DOCSLIB.ORG

FALL 2016 29 from the Archives to the Stage LETTER FROM

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FALL 2016 29 from the Archives to the Stage LETTER FROM 3 A State of Many Nations: Understanding Global Virginia 11 Local But Prized Elsewhere 15 Telling Untold Stories FALL 2016 29 From the Archives to the Stage LETTER FROM HIS YEAR marks the fiftieth anniversary Virginia is changing, becoming richer, more global. With of the National Endowment for the Humanities funding this year from the NEH’s Humanities in the Public (NEH), an occasion culminated by a Square grant program, VFH has convened conversations star-studded event in Charlottesville in about immigration and cultural identity at the Virginia September organized by our partners at Festival of the Book and with partners in communities theT University of Virginia. The anniversary has provoked us across the Commonwealth, asking questions and forging to think, perhaps even more than usual, about the impact of new connections. humanities in society. Human/Ties—that is the name of the NEH anniversary event. You’ll find those ties throughout The humanities help us not just to recognize our changing this issue of VFH Views. world but to make sense of it. Encyclopedia Virginia has been creating content related to the African American Did you know, for instance, that the largest Bolivian experience in the years after the Civil War, a story that community in the world, outside of Bolivia itself, is here ends in disfranchisement. With Election Day approaching, in Virginia? Virginia also is home to the largest balalaika this history feels particularly relevant. Funding related to orchestra outside of Russia, and the largest Filipino the centennial of the Pulitzer Prizes, meanwhile, has led population east of the Mississippi. More than ever before, With Good Reason to produce a series of interviews with we live in a state of many nations, and our programming prize winners that explore topics from military history to THE FUTURE reflects that transformation. poetry and music to environmental science. Last fall, the Virginia Folklife Stage at the Richmond Folk As we celebrate the influence of such venerable humanities Festival put the spotlight on 200 Bolivian dancers, while the institutions as the NEH and the Pulitzer Prizes, our work Folklife Apprenticeship Showcase, held this spring for the at VFH continues to explore the connections that tie all first time at James Monroe’s Highland, featured balalaika of us together, through time and through this home we DISCOVER master Andrei Saveliev and his student Aaron Mott. When love—Virginia. placed next to more traditional bluegrass fiddling or basket Virginia Foundation for the Humanities connects people and ideas to explore the human making, these artists help articulate the many ways in which ROBERT C. VAUGHAN III experience and inspire cultural engagement. PRESIDENT THE PAST, THE PAST, EXPLORE LEFT Photo by Dan Addison. FRONT COVER Virginia Folklife Program apprentice Chris Testerman, a fiddler and luthier from Grayson County, displayed this selection of handcrafted fiddle parts at the 2014 Richmond Folk Festival. Photo by Pat Jarrett. This year’s Virginia Folklife Stage and Area will feature foodways and musical performances at the 2016 Richmond Folk Festival, October 7-9. 3 19 A State of Many “I Will Never Tire Nations: of This Instrument.” Understanding A Balalaika Global Virginia Apprenticeship VFH’s recent work with immigrant communities A dynamic Virginia Folklife master-apprentice pairing in helps Virginians experience in new ways the Arlington illustrates the value of traditional arts brought to increasingly diverse cultural richness of our state. Virginia by immigrants and refugees. 7 Block the Vote: Annual Report Encyclopedia Virginia VFH thanks its generous and loyal donors for their support in Follows African the 2015-2016 year. American Freedom to Disfranchisement New encyclopedia entries uncover the story of the loss of the African American vote in Virginia in the years after the Civil War. 11 Opening Letter “I Will Never Tire of This A Culture of Literacy: The 19 Instrument”: A Balalaika 32 Virginia Festival of the Book A State of Many Nations: Apprenticeship and Adult Learners Local but Prized 3 Understanding Global Virginia 25 VFH Grants 33 What Once Was Lost Elsewhere Block the Vote: Encyclopedia Virginia Follows African Prize Interviews: With Good Annual Report 7 American Freedom to Reason Talks to Winners of the 35 Virginia Arts of the Book Center (VABC) Disfranchisement 27 Pulitzer Prize annual group projects journey from creative 47 Credits, About VFH collaboration to special collections. 11 Local But Prized Elsewhere From the Archives to the Stage 29 Telling Untold Stories How Curly Fries Predict the 15 31 Future BY DAVID BEARINGER It’s Saturday afternoon, Columbus Day weekend 2015, and As immigrants, Bolivians remain deeply attached to their A STATE OF MANY the eleventh-annual Richmond Folk Festival is in full swing. native rituals and customs, and as a result Bolivian culture is thriving in Virginia, even within families that have lived A bluegrass band is finishing up its set on the Virginia Folklife here for decades. Julia Garcia puts it this way: “Bolivians Stage, in a large tent pitched between the old Tredegar Iron have shown a remarkable resistencia cultural—a refusal Works, now the American Civil War Center, and the James to die culturally.” And along with this cultural vitality, they River. Smoke from burning herbs is drifting over a crowd also demonstrate an easy willingness to share aspects of their of several hundred people gathered loosely in a circle on the culture with others. NATIONSUNDERSTANDING GLOBAL VIRGINIA stone courtyard where Julia Garcia, a native of Cochabamba in the central highlands of Bolivia, is reciting prayers. From this willingness to share, and drawing on our own long experience in helping Virginians to experience and appreciate This moment is the culmination of a year’s planning. VFH, the extraordinary cultural richness of the state, VFH has put working closely with the festival’s staff and with an Arlington- together this showcase of Bolivian traditions that connects based organization called the Comite Pro Bolivia, is about to young and old, from sacred religious ceremonies to textiles, introduce tens of thousands of festival-goers to the traditions from instrument-making to dazzling dance performances of an immigrant community many of them never even knew and parade rituals. It’s a landmark event for the Richmond existed in Virginia. Folk Festival, as well as for VFH’s emerging work with the communities of “global Virginia.” In a little while, more than 200 Bolivian dancers will parade boisterously past this circle and through the main Festival This work has already proved to be transformative, on many grounds—five separate dance groups in full costume. But for levels. A year ago, VFH awarded its first grant to a Filipino now, the mood is quieter, more reverent, as befits an offering organization—the Philippine Cultural Center in Virginia to Pachamama—literally “present Mother” in the Quechua Beach—for an exhibit and community forum on immigration, language: Mother Earth. patriotism, and military service. The Norfolk/Virginia Beach area is now home to the largest Filipino community east of the Today, the largest Bolivian community in the world, outside Mississippi, and a recent VFH Fellowship awarded to Norfolk Bolivia itself, lives in Virginia. And this fact is emblematic of State University professor April Manalang is supporting her the changes that are occurring all across Virginia (see “The study of the role religion plays in this community. Changing Face of Virginia: Immigration and the Humanities,” in VFH Views, fall 2014). Other VFH grants are supporting a publication and THE FUTURE community forum on the history of Arlington’s Little Saigon Bolivians began immigrating to the United States in large neighborhood; an exhibit on the experience of refugee families numbers in the 1980s, and by 2010 Virginia was home to in Harrisonburg, where the largest immigrant communities more than 31,000 native Bolivians, including people of include Russians, Ukranians, and Kurds; and a televised panel indigenous (Quechua, Aymara, Guarani) European (Spanish, discussion on Latino immigration that is the first VFH-funded DISCOVER German) and Afro-Bolivian ancestry. In Northern Virginia program ever to be presented entirely in Spanish. especially, Bolivian restaurants, markets, and festivals are well-recognized features of the cultural landscape, as are the Meanwhile, the newest class of master artists in VFH’s many distinctive and highly diverse forms of Bolivian music Virginia Folklife Program includes Northern Indian khyal and dance. singer Humayun Khan and Sochietah Ung, a traditional THE PAST, Cambodian crown and costume-maker. The previous class included the Russian balalaika player Andrei Saveliev. EXPLORE LEFT, FOLLOWING PAGES More than 200 Bolivian dancers from five different Northern Virginia dance groups paraded through the Richmond Folk Festival on October 10, 2015. Photos by Pat Jarrett. p 3 And the list goes on. Today, the largest In December 2015, VFH received major funding from the Bolivian community National Endowment for the Humanities through its new initiative “The Common Good: The Humanities in the Public in the world, outside Square” to support a galaxy of programs exploring the impact“ Bolivia itself, lives in and experience of immigration in select Virginia communities and the state as a whole. Virginia. The project includes two forum-style discussion programs presented as part of the 2016 Virginia Festival of the Book Garcia is a tradition-bearer, both an immigrant and a (“A State of Many Nations” and “Beyond Background Virginian who has taught Spanish at Thomas Jefferson Middle Characters: Life in Hyphen-America”); a wide range of School in Arlington for more than twenty years. She is also public programs developed in collaboration with more the founding director of the Sociedad Cultural Tradiciones” than thirty co-sponsoring organizations in six communities Bolivianas, an organization dedicated to preserving Bolivian statewide; and publication of two teachers’ guides on Latino folkloric dances, and the executive director of the Comite Pro immigration, one keyed to the Virginia Standards of Learning, Bolivia.
Load more

Recommended publications
  • OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
    Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 ​ ​ Tweet Share ​ ​ The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** ​ Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** ​ Produced by Lincoln Center Theater Written by J.T.
    [Show full text]
  • Connected by Music Dear Friends of the School of Music
    sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends.
    [Show full text]
  • Broadway Profiles with Tamsen Fadal June 2020
    PROGRAMMING NOTE: Broadway Profiles with Tamsen Fadal June 2020 Broadway Profiles is a nationally syndicated television series reaching audiences across the country. The program features Broadway's biggest stars, exclusive interviews, previews of upcoming shows and behind-the-scenes access both on and off the stage. This is the month We should be talking about Broadway’s biggest night, The Tony Awards. But even though that show can’t go on, we’re still showcasing Broadways Best And Brightest stars. An inside look at the ‘Show Of Shows: Broadway.Com’s Tribute To The Tonys’. Celia Rose Gooding Is A Second Generation Broadway Star, The Daughter Of Lachanze, A Tony Winner, And One Of The Current Stars Of ‘Jagged Little Pill’. We’ll Show You How She’s Taking The Lessons She’s Learned From The Musical And Applying Them To Life During The Pandemic. Plus, How Celia Has Gained Strength From Her Mother. You Can’t Keep A Good Witch Down. Find Out How ‘Wicked’ Star Ginna Claire Mason Is Staying Centered During The Broadway Shutdown. Plus, How She’s Working To Stay Connected To Kids In Her Home City Of Nashville. N’Kenge Talks About Her Upcoming Role In ‘Caroline, Or Change’, Parenting During A Pandemic, And Finding New Ways To Perform During The Broadway Shutdown. Pulitzer Prize Winning Composer Tom Kitt Has Three Shows On Hold Because Of The Covid Crisis – ‘Jagged Little Pill’, ‘Flying Over Sunset’, And ‘The Visitor’. He Tells Us When He Thinks We’ll See His Work Again On The New York Stage.
    [Show full text]
  • Broadway Bound #305, 6/15/19, 2019 Tony Awards Wrap-Up, Garrett Stack
    Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 3:16 Alan J Lerner/Frederick Lowe Overture My Fair Lady Orchestra My Fair Lady: 2018 Broadway Cast Recording Broadway Records 2018 Opened on Broadway April 2018 starring Lauren Ambrose as Eliza, Harry Haden-Paton as CDS My Fair Lad 1 2018 6/15/19 Prof Higgens. 02 3:46 Steven Lutvak/Robt. Freedman I Don't Understand the Poor Jefferson Mays; Ensemble A Gentleman's Guide to Love and Murder (Original Ghostlight 2014 Opened 11/14/13 CDS Gentleman's 6 2014 6/15/19 Broadway Cast Recording) 03 1:38 Gerry Goffin/Carole King Take Good Care of My Baby Jake Epstein & Jessie Mueller Beautiful - The Carole King Musical (Original Ghostlight 2014 Opened 1/12/2014 CDS Beautiful 07 2014 9/13/14 6/15/19 Broadway Cast) 04 2:47 Carole King It's Too Late Jessie Mueller, Douglas Lyons, E. Clayton Beautiful: The Carole King Musical (Broadway Ghostlight 2014 Opened 1/12/2014 CDS Beautiful 0:08 21 2014 5/24/14 6/7/14 6/15/19 Cast) 05 3:24 Menken|Ashman|Rice|Beguelin Somebody's Got Your Back JCaomrneesl ioMuosn &ro eJ oIgshle hDaarvti,s Adam Jacobs & Aladdin Original Broadway Cast Disney 2014 Opened 3/20/2014 CDS Aladdin 15 2014 8/16/14 12/6/14 1/7/17 5/27/17 6/15/19 06 2:21 Jeanine Tesori/Lisa Kron Party Dress M“firciheanedl sC”erveris, Sydney Lucas, Beth Fun Home - Original Broadway Cast PS Classics 2015 Transfer from off-Broadway.
    [Show full text]
  • The Droll {Or, a Stage-Play About the END of Theatre} by Meg Miroshnik
    the droll {Or, a Stage-Play about the END of Theatre} by Meg Miroshnik Meg Miroshnik Jonathan Lomma [email protected] WME 917.673.8288 212.903.1552 [email protected] THE DROLL had its world premiere at the Undermain Theatre in Dallas, Texas. Blake Hackler directed and the cast was as follows: NIM DULLYN Katy Tye MARGARET KILLINGWORTH Rhonda Boutté ROSEY DREAD ROSEY Justin Locklear JAMES KILLINGWORTH Jack Greenman WILLIAM RIFEL Alex Organ DOLL CUTPURSE Jenny Ledel ROUNDHEAD Anthony L. Ramirez THE DROLL was also developed at the Pacific Playwrights Festival at South Coast Repertory. David Chambers directed and the cast was as follows: NIM DULLYN Laura Heisler MARGARET KILLINGWORTH Tessa Auberjonois ROSEY DREAD ROSEY Matt McGrath JAMES KILLINGWORTH Nick Ullett WILLIAM RIFEL Nathan Baesel DOLL CUTPURSE Katrina Lenk ROUNDHEAD Stephen Caffrey THE DROLL was first workshopped at Yale School of Drama. Devin Brain directed, Tanya Dean dramaturged, and the cast was as follows: NIM DULLYN Blake Segal MARGARET KILLINGWORTH Da’Vine Joy Randolph ROSEY DREAD ROSEY Irene Sofia Lucio JAMES KILLINGWORTH Zach Appelman WILLIAM RIFEL Matt Biagini DOLL CUTPURSE Rachel Spencer Hewitt ROUNDHEAD Brett Dalton 6/18/20 1 Dramaturg’s Note by Dr. Tanya Dean, Conservatoire, Technological University Dublin For actors performing in London at the beginning of the 17th century, life must have seemed full of possibility. The city’s thriving public theatres—like Blackfriars, the Cockpit and the Globe—enjoyed audiences of up to 3,000 people, who flocked to see performances of tragedies, comedies and histories. A succession of monarchs had been supporters of the arts— from Queen Elizabeth I (who died in 1603) to James I (who died in 1625).
    [Show full text]
  • February 23 @ 7Pm Et
    VISION RESIDENCY MENASAFIED FEBRUARY 23 @ 7PM ET MENASAFIED FEBRUARY 23 @ 7PM ET FEATURING GEORGE ABUD JONATHAN RAVIV VISHAL VAIDYA SHERZ ALETAHA SHARONE SAYEGH KUHOO VERMA SHOBA NARAYANAN THE TEAM Directed by SHARONE SAYEGH Arranged & Music Directed by MONA SEYED-BOLORFOROSH Music Produced, Mixed & Mastered by JACKLYN RIHA Videography & Video Editing by BRIAN VINIK VIRTUAL BAND Bansuri SRISHTI BIYANI Bass & Kanun JOHN MURCHISON Clarinet TANO BROCK Piano MONA SEYED-BOLORFOROSH Violin BENGISU GÖKÇE Tabla, Dolak, Durbuka, Riq, Darbuka, Frame Drum, Talking Drum & Udu MT ADITYA SRINIVASAN Djembe & Doumbek GILBERT MANSOUR Guitar & Oud HARVEY VALDES Curated by Vision Resident RONA SIDDIQUI THE ARTISTS WOULD LIKE TO THANK Rona Siddiqui, Jamshied Sharifi, Lee Poulin & Joe Tannenbaum. Ars Nova operates on the unceded land of the Lenape peoples on the island of Manhahtaan (Mannahatta) in Lenapehoking, the Lenape Homeland. We acknowledge the brutal history of this stolen land and the displacement and dispossession of its Indigenous people. We also acknowledge that after there were stolen lands, there were stolen people. We honor the generations of displaced and enslaved people that built, and continue to build, the country that we occupy today. We gathered together in virtual space to watch this performance. We encourage you to consider the legacies of colonization embedded within the technology and structures we use and to acknowledge its disproportionate impact on communities of color and Indigenous peoples worldwide. We invite you to join us in acknowledging all of this as well as our shared responsibility: to consider our way forward in reconciliation, decolonization, anti-racism and allyship. We commit ourselves to the daily practice of pursuing this work.
    [Show full text]
  • Unlimited Data, Talk and Text As Low As $45/Line
    10/8/2019 Exclusive Podcast: LITTLE KNOWN FACTS with Ilana Levine and Playwright Jonathan Marc Sherman West End Off-Broadway United States International Entertainment Log In Unlimited data, talk and text as low as $45/line. Switch to Fi Sections Shows Chat Boards Jobs Students Video Industry Hot Stories BroadwayWorld TV VIDEO: ABC Releases First Look at THE LITTLE MERMAID LIVE! Tituss Burgess Talks His Treadm Click Here for More Articles on Podcasts VIDEO: Watch Katrina Lenk Exclusive Podcast: LITTLE KNOWN FACTS in New Promo for COMPANY with Ilana Levine and Playwright Jonathan on Broadway! Marc Sherman by Little Known Facts w/ Ilana Levine Aug. 5, 2019 Tweet Share Interview: Keala Settle on BroadwayWorld has teamed up with Broadway actress Why She Just Can't Wait to Get on the Road Again with Ilana Levine, who makes her entrance onto the Hugh Jackman podcast stage with her critically acclaimed show Little Known Facts. Ilana's unique brand of celebrity interview, "Podcast Vérité," is unltered, raw, honest and uniquely funny. Her twitter account @ilanalevine was named one of the " 100 Twitter accounts to follow VIDEO: Get A First Look At in 2018. Paper Mill's CHASING RAINBOWS For more on Little Known Facts, click here! This week Ilana chats with Jonathan Marc Sherman. He was born and raised in New Jersey, graduated from Bennington College, and lives in New York City. His plays include: Things We Want; Clive; Knickerbocker; Evolution; Wonderful Time; Sons & BREAKING: Martin, LaChanze, & More Will Star in Fathers; Sophistry; Veins & Thumbtacks; Serendipity & Serenity; Jesus on the Oil Tank; A CHRISTMAS CAROL and Women & Wallace (also adapted for PBS-TV's American Playhouse).
    [Show full text]
  • Cloudlands Book and Lyrics by Octavio Solis Music and Lyrics by Adam Gwon
    - 48th Season • 462nd Production JULIANNE ARGYROS STAGE / APRIL 15 - MAY 6, 2012 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents the world premiere of Cloudlands book and lyrics by Octavio Solis music and lyrics by Adam Gwon Christopher Acebo Alex Jaeger Lap Chi Chu Drew Dalzell SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Sylvia C. Turner John Glore Joshua Marchesi Jennifer Ellen Butler* CHOREOGRAPHY DRAMATURG PRODUCTION MANAGER STAGE MANAGER Musical Direction by Orchestrations by Dennis Castellano Bruce Coughlin Directed by Amanda Dehnert The Playwrights Circle Honorary Producer CLOUNDLANDS was commissioned and developed by South Coast Repertory with support from The Andrew W. Mellon Foundation. SCR’s new play programs are also supported by the Shubert Foundation, the National Endowment for the Arts and the Elizabeth George Foundation. Special thanks to the Harold and Mimi Steinberg Charitable Trust. Cloudlands • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Monica ........................................................................................... Addi McDaniel* Kevin ............................................................................................... Adam Kaokept* Caroline ............................................................................................ Katrina Lenk* Victor ............................................................................................ Joseph Melendez* Gerald
    [Show full text]
  • Federation to Hold “Israel at 70 Celebration” on June 24 Tens Of
    June 15-21, 2018 Published by the Jewish Federation of Greater Binghamton Volume XLVII, Number 24 BINGHAMTON, NEW YORK Federation to hold “Israel at 70 Celebration” on June 24 By Reporter staff ebrating the miracle of the state a conservative magazine of in Philadelphia for 10 years and before The Jewish Federation of Greater of Israel,” said Sima Auerbach, opinion and ideas. He is also a that, the editor of the Connecticut Jewish Binghamton will hold an “Israel at 70 executive director of the Feder- columnist for the New York Post, Ledger. His writing has appeared in many Celebration” on Sunday, June 24, at 5:30 ation. “Jonathan Tobin wrote a The Federalist, Haaretz and the other publications, including The Jerusa- pm, at the Jewish Community Center, 500 wonderful column that appeared New York Jewish Week. In his lem Post, where he wrote the “View From Clubhouse Rd., Vestal. Jonathan Tobin, in The Reporter that reminds us writing, he covers on a daily basis America” column for many years. He has the editor-in-chief of JNS – Jewish News not to take for granted Israel’s the American political scene, won more than 50 awards for his writing and Syndicate, will speak about “The Miracle existence. The evening will give foreign policy, the U.S.-Israel appears regularly on television commenting of Israel.” The event will also include a din- our community a chance to spend relationship, Middle East di- on politics and foreign policy. Along with ner with Israeli cuisine. The cost to attend time with friends, enjoy Israeli plomacy and the Jewish world.
    [Show full text]
  • Nov. 27, 2017 Price $8.99
    PRICE $8.99 NOV. 27, 2017 NOVEMBER 27, 2017 5 GOINGS ON ABOUT TOWN 19 THE TALK OF THE TOWN Amy Davidson Sorkin on sexual harassment; Lee Ann Womack in hi-fi; a director’s sister act; pups behind bars; Lois Smith, looking back. A CRITIC AT LARGE Anthony Lane 24 For the Win Winston Churchill’s many faces in film. SHOUTS & MURMURS Colin Nissan 29 My LinkedIn Photo ANNALS OF CRIME Alec Wilkinson 30 The Serial-Killer Detector A program to connect unsolved murders. THE SPORTING SCENE Nick Paumgarten 36 Confidence Game The intense discipline of a skiing prodigy. A REPORTER AT LARGE Alexis Okeowo 46 The People’s Police In Mexico, a woman who became the law. COMIC STRIP Edward Steed 53 “A Brief History of Time” FICTION Will Mackin 56 “The Lost Troop” THE CRITICS POP MUSIC Carrie Batton 62 Taylor Swift’s “Reputation.” BOOKS James Wood 65 Jon McGregor’s subtle fictions. Ruth Franklin 70 Reassessing Mary Oliver. 73 Briefly Noted Paul Bloom 74 Looking for the root of human cruelty. THE ART WORLD Peter Schjeldahl 78 Leonardo, Michelangelo, and Edvard Munch. POEMS Eileen Myles 40 “The West” Timothy Donnelly 60 “Unlimited Soup and Salad” COVER Barry Blitt “Nowhere to Hide” DRAWINGS Mitra Farmand, Tom Toro, P. C. Vey, Will McPhail, Bruce Eric Kaplan, David Sipress, Liana Finck, Shannon Wheeler, Roz Chast, Harry Bliss, Emily Flake, Julia Suits, Frank Cotham, Drew Dernavich, Emma Hunsinger, Michael Maslin, Sofia Warren, Paul Noth, Edward Koren SPOTS Andy Rementer THE NEW YORKER, NOVEMBER 27, 2017 1 CONTRIBUTORS Nick Paumgarten (The Talk of the Town, Alexis Okeowo (“The People’s Police,” p.
    [Show full text]
  • Forty Years, Forty Stories
    25 The Battle of Winchester 29 Backstage at BackStory 35 Watermen of the Chesapeake FORTY YEARS, FORTY STORIES 49 A Community Confronts its Past FORTY YEARS FORTY STORIES N 1974, I traveled the length and breadth of the The imperative to tell “untold” stories has been a driving Commonwealth—from Norfolk to Abingdon, force for VFH. In the beginning, we focused on the from Northern Virginia to Farmville— history and cultural contributions of women and African to conduct community forums about the Americans in Virginia. Our focus on African Americans humanities and public life. I asked people what has only deepened over the decades, with more than theyI thought of the humanities, what issues they thought 150 VFH programs in the last year and a half alone were most pressing in Virginia, and what sorts of humanities illuminating aspects of the African American experience programs they might like to see. in Virginia. In 1987 we made a commitment to telling the stories of Virginia Indians, which led to a VFH grant I certainly did not know that by posing such questions, I was that supported the first meeting of the then eight state- engaging in what was to be my life’s work. recognized Indian tribes since the 1600s. Our attention to these stories has been unwavering. Now in the twenty- These gatherings came as part of the creation of the Virginia first century, we are widening our lens to keep pace with a Foundation for the Humanities, and I’ve spent the last forty rapidly diversifying Commonwealth, with nearly 1 million years shaping VFH into an organization that responds to foreign-born Virginians among our vast constituency.
    [Show full text]
  • Annual Report
    2014-15 VIRGINIA FOUNDATION FOR THE HUMANITIES • VIRGINIAHUMANITIES.ORG 2014-15 Annual Report Pay it forward by investing in your favorite VFH program! This summer VFH had the great fortune to Virginia Festival of the Book, or producing national ABOVE, LEFT: Author Kate DiCamillo (Flora and Ulysses) greets some of her receive a $1 million commitment from Barbara broadcast radio shows such as BackStory with the young fans at the 2015 Virginia Festival Fried, the chair of its Board of Directors, to endow American History Guys and With Good Reason— of the Book. and sustain Encyclopedia Virginia (EV). Fried has chances are, VFH has a program that fits. PHOTO BY PAT JARRETT been passionate about EV from its birth in 2005 One matter of particular urgency these days is ABOVE, RIGHT: BackStory History Guys Brian Balogh, Ed Ayers, and Peter Onuf and its launch three years later, seeing the online preserving our unique programming. To meet this entertain a standing-room-only crowd publication as an important, authoritative history need, we are creating a project called Discovery at the VFH 40th anniversary celebration resource for students, teachers, and learners of all Virginia, a searchable online database that will at the Library of Virginia in Richmond. PHOTO BY PIERRE COURTOIS, ages. “It’s essential for our citizens to have access to preserve all of VFH’s digital programming and make LIBRARY OF VIRGINIA reliable information about Virginia,” she told us. it available to the public. There you’ll find videos of Programs such as EV make a real difference book festival events, audio recordings of folk artists, in Virginia, and generous gifts such as Fried’s are past episodes of radio shows, and many other essential for making them possible.
    [Show full text]