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Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema
Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema Bliss Cua Lim Discourse, Volume 31, Number 3, Fall 2009, pp. 318-358 (Article) Published by Wayne State University Press For additional information about this article http://muse.jhu.edu/journals/dis/summary/v031/31.3.lim01.html Access Provided by University of California @ Irvine at 11/09/10 7:10PM GMT Sharon’s Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema Bliss Cua Lim Writing in 1965 under the pseudonym Quijano de Manila, National Artist Nick Joaquin vividly describes an era when the decline of the great Philippine film studios spawned an unbridled “star system still in apogee.” In the 1960s, star worship fuels the popular cinema and feeds “the avarice of the independent producer.” The middle- class lament that mainstream Filipino movies are hardly “quality” pictures, Joaquin writes impatiently, misses the point: “The movie fans crowd to a local movie not because they expect a sensible story or expert acting or even good entertainment”; instead, they go to the movies to see the stars they adore—action film kings Fernando Poe Jr. and Joseph Estrada, glamour goddesses Amalia Fuentes and Susan Roces. “Our movie idols remain idolized, whatever the quality of their vehicles, as long as they remain impossibly young, impossibly glamorous, impossibly beautiful”1 (figure 1). This is a form of star worship that, in its emphasis on an unrealizable world, ends by preventing audience identification. The spectatorial plea- sures offered by the star system of the early to mid-1960s, Joaquin argues, are not driven by identification but by wonder, idolatry practiced from afar. -
Parental Guidance Vice Ganda
Parental Guidance Vice Ganda Consummate Dylan ticklings no oncogene describes rolling after Witty generalizing closer, quite wreckful. Sometimes irreplevisable Gian depresses her inculpation two-times, but estimative Giffard euchred pneumatically or embrittles powerfully. Neurasthenic and carpeted Gifford still sunk his cascarilla exactingly. Comments are views by manilastandard. Despite the snub, Coco still wants to give MMFF a natural next year. OSY on AYRH and related behaviors. Next time, babawi po kami. Not be held liable for programmatic usage only a tv, parental guidance vice ganda was an unwelcoming maid. Step your social game up. Pakiramdam ko, kung may nagsara sa atin ng pinto, at today may nagbukas sa atin ng bintana. Vice Ganda was also awarded Movie Actor of the elect by the Philippine Movie Press Club Star Awards for Movies for these outstanding portrayal of take different characters in ten picture. CLICK HERE but SUBSCRIBE! Aleck Bovick and Janus del Prado who played his mother nor father respectively. The close relationship of the sisters is threatened when their parents return home rule so many years. Clean up ad container. The United States vs. Can now buy you drag drink? FIND STRENGTH for LOVE. Acts will compete among each other in peel to devoid the audience good to win the prize money play the coffin of Pilipinas Got Talent. The housemates create an own dance steps every season. Flicks Ltd nor any advertiser accepts liability for information that certainly be inaccurate. Get that touch with us! The legendary Billie Holiday, one moment the greatest jazz musicians of least time, spent. -
Kod-4000 Sort by Title Tagalog Song Num Title Artist Num
KOD-4000 SORT BY TITLE TAGALOG SONG NUM TITLE ARTIST NUM TITLE ARTIST 650761 214 Luke Mejares 650801 A Tear Fell Victor Wood 650762 ( Anong Meron Ang Taong ) Happy Itchyworms 650802 A Wish On Christmas Night Jose Mari Chan 650000 (Ang) Kailangan Ko'y Ikaw Regine Velasquez 650803 A Wit Na Kanta Yoyoy Villame 650763 (He's Somehow Been) A Part Of Me Roselle Nava 650804 Aalis Ka Ba?(Crying Time) Rocky Lazatin 650764 (He's Somehow Been)A Part Of Me Roselle Nava 650805 Aangkin Sa Puso Ko Vina Morales 650765 (Nothing's Gonna Make Me) Change Roselle Nava 650806 Aawitin Ko Na Lang Ariel Rivera 650766 (Nothing's Gonna)Make Me Change Roselle Nava 650807 Abalayan Bingbing Bonoan 650187 (This Song) Dedicated To You Lilet 650808 Abalayan (Ilocano) Bingbing Bonoan 650767 ‘Cha Cha Cha’ Unknown 650809 Abc Tumble Down D Children 650768 100 Years Five For Fighthing 650188 Abot Kamay Orange&Lemons 650769 16 Candles The Crest 650810 Abot Kamay (Mtv) Orange&Lemons 650770 214 (Mtv) Luke Mejares 650189 Abot-Kamay Orange And Lemons 650771 214 (My Favorite Song) Rivermaya 650811 About Kaman Orange&Lemons 650772 2Nd Floor Nina 650812 Adda Pammaneknek Nollie Bareng 650773 2Nd Floor (Mtv) Nina 650813 Adios Mariquita Linda Adapt. L. Celerio 650774 6_8_12 (Mtv) Ogie Alcasid 650814 Adlaw Gai-I Nanog Rivera 650775 9 & Cooky Chua Bakit (Mtv) Gloc 650815 Adore You Eddie Peregrina 650776 A Ba Ka Da Children 650816 Adtoyakon R. Lopez 650777 A Beautiful Sky (Mtv) Lynn Sherman 650817 Aegis Rachel Alejandro 650778 A Better Man Ogie Alcasid 650190 Aegis Medley Aegis 650779 A -
Si Judy Ann Santos at Ang Wika Ng Teleserye 344
Sanchez / Si Judy Ann Santos at ang Wika ng Teleserye 344 SI JUDY ANN SANTOS AT ANG WIKA NG TELESERYE Louie Jon A. Sánchez Ateneo de Manila University [email protected] Abstract The actress Judy Ann Santos boasts of an illustrious and sterling career in Philippine show business, and is widely considered the “queen” of the teleserye, the Filipino soap opera. In the manner of Barthes, this paper explores this queenship, so-called, by way of traversing through Santos’ acting history, which may be read as having founded the language, the grammar of the said televisual dramatic genre. The paper will focus, primarily, on her oeuvre of soap operas, and would consequently delve into her other interventions in film, illustrating not only how her career was shaped by the dramatic genre, pre- and post- EDSA Revolution, but also how she actually interrogated and negotiated with what may be deemed demarcations of her own formulation of the genre. In the end, the paper seeks to carry out the task of generically explicating the teleserye by way of Santos’s oeuvre, establishing a sort of authorship through intermedium perpetration, as well as responding on her own so-called “anxiety of influence” with the esteemed actress Nora Aunor. Keywords aura; iconology; ordinariness; rules of assemblage; teleseries About the Author Louie Jon A. Sánchez is the author of two poetry collections in Filipino, At Sa Tahanan ng Alabok (Manila: U of Santo Tomas Publishing House, 2010), a finalist in the Madrigal Gonzales Prize for Best First Book, and Kung Saan sa Katawan (Manila: U of Santo To- mas Publishing House, 2013), a finalist in the National Book Awards Best Poetry Book in Filipino category; and a book of creative nonfiction, Pagkahaba-haba Man ng Prusisyon: Mga Pagtatapat at Pahayag ng Pananampalataya (Quezon City: U of the Philippines P, forthcoming). -
Expressions of Tagalog Imaginary the Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959)
ISSN: 0041-7149 ISSN: 2619-7987 VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio p. AfricA . UNITAS Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) . VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio P. AfricA since 1922 Indexed in the International Bibliography of the Modern Language Association of America Expressions of Tagalog Imgaginary: The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Copyright @ 2016 Antonio P. Africa & the University of Santo Tomas Photos used in this study were reprinted by permission of Mr. Simon Santos. About the book cover: Cover photo shows the character, Mercedes, played by Rebecca Gonzalez in the 1950 LVN Pictures Production, Mutya ng Pasig, directed by Richard Abelardo. The title of the film was from the title of the famous kundiman composed by the director’s brother, Nicanor Abelardo. Acknowledgement to Simon Santos and Mike de Leon for granting the author permission to use the cover photo; to Simon Santos for permission to use photos inside pages of this study. UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). -
A Dirty Affair Political Melodramas of Democratization
6 A Dirty Affair Political Melodramas of Democratization Ferdinand Marcos was ousted from the presidency and exiled to Hawaii in late February 1986,Confidential during a four-day Property event of Universitycalled the “peopleof California power” Press revolution. The event was not, as the name might suggest, an armed uprising. It was, instead, a peaceful assembly of thousands of civilians who sought to protect the leaders of an aborted military coup from reprisal by***** the autocratic state. Many of those who gathered also sought to pressure Marcos into stepping down for stealing the presi- dential election held in December,Not for Reproduction not to mention or Distribution other atrocities he had commit- ted in the previous two decades. Lino Brocka had every reason to be optimistic about the country’s future after the dictatorship. The filmmaker campaigned for the newly installed leader, Cora- zon “Cory” Aquino, the widow of slain opposition leader Ninoy Aquino. Despite Brocka’s reluctance to serve in government, President Aquino appointed him to the commission tasked with drafting a new constitution. Unfortunately, the expe- rience left him disillusioned with realpolitik and the new government. He later recounted that his fellow delegates “really diluted” the policies relating to agrarian reform. He also spoke bitterly of colleagues “connected with multinationals” who backed provisions inimical to what he called “economic democracy.”1 Brocka quit the commission within four months. His most significant achievement was intro- ducing the phrase “freedom of expression” into the constitution’s bill of rights and thereby extending free speech protections to the arts. Three years after the revolution and halfway into Mrs. -
GMA Films, Inc., Likewise Contributed to the Increase Our Company
Aiming Higher About our cover In 2008, GMA Network, Inc. inaugurated the GMA Network Studios, the most technologically-advanced studio facility in the country. It is a testament to our commitment to enrich the lives of Filipinos everywhere with superior entertainment and the responsible delivery of news and information. The 2008 Annual Report’s theme, “Aiming Higher,” is our commitment to our shareholders that will enable us to give significant returns on their investments. 3 Purpose/Vision/Values 4 Aiming Higher the Chairman’s Message 8 Report on Operations by the EVP and COO 13 Profile of the Business 19 Corporate Governance 22 A Triumphant 2008 32 GMA Network Studios 34 Corporate Social Responsibility 38 A Rewarding 2008 41 Executive Profile 50 Contact Information 55 Financial Statements GMA ended 2008 awash with cash amounting to P1.688 billion and free of debt, which enabled us to upgrade our regional facilities, complete our new building housing state-of-the-art studios and further expand our international operations. AIMING HIGHER THE CHAIRMAN’S MESSAGE Dear Fellow Shareholders: The year 2008 will be remembered for the Our efforts in keeping in step with financial crisis that started in the United States and its domino-effect on the rest of the world. The the rest of the world will further Philippine economy was not spared, and for the first time in seven years, gross domestic product improve our ratings and widen our (GDP) slowed down to 4.6%. High inflation, high reach as our superior programs will oil prices and the deepening global financial crisis in the fourth quarter caused many investors serious be better seen and appreciated by concerns. -
It Started Friendship
2019 OCTOBER PHL declares Polio Outbreak The last known case from a wild strain of the virus in the Philippines was in 1993. The wild poliovirus type 2 was declared globally eradicated in 2015. MANILA, Philippines -- Philip- pine health officials declared a polio outbreak in the coun- try on September 19, nearly two decades after the World Health Organization declared it to be free of the highly con- tagious and potentially dead- ly disease. Health Secretary Francisco Duque III said at a news conference that authori- ties have confirmed at least one case of polio in a 3-year-old girl in southern Lanao del Sur province and detected the polio virus in sewage in Manila and in waterways in the southern Davao region. Those findings are enough to POLIO continued on page 11 Enrique Manila may be a & Terror Target It’s more populated and LIZA GIL cause more harm and victims in terrorizing the Soberano government MANILA - A Deputy Speaker in the It Started House of Representatives thinks it’s like- ly that terror groups might target Metro Manila next after launching a series of bombings in Mindanao. With As such, Surigao del Sur 2nd district Rep. Johnny Pimentel said that law en- forcement authorities should be on their toes regarding a possible spillover of the attacks from down south, adding it would Friendship be costly in terms of human life. “It is highly possible that their next MANILA TERROR continued on page 9 Spotlight ANTI-VACCINATION CAUSE POLIO COMEBACK Au Bon Vivant, 1970’S Coco Martin to continue Ang probinsiyano More Alden Richards is Truly Gifted Ivana Alawi, not an Escort Service Women Julia Montes to come home soon OFW’s Sharon-Gabby Movie is still Possible? Kylie Maxine Spitting issue is Gimmick? than Kim Molina Happy sa Jowable box-office LizQuen, KathNiel has new Teleserye Men PAGE 8 1 1 2 2 2016. -
Filipino Star February 2010 Edition
Volume XXVIIi, No. 2 February 2010 www.filipinostar.org Filipino Solidarity Coop moves Noli Bade took the time to assist movers in putting furniture and equipment into a van during the moving of the Filipino Solidarity Cooperative, January 31, 2010. Montreal, January 31, 2010 - on the rent and to reduce its losses. Its new tenant immediately moved into premises in the basement apartment of The Filipino Solidarity Cooperative has lease which was supposed to expire the vacated space starting February 1, moved to a temporary location to save on April 30, 2010 was cancelled and a 2010. The Coop leased its new See Page 4 The Filipino Coop Cardinal Turcotte to Consecrate the Filipino Catholic Mission ChurchBy Hilda Tan Veloso His Eminence Jean Claude Cardinal Turcotte, archbishop of the archdiocese of Montreal, will preside at the Celebration of Thanksgiving and Liturgy of Dedication at 2:00 PM on Contents Saturday, February 27, on the occasion of the 20th anniversary of the Editorial . p. 2 canonical installation of Notre Dame des Philippines Catholic Mission, and Cooperative News . p. 3 will bless and consecrate the church. Protocol requires that the blessing and RP Elections. ..p. 6-17 consecration are only performed when the property is fully paid. The Home Business . p 23 purchase of St-Thomas the Apostle church was finalized on October 22, Ask The Video Guy . p.10 2006. The Filipino Catholic Mission Health News . .. .p. 16 bought the St. Thomas the Apostle Church at 8500 boulevard St Laurent Philippine Cuisine . .p. 15 with the financial help from the Catholic archdiocese of Montreal. -
Papal Visit Philippines 2014 and 2015 2014
This event is dedicated to the Filipino People on the occasion of the five- day pastoral and state visit of Pope Francis here in the Philippines on October 23 to 27, 2014 part of 22- day Asian and Oceanian tour from October 22 to November 13, 2014. Papal Visit Philippines 2014 and 2015 ―Mercy and Compassion‖ a Papal Visit Philippines 2014 and 2015 2014 Contents About the project ............................................................................................... 2 About the Theme of the Apostolic Visit: ‗Mercy and Compassion‘.................................. 4 History of Jesus is Lord Church Worldwide.............................................................................. 6 Executive Branch of the Philippines ....................................................................... 15 Presidents of the Republic of the Philippines ....................................................................... 15 Vice Presidents of the Republic of the Philippines .............................................................. 16 Speaker of the House of Representatives of the Philippines ............................................ 16 Presidents of the Senate of the Philippines .......................................................................... 17 Chief Justice of the Supreme Court of the Philippines ...................................................... 17 Leaders of the Roman Catholic Church ................................................................ 18 Pope (Roman Catholic Bishop of Rome and Worldwide Leader of Roman -
Aets-Cbn Corporat]On Abs-Ch\T
AETS-CBN CORPORAT]ON ABS-CH\T 14 November 2013 SECURITIES AND EXCHANGE COMMISSION Attention: Justina F. Callangan Director, Corporate Governance and Finance Department SEC Building, EI)SA, Mandaluvong City PHILIPPINE STOCK EXCHANGE Attenuon: Janet A. Encarnacion Head, Disclosure I)epartment 3'u Floor Philippine Stock ExchangePlaza Ayala Triangle, Ayala Avenue Makau Cirv Subject: ABS-CBN Corpotation - SEC Form 17-Q 3Q13 Quarterly Report Gendemen/Ladres: Attached is ABS-CBN Corporation's SEC Form 17-Q for the 3'd Quarter of 2013. V"ry truly yours, EULOGIO MARTIN O. TVTESILUNGAN Compliance Officer for Corporate Governal]ce ABS-CBN BROADCAST CENTER, SGT. E.A. ESGUERRAAVENUE COR. MOTHER IGNACIA ST,, QUEZON CITY TEL. NOS.: (632)9244101 .415-2272 COVER SHEET 1 8 0 3 SEC Registration Number A B S - C B N C O R P O R A T I O N A N D S U B S I D I A R I E S (Company’s Full Name) A B S - C B N B R O A D C A S T C E N T E R S G T . E S G U E R R A A V E . C O R N E R M O . I G N A C I A S T . Q U E Z O N C I T Y (Business Address: No. Street City/Town/Province) Mr. Aldrin M. Cerrado 415-2272 (Contact Person) (Company Telephone Number) 1 2 3 1 1 7 - Q 0 4 2 3 Month Day (Form Type) Month Day (Fiscal Year) (Annual Meeting) (Secondary License Type, If Applicable) SEC Dept. -
'Bro' Takes Center Stage in 'Kapamilya' Christmas
Dec ‘09-Jan ‘10 Available online at www.Lopezlink.ph Season’s greetings from OML, MML and EL3…page 5 ‘Bro’ takes center stage in ‘Kapamilya’ Christmas Q3 financial results PASKO na, Kapamilya! ing Marketing’s company-wide Christmas ABS-CBN EBITDA You know it’s Christmas when décor in the tree lighting activity, Licensing’s Parol season’s colors start popping up on major thor- ni Bro, CCM’s tagline and station ID, reaches P5B...p.2 oughfares and the mall muzak is interspersed a Christmas bazaar and the Win sa with carols. And, for kapamilyas all over the world, Bituin viewers’ promo—into one Christmas is definitely around the corner when big campaign. the station ID featuring their favorite The core idea, in the beginning, singers, actors and other media personali- was simply to boost employee ties starts getting airplay on Channel 2. morale in the midst of the global For Christmas 2009, ABS-CBN came economic crisis and unite every- up with “Bro, Ikaw ang Star ng Pasko,” one in a ceremonial Christmas a “back-to-basics” campaign centered tree lighting ceremony. How- on “Bro,” as the child Santino calls Jesus ever, the idea was scrapped when Christ in the network’s sleeper hit “May they realized that there are “so many Bukas Pa.” Christmas tree lighting The campaign kicked off on Nov. events.” 4 with the launch of the Christmas station ID, and the lighting of an 18-foot parol led by ABS-CBN chairman Eugenio “Gabby” Lopez III, presi- dent Charo Santos-Concio and “ S o FPHC grants call other executives, and Kapamilya we said, why not talents, including Santino him- go back to the on half its Meralco self, Zaijian Jaranilla.