Boston Symphony Orchestra Concert Programs, Season 81, 1961-1962
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: Uti v'° / -*"'•'- Wo >, ' - : — •* . ,., ^o-k -i /^''rf-v«-*- /^v 11111 ..-NX \ ;-:--^..."^x ^^ *t? 1: ) BOSTON 'X f If SYMPHONY 1 \1 ORCHESTRA FOUNDED IN 1881 BY nN LEE \ HENRY HIGGINSON Hi 11*1 IN S' s*^ 13 EIGHTY-FIRST SEASON 1961-T962 STRADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense! of, the -good and the beautiful. Unexcelled anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton — Robert G. Jennings 147 MILK STREET BOSTON 9, MASSACHUSETTS LIBERTY 2-1250 Associated With OBRION, RUSSELL & CO. EIGHTY -FIRST SEASON, 1961-1962 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor c O N CERT BULLETIN Wi th historical ariid descriptive notes by John N. Burk Copyrig ht, 1962, by Boston Symphony Orchestra, Inc The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Theodore P. Ferris John T. Noonan Francis W. Hatch Sidney R. Rabb Harold D. Hodgkinson Charles H. Stockton C. D. Jackson John L. Thorndike E. Morton Jennings, Jr. Raymond S. Wilkins Henry A. Laughlin Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen Lewis Perry Edward A. Taft Palfrey Perkins Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [77i] What everyone likes about Boston . The Hatch Memorial Shell What you will like about Shawmut's trust department. You will like the warmth, respect and understanding a Shawmut trust officer brings to your personal trust problems . plus the sound judgment, based on research and experience, that helps you reach proper financial decisions. Let him demonstrate to you and your attorney how Shawmut can serve you. The Rational Shawmut Bank of ^Boston Complete Banking and Trust Services • Member Federal Deposit Insurance Corporation [772] CONTENTS (for this week) . Program • 777 Program (February 2-3) . • 8 27 1 Program (February 9-10) • 829 Notes Stravinsky (Zvezdoliki January ) . (The Star-Faced) • 779 Entr'actes White Sale The Mismating of Bruckner Mahler N. B.) . and (/. • 790 Now in Progress! Whither Music Now? (Virgil Thompson) . 802 Mahler's Third in New York . 821 Notes Fabulous Savings Mahler (Symphony No. 3) . 806 on EXHIBITION WAMSUTTA SHEETS The exhibition of paintings assembled Supercale White by Roger Curtis ends this week. The Blossomtoned Colored paintings include portraits and New Candy-Stripes England landscapes. The artists are members of the Guild of Boston Artists, and the New England Artists' Group and Debucales, Too!! Portrait Artists of New England. Augusta, George "Ralph Bradley" Ballinger, Harry R. The Motif Annual Sale Browne, Margaret Fitzhugh of Back Stage Gossip MARTEX TOWELS Bryan, Alden Vermont Luxor, Patrician Bryan, Mary Pierrot and Sovereign Styles Cook, Otis Gloucester Harbor Cormier, Robert Lillian Gammell, R. H. Ives Strangers & Sojourners January Savings Gore, Ken Monhegan Fog on WAMSUTTA TOWELS Hibbard, A. T. Winter Morning BLANKET COVERS Hunter, Robert Douglass Winter Jays and many other items! Jones, June E. Paris Julian, Marvin Portrait of a Lady Knouth, Arnold Rockport Wharf Our Circular Has All The Details MacNutt, Glenn White's Hill 416 Boylston St. 54 Central St. Mahoney, Charles Red Moore Boston 16 Wellesley 5-3430 Marshall, J. Thurston KEnmore 6-6238 CEdar Fisk's Post Road Nursery [773] Noyes, George L. Mixed Flowers have been made by Milton Feinberg of Boris and Milton, and may be seen in Pezzati, Petro Geffrey and David Long the cases in the Gallery each week. The Pierson, Marguerite exhibit this week will consist of the Mrs. Frederick S. Bacon double bass section. Ricci, Jerri Chinatown, N. Y. • • Safford, Arthur Portrait of a Lady Jeanne Marie Darre The piano soloist will be heard Steele, Marion Williams who at the Dr. Richard Cattell next pair of Friday and Saturday concerts will then be making her Ameri- Stone, Don Morning Fog can debut. The young French pianist Strasik, Paul The Wreck won first prizes at the Paris Conserva- toire, was awarded the Legion of Honor Schwartz, Henry Mahler in 1950, and in 1960 the "Chevalier des Arts et Lettres." She has played in many parts of Europe but until now is BOSTON SYMPHONY PORTRAITS known in this country only through her Photographic portraits of each mem- recordings. She is at present a professor ber of the Boston Symphony Orchestra of piano at the Ecole Nationale. now showing . our exciting collection of resort Clothes — from heachwear to Cocktail dresses . if you re going places come first to iaM*s'/c4 Bros. 7 r [774] ss^ Iv^V^vJJLjvJ • Probably the happy result of one of those grandiose expansions of single instruments into large "families', the piccolo is a miniature flute. The name itself means "small", and the arrangement of keys is very similar to that of an ordinary flute. But the piccolo is an octave higher than a flute in C and reaches almost to the upper limit of recognizable pitch, though the highest notes (4th octave above middle C) are too piercing to be often used. While the piccolo first became popular in the military bands of the late 18th century, it was quickly accepted in the symphony. Gluck and Beethoven used its hard, bright tone to accentuate "storm" music; Wagner and a great many modern composers have also put its birdlike brilliance to good use. ERSONAL BANKER is a. man you talk to at the New England Merchants National Bank. Our bank is small enough to know you as a friend, large enough to offer a full range of personal and commercial services. The officer who serves you understands your needs — and he's experienced and ready to help you on the spot. NEW ENGLAND MERCHANTS NATIONAL BANK 28 State Street, Boston MEMBER F.D.I.C. [775] / Some j like it . Bach — *.—+** Some think the music from J. 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[776] EIGHTY-FIRST SEASON • NINETEEN HUNDRED SIXTY-ONE -SIXTY-TWO Thirteenth Program FRIDAY AFTERNOON, January 19, at 2:15 o'clock SATURDAY EVENING, January 20, at 8:30 o'clock RICHARD BURGIN, Conductor Stravinsky Zvezdoliki (The Star-Faced) Cantata for Male Chorus and Orchestra (First performance in Boston) Mahler Symphony No. 3, in D minor, with Women's Chorus and Contralto Solo I. Kraftig, entschieden (Vigorous, decisive) INTERMISSION II. Tempo di Menuetto: Sehr massig (Very moderately) III. Comodo; scherzando IV. Sehr langsam, misterioso (Slow, mysterious) (with Contralto solo) V. Lustig in Tempo und keck im Ausdruck (Lively in tempo and jaunty in expression) (with Chorus and Contralto solo) VI. Langsam, ruhevoll, empfunden (Slow, peaceful, expressive) (First complete performance in Boston) CHORUS PRO MUSICA Alfred Nash Patterson, Conductor Contralto Solo: Florence Kopleff These concerts will end about 4:20 o'clock on Friday Afternoon; 10:35 o'clock on Saturday evening. BALDWIN PIANO RCA VICTOR RECORDS [777] to Mfym, for the gay for the bright for the new for where the sun is shining Boston • Chestnut Hill ZVEZDOLIKI (THE STAR-FACED), CANTATA FOR MALE CHORUS AND ORCHESTRA By Igor Stravinsky Born in Oranienbaum, near St. Petersburg, June 17, 1882 Zvezdoliki, literally the Star-Faced, is otherwise known in English as "The King of the Stars," after the usual French title, Le Roi des etoiles. Stravinsky composed this cantata in 1911. It is a setting of a text by the Russian poet Constantin Balmont. The score was published by P. Jurgenson in Moscow in 1913, but has long been out of print, a probable reason for its very infrequent performances. For the present performance, parts have been prepared from a reproduction of the score which is in the Library of Congress. The score is dedicated "To Claude Debussy — Oustiloug, 1911." The first performance was by the Brussels Radio, under Franz Andr£, April 19, 1939. The first American performance was directed by Robert Craft in Carnegie Hall, New York, in 1949. A performance announced for December 9-10 by the Philadelphia Orchestra under Leopold Stokowski was cancelled on account of a dispute about performing rights.