversary year! Fifteen years ago, a group of dedicated local and state leaders organized to restore and reopen this historic facility. After an extensive renovation, we welcomed our first audience to take in the visual splendors of the theater—and the mellifluous tones of Tony Bennett’s voice.
    [Show full text]
  • 16, 2019 • Merrill Auditorium
    PRESENTS MAY 15 - 16, 2019 • MERRILL AUDITORIUM BAKER NEWMAN NOYES AD Best of luck with your 2019 season JS MCCARTHY AD You dream it we print it. jsmccarthy.com 888 465 6241 JSM_Portland Ovation_Neverland Ad.indd 1 4/30/19 10:04 AM NETworks Presentations LLC presents BOOK BY MUSIC AND LYRICS BY James Graham Gary Barlow & Eliot Kennedy Based on the Miramax Motion Picture written by David Magee and the play The Man Who Was Peter Pan by Allan Knee STARRING Jeff Sullivan Ruby Gibbs WITH Conor McGiffin Emmanuelle Zeesman Brody Bett Seth Erdley Caleb Reese Paul Paul Schoeller Josiah Smothers Ethan Stokes AND Emilia Brown Marie Choate Josh Dunn Ashley Edler Joshua William Green Daniel S. Hayward Benjamin Henley Elizabeth Lester Michael Luongo André Malcolm Spenser Micetich Melody Rose Kelsey Seaman Adrien Swenson Josh McWhortor SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER PROJECTION DESIGNER Scott Pask Suttirat Anne Larlarb Kenneth Posner Shannon Slaton Jon Driscoll HAIR & MAKE UP DESIGNER ILLUSIONS AIR SCULPTOR FLYING EFFECTS Bernie Ardia Paul Kieve Daniel Wurtzel Hudson Scenic Studio ORIGINAL MUSIC SUPERVISION VOCAL DESIGNER MUSIC DIRECTOR MUSIC COORDINATOR AND DANCE AND INCIDENTAL MUSICAL ARRANGER AnnMarie Milazzo Patrick Hoagland John Mezzio David Chase ANIMAL DIRECTOR CASTING TOUR BOOKING TOUR PRESS & MARKETING William Berloni Stewart/Whitley The Booking Group Anita Dloniak & Meredith Blair Associates, Inc. GENERAL MANAGER COMPANY MANAGER PRODUCTION STAGE MANAGER PRODUCTION MANAGER GENTRY & ASSOCIATES NETWORKS PRESENTATIONS LLC Jamey Jennings Heather Moss David D’Agostino Evan Rooney EXECUTIVE PRODUCER ASSOCIATE CHOREOGRAPHER Trinity Wheeler Camden Loeser ORCHESTRATIONS Simon Hale MUSIC SUPERVISION Fred Lassen CHOREOGRAPHY Mia Michaels DIRECTION RECREATED BY Mia Walker ORIGINAL DIRECTION Diane Paulus Finding Neverland was developed and premiered at The American Repertory Theater at Harvard University, Diane Paulus, Artistic Director, Diane Borger, Producer.
    [Show full text]
  • December 2019 Welcome Mike Hausberg
    DECEMBER 2019 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of Ebenezer Scrooge’s BIG San Diego Christmas Show. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations.
    [Show full text]