DOCSLIB.ORG

Why It Matters

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Why It Matters NUMBER 148 • ISSUE 4 • 2007 WHY IT MATTERS THE EDITOR’S DESK REFUGEE or Migrant ? n the case of the man on the cover of this movement is justified may depend on what lies between their magazine, at the moment when the picture was taken, country of origin and the country where they eventually the question was irrelevant. Whoever he is, he deserved make their asylum claim. to be saved – and that is precisely what the coastguards There is, of course, nothing new about people moving. were trying to do after a boat of would-be migrants Migrations of people for both refugee and non-refugee reasons Ioverturned off the coast of southern Spain, drowning several have been taking place since before the beginning of recorded of its occupants including at least two pregnant women. time. And if we were to trace our ancestors back far enough, all However, once he was safely on shore, the question of of us would find that we originated somewhere else. whether he was a refugee or a migrant may well have come Nor should voluntary migration – economic or otherwise – immediately to the fore. necessarily be viewed as negative (even 5 As a refugee, fleeing persecution or 0 though it is usually seen that way). 0 2 • P S armed conflict, he would have been E Migrants often fill the gaps in the work - / S entitled to “international protection” in E force, rather than take other workers’ R E M an asylum country – in this case most . jobs – but they still make the perfect A / S probably Spain. On the other hand, if he R scapegoat for a society’s ills, and their E T U E was someone moving for financial R contribution is often hidden or ignored. reasons – to earn a better living than he © The linked issues of migration and could at home – then he would be classi - asylum are probably more widely de - fied as an economic migrant, and would bated (and confused) today than ever quite likely be sent back to his home before: perhaps because the number of country. people on the move has increased; This is a judgement that many coun - perhaps because the planet – or certain tries around the world make in varying countries on it – feel overcrowded; numbers of individual cases every day. perhaps for a host of other reasons, Sometimes the decision is relatively both real and imagined. straightforward, and sometimes it is an And, as the 21 st century progresses, it extremely difficult call to make. There is likely to become even more compli - are countries that produce lots of eco - Too soon to tell: a migrant or refugee cated, with more people forced – one nomic migrants, and very few refugees. picked up in the Mediterranean. way or another (war, economics, climate But they do produce some, and it is the change) – to pull up their roots and job of asylum adjudicators to spot them. move somewhere else. There are asylum seekers without documents who are Over 200 million people are believed to be living outside refugees, and there are asylum seekers with valid travel their original homeland already. Relatively few of them are documents who are most definitely not. There are people refugees. But, yes – taking the trouble to find out which ones who articulate a false story well, and people who articulate a are does still matter. true story badly – or not at all (because it is too painful and To undermine the system that identifies a refugee, and too personal). prevents him or her from being sent home, would in some And there is a grey zone: people who are leaving a country cases be like the coastguards in the cover photo cutting the where persecution and discrimination are unquestionably rope instead of hauling it in. It should be unthinkable – and it occurring, and the economy is also dire. Are people leaving is unthinkable, when one looks at asylum seekers and such countries for refugee reasons, or economic ones – or do refugees as individual human beings. both sets of reasons fuse into one that is, in many cases, almost But when they are reduced to statistics, and described in impossible to unravel? pejorative terms such as ‘floods,’ ‘waves,’ ‘unstoppable tides’ And what about the people who leave their country for (and other watery metaphors that bear a certain tragic irony refugee reasons, and then keep on moving for economic ones given the number of would-be refugees and migrants who (so-called ‘secondary movers’)? Whether or not their onward drown), they are all too easy to cast aside and ignore. 2 REFUGEES N°148 • 2007 Editor Rupert Colville French Editor Cécile Pouilly 6 0 0 COVER STORY 2 4 Contributors • M Angel Suárez, Anja Klug, Francesca O S / States are having increasing difficulty Fontanini, Giulia Laganà, Ligimat Perez, R E T S Nazli Zaki and unhcr staff worldwide. B distinguishing between refugees and migrants. E W . Editorial Assistant A / R Manuela Raffoni C H N 12 WORSE THAN THE SHARKS Photo Department U Suzy Hopper, Anne Kellner Migrants and refugees The smugglers operating between Somalia Design take the same routes, and Yemen are among the most vicious in 4face the same hazards. Vincent Winter Associés, Paris the world. Production Françoise Jaccoud Distribution 15 MALAWI’S DILEMMA John O’Connor, Frédéric Tissot Many refugees and migrants only stay for a Photo Engraving 2 9 9 short while before moving on to South Africa. 1 Aloha Scan, Geneva - 1 9 9 1 Maps • A S unhcr Mapping Unit U / D 16 THE DEEP BLUE SEA R Historical documents A U G T Anti-immigration policies, reckless smugglers unhcr archives S A O REFUGEES is published by the Media Relations C and cold commercial calculations may be S U and Public Information Service of the United © endangering lives at sea. Nations High Commissioner for Refugees. The Protecting refugees opinions expressed by contributors are not in the Caribbean is 22 a challenge. necessarily those of UNHCR . The designations 22 CARIBBEAN CONUNDRUMS and maps used do not imply the expression of any opinion or recognition on the part of Every year, thousands from within the UNHCR concerning the legal status of a region – and beyond – try to reach the US territory or of its authorities. via the Caribbean. REFUGEES reserves the right to edit all articles 0 before publication. Articles and photos not 0 0 2 covered by copyright © may be reprinted without • N U 23 MIGRATION TO THE NORTH prior permission. Please credit UNHCR and the H / Y photographer. Requests for copyrighted photos K Z The route via Mexico to the US is fraught S L should be directed to the agency credited. E D with risk for refugees and migrants alike. N A Z English and French editions printed in Italy S . B by AMILCARE PIZZI S.p.A., Milan. / R C Circulation: 121,000 in Arabic, English, H 25 CONTROL VS. PROTECTION N French, Italian and Spanish. U Migration controls Within the EU, there has been a marked shift issn 0252-791 X make it hard for of focus from protecting refugees to halting 25 refugees to find safety. Front cover: Coastguards rescue a migrant irregular migration. or refugee off the coast of southern Spain. ©REUTERS / A. MERES / ESP•2002 Back cover: Some migrants and refugees 29 DIVERTED TO NAURU are killed, or badly injured, attempting to How different treatment, based on the way cross borders. people arrive, became a central feature of ©SERGIO CARO / MAR•2005 Australia’s asylum policy. UNHCR P.O. Box 2500 1211 Geneva 2, Switzerland 31 IS TOLERATION ENOUGH? www.unhcr.org Relatively few Asian countries have established formal asylum systems. REFUGEES 3 VSTATiES AtREaHAVINlG INCRDEASINGIDIFSFICULTT Y DIS BY J EFF C RISP a distraught and emaciated Chechen woman carrying a two-year-old baby boy. She begged the n 13 September, Polish border guards border guards to come with her to find her three patrolling the mountainous border area daughters, whom she had left behind as she went O near the border with Ukraine came upon tolookforhelp. Afewhourslater,aroundmidnight, 4 REFUGEES TIINGNUISHINGCBETWEENTREFUIGEOES AND MIN GRANTS. X-ray and thermal imaging systems are now in use in several countries, including the US and ports in the Mediterranean and northern France. they found the bodies of the three girls, aged 13, 10 and 6, Jamaldinova told Polish investigators that she had paid some huddled together and covered in fern leaves. Dressed in Moscow-based smugglers us $2,000 to get herself and her fam - 1 0 0 2 summer clothes, they had died of exposure after spending ilytoAustria.Butattheborder,theirguidehadsimplypointed • A S U four days wandering disoriented in the mountains. inthegeneraldirectionofPolandandabandonedthemtotheir / P F A While being treated in hospital, their mother Kamisa fate–justastemperaturesintheBieszczadymountainsplunged © REFUGEES 5 How the TID E has They had a dream – a dream of escaping Between 1946 and 1958, a total of some misery, or political oppression, and finding a 180,000 Spaniards emigrated, mainly from new El Dorado on the other side of the world. Galicia and the Canary Islands, to Venezuela, There were no Africans, Arabs, Asians or Latin a country the islanders sometimes refer as Americans among them – just desperate the “The Eighth Island” ( La Octava Isla ), Europeans, impoverished by the economic because of the large community of their slump that followed the end of the 1936-39 compatriots who still live there. Venezuela Spanish civil war. was not the only South American destination: “If you had breakfast, you had no supper,” in 1950 alone, some 60,000 Spaniards set sail remembered José Abreu, “and the only exit for Argentina, while thousands more went to [we] could think of was to emigrate.”Abreu, other countries in the region.
Load more

Recommended publications
  • Structures in the Mind: Chap18
    © 2015 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or informa- tion storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email [email protected]. edu. This book was set in Times by Toppan Best-set Premedia Limited. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Structures in the mind : essays on language, music, and cognition in honor of Ray Jackendoff / edited by Ida Toivonen, Piroska Csúri, and Emile van der Zee. pages cm Includes bibliographical references and index. ISBN 978-0-262-02942-1 (hardcover : alk. paper) 1. Psycholinguistics. 2. Cognitive science. 3. Neurolinguistics. 4. Cognition. I. Jackendoff, Ray, 1945- honoree. II. Toivonen, Ida. III. Csúri, Piroska. IV. Zee, Emile van der. P37.S846 2015 401 ′ .9–dc23 2015009287 10 9 8 7 6 5 4 3 2 1 18 The Friar’s Fringe of Consciousness Daniel Dennett Ray Jackendoff’s Consciousness and the Computational Mind (1987) was decades ahead of its time, even for his friends. Nick Humphrey, Marcel Kinsbourne, and I formed with Ray a group of four disparate thinkers about consciousness back around 1986, and, usually meeting at Ray’s house, we did our best to understand each other and help each other clarify the various difficult ideas we were trying to pin down. Ray’s book was one of our first topics, and while it definitely advanced our thinking on various lines, I now have to admit that we didn’t see the importance of much that was expressed therein.
    [Show full text]
  • The VLTI's Astronomical Multi-Beam Combiner
    Telescopes and Instrumentation DOI: 10.18727/0722-6691/5106 The Life and Times of AMBER: The VLTI’s Astronomical Multi-BEam combineR Willem-Jan de Wit1 instruments are scientifically inaugurated called the closure phase. The absolute Markus Wittkowski1 via their “first fringes”, which is the inter- phase of incoming light waves is scram- Frederik Rantakyrö 2 ferometric equivalent of “first light”. By bled by atmospheric turbulence, resulting Markus Schöller 1 the early 2000s, the integration of ESO’s in distortion over a pupil and global Antoine Mérand 1 interferometer into the VLT architecture phase shifts between the apertures in the Romain G. Petrov 3 was on track. array (called the piston). The degree and Gerd Weigelt 4 frequency of the scrambling increases Fabien Malbet 5 The first Paranal interference fringes were towards shorter wavelengths. As a result, Fabrizio Massi 6 produced by the VLT INterferometer the coherence time of the incoming Stefan Kraus7 Commissioning Instrument (VINCI) and wave ranges from a few milliseconds to Keiichi Ohnaka 8 MID-infrared Interferometric instrument (at best) some tens of milliseconds in the Florentin Millour 3 (MIDI), instruments that combined the optical regime. There is no way to beat Stéphane Lagarde 3 light from two telescopes. VINCI’s pur- the turbulence and recover the phase Xavier Haubois1 pose was to commission the interferome- without additional aids. When combining Pierre Bourget 1 ter’s infrastructure. MIDI, on the other three telescopes arranged in a closed Isabelle Percheron1 hand, was the first scientific instrument in triangle one can retrieve a new observa- Jean-Philippe Berger 5 operation using the VLTI in conjunction ble by adding the phases.
    [Show full text]
  • The Dream Narrative As a Mode of Female Discourse in Epic Poetry
    Transactions of the American Philological Association 140 (2010) 195–238 Incohat Ismene: The Dream Narrative as a Mode of Female Discourse in Epic Poetry* emma scioli University of Kansas summary: This article examines Ismene’s nightmare in book 8 of Statius’s Thebaid by contextualizing it within the epic’s narrative, comparing it with the dream narrations of other female characters in epic poetry, and aligning it with other typically female modes of subjective expression in epic, such as weaving, teichoscopy, and lamentation. My analysis shows that by exposing the diffi- culties inherent in retelling a dream, Statius demonstrates sympathy with the female perspective on the horrific war that constitutes the central action of his poem and foreshadows the subsequent inadequacy of words in reaction to such horror. i. introduction: ismene begins ismene, daughter of oedipus, is a character who has virtually no presence in the narrative of Statius’s Thebaid either before or after the small section devoted to the retelling of her dream and its aftermath (8.607–54); for this reason, the intricacy and allusiveness of this passage are all the more striking. In this scene, Ismene recounts to her sister Antigone a dream she has had, in which her wedding to her fiancé Atys is violently interrupted by a fire. After questioning the dream’s origin, Ismene discounts its meaning as incongruous with her understanding of her own waking reality and resumes * Shorter versions of this paper were delivered at the University of Rome, Tor Vergata, in 2004 and the 2005 APA meeting in Boston. I would like to thank audience members at both venues for useful feedback.
    [Show full text]
  • DAVID WILLIAMSON Is Australia's Best Known and Most Widely
    DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo.
    [Show full text]
  • After the Ball David Williamson
    David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies.
    [Show full text]
  • Fringe Season 1 Transcripts
    PROLOGUE Flight 627 - A Contagious Event (Glatterflug Airlines Flight 627 is enroute from Hamburg, Germany to Boston, Massachusetts) ANNOUNCEMENT: ... ist eingeschaltet. Befestigen sie bitte ihre Sicherheitsgürtel. ANNOUNCEMENT: The Captain has turned on the fasten seat-belts sign. Please make sure your seatbelts are securely fastened. GERMAN WOMAN: Ich möchte sehen wie der Film weitergeht. (I would like to see the film continue) MAN FROM DENVER: I don't speak German. I'm from Denver. GERMAN WOMAN: Dies ist mein erster Flug. (this is my first flight) MAN FROM DENVER: I'm from Denver. ANNOUNCEMENT: Wir durchfliegen jetzt starke Turbulenzen. Nehmen sie bitte ihre Plätze ein. (we are flying through strong turbulence. please return to your seats) INDIAN MAN: Hey, friend. It's just an electrical storm. MORGAN STEIG: I understand. INDIAN MAN: Here. Gum? MORGAN STEIG: No, thank you. FLIGHT ATTENDANT: Mein Herr, sie müssen sich hinsetzen! (sir, you must sit down) Beruhigen sie sich! (calm down!) Beruhigen sie sich! (calm down!) Entschuldigen sie bitte! Gehen sie zu ihrem Sitz zurück! [please, go back to your seat!] FLIGHT ATTENDANT: (on phone) Kapitän! Wir haben eine Notsituation! (Captain, we have a difficult situation!) PILOT: ... gibt eine Not-... (... if necessary...) Sprechen sie mit mir! (talk to me) Was zum Teufel passiert! (what the hell is going on?) Beruhigen ... (...calm down...) Warum antworten sie mir nicht! (why don't you answer me?) Reden sie mit mir! (talk to me) ACT I Turnpike Motel - A Romantic Interlude OLIVIA: Oh my god! JOHN: What? OLIVIA: This bed is loud. JOHN: You think? OLIVIA: We can't keep doing this.
    [Show full text]
  • Tropical North Queensland Tourism Opportunity Plan
    Tropical North Queensland Tourism Opportunity Plan 2 0 1 0 - 2 0 2 0 DISCLAIMER – Tourism Tropical North Queensland and Tourism Queensland makes no claim as to the accuracy of the information contained in the Tropical North Queensland Tourism Opportunity Plan. The document is not a prospectus and the information provided is general in nature. The document should not be relied upon as the basis for financial and investment related decision. DISCLAIMER – STATE GOVERNMENT The Queensland Government makes no claim as to the accuracy of the information contained in the Tropical North Queensland Tourism Opportunity Plan. The document is not a prospectus and the information provided is general in nature. The document should not be relied upon as the basis for financial and investment related decisions. This document does not suggest or imply that the Queensland State Government or any other government, agency, organisation or person should be responsible for funding any projects or initiatives identified in this document. Executive Summary Dunk Island Purpose Catalyst Projects The purpose of this Tourism Opportunity Plan (TOP) is to Through the consultation and review process the following provide direction for the sustainable development of tourism in 18 catalyst projects have been identified for the Tropical North the Tropical North Queensland region. Queensland region. These projects are tourism investment or infrastructure projects of regional significance which are The TOP aims to: expected to act as a catalyst to a range of other investment, marketing and product development opportunities. < Identify new and upgraded tourism product that meets future visitor expectations and demands; 1 . Cairns Arts, Cultural and Events Precinct < Identify the need for new investment in infrastructure that 2 .
    [Show full text]
  • October 2016 to Saturday 12Th November 2016
    FROM THE PRESIDENT Dear Friends, I am pleased to report that our new curtain mechanism has been installed. The curtain is now operated by the press of a button! In some ways it was sad to see the old pulley go as it had been a part of the Playhouse Theatre for so long. I was so relieved that the curtain itself didn't fall apart when it came down. The theatre is continually being improved. I would like to welcome Nick Lahey as a Rep director. This is his first play for Hobart Rep. Thank you to Nick cast and crew for their dedication to Up For Grabs. I look forward to seeing the fruits of their labours. President Liz “on duty” in the Box Office during the run of Something’s Afoot We thank our volunteers and supporters. We could not function without you. A SLICE OF THEATRE LIFE You never know who you’ll see at The Playhouse during a theatrical run. Top left, well known actor Jeff Michel selling programs. Top right, Hobart Rep Secretary, Tony Webb and below, Heather Chong, a most beloved Sponsor. (We LOVE our Sponsors!) UP FOR GRABS A Fast Paced Comedy and Maybe a Hint of Satire When Simone Allen, an exclusive art dealer, is given the opportunity to sell a Brett Whitely, her behaviour becomes highly questionable as the pressure mounts. Driven by greed and aesthetics, just how far will Williamson’s characters go when more than just a beautiful work of art is up for grabs in this sexy comedy of manners? A fast paced show about money, greed, unhappy couples and expensive art.
    [Show full text]
  • Dressing in American Telefantasy
    Volume 5, Issue 2 September 2012 Stripping the Body in Contemporary Popular Media: the value of (un)dressing in American Telefantasy MANJREE KHAJANCHI, Independent Researcher ABSTRACT Research perspectives on identity and the relationship between dress and body have been frequently studied in recent years (Eicher and Roach-Higgins, 1992; Roach-Higgins and Eicher, 1992; Entwistle, 2003; Svendsen, 2006). This paper will make use of specific and detailed examples from the television programmes Once Upon a Time (2011- ), Falling Skies (2011- ), Fringe (2008- ) and Game of Thrones (2011- ) to discover the importance of dressing and accessorizing characters to create humanistic identities in Science Fiction and Fantastical universes. These shows are prime case studies of how the literal dressing and undressing of the body, as well as the aesthetic creation of television worlds (using dress as metaphor), influence perceptions of personhood within popular media programming. These four shows will be used to examine three themes in this paper: (1) dress and identity, (2) body and world transformations, and (3) (non-)humanness. The methodological framework of this article draws upon existing academic literature on dress and society, combined with textual analysis of the aforementioned Telefantasy shows, focussing primarily on the three themes previously mentioned. This article reveals the role transformations of the body and/or the world play in American Telefantasy, and also investigates how human and near-human characters and settings are fashioned. This will invariably raise questions about what it means to be human, what constitutes belonging to society, and the connection that dress has to both of these concepts. KEYWORDS Aesthetics, Body, Dress, Falling Skies, Fringe, Game of Thrones, Identity, Once Upon a Time, Telefantasy.
    [Show full text]
  • PLANNING for the FRINGE AREA of BRISTOL, VIRGINIA Paul
    PLANNING FOR THE FRINGE AREA OF BRISTOL, VIRGINIA Paul Sunmers Dulaney B.S. in Architecture University of Virginia, 1935 A thesis submitted in partial fulfillment of the requirements for the degree of Master in City Planning. Massachusetts Institute of Technology. May 1949 Submitted by 'I Approved by VI, Cambridge, Massachusetts May 20, 1949 Professor Frederick J. Adams Department of City and Regional Planning Massachusetts Institute of Technology Cambridge, Massachusetts Dear Professor Adams: In partial fulfillment of the requirements for the degree of Master in City Planning, I submit this thesis entitled "Planning for the Fringe Area of Bristol, Virginia." &espectfully, Paul S. Dulk ey 305581 ACKNOWLEDGEMENT I wish to express my appreciation to the entire faculty of the Department of City Planning for their guidance during my stay at M. I. T. In the course of the field work for this thesis helpful advice and useful information was given the author by the following. persons: Dr. Faye Gibson, Washington County Planning Commission Mr. David Goodman, Town Manager, Abington, Virginia Mr. James Gorsline, Washington County Agent Mr. Aelred J. Gray, Tennessee Valley Authority Mr. C. B. Kearfott, Bristol Virginia Planning Commission Mr. Robert- Morrison, City Manager, Bristol, Virginia Mr. Ronald Scott, Tennessee State Planning Commission Mr. Frank Spaulding, City Engineer, Bristol, Virginia Mr. Donald Stant, Bristol, Virginia P. S. D. TALE 010 CONT11S I INTROJCT ION page 1 II THE PROBLEMS 3 III THE SURVEY -- FIRST STAGE 13 The Region and the
    [Show full text]
  • Year Play Director (**Unsure)
    Year Play Director (**unsure) AT THE MENTONE CITY HALL 1945 Cuckoo in the Nest 1946 The House of Thrills Apple Pie Order Indoor Fireworks AT THE MECHANICS INSTITUTE HALL – MORDIALLOC Leave It To Leander The Evil That Men Do The Crimson Coconut Ladies In Waiting Postal Orders 1948 The Blue Goose Wise Tomorrow Strange Parallel Love In A Mist Down On The Farm 1949 Lady-Killer Candied Peel Five Minutes Quiet Weekend The Press Desires 1950 Fools Rush In Good Morning, Bill The Camel’s Back We Were Dancing Night Must Fall Rebecca It’s Quicker To Telephone 1951 Arsenic And Old Lace The Happiest Days of Your Life Jack Lawson Dark Victory Love From A Stranger Rookery Nook The Startled Saint 1952 The Girl In Question That Woman Fly Away Peter Lorraine Madsen Who Lies There? 1953 Message For Margaret Margaret Flynn Murder At The Vicarage A Woman’s Place 1954 The White Sheep Of The Family Audrey Downe Gaslight The Hollow One Wild Oat 1955 Blithe Spirit See How They Run Audrey Downe/Edna Robinson Freida Graham Hunter 1956 The Shop At Sly Corner Baa Baa Black Sheep Black Chiffon 1957 Intent To Murder Eric Heyes Madam Tic Tac Lorraine Madsen Man From Toronto As Long As They’re Happy 1958 The Secret Tent The Browning Version Running Riot Bill McLorinan Mad About Men Eric Heyes Bonaventure Master Dudley 1959 The House By The Lake The Gentle Rain The Pigeon With The Silver Foot Sailor Beware Edmund Thornton The Whole Truth Eric Heyes Dry Rot 1960 Toad In The Hole No Man’s Land The Girl Who Couldn’t Quite Something To Hide The Reluctant Debutant Edmund Thornton
    [Show full text]
  • Unconditional Security of Time-Energy Entanglement Quantum Key Distribution Using Dual-Basis Interferometry
    Unconditional Security of Time-Energy Entanglement Quantum Key Distribution Using Dual-Basis Interferometry The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Zhang, Zheshen, Jacob Mower, Dirk Englund, Franco N. C. Wong, and Jeffrey H. Shapiro. “Unconditional Security of Time-Energy Entanglement Quantum Key Distribution Using Dual-Basis Interferometry.” Physical Review Letters 112, no. 12 (March 2014). © 2014 American Physical Society As Published http://dx.doi.org/10.1103/PhysRevLett.112.120506 Publisher American Physical Society Version Final published version Citable link http://hdl.handle.net/1721.1/89019 Terms of Use Article is made available in accordance with the publisher's policy and may be subject to US copyright law. Please refer to the publisher's site for terms of use. week ending PRL 112, 120506 (2014) PHYSICAL REVIEW LETTERS 28 MARCH 2014 Unconditional Security of Time-Energy Entanglement Quantum Key Distribution Using Dual-Basis Interferometry Zheshen Zhang,* Jacob Mower, Dirk Englund, Franco N. C. Wong, and Jeffrey H. Shapiro Research Laboratory of Electronics, Massachusetts Institute of Technology, 77 Massachusetts Avenue, Cambridge, Massachusetts 02139, USA (Received 4 November 2013; published 26 March 2014) High-dimensional quantum key distribution (HDQKD) offers the possibility of high secure-key rate with high photon-information efficiency. We consider HDQKD based on the time-energy entanglement produced by spontaneous parametric down-conversion and show that it is secure against collective attacks. Its security rests upon visibility data—obtained from Franson and conjugate-Franson interferometers—that probe photon-pair frequency correlations and arrival-time correlations.
    [Show full text]