Blithe Spirit Directed by Michael Blakemore
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2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
ANNUAL REVIEW 2015 -16 the RSC Acting Companies Are Generously Supported by the GATSBY CHARITABLE FOUNDATION and the KOVNER FOUNDATION
ANNUAL REVIEW 2015 -16 The RSC Acting Companies are generously supported by THE GATSBY CHARITABLE FOUNDATION and THE KOVNER FOUNDATION. Hugh Quarshie and Lucian Msamati in Othello. 2015/16 has been a blockbuster year for Shakespeare and for the RSC. 400th anniversaries do not happen often and we wanted to mark 2016 with an unforgettable programme to celebrate Shakespeare’s extraordinary legacy and bring his work to a whole new generation. Starting its life in Stratford-upon-Avon, Tom Morton-Smith about Oppenheimer, we staged A Midsummer Night’s a revival of Miller’s masterpiece Dream in every nation and region Death of a Salesman, marking his of the UK, with 84 amateurs playing centenary, and the reopening of Bottom and the Mechanicals and The Other Place, our new creative over 580 schoolchildren as Titania’s hub. Our wonderful production of fairy train. This magical production Matilda The Musical continued on has touched the lives of everyone its life-enhancing journey, playing involved and we are hugely grateful on three continents to an audience to our partner theatres, schools and of almost 2 million. the amateur companies for making this incredible journey possible. Our work showcased the fabulous range of diverse talent from across We worked in partnership with the the country, and we are proud of the BBC to bring ‘Shakespeare Live! From increasing diversity of our audiences. the RSC’ to a television audience of 1.6m and to cinema audiences in People sometimes ask if Shakespeare 15 countries. The glittering cast is still relevant. The response from performed in the Royal Shakespeare audiences everywhere has been a Theatre to an audience drawn from resounding ‘yes’. -
Players Conjures up Blithe Spirit
Inside this Issue Hairspray Auditions ..........................2 Mystery Photo ..................................2 Lab Show Preview ............................3 Historian’s Corner .............................3 Lab Show Rehearsal Pictures ............4 Vol. 7.6 March, 2012 Players Conjures Up Blithe Spirit by Bob McLaughlin Noël Coward’s Blithe Spirit is possibly the best and Coward wrote this certainly the funniest example of its genre: the drama very funny comedy of paranormal bigamy. It tells the story of writer Charles in the midst of tragic Condomine, who, in order to research the supernatural, circumstances. invites his friends Dr. and Mrs. Bradman along with a His apartment and local medium, Madame Arcati, to a dinner-party-cum- office having been séance. The proceedings appear to be a bust until, after destroyed in the the guests have left, Charles is confronted with the ghost German bombing of his late wife, Elvira. He is also confronted with the of London, he problem of how to explain this to his second and very took a holiday in much alive wife, Ruth. The play goes on to explore Portmeirion, Wales such questions as: Does love survive past the grave? (the eccentric town Do wedding vows lapse after the funeral? Can one be where the classic TV jealous of ectoplasm? Can Madame Arcati un-conjure series The Prisoner spirits? How will the maid clean up after all this? was filmed), and was inspired to write an escapist play that might entertain his countrymen in wartime. He claimed to have written the script in five days and to have changed barely a line before its premiere in London on July 21, 1941. -
DIRECTORS GUILD of AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8
The Museum of Modern Art For Immediate Release November 1986 DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8 Elaine May and Louis Malle will be honored by The Museum of Modern Art as part of the ongoing DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIVERSARY TRIBUTE. Ms. May, film director, playwright, actress, and comedienne, is the subject of a tribute on Monday, November 17, at 6:00 p.m., when her 1976 revisionist buddy-movie Mikey and Nicky will be screened. Mr. Malle, a provocative director of sensual images who has experimented with a variety of film forms, will present his 1980 film Atlantic City, starring Burt Lancaster and Susan Sarandon, on Monday, December 8, at 6:00 p.m. In Mikey and Nicky Ms. May tailors the framing and dialogue to the personalities of the actors John Cassavetes and Peter Falk. Convinced that a contract is out for him, Nicky (Cassavetes), a small-time hood, calls his childhood friend Mikey (Falk), a syndicate man. Their one night encounter is the focus of the film. A seemingly casual approach cleverly disguises a tight, carefully-planned structure. From a screenplay by John Guare, Mr. Malle's Atlantic City uses the transitory character of the boardwalk town as a backdrop for a tale of decay and corruption. Mr. Lancaster plays the aging friend and protector of an ambitious nightclub croupier, played by Ms. Sarandon. As a child Ms. May appeared on stage and radio with her father, Jack Berlin. After collaborating with Mike Nichols on stage, radio, and television through the mid-sixties, she made her film acting debut in Clive - more - 11 West 53 Street, New York, N.Y 10019 Teh 212-708-9400 Cable: MODERNARI Telex: 62370MODART - 2 - Donner's Luv (1967) and Carl Reiner's Enter Laughing (1967). -
AM Mike Nichols Production Bios FINAL
Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #AmericanMasters Mike Nichols: American Masters Premieres nationwide Friday, January 29 at 9 p.m. on PBS (check local listings) Production Biographies Elaine May Director Elaine May began in Second City where she formed a successful comedy team with Mike Nichols. She earned a Drama Desk Award for her play Adaptation ; wrote, directed and performed in A New Leaf ; directed The Heartbreak Kid (the original); wrote and directed Mikey & Nicky and Ishtar ; received an Oscar nomination for writing Heaven Can Wait ; reunited with Nichols to write The Birdcage and Primary Colors (a BAFTA-winner); and worked with producer Julian Schlossberg on six New York productions. She has done other things, but this is enough. Julian Schlossberg Producer Julian Schlossberg is an award-winning theater, film and television producer. For TV, he’s produced for HBO, AMC and PBS, including American Masters — Nichols & May: Take Two and American Masters: The Lives of Lillian Hellman . Plays produced by Schlossberg have earned many honors, including six Tony Awards, two Obie Awards, seven Drama Desk Awards and five Outer Critics Circle Awards, among them Bullets Over Broadway: The Musical , The Beauty Queen of Leenane and Fortune’s Fool . He also produced six of Elaine May’s plays: Relatively Speaking , Adult Entertainment , After the Night and the Music , Power Plays , Death Defying Acts and Taller Than a Dwarf . -
Dossier De Presse
NE JAMAIS RENONCER. NE JAMAIS CÉDER. GARY OLDMAN EST WINSTON CHURCHILL UN FILM DE JOE WRIGHT RÉALISATEUR DE REVIENS-MOI lesheuressombres-lefilm.com FocusFeaturesFR #LesHeuresSombres LE 3 JANVIER 2018 UNIVERSAL PICTURES et FOCUS FEATURES présentent en association avec PERFECT WORLD PICTURES une production WORKING TITLE FILMS (DARKEST HOUR) Un film de JOE WRIGHT avec GARY OLDMAN, KRISTIN SCOTT THOMAS, LILY JAMES, STEPHEN DILLANE, RONALD PICKUP et BEN MENDELSOHN Scénario d’ANTHONY MCCARTEN Produit par TIM BEVAN, ERIC FELLNER, LISA BRUCE, ANTHONY MCCARTEN, DOUGLAS URBANSKI SORTIE : 3 JANVIER 2018 Durée : 2h05 Matériel disponible sur www.upimedia.com lesheuressombres-lefilm.com FocusFeaturesFR #LesHeuresSombres DISTRIBUTION PRESSE Universal Pictures International Sylvie FORESTIER 21 rue François 1er Youmaly BA 75008 Paris assistées de Tél. : 01 40 69 66 56 Clémence JOFFRE www.universalpictures.fr Synopsis Homme politique brillant et plein d’esprit, Winston Churchill doit prendre une décision fatidique : négocier Churchill (Gary Oldman) est un des piliers du Parlement un traité de paix avec l’Allemagne nazie et épargner à ce du Royaume-Uni, mais à 65 ans déjà, il est un candidat terrible prix le peuple britannique ou mobiliser le pays et improbable au poste de Premier Ministre. Il y est cependant se battre envers et contre tout. nommé d’urgence le 10 mai 1940, après la démission Avec le soutien de Clémentine (Kristin Scott Thomas), de Neville Chamberlain, et dans un contexte européen celle qu’il a épousée 31 ans auparavant, il se tourne vers dramatique marqué par les défaites successives des le peuple britannique pour trouver la force de tenir et Alliés face aux troupes nazies et par l’armée britannique de se battre pour défendre les idéaux de son pays, sa dans l’incapacité d’être évacuée de Dunkerque. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
Download PDF Version of Issue 87
Cambridge Alumni Magazine Issue 87 — Easter 2019 A hitchhiker’s guide to Douglas Adams’s Cambridge Tax policy might not be sexy but it determines the character of society Why sport is good for students – and for their academic results EASTER 2019 | CAM 87 1 2 CAM 87 | EASTER 2019 Editor Mira Katbamna Managing editor Steve McGrath Design and art direction Rob Flanagan University of Cambridge Bruce Mortimer Charis Goodyear Cambridge Alumni Magazine Issue 87 Easter 2019 02 INBOX Publisher The University of Cambridge Development & Alumni Relations Campendium 1 Quayside, Bridge Street 20 Cambridge CB5 8AB Tel +44 (0)1223 332288 07 DON’S DIARY Dr JD Rhodes. Editorial enquiries Tel +44 (0)1223 332288 08 MY ROOM, YOUR ROOM [email protected] Josie Rourke (Murray Edwards 1995). 11 SOCIETY Alumni enquiries Tel +44 (0)1223 332288 Cambridge University Brass Band. [email protected] 13 BRAINWAVES alumni.cam.ac.uk facebook.com/cambridgealumni Professor Stephen J Toope. @Cambridge_Uni #camalumni Contents Advertising enquiries Features Tel +44 (0)20 7520 9474 [email protected] 14 WHY TAX IS GOOD FOR YOU Services offered by advertisers Tax policy might not be sexy but it is at are not specifically endorsed the heart of determining the character by the editor, YBM Limited of a society. CAM investigates. or the University of Cambridge. The publisher reserves the right to 20 COMPLEXITY. BEAUTY. MYSTERY. decline or withdraw advertisements. Dr Ross Waller says that we know very Cover little about single-celled organisms. Illustration: Holly Exley. 24 DOWN THE RABBIT HOLE The Hitchhiker’s Guide to the Galaxy is Whether it’s a response to the digital published by Penguin Random House. -
O Destino De Uma Nação
O Destino de uma Nação Notas de Produção Tempo de exibição: 125 minutos 2 O Destino de uma Nação ELENCO Winston Churchill ………………………..…………..………………………. Gary Oldman Clemmie Churchil .…………………………………………..……………… Kristin Scott Thomas Elizabeth Layton ……………….………………………………………………. Lily James Visconde de Halifax .…………………………………...………………….… Stephen Dillane Neville Chamberlain ……………………..………………………………........ Ronald Pickup Rei George VI ………………………………………………….…........…...... Ben Mendelsohn PRODUÇÃO Diretor ………………..…………………………………….………… Joe Wright Producão .. Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten, Douglas Urbanski Escrito por .……….…………….……………………………………… Anthony McCarten Tempo de exibição: 02:05 3 O Destino de uma Nação Índice I. Sinopse página 4 II. Palavras e Contexto página 5 III. Transformador página 9 IV. A Voz e o Hábito página 15 V. As Mulheres por Trás do Homem página 18 VI. Contemporâneos página 22 VII. Preparação das Cenas página 26 VIII. Seguindo os Passos página 30 IX. Hora da Atitude página 32 X. Sobre o Elenco página 34 XI. Sobre a Equipe de Produção página 43 XII. Elenco e Créditos página 58 4 O Destino de uma Nação Sinopse Gary Oldman, ator indicado para o Oscar® e ganhador do prêmio BAFTA™ é o astro de O Destino de uma Nação, do diretor premiado com o BAFTA™ Joe Wright, um relato inspirado na história verídica das primeiras semanas de Winston Churchill empossado no início da Segunda Guerra Mundial. O roteiro original de Anthony McCarten (também indicado para o Oscar®) revela o homem que havia por trás do ícone. Churchill é um brilhante e bem-humorado estadista, membro de destaque do Parlamento, mas, aos 65 anos de idade, é pouco provável que seja candidato a Primeiro Ministro. Entretanto, a situação na Europa é desesperadora. -
Hay Fever by Noel Coward
Central Washington University Theatre Arts Department presents Hay Fever By Noel Coward Prepared by Maureen Eller, assistant director and dramaturg 1 Central Washington University Theatre Arts Department Hay Fever Study Guide v Synopsis of Hay Fever v Noël Coward, playwright v The Taylor Family § Laurette Taylor v The Period § Timeline of Events v Glossary of Terms v Comments on Hay Fever v Sources Student matinee Nov. 22 at 11 a.m. TOWER THEATRE Produced by special arrangement with SAMUEL FRENCH, INC. Synopsis A luminous and entertaining comedy, Hay Fever introduces you to the Bliss family: a retired actress mother, a novelist father, and two children for whom all the world, literally, is a stage. Their outrageous antics alternately infuriate and astound their hapless weekend guests, all of whom have been individually invited up for a weekend tete-a-tete. Rousing fights, surprise engagements, and fevered declarations of love drive the poor guests from the house, leaving the 2 family happily bickering and playing amongst themselves as this stylish comedy bounces to its inevitable and intoxicating end. Noel Coward Life of Noël Coward: Actor, Composer, Playwright, Director, Author, Celebrity *(Classic Magazine) 1899 Born in Teddington, Middlesex 16th December. 1907 First public stage appearances. 1922 Spends winter in New York on a subsistence income, and becomes frequent guest at the home of Laurette Taylor and Hartley Manners. 1923 Composes London Calling; writes The Vortex (produced 1924); writes Fallen Angels (produced 1925); Weatherwise (produced 1932). 1924 Appears in The Vortex; writes Hay Fever; produced Easy Virtue. 1925 Directs Hay Fever at the Ambassadors and Criterion Theatres. -
Read the 2015/2016 Financial Statement
ANNUAL REPORT 2015-16 National Theatre Page 1 of 87 PUBLIC BENEFIT STATEMENT In developing the objectives for the year, and in planning activities, the Trustees have considered the Charity Commission’s guidance on public benefit and fee charging. The repertoire is planned so that across a full year it will cover the widest range of world class theatre that entertains, inspires and challenges the broadest possible audience. Particular regard is given to ticket-pricing, affordability, access and audience development, both through the Travelex season and more generally in the provision of lower price tickets for all performances. Geographical reach is achieved through touring and NT Live broadcasts to cinemas in the UK and overseas. The NT’s Learning programme seeks to introduce children and young people to theatre and offers participation opportunities both on-site and across the country. Through a programme of talks, exhibitions, publishing and digital content the NT inspires and challenges audiences of all ages. The Annual Report is available to download at www.nationaltheatre.org.uk/annualreport If you would like to receive it in large print, or you are visually impaired and would like a member of staff to talk through the publication with you, please contact the Board Secretary at the National Theatre. Registered Office & Principal Place of Business: The Royal National Theatre, Upper Ground, London. SE1 9PX +44 (0)20 7452 3333 Company registration number 749504. Registered charity number 224223. Registered in England. Page 2 of 87 CONTENTS Public Benefit Statement 2 Current Board Members 4 Structure, Governance and Management 5 Strategic Report 8 Trustees and Directors Report 36 Independent Auditors’ Report 45 Financial Statements 48 Notes to the Financial Statements 52 Reference and Administrative Details of the Charity, Trustees and Advisors 86 In this document The Royal National Theatre is referred to as “the NT”, “the National”, and “the National Theatre”. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.