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Cersei Lannister - Game of Thrones Fotis Mint VIEW IN BROWSER updated 19. 4. 2019 | published 19. 4. 2019 Summary Queen Cersei Lannister is the widow of King Robert Baratheon, with whom she had her sole trueborn child, and Queen of the Seven Kingdoms. She is the daughter of Lord Tywin Lannister, twin sister of Jaime Lannister and elder sister of Tyrion Lannister. She had an incestuous relationship with Jaime, who is secretly the father of her three bastard children, Joffrey, Myrcella and Tommen. You can find the original stl by clicking this link. After the poisoning of her elder children in the later stages of the War of the Five Kings and Tommen's suicide in the wake of the destruction of the Great Sept of Baelor, Cersei assumed the throne under the name of Cersei of the House Lannister, the First of Her Name, Queen of the Andals and the First Men, Protector of the Seven Kingdoms, making her the twentieth ruler of the Seven Kingdoms (as well as the first officially recognized Queen Regnant in the history of Westeros). Source: gameofthrones.fandom.com/wiki/Cersei_Lannister f k h d 8 hrs 1 pcs 0.15 mm 0.40 mm PLA 63 g MK3/S Art & Design > Sculptures cersei lannister got gameofthrones No support structures needed. Print Files (.gcode) DOWNLOAD ALL FILES cerseifinal_015mm_pla_mk3s.gcode 53.1 MB updated 19. 4. 2019 8.38 hrs f 0.15 mm k 0.40 mm h PLA 63.00 g d MK3/S Find source .stl files on Thingiverse.com License This work is licensed under a Creative Commons (4.0 International License) Attribution—Noncommercial—No Derivates ✖ | Sharing without ATTRIBUTION ✖ | Remix Culture allowed ✖ | Commercial Use ✖ | Free Cultural Works ✖ | Meets Open Definition .

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GAME of THRONES Committee
2013 ALBERT CAMPBELL COLLEGIATE INSTITUTE MODEL UNITED NATIONS PRESENTS… GAME OF THRONES Committee Lead Chair: Ravena Rasalingam Chairs: Bharvjit Parmar and Adeel Malik Introduction Welcome delegates to the 2013 ACCI Model United Nations conference! Your head chairs for this committee will be Ravena Rasalingam and Bharvjit Parmar. This committee will be based on the book series, “A Song of Ice and Fire” and the HBO show, “Game of Thrones”. Disclaimer: Albert Campbell nor the chairs of this committee claim the proceeding as our original content; everything was invented by George R. R. Martin in his fantasy series, A Song of Ice and Fire. In this committee, the topics discussed will include the use of magic, sorcery, and the aid of supernatural creatures during wartime, the crisis involving the White Walkers, and the current economic state of Westeros. But be advised, this is a crisis committee. Please try to act in character and feel free to act in your own best interest. Plotting, scheming and clever use of personal relationships are encouraged! This council’s goals are to maintain peace and stability in Westeros, and to ensure the interests of the King. Good luck delegates, and remember- when you play the game of thrones, you either win or die. History: The Dawn Age (Prehistory- 1000) Westeros was initially inhabited by the Children of the Forest (a mysterious race of human-like creatures), giants and other mystical beings. The First men invaded Westeros in 1200 bringing weapons and bronze. The First men had larger numbers, were stronger, bigger, and more technologically advanced than the Children of the Forest and eventually established hundreds of small kingdoms throughout Westeros.
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The Many Faced Masculinities in a Game of Thrones Game of Thrones
DOI: 10.13114/MJH.2018.436 Tarihi: 17.08.2018 Mediterranean Journal of Humanities Kabul Tarihi: 28.11.2018 mjh.akdeniz.edu.tr Geliş VIII/2 (2018) 479-497 The Many Faced Masculinities in A Game of Thrones Game of Thrones’da Çok Yüzlü Erkeklik Türleri Cenk TAN ∗ Abstract: A Game of Thrones is a stunning medieval fantasy which tells the story of the immense struggle for power in an ancient world named ‘The Seven Kingdoms’. It was originally written as a series of novels by the American author George R. R. Martin in 1996 and adapted to the TV screen by HBO in 2011. The series has completed its sixth season and is scheduled to go on for a total of eight seasons. Since its first broadcast in 2011, A Game of Thrones has attracted millions of viewers on a global scale and has received a total of 38 Emmy Awards. In A Game of Thrones, gender is one of the central themes, as power relations generally evolve around different gender roles. This study analyses masculinity in A Game of Thrones and the different types of masculinities which are identified through various male and female characters. This classification places all of the characters in two distinct gender categories. It also reveals the impact of these diverse forms of masculinities on the lives of the main characters and the general storyline of the production. Thus, the paper deconstructs the constructed masculinities in A Game of Thrones by exposing their representation through the main characters. Keywords: A Game of Thrones, Masculinity, Raewyn Connell, Gender Roles, Cultural Studies Öz: A Game of Thrones, Yedi Krallık olarak adlandırılan antik bir dünyada iktidar mücadelesini anlatan eşsiz bir fantastik ortaçağ hikâyesidir.
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El Ecosistema Narrativo Transmedia De Canción De Hielo Y Fuego”
UNIVERSITAT POLITÈCNICA DE VALÈNCIA ESCOLA POLITE CNICA SUPERIOR DE GANDIA Grado en Comunicación Audiovisual “El ecosistema narrativo transmedia de Canción de Hielo y Fuego” TRABAJO FINAL DE GRADO Autor/a: Jaume Mora Ribera Tutor/a: Nadia Alonso López Raúl Terol Bolinches GANDIA, 2019 1 Resumen Sagas como Star Wars o Pokémon son mundialmente conocidas. Esta popularidad no es solo cuestión de extensión sino también de edad. Niñas/os, jóvenes y adultas/os han podido conocer estos mundos gracias a la diversidad de medios que acaparan. Sin embargo, esta diversidad mediática no consiste en una adaptación. Cada una de estas obras amplia el universo que se dio a conocer en un primer momento con otra historia. Este conjunto de historias en diversos medios ofrece una narrativa fragmentada que ayuda a conocer y sumergirse de lleno en el universo narrativo. Pero a su vez cada una de las historias no precisa de las demás para llegar al usuario. El mundo narrativo resultante también es atractivo para otros usuarios que toman parte de mismo creando sus propias aportaciones. A esto se le conoce como narrativa transmedia y lleva siendo objeto de estudio desde principios de siglo. Este trabajo consiste en el estudio de caso transmedia de Canción de Hielo y Fuego la saga de novelas que posteriormente se adaptó a la televisión como Juego de Tronos y que ha sido causa de un fenómeno fan durante la presente década. Palabras clave: Canción de Hielo y Fuego, Juego de Tronos, fenómeno fan, transmedia, narrativa Summary Star Wars or Pokémon are worldwide knowledge sagas. This popularity not just spreads all over the world but also over an age.
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Archetypes in Female Characters of Game of Thrones
Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Gloria Makjanić Archetypes in Female Characters of Game of Thrones Završni rad Zadar, 2018. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Archetypes in Female Characters of Game of Thrones Završni rad Student/ica: Mentor/ica: Gloria Makjanić dr. sc. Zlatko Bukač Zadar, 2018. Makjanić 1 Izjava o akademskoj čestitosti Ja, Gloria Makjanić, ovime izjavljujem da je moj završni rad pod naslovom Female Archetypes of Game of Thrones rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 13. rujna 2018. Makjanić 2 Table of Contents 1. Introduction ..................................................................................................................... 3 2. Game of Thrones ............................................................................................................. 4 3. Archetypes ......................................................................................................................
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“Game of Thrones” Season 5 One Line Cast List NO
“Game of Thrones” Season 5 One Line Cast List NO. CHARACTER ARTIST 1 TYRION LANNISTER PETER DINKLAGE 3 CERSEI LANNISTER LENA HEADEY 4 DAENERYS EMILIA CLARKE 5 SER JAIME LANNISTER NIKOLAJ COSTER-WALDAU 6 LITTLEFINGER AIDAN GILLEN 7 JORAH MORMONT IAIN GLEN 8 JON SNOW KIT HARINGTON 10 TYWIN LANNISTER CHARLES DANCE 11 ARYA STARK MAISIE WILLIAMS 13 SANSA STARK SOPHIE TURNER 15 THEON GREYJOY ALFIE ALLEN 16 BRONN JEROME FLYNN 18 VARYS CONLETH HILL 19 SAMWELL JOHN BRADLEY 20 BRIENNE GWENDOLINE CHRISTIE 22 STANNIS BARATHEON STEPHEN DILLANE 23 BARRISTAN SELMY IAN MCELHINNEY 24 MELISANDRE CARICE VAN HOUTEN 25 DAVOS SEAWORTH LIAM CUNNINGHAM 32 PYCELLE JULIAN GLOVER 33 MAESTER AEMON PETER VAUGHAN 36 ROOSE BOLTON MICHAEL McELHATTON 37 GREY WORM JACOB ANDERSON 41 LORAS TYRELL FINN JONES 42 DORAN MARTELL ALEXANDER SIDDIG 43 AREO HOTAH DEOBIA OPAREI 44 TORMUND KRISTOFER HIVJU 45 JAQEN H’GHAR TOM WLASCHIHA 46 ALLISER THORNE OWEN TEALE 47 WAIF FAYE MARSAY 48 DOLOROUS EDD BEN CROMPTON 50 RAMSAY SNOW IWAN RHEON 51 LANCEL LANNISTER EUGENE SIMON 52 MERYN TRANT IAN BEATTIE 53 MANCE RAYDER CIARAN HINDS 54 HIGH SPARROW JONATHAN PRYCE 56 OLENNA TYRELL DIANA RIGG 57 MARGAERY TYRELL NATALIE DORMER 59 QYBURN ANTON LESSER 60 MYRCELLA BARATHEON NELL TIGER FREE 61 TRYSTANE MARTELL TOBY SEBASTIAN 64 MACE TYRELL ROGER ASHTON-GRIFFITHS 65 JANOS SLYNT DOMINIC CARTER 66 SALLADHOR SAAN LUCIAN MSAMATI 67 TOMMEN BARATHEON DEAN-CHARLES CHAPMAN 68 ELLARIA SAND INDIRA VARMA 70 KEVAN LANNISTER IAN GELDER 71 MISSANDEI NATHALIE EMMANUEL 72 SHIREEN BARATHEON KERRY INGRAM 73 SELYSE
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Questions Are Coming. a Game of Thrones Quiz by Scott Hendrickson
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Daenerys Targaryen and Privacy of Minors Daenerys Targaryen Is a Fictional Character from George R.R. Martin's a Song of Ice A
Daenerys Targaryen and Privacy of Minors Daenerys Targaryen is a fictional character from George R.R. Martin’s A Song of Ice and Fire series. These books are written in the tradition of epic fantasy and are set in an imaginary world (Westeros) that mirrors our own world during the medieval period with a few magical elements and mythical creatures added in. Daenerys, or Dany as she is called in the series, is the last living Targaryen. The Targaryens first conquered Westeros with dragons and ruled until they were overthrown by Robert Baratheon. Dany’s family attempted to flee Westeros, as the royal children were going to be killed by the rebels. Only Dany and her abusive brother Viserys survived, however, and lived across the Narrow Sea in exile. Dany is sold by her brother to Khal Drogo and she becomes Khaleesi. After tragically losing her husband and unborn child, Dany puts three fossilized dragon eggs into Khal Drogo’s funeral pyre, then places herself into the fire. When the fire clears, Dany and her new three baby dragons emerge (Martin, 1996). She calls them her children and swears to care for them as well as those in her khalasar who did not abandon her after the Khal’s death. In A Clash of Kings (1999) and A Storm of Swords (2000) Martin reveals even more of Dany’s caring nature. Dany is now “The Mother of Dragons” and later, after freeing thousands of slaves, she is called Mhysa by her new people, which means mother. Because Dany is one of the most caring, humanistic characters in the novels, we will use the ethics of care.
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Game of Thrones V1
GAME OF THRONES THE OPEN WEB’S PICK FOR THE THRONE Winter is coming. The 8th and ﬁnal season of Game of Thrones is right around the corner. While we can’t predict who will be decapitated next, we can analyze who you’re reading about. 65M page views later—read by +30M readers during the 7th season—we’ve got the results. WE ANALYZED +30M +7K +65M +80M Readers Articles Page Views Mins. Reading NUMBER OF READERS YOUR PICK FOR THE THRONE With so many contenders, you found Daenerys Targaryen and Jon Snow to be your favorites. Daenerys Targaryen Jon Snow Tyrion Lannister Cersei Lannister Jaime Lannister Arya Stark Bran Stark Sansa Stark Robert Baratheon Petyr “Littleﬁnger” Baelish 5M 10M 15M Daenerys Targaryen (AKA Khaleesi) and Jon Snow The Lannister family, allegedly the bad guys, are have almost twice the readers the Lannister family has, far more read about than the Starks. coming right after. Despite the threat he imposes in the series, the Night King isn’t as popular on the open web. MOST FAN INTEREST ON THE WESTEROS MAP We pinned all the main locations on the Westeros map to see which one has the highest number of readers. Almost all of Westeros’ cities attracted many readers, regardless of their size or the number of characters that come from there. +700K The Wall +1.5M Winterfell +50K Pyke +10K +1M +100K Casterly Rock Riverrun The Eyrie +2M King’s Landing +0.5M Highgarden King’s Landing takes the readership throne, as it’s where the Iron Throne sits, with over 2M readers.
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Queenship and the Women of Westeros Female Agency and Advice in Game of Thrones and a Song of Ice and Fire Reihe: Queenship and Power
palgrave.com Zita Eva Rohr, Lisa Benz (Hrsg.) Queenship and the Women of Westeros Female Agency and Advice in Game of Thrones and A Song of Ice and Fire Reihe: Queenship and Power Features essays on female characters in A Song of Ice and Fire and Game of Thrones such as Daenerys Targaryen, Melisandre, Arya Stark, Cersei Lannister, and Margaery Tyrell, focusing on how they wielded power in their male-dominated world Explores the intersection of academic scholarship on queenship and elite women and popular understandings of the premodern period Highlights the strategies that premodern women used to exert power and 1st ed. 2020, LXXIV, 263 p. influence Is the world of George R. R. Martin’s A Song of Ice and Fire and HBO’s Game of Thrones really Gedrucktes Buch medieval? How accurately does it reflect the real Middle Ages? Historians have been addressing Hardcover these questions since the book and television series exploded into a cultural phenomenon. For 74,99 € | £64.99 | $89.99 scholars of medieval and early modern women, they offer a unique vantage point from which [1]80,24 € (D) | 82,49 € (A) | CHF to study the intersections of elite women and popular understandings of the premodern world. 88,50 This volume is a wide-ranging study of those intersections. Focusing on female agency and the role of advice, it finds a wealth of continuities and contrasts between the many powerful Softcover female characters of Martin’s fantasy world and the strategies that historical women used to 49,99 € | £44.99 | $59.99 exert influence.
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Leaked Email Shows HBO Negotiating with Hackers 12 August 2017, by Matt O'brien and Tali Arbel
Leaked email shows HBO negotiating with hackers 12 August 2017, by Matt O'brien And Tali Arbel investigation confirmed the authenticity of the email, but said it was an attempt to buy time and assess the situation. The same hackers have subsequently released two dumps of HBO material and demanded a multi- million dollar ransom. Whether or not HBO ever intended to follow through with its $250,000 offer, the email raised questions Friday among security professionals about the importance of the data as well as how it will affect future attacks. "It's interesting that they're spinning it as a bug This file image released by HBO shows Nikolaj Coster- bounty program," said Pablo Garcia, CEO of FFRI Waldau as Jaime Lannister in an episode of "Game of North America, based in Aliso Viejo, California. Thrones," which aired Sunday, Aug. 6, 2017. Hackers "They're being extorted. If it was a bug bounty, it'd released a July 27, 2017, email from HBO in which the be on the up and up." company expressed willingness to pay them $250,000 as part of a negotiation over electronic data swiped from Beyler's email to the hackers said the company was HBO's servers. The hacked HBO material included working "very hard" to review all the material they scripts from five "Game of Thrones" episodes. HBO declined to comment. A person close to the investigation provided, and also trying to figure out a way to confirmed the authenticity of the email, but said it was an make a large transaction in bitcoin, the hackers' attempt to buy time and assess the situation.
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Narrative Structure of a Song of Ice and Fire Creates a Fictional World
Narrative structure of A Song of Ice and Fire creates a ﬁctional world with realistic measures of social complexity Thomas Gessey-Jonesa , Colm Connaughtonb,c , Robin Dunbard , Ralph Kennae,f,1 ,Padraig´ MacCarrong,h, Cathal O’Conchobhaire , and Joseph Yosee,f aFitzwilliam College, University of Cambridge, Cambridge CB3 0DG, United Kingdom; bMathematics Institute, University of Warwick, Coventry CV4 7AL, United Kingdom; cLondon Mathematical Laboratory, London W6 8RH, United Kingdom; dDepartment of Experimental Psychology, University of Oxford, e f 4 Oxford OX2 6GG, United Kingdom; Centre for Fluid and Complex Systems, Coventry University, Coventry CV1 5FB, United Kingdom; L Collaboration, Institute for Condensed Matter Physics of the National Academy of Sciences of Ukraine, 79011 Lviv, Ukraine; gMathematics Applications Consortium for Science and Industry, Department of Mathematics & Statistics, University of Limerick, Limerick V94 T9PX, Ireland; and hCentre for Social Issues Research, University of Limerick, Limerick V94 T9PX, Ireland Edited by Kenneth W. Wachter, University of California, Berkeley, CA, and approved September 15, 2020 (received for review April 6, 2020) Network science and data analytics are used to quantify static and Schklovsky and Propp (11) and developed by Metz, Chatman, dynamic structures in George R. R. Martin’s epic novels, A Song of Genette, and others (12–14). Ice and Fire, works noted for their scale and complexity. By track- Graph theory has been used to compare character networks ing the network of character interactions as the story unfolds, it to real social networks (15) in mythological (16), Shakespearean is found that structural properties remain approximately stable (17), and ﬁctional literature (18). To investigate the success of Ice and comparable to real-world social networks.
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“I'm All That Stands Between Them and Chaos:” a Monstrous Way of Ruling In
ARTICLE https://doi.org/10.1057/s41599-020-00562-3 OPEN “I’m all that stands between them and chaos:” a monstrous way of ruling in A Song of Ice and Fire ✉ Györgyi Kovács 1 The article explores Tyrion Lannister’s rule in King’s Landing in the second volume of A Song of Ice and Fire books, A Clash of Kings. In the reception of ASOIAF and the TV show Game of Thrones, Tyrion was considered one of the best rulers, and the TV show ended by making him 1234567890():,; Hand to a king who delegated the greatest part of ruling to him. The analysis is based on Foucault’s notion of monstrosity in power, which is characterized by a monstrous conduct and includes the excess and potential abuse of power. The article argues that monstrosity in his rule reveals deeper layers in Tyrion’s personality, which is initially suggested to be deﬁned by morality. The article also comes to the conclusion that his morality limits the scope of his monstrous methods, which eventually leads to his fall from power. ✉ 1 Eötvös Loránd University, Faculty of Humanities, Budapest, Hungary. email: [email protected] HUMANITIES AND SOCIAL SCIENCES COMMUNICATIONS | (2020) 7:70 | https://doi.org/10.1057/s41599-020-00562-3 1 ARTICLE HUMANITIES AND SOCIAL SCIENCES COMMUNICATIONS | https://doi.org/10.1057/s41599-020-00562-3 Introduction ne of the most compelling features of George R. R. of his character and anticipates that in the books Tyrion will turn OMartin’s A Song of Ice and Fire (ASOIAF) books is the a villain motivated by vengeance (Bryndenbﬁsh, 2019), which is way they present a richly detailed medieval fantasy world exactly the opposite of how his storyline ended in the TV show.
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