Femininity and Masculinity in Bridget Jones's Diary by Helen Fielding
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Helen Fielding Speaker Profile
Helen Fielding Novelist & Screenwriter CSA CELEBRITY SPEAKERS Helen Fielding is an English novelist and screenwriter, best known as the creator of the fictional character Bridget Jones, and a sequence of novels and films beginning with the life of a thirty-something singleton in London trying to make sense of life and love. "The face behind Bridget Jones" En detalle Idiomas 'Bridget Jones's Diary' and 'Bridget Jones: The Edge of Reason' She presents in English. were published in 40 countries and sold more than 15 million copies. The two films of the same name achieved international ¿Quiere saber más? success. 'Bridget Jones: Mad About the Boy' was published with Llámenos o envienos un e-mail para saber exactamente lo que record-breaking first-day sales in the UK. Late 2016 saw the el/ella puede aportar a su evento. release of the third movie: Bridget Jones's Baby. Helen studied English at St Anne's College, Oxford and was part of the Oxford ¿Quiere contratarlo/la? revue at the 1978 Edinburgh Festival and began work at the BBC Simplemente llámenos o envíenos o e-mail. Detalles más abajo. in 1979 as a regional researcher on the news magazine Nationwide. In 1985 Helen produced a live satellite broadcast Publicaciones from a refugee camp in Eastern Sudan for the launch of Comic 2016 Relief. From 1990 - 1999 she worked as a journalist and Bridget Jones's Baby columnist on several national newspapers and The Telegraph. 2013 Qué le ofrece Bridget Jones: Mad About the Boy An experienced media personality and creator of Bridget Jones, 1998 Helen shares her experiences of becoming one of the world's Bridget Jones: The Edge of Reason most read authors. -
TLG to Big Reading
The Little Guide to Big Reading Talking BBC Big Read books with family, friends and colleagues Contents Introduction page 3 Setting up your own BBC Big Read book group page 4 Book groups at work page 7 Some ideas on what to talk about in your group page 9 The Top 21 page 10 The Top 100 page 20 Other ways to share BBC Big Read books page 26 What next? page 27 The Little Guide to Big Reading was created in collaboration with Booktrust 2 Introduction “I’ve voted for my best-loved book – what do I do now?” The BBC Big Read started with an open invitation for everyone to nominate a favourite book resulting in a list of the nation’s Top 100 books.It will finish by focusing on just 21 novels which matter to millions and give you the chance to vote for your favourite and decide the title of the nation’s best-loved book. This guide provides some ideas on ways to approach The Big Read and advice on: • setting up a Big Read book group • what to talk about and how to structure your meetings • finding other ways to share Big Read books Whether you’re reading by yourself or planning to start a reading group, you can plan your reading around The BBC Big Read and join the nation’s biggest ever book club! 3 Setting up your own BBC Big Read book group “Ours is a social group, really. I sometimes think the book’s just an extra excuse for us to get together once a month.” “I’ve learnt such a lot about literature from the people there.And I’ve read books I’d never have chosen for myself – a real consciousness raiser.” “I’m reading all the time now – and I’m not a reader.” Book groups can be very enjoyable and stimulating.There are tens of thousands of them in existence in the UK and each one is different. -
PEARL JAM, BEYONCÉ, ED SHEERAN and COLDPLAY to Headline 2015 GLOBAL CITIZEN FESTIVAL
PEARL JAM, BEYONCÉ, ED SHEERAN and COLDPLAY to headline 2015 GLOBAL CITIZEN FESTIVAL Free Ticketed Event on the Great Lawn in Central Park on September 26, 2015 msnbc to Simulcast Concert Live on TV and msnbc.com; YouTube to Carry the Livestream; NBC to Broadcast One-Hour Special; iHeartRadio and TIDAL to globally stream concert audio Global Citizens to Call for Support on new Global Goals to Fight Inequality, Protect our Planet and End Extreme Poverty by 2030 Gucci and CHIME FOR CHANGE join as Presenting Partner and Announce Long-Term Partnership with Global Citizen to Drive Equality of Girls and Women New York, NY, July 9, 2015 – Pearl Jam, Beyoncé, Ed Sheeran and Coldplay will headline the 2015 Global Citizen Festival, a free-ticketed event on the Great Lawn in Central Park in New York City on Saturday, September 26, 2015. The Festival is timed to coincide with the launch of the United Nations’ new Global Goals designed to fight inequality, protect our planet and end extreme poverty by 2030. The Global Citizen Festival will channel the power of hundreds of thousands of global citizens lending their voices to achieve policy and financial commitments that will shape the success of these Goals. msnbc will serve as a media partner of the Global Citizen Festival for the second year in a row. The network will air a live simulcast of the full concert on msnbc and msnbc.com. The Festival will be produced by Emmy Award-winning producer, Ken Ehrlich (Grammy Awards). Academy Award-nominated screenwriter Richard Curtis (Bridget Jones's Diary, Love Actually) will produce a one-hour special of the event to air on NBC on Sunday, September 27 and BBC One in the UK on Monday, September 28. -
Contributors Are
Advisory Board Members Gale Primary Sources: The Independent Digital Archive, 1986-2012 Notable contributors are: Andrew Marr Janet Street-Porter A well-known political journalist and commentator Well-known and often controversial journalist and who hosts a number of influential programmes on broadcaster who edited the Independent on the subject on the BBC. He edited The Sunday from 1999. Independent for a brief period in the 1990s, as well as writing political comments. Rosie Boycott British journalist who founded the feminist William Rees-Mogg magazine Spare Rib in 1971, and later founded A extremely influential journalist, former editor Virago Press, dedicated to women’s writing. She of The Times, and Member of the House of Lords, edited The Independent and the Independent on he was a columnist for The Independent from its Sunday from 1996-1998, and was a leading voice in founding in 1986 until 1992. the newspaper’s campaign to legalise cannabis. Dominic Lawson Tracey Emin A British journalist and former editor of The Sunday Controversial British artist who has written articles Telegraph who wrote columns for The on her works in The Independent. Independent from 2006 to 2013. Helen Fielding Robert Fisk British writer famous for her iconic comic creation The Middle East correspondent for The Bridget Jones, whose famous ‘Diary’ started life as Independent for more than two decades who has a column in The Independent. been ‘International Journalist of the Year’ seven times, he is famous for being one of the few Sebastian Faulks western journalists to remain in Beirut during the British novelist famous for the World War I height of the civil war and for his interviews with drama Birdsong, among others, and for his Osama bin Laden, accounts of which are printed in appearances on TV and radio. -
Interview with Helen Fielding
iUniverse.com - The Web's Best Place for Writers Who Have Been or Want to Be Publishe.. Page 1 of 5 Content Customized. On Demand, On Any Piatferr IUn(verse,ciiin Open the door, for p-. Book Search Title P I ___ _.. =S "Ilia Shopping Cart Location: Home: Communities: News & Articles: Communities Bridget Jones from the Airport Stoiy. Read and submit articles, chat, M" on Tour with Bridget Toiir publish and market your book. Join one Jones Book of 632 Communities today! by Elizabeth Michaelson News & Articles Featured Community: Number of bestsellers Reuters Book News written 2 (v. good) Publishing News Cosmetics - Are number of people Features they worth the asking for my opinions risk? - Judi Vance, hundreds (am dearly Columns iUniverse.com voice of wisdom) author of Beauty to Tips & How.- to Die For - The number of suitcase Interviews mishaps 2 (so far) ...A Cosmetic • "Juicy Tomatoes" Consequence , possible entry to ready for launch hosts this Bridget Jones' American diary. • Interview with the community on author of Wheel of health issues Desire relating to cosmetic Since her self-titled use. Her book and debut in Bridget Jones' Helen Fielding • Biography of a Photo © Piers Fletcher Vietnam War expertise come to Diary, readers on both Photograph light on Canada's sides of the Atlantic Discovery Channel have been enthralled "I started off the • Medium with a this November in a by the adventures of Message four-part series, London's most famous tour picking up the • Stones from Home "Hope and Beauty: singleton. In the wrong suitcase at and the Road The Story of sequel, Bridget Jones: Cosmetics." the airport. -
Universidade Do Estado Do Rio De Janeiro Centro De Educação E Humanidades Instituto De Letras
Universidade do Estado do Rio de Janeiro Centro de Educação e Humanidades Instituto de Letras Natália Batista Benetti Have you met Miss Jones? Analysing Helen Fielding’s Bridget Jones’s Diary, a 1990s novel in dialogue with Jane Austen’s Pride and Prejudice Rio de Janeiro 2016 Natália Batista Benetti Have you met Miss Jones? Analysing Helen Fielding’s Bridget Jones’s Diary, a 1990s novel in dialogue with Jane Austen’s Pride and Prejudice Dissertação apresentada, como requisito parcial para obtenção do título de Mestre, ao Programa de Pós-Graduação em Letras da Universidade do Estado do Rio de Janeiro. Área de concentração: Literaturas de Língua Inglesa. Orientadora: Prof.ª Dra. Ana Lucia de Souza Henriques Rio de Janeiro 2016 CATALOGAÇÃO NA FONTE UERJ/REDE SIRIUS/BIBLIOTECA CEH/B B471 Benetti, Natália Batista. Have you met Miss Jones? Analysing Helen Fielding’s Bridget Jones’s diary, a 1990s novel in dialogue with Jane Austen’s Pride and prejudice / Natália Batista Benetti. – 2016. 95 f. Orientadora: Ana Lucia de Souza Henriques. Dissertação (mestrado) – Universidade do Estado do Rio de Janeiro, Instituto de Letras. 1. Ficção inglesa – História e crítica – Teses. 2. Austen, Jane, 1775-1817 - Crítica e interpretação – Teses. 3. Austen, Jane, 1775-1817. Orgulho e preconceito – Teses. 4. Fielding, Helen, 1958- - Crítica e interpretação – Teses. 5. Fielding, Helen, 1958-. O diário de Bridget Jones – Teses. 6. Mulheres na literatura – Teses. 7. Intertextualidade – Teses. I. Henriques, Ana Lúcia de Souza. II. Universidade do Estado do Rio de Janeiro. Instituto de Letras. III. Título. CDU 820-95 Autorizo, apenas para fins acadêmicos e científicos, a reprodução total ou parcial desta dissertação desde que citada a fonte. -
Adaptation, Accessibility, and Creative Autonomy in Helen Fielding's Bridget Jones Series
Mississippi State University Scholars Junction Theses and Dissertations Theses and Dissertations 5-1-2019 Adaptation, accessibility, and creative autonomy in Helen Fielding’s Bridget Jones series Karleigh Elizabeth Welch Kimbrell Follow this and additional works at: https://scholarsjunction.msstate.edu/td Recommended Citation Kimbrell, Karleigh Elizabeth Welch, "Adaptation, accessibility, and creative autonomy in Helen Fielding’s Bridget Jones series" (2019). Theses and Dissertations. 376. https://scholarsjunction.msstate.edu/td/376 This Graduate Thesis - Open Access is brought to you for free and open access by the Theses and Dissertations at Scholars Junction. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholars Junction. For more information, please contact [email protected]. Template A v4.0 (beta): Created by L. Threet 01/2019 Adaptation, accessibility, and creative autonomy in Helen Fielding’s Bridget Jones series By TITLE PAGE Karleigh Elizabeth Welch Kimbrell A Thesis Submitted to the Faculty of Mississippi State University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English in the Department of English Mississippi State, Mississippi May 2019 Copyright by COPYRIGHT PAGE Karleigh Elizabeth Welch Kimbrell 2019 Adaptation, accessibility, and creative autonomy in Helen Fielding’s Bridget Jones series By APPROVAL PAGE Karleigh Elizabeth Welch Kimbrell Approved: ____________________________________ Kelly Marsh (Director of Thesis) ____________________________________ -
Bakalářská Práce HELEN FIELDING and HER DEPICTION OF
Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2013 Tereza Mitáčková Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce HELEN FIELDING AND HER DEPICTION OF MODERN BRITISH WOMAN Tereza Mitáčková Plzeň 2013 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – ruština Bakalářská práce HELEN FIELDING AND HER DEPICTION OF MODERN BRITISH WOMAN Tereza Mitáčková Vedoucí práce: Kašparová Jana, Mgr. et. Mgr. Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2013 Prohlašuji, že jsem práci zpracoval(a) samostatně a použil(a) jen uvedených pramenů a literatury. Plzeň, duben 2013 ……………………… Acknoledgement I would like to thank my supervisor, Mgr. et. Mgr. Jana Kašparová, for continual support and professional consultation. 1 INTRODUCTION .......................................................................... 1 THEORETICAL PART ..................................................................... 2 2.1 HELEN FIELDING .................................................................................... 2 2.1.1 COMIC RELIEF.................................................................................. 4 2.2 THE NOVELS ........................................................................................... 5 2.2.1 CAUSE CELEB .................................................................................. 5 2.2.2 BRIDGET JONES‟ DIARY -
Books, Bras and Bridget Jones: Reading Adaptions of Pride and Prejudice
Books, Bras and Bridget Jones: reading adaptions of Pride and Prejudice OLIVIA MURPHY 'Miss Eliza Bennet,' said Miss Bingley, 'despises cards.She is a great reader and has no pleasure in anything else.' 'I deserve neither such praise nor such censure,' cried Elizabeth; 'I am not a great reader, and I have pleasure in many things.'1 At no time in the two hundred years since Jane Austen submitted First Impressions for publication has her work been more popular than in the last decade.2 The phenomenon of Austenmania has seen Sense and Sensibility-a novel that for years struggled for inclusion among Austen's 'mature' fiction3- on the New York Times bestseller list, one hundred and eighty-four years after its first publication.4 The impetus for this sudden explosion in interest in Jane Austen can be traced to one week in September 1995, when ten million people in Britain watched Mr. Darcy dive into his pond at Pemberley.5 Before the end of that year, film versions of Persuasion and Sense and Sensibility would be released and the BBC would immediately replay the entire six-part series of Pride and Prejudice.6 In the following year Clueless would be joined by separate film and television versions of Emma.7 Eventually, Pride and Prejudice would become one of the BBC's (and the American A&E station's) most successful programmes.8 Its popularity brought new readers to Austen's best-known novel, readers who, for the most part, read outside of any academic context. It is these new readings of Pride and Prejudice, however, proliferating in the wake of its adaptation, which contain the greatest significance for our contemporary understanding of Austen, and compel us to examine and re-examine the novel and its adaptations in light of one another. -
A FEMINIST STUDY of POSTMODERN ADAPTATION by MIRANDA MANEY YAGGI (Under the Direction of Roxanne Eberle
ADAPTIVE CRITICISM: A FEMINIST STUDY OF POSTMODERN ADAPTATION by MIRANDA MANEY YAGGI (Under the Direction of Roxanne Eberle and Anne Williams) ABSTRACT A recent explosion in adaptations of nineteenth-century canonical texts has sparked extreme interest in the academic community, and a great deal of controversy has since ensued regarding the role adaptations play in relation to their original source material. This unprecedented peak in critical attention surrounding adaptation has highlighted the limitations scholarship faces in defining, interpreting, and theorizing about this genre that annexes multiple academic fields. Focusing specifically on adaptations of nineteenth-century women’s writing, I argue that traditional approaches to adaptation are no longer productive for grappling with the vast changes postmodernism has instigated in the genre. Identifying a new trend, which I term “adaptive criticism,” I argue that recent adaptations incorporate scholarship, self-reflexive meditations upon the connection between source material and new creation, and move away from mimetic re-telling to culturally-informed re-invention. INDEX WORDS: Adaptation, Nineteenth-Century Women Writers, Conduct Literature, Gothic, Sex and the City, Bridget Jones’s Diary, The Matrix, Jane Austen, Mary Shelley ADAPTIVE CRITICISM: A FEMINIST STUDY OF POSTMODERN ADAPTATION by MIRANDA MANEY YAGGI Bachelor of Arts, Reinhardt College, 1999 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree -
The Transformation of Pride and Prejudice Into Film and Television Camila Rojas
Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2012 From Classic Novel to Popular Culture: The Transformation of Pride and Prejudice into Film and Television Camila Rojas Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] Abstract: (Pride & Prejudice, Literature, Film) This thesis deals with film adaptations of Pride and Prejudice by Jane Austen. This work examines how this particular novel has been translated into film and the issues that arise from changing media. This study focuses on five different films [Pride and Prejudice (1980), Pride and Prejudice (1995), Pride and Prejudice (2005), Bride and Prejudice (2004) and Bridget Jones’s Diary (2001)] and their relationship to the book and adaptation theory. To provide the reader with a greater understanding of adaptation theory, this thesis will include a section briefly outlining current adaptation studies followed by in-depth analyses of each film in comparison to the novel and theory. THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS & SCIENCES FROM CLASSIC NOVEL TO POPULAR CULTURE: THE TRANSFORMATION OF PRIDE AND PREJUDICE INTO FILM AND TELEVISION By CAMILA ROJAS A Thesis submitted to the Department of English in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring, 2012 The members of the Defense Committee approve the thesis of Camila Rojas defended on April 18, 2012. ____________________________ Dr. Eric Walker Thesis Director ____________________________ Professor Barbara Hamby Committee Member ____________________________ Dr. Valliere Richard Auzenne Outside Committee Member Table of Contents Chapter I. Preface…………………………………………………………………………………..…1 II. Introduction………………………………………………………………………………..2 - Adaptation Theory - Pride and Prejudice: Novel III. -
A Comparative Study Between Jane Austen's Pride and Prejudice And
A Comparative Study between Jane Austen’s Pride and Prejudice and Helen Fielding’s Bridget Jones’s Diary Erina Yamane This thesis examines the identities of Elizabeth Bennet and Bridget Jones in terms of nationalism, feminism and the familial relationship, by making a comparative study between Jane Austen’s Pride and Prejudice in the eighteenth century and Helen Fielding’s Bridget Jones’s Diary in the twentieth century. It also clarifies Bridget’s role as a ‘bridge’ in the story. The first chapter analyzes some similarities in terms of plots and some characters, and differences in style and in the role of women, between the two novels. The second chapter surveys Elizabeth and Bridget’s nationalism. Elizabeth’s world looks restricted and narrow; however, its limitation creates her well-defined position as an observer. Nationalism for Elizabeth and Austen is formed by patriotically supporting England in opposition to France. On the other hand, Bridget’s world looks unfixed and varied because of its multiculturalism. Her openness to diverse media ironically emphasizes her limitedness and self-indulgence. Bridget’s attitude toward oriental culture and American culture is caused by her antipathy towards America and ethnic minorities; however, her identity is unbalanced between England and America. She tries to keep her antagonistic identity by satirizing other social classes and fails in her self-establishment because she limitedly uses the concept of“we”. The third chapter examines the heroines in terms of feminism. Elizabeth achieves a triumph over a male and the upper class as a woman in the middle class. Pride and Prejudice is often recognized as a feminist text.