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Olivier Munoz Is the New Principal and Artistic Director of the Maryland Youth Ballet
Olivier Munoz is the new Principal and Artistic Director of the Maryland Youth Ballet. Prior, he was the Principal Teacher at Orlando Ballet School for 14 years. Mr. Munoz began his studies at the National Conservatory of Dance of Lyon, France then went to the International Ballet School of Rosella Hightower in Cannes, a Laureate of the Prix de Lausanne. He has performed internationally all the leading roles of the classical repertoire; was a former Principal for the English National Ballet, Cleveland Ballet, and Northern Ballet Theater; and a Principal Guest Artist with Teatro Alla Scala, Tokyo Ballet, The Bolshoi, Ballet Philippines, and Ballet Nuevo Mundo. Mr. Munoz is a certified Professor of Dance from the French Ministry of Culture in France and also an ABT Affiliate Teacher, award certified in all levels of the ABT curriculum. He has served on the panel of the National Foundation for the Advancements in The Arts, selection committee for grants for the dance department. Mr. Munoz was also involved with several movies: Blue Suede Shows for PBS 1998, Drew Carey Show in 1997, and Love in 4 Acts for PBS in 1995. He has choreographed for Cleveland Ballet, Orlando Ballet School, Geoffrey Beene fashion show, and the Orlando Symphony. Mr. Munoz has been a recognized coach for YAGP since 2011, awarded Best Teacher several times, and is a renowned International Guest Master Teacher. For several years, he has served on the panel of judges for YAGP regional and international competitions from which he selects students to award with scholarships to study. . -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Paul Bley / NHØP Mp3, Flac, Wma
Paul Bley Paul Bley / NHØP mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Paul Bley / NHØP Country: Netherlands Released: 1979 Style: Free Jazz, Avantgarde MP3 version RAR size: 1268 mb FLAC version RAR size: 1533 mb WMA version RAR size: 1487 mb Rating: 4.7 Votes: 814 Other Formats: VOC MP1 ADX AC3 APE VQF MPC Tracklist Hide Credits Meeting A1 6:03 Composed By – Paul Bley Mating Of Urgency A2 3:51 Composed By – Paul Bley Carla A3 4:21 Composed By – Paul Bley Olhos De Gato A4 5:33 Composed By – Carla Bley Paradise Island B1 2:20 Composed By – Paul Bley Upstairs B2 3:07 Composed By – Paul Bley Later B3 5:23 Composed By – Paul Bley Summer B4 4:06 Composed By – Paul Bley Gesture Without Plot B5 5:33 Composed By – Annette Peacock Credits Acoustic Bass – Niels-Henning Ørsted Pedersen Design – Václav Blažek Photography By – Ib Skovgaard Piano – Paul Bley Producer – Nils Winther Notes A1 to A3, B3 to B5 recorded in Copenhagen June 24, 1973 and A4, B1, B2 recorded in Copenhagen July 1, 1973. Made in Holland on labels. Other versions Category Artist Title (Format) Label Category Country Year Paul Bley, NHØP* - Paul Bley, SCS 1005 Paul Bley / NHØP (LP, SteepleChase SCS 1005 Denmark 1973 NHØP* Album) Paul Bley / NHØP* - Paul Bley / Inner City IC 2005 Paul Bley . NHØP (LP, IC 2005 US 1976 NHØP* Records Album) Paul Bley, NHØP* - Paul Bley, UPS-2158-S Paul Bley / NHØP (LP, SteepleChase UPS-2158-S Japan 1982 NHØP* Album, RE) Paul Bley, NHØP* - Paul Bley, SCS 1005 Paul Bley / NHØP (LP, SteepleChase SCS 1005 Denmark Unknown NHØP* Album) Paul Bley, NHØP* - Paul Bley, 15PJ-2006 Paul Bley / NHØP (LP, SteepleChase 15PJ-2006 Japan 1973 NHØP* Album) Related Music albums to Paul Bley / NHØP by Paul Bley Paul Bley - Synth Thesis Paul Bley - Alone, Again Paul Bley - Footloose Carla Bley - The Best Of Big Band Paul Bley & Scorpio - Paul Bley & Scorpio Paul Bley - Turns Paul Bley Trio - The Nearness Of You Jimmy Giuffre Trio With Paul Bley & Steve Swallow - Carla Paul Bley - Paul Bley Paul Bley - Open, To Love. -
State High School Dance Festival 2014 – BYU Adjudicator and Master Class Teacher Bios
Utah Dance Education Organization State High School Dance Festival 2014 – BYU Adjudicator and Master Class Teacher Bios Kay Andersen received his Master of Arts degree at New York University. He resided in NYC for 15 years. From 1985-1997 he was a soloist with the Nikolais Dance Theatre and the Murray Louis Dance Company. He performed worldwide, participated in the creation of important roles, taught at the Nikolais/Louis Dance Lab in NYC and presented workshops throughout the world. At Southern Utah University he choreographs, teaches improvisation, composition, modern dance technique, tap dance technique, is the advisor of the Orchesis Modern Dance Club, and serves as Chair of the Department of Theatre Arts and Dance. He has choreographed for the Utah Shakespearean Festival and recently taught and choreographed in China, the Netherlands, Mexico, North Carolina School of the Arts, and others. Kay Andersen (SUU) Ashley Anderson is a choreographer based in Salt Lake City. Her recent work has been presented locally at the Rose Wagner Performing Arts Center, the Rio Gallery, the BYU Museum of Art, Finch Lane Gallery, the City Library, the Utah Heritage Foundation’s Ladies’ Literary Club, the Masonic Temple and Urban Lounge as well as national venues including DraftWork at Danspace Project, BodyBlend at Dixon Place, Performance Mix at Joyce SOHO (NY); Mascher Space Cooperative, Crane Arts Gallery, the Arts Bank (PA); and the Taubman Museum of Art (VA), among others. Her work was also presented by the HU/ADF MFA program at the American Dance Festival (NC) and the Kitchen (NY). She has recently performed in dances by Ishmael Houston-Jones, Regina Rocke & Dawn Springer. -
Annette Peacock Porta in Scena La Sua Carriera Da Outsider
A N N E T T E PEACOCK A VOLTE RITORNANO I concerti della compositrice free jazz americana sono ormai avvenimenti più unici che rari. A Londra, Annette Peacock porta in scena la sua carriera da outsider. di Giuseppe Zevolli 034 035 musica erso la metà degli anni 70, si nar- palesa alle sue rare esibizioni dal vivo e il ra, David Bowie avvicinò Annette cronico, imperdonabile ritardo, con cui la VPeacock al termine di un suo live, critica e il pubblico si accorgono della sua proponendole di suonare per lui il sinte- arte. “Sono stufa di fare uscire dischi da tizzatore in tour. Peacock, che in coppia pioniera che vengono apprezzati solo 20, con Paul Bley fu la prima a introdurre lo 40 anni dopo”, ammette. strumento in ambito jazz, rispose: “Te lo Che sia il jazz sperimentale, furibondo di S o n o s t u f a compri e impari a suonartelo da solo”. I’m The One (ristampato solo tre anni fa), i Anni prima dell’uscita di I’m The One suoi sensuali rap ante-litteram, l’uso anti- (1972), a oggi il suo lavoro più conosciuto, convenzionale della voce o le provocazioni d i f a r e Annette si era recata di persona da Ro- dei suoi poemi in musica, la ricezione delle bert Moog con l’obiettivo di convincerlo sue opere sembra procedere a scoppio ritar- a regalarle uno dei primissimi esemplari dato. Non solo early adopter del sintetizza- u s c i r e d i s c h i del leggendario synth modulare. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Programs for Children and Seniors, and a School Offering Dance Classes to Students of All Ages and Abilities
Presents MARK MORRIS DANCE GROUP COMPANY Mica Bernas* Sam Black Durell R. Comedy Rita Donahue Domingo Estrada, Jr. Lesley Garrison Lauren Grant Sarah Haarmann* Brian Lawson Aaron Loux Laurel Lynch Dallas McMurray Brandon Randolph Nicole Sabella Billy Smith Noah Vinson *apprentice MMDG MUSIC ENSEMBLE LUTHIEN BRACKETT, SARAH BRAILEY, COLIN FOWLER ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Mark Morris Nancy Umanoff with DURHAM SYMPHONY ORCHESTRA Maestro William Henry Curry, Conductor with NORTH CAROLINA MASTER CHORALE Alfred E. Sturgis, Music Director Friday, July 21 at 8:00pm Saturday, July 22 at 7:00pm Durham Performing Arts Center Performance: 90 minutes A LAKE Music Franz Joseph Haydn – Horn Concerto No. 2 in D major Costume Design Martin Pakledinaz Lighting Design James F. Ingalls Mica Bernas Durell R. Comedy Lesley Garrison Sarah Haarmann Brian Lawson Laurel Lynch Dallas McMurray Brandon Randolph Nicole Sabella Billy Smith DURHAM SYMPHONY ORCHESTRA Horn Tanner West Conductor Mark Morris Premiere: July 30, 1991 – White Oak Dance Project, Filene Center, Wolf Trap Farm Park, Vienna, Virginia Company premiere: March 17, 1992 – Harbourfront, Premiere Dance Theatre, Toronto, Canada EXCURSIONS Music Samuel Barber – Excursions for the Piano (Op. 20, IV, III, II, I) Costume Design Katherine M. Patterson Lighting Design Nicole Pearce Sam Black Rita Donahue Lesley Garrison Lauren Grant Aaron Loux Billy Smith Piano Colin Fowler Premiere: June 26, 2008 – Seiji Ozawa Hall, Tanglewood Music Center, Lenox, Massachusetts Commissioned in part by the Tanglewood Music Center of the Boston Symphony Orchestra. Music by arrangement with G. Schirmer, Inc., publisher and copyright owner. INTERMISSION GLORIA Music Antonio Vivaldi – Gloria in D (RV589) Lighting Design Michael Chybowski Sam Black Rita Donahue Domingo Estrada, Jr. -
Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009
http://oac.cdlib.org/findaid/ark:/13030/c8c24wzf No online items Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009 Preliminary processing by Andrea Wang; fully processed by Mike D'Errico in 2012 in the Center for Primary Research and Training (CFPRT), with assistance from Jillian Cuellar; machine-readable finding aid created by Caroline Cubé. The processing of this collection was generously supported by Arcadia funds. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2012 The Regents of the University of California. All rights reserved. Lewis Segal Collection of Dance 1890 1 and Theater Materials, 1902-2011; Bulk, 1970-2009 Descriptive Summary Title: Lewis Segal Collection of Dance and Theater Materials Date (inclusive): 1902-2011; Bulk, 1970-2009 Collection number: 1890 Collector: Segal, Lewis Extent: 24 record cartons (24 linear ft.) Abstract: Lewis Segal is a performing arts critic who has written on various topics related to the performing arts, from ballet to contemporary dance and musicals. He began working as a freelance writer in the 1960s for a number of publications, including the Los Angeles Times, Performing Arts magazine, the Los Angeles Free Press, Ballet News, and High Performance magazine. He joined the staff of the Los Angeles Times in 1976. From 1996 to 2008 he held the full-time position of chief dance critic, writing full features and reviews on dance companies and performing arts organizations from around the world. -
The Australian Ballet 1 2 Swan Lake Melbourne 23 September– 1 October
THE AUSTRALIAN BALLET 1 2 SWAN LAKE MELBOURNE 23 SEPTEMBER– 1 OCTOBER SYDNEY 2–21 DECEMBER Cover: Dimity Azoury. Photography Justin Rider Above: Leanne Stojmenov. Photography Branco Gaica Luke Ingham and Miwako Kubota. Photography Branco Gaica 4 COPPÉLIA NOTE FROM THE ARTISTIC DIRECTOR Dame Peggy van Praagh’s fingerprints are on everything we do at The Australian Ballet. How lucky we are to have been founded by such a visionary woman, and to live with the bounty of her legacy every day. Nowhere is this legacy more evident than in her glorious production of Coppélia, which she created for the company in 1979 with two other magnificent artists: director George Ogilvie and designer Kristian Fredrikson. It was her parting gift to the company and it remains a jewel in the crown of our classical repertoire. Dame Peggy was a renowned Swanilda, and this was her second production of Coppélia. Her first was for the Borovansky Ballet in 1960; it was performed as part of The Australian Ballet’s first season in 1962, and was revived in subsequent years. When Dame Peggy returned to The Australian Ballet from retirement in 1978 she began to prepare this new production, which was to be her last. It is a timeless classic, and I am sure it will be performed well into the company’s future. Dame Peggy and Kristian are no longer with us, but in 2016 we had the great pleasure of welcoming George Ogilvie back to the company to oversee the staging of this production. George and Dame Peggy delved into the original Hoffmann story, layering this production with such depth of character and theatricality. -
Frank Kimbrough Frank Kimbrough Solstice SOLS T ICE
PRESS CONTACT: PIROUET Records Grünwalder Weg 30 · 82041 Oberhaching · Germany Steffen Mayer press release www.pirouet.com · [email protected] phone: +49-89-55 077674 Spritzenplatz 12 22765 Hamburg Germany phone: +49-40-8817288-6 [email protected] www.herzogpromotion.com frank kimbrough Frank Kimbrough Solstice SOLS T ICE Frank Kimbrough · piano Jay Anderson · bass Jeff Hirshfield · drums Release date: November 25, 2016 Pirouet Records · PIT3097 Distribution: 1. Seven 2. Here Come the Honey Man 3. Solstice USA, Canada, Europe (except GB): NRW Distribution 4. The Sunflower 5. Albert’s Love Theme Digital: Believe Digital 6. Question’s the Answer 7. From California with Love 8. El Cordobes 9. Walking by Flashlight Press release Frank Kimbrough: Solstice 1 Release: November 25, 2016 Pirouet Records · PIT3097 PRESS CONTACT: PIROUET Records Grünwalder Weg 30 · 82041 Oberhaching · Germany Steffen Mayer press release www.pirouet.com · [email protected] phone: +49-89-55 077674 Spritzenplatz 12 22765 Hamburg Germany phone: +49-40-8817288-6 [email protected] www.herzogpromotion.com Solstice: exploring the boundaries of darkness and light Frank Kimbrough counts among a handful of New York-based pianists who have been refining and expanding the language of ensemble playing over the last few decades (this November he marks 35 years in New York and his sixtieth birthday). Declared a “a near-visionary whose piano-improvising, composing, and band-leading skills seek out the dark corners of untrod jazz terrain” by The New Yorker, Kimbrough is noted for his exquisite ensemble, trio and solo recordings as well as his duo work with Lee Konitz, Scott Robinson, Joe Locke and Paul Bley, his work as a sideman in Dewey Redman’s quartet, and his long-term involvement with the Jazz Composers Collective and the Maria Schneider Orchestra. -
Booklet Ansicht
2015 feierte das Kunstmuseum Stuttgart sein 10jähriges Bestehen. Anlässlich besonderes Konzept entwickelt. Die Bühne befand sich im Zentrum des Saals, aller- dieses Jubiläums haben wir unser Programm unter das Motto »Kunst & Musik« dings nicht parallel zu den Wänden, sondern dynamisch leicht schräg platziert. Dazu gestellt. Neben Filmreihen, Konzerten und Performances bildete eine große Sonder- war das Auditorium von mehreren Lautsprechern umgeben, so dass sich der Klang ausstellung dabei den Höhepunkt unserer Festivitäten. Mit I Got Rhythm. Kunst und frei im Raum entfalten konnte. Auf der Bühne spielten Vater und Sohn mit Blick Jazz seit 1920, so der Titel der Präsentation, zeigten wir anhand herausragender zueinander. Als Zuschauer konnte man dank dieser Anordnung der nonverbalen künstlerischer Arbeiten, dass der Jazz von Beginn an eine bemerkenswerte Rezeption Kommunikation zwischen beiden und dem musikalischen Wechselspiel aus Aktion auch in der Kunstszene hervorgerufen hat. und Reaktion folgen. Da Jazz ein Stil ist, dessen Intensität und Unmittelbarkeit vor allem live zum Aus- Eigens für diesen Anlass hat Dauner das Programm Elektronische Mythen kompo- druck kommt, veranstalteten wir im Begleitprogramm von I Got Rhythm eine Reihe niert, bei dem improvisierte Passagen mit vorproduziertem Klangmaterial verknüpft von Konzerten. Zum Auftakt luden wir ganz bewusst Wolfgang Dauner ein, denn der werden und akustische Instrumente wie Konzertflügel und Schlagzeug auf pro- Pianist und Komponist war gleich aus mehreren Gründen der perfekte Beginn: grammierte Sounds aus Laptop und E-Drum treffen: ein so beeindruckender wie Erstens ist Dauner eine lebende Jazz-Legende, die zwar in Stuttgart beheimatet, mitreißender Abend, der deutlich machte, wie geistreich und humorvoll, komplex aber auf den Bühnen der Welt zu Hause ist. -
Paul Bley Discography Download
Paul bley discography download LINK TO DOWNLOAD rows · Find Paul Bley discography, albums and singles on AllMusic. 91 rows · Paul Bley discography. Jump to navigation Jump to search. This is the discography for . * Savoy SJL Various Artists - New Music: Second Wave * Savoy MG Paul Bley - Footloose! = BYG (F) Paul Bley - Footloose * Savoy SJL Paul Bley With Steve Swallow & Pete LaRoca - Syndrome * Savoy SJL Paul Bley With Steve Swallow & Pete LaRoca - Floater. Paul Bley Quartet. John Gilmore, tenor sax; Paul Bley, piano; Gary Peacock, bass; Paul Motian, drums. View credits, reviews, tracks and shop for the Vinyl release of Paul Bley on Discogs. Label: Wing Records - MGW • Format: Vinyl LP, Album, Mono • Country: US • Genre: Jazz • Paul Bley - Paul Bley (, Vinyl) | Discogs. Paul Bley discography and songs: Music profile for Paul Bley, born 10 November Genres: Avant- Garde Jazz, Jazz, Free Jazz. Albums include Open, to Love, Jaco Pastorius / Pat Metheny / Bruce Ditmas / Paul Bley, and Diane. Paul Bley - Discography (48 Albums) Hit -> DOWNLOAD (Mirror #1). 86 rows · Paul Bley: Open, to Love "Closer", "Ida Lupino" and "Seven" Steve Kuhn: Steve Kuhn . Download discography Paul Bley on site renuzap.podarokideal.ru Quality: DSD () 1 Bit / 2,8 MHz (ISO) + FLAC 24 bit / kHz (Tracks) Artist: Paul Bley with Masahiko Togashi Title: Echo Released: Style: Jazz RAR Size: Gb + Mb. cd. イントロデューシング・ポール・ブ レイ+4 発売日. 価 格. ¥1, (税込) 品 番. ucco Paul Bley 4 Sweet Basil, Greenwich Village, NY, May 31, Paul Bley - Gary Peacock 2 Sound On Sound, NYC, Dec. 18, Paul Bley 3 Dec. 22, Paul Bley - Charlie Haden - Paul Motian 3 Mondial Sound, Milan, Italy, July 20, Paul Bley 1 .