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Kaya Hip-Hop in Coastal Kenya: the Urban Poetry of UKOO FLANI
Page 1 of 46 Kaya Hip-Hop in Coastal Kenya: The Urban Poetry of UKOO FLANI By: Divinity LaShelle Barkley [email protected] Academic Director: Athman Lali Omar I.S.P. Advisor: Professor Mohamed Abdulaziz S.I.T. Kenya, Fall 2007 Coastal Cultures & Swahili Studies Kaya Hip Hop in Coastal Kenya Fall 2007 ISP, SIT Kenya By: Divinity L. Barkley Page 2 of 46 Table of Contents Acknowledgements………………………………………..………………….page 3 Abstract……………………………………………..…………………………page 4 Introduction…………………………………..……………………………pages 5-8 Hip-Hop & Kenyan Youth Culture Research Problem Status of Hip-Hop in Kenya Hypotheses The Setting……………………………….………………………………pages 9-10 Methodology: Data Collection……………………………………..…pages 10-12 Biases and Assumptions………………………..………...…………...pages 13-14 Discussion & Analysis…………………………………………………pages 14-38 Ukoo Flani ni nani? Kaya Hip-Hop Traditional Role of Music in African Culture Genesis of Rap/Hip-hop in American Ghettoes The Ties That Bind Kenyan Radio The Maskani Ghetto Life Will the real Ukoo Flani please stand up? Urban Poetry: Analyzing Ukoo Flani’s Lyrics Conclusion…………………………..……………………….…………pages 38-42 Conclusion Part I: The Future of Ukoo Flani Conclusion Part II: Hypotheses Results Conclusion Part III: Recommendations for Future SIT Students Bibliography………………………………………………..…………..pages 43-44 Interview/Meeting Schedule………………………………………………page 45 ISP Review Sheet…………….……………………………………….……page 46 Kaya Hip Hop in Coastal Kenya Fall 2007 ISP, SIT Kenya By: Divinity L. Barkley Page 3 of 46 Acknowledgements First and foremost, I would like to thank the entire Ukoo Flani crew for their contributions to my project. I am fascinated by your amazing talent and dedication to making positive music to inspire future generations. I am amazed at what you have been able to accomplish despite limited access to resources. -
Gender Dimensions in Emerging African Music Genres: a Case of Kenyan Local Hip Hop
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 24, Issue 5, Ser. 9 (May. 2019) 54-61 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Gender Dimensions in Emerging African Music Genres: A Case of Kenyan Local Hip Hop Pamela N.Wanjala Shamberere Technical Training Institute P.o Box 1316, Kakamega, Kenya Abstract: The question of gender bias is now seen as a major challenge in almost every discipline that deals with human behavior, cognition, institutions, society and culture. Therefore, this paper was an attempt to investigate gender dimensions in the emerging African genres; a case study of local hip hop songs in Kenya. It discussed the extent to which hip hop language is gender biased. It focused on the popular local hip hop songs and video images that occur with the songs. The study used the Social Semiotic Theory in the theoretical framework. Ten hip hop songs and ten video excerpts were purposively selected for analysis. The hip hop songs were coded according to the name of the artist and year of production. The data was analyzed under three sections: Linguistic analysis, Image analysis and Gender analysis. The study revealed that indeed there is gender bias in the language of the favourite youth culture. This was revealed in the lexis that distinguishes gender, in the syntactic analysis and also in the image analysis. It was found that in hip hop music, men tend to be regarded higher in terms of roles, occupation and general human traits like strength and control than women. The study therefore recommends that radio and television stations, and other advertising agencies should join the battle for women liberation by using gender sensitive language and focusing on positive and constructive societal changes in terms of gender roles. -
Tribute to Champions
HLETIC C AT OM M A IS M S O I C O A N T Tribute to Champions May 30th, 2019 McGavick Conference Center, Lakewood, WA FEATURING CONNELLY LAW OFFICES EXCELLENCE IN OFFICIATING AWARD • Boys Basketball–Mike Stephenson • Girls Basketball–Hiram “BJ” Aea • Football–Joe Horn • Soccer–Larry Baughman • Softball–Scott Buser • Volleyball–Peter Thomas • Wrestling–Chris Brayton FROSTY WESTERING EXCELLENCE IN COACHING AWARD Patty Ley, Cross Country Coach, Gig Harbor HS Paul Souza, Softball & Volleyball Coach, Washington HS FIRST FAMILY OF SPORTS AWARD The McPhee Family—Bill and Georgia (parents) and children Kathy, Diane, Scott, Colleen, Brad, Mark, Maureen, Bryce and Jim DOUG MCARTHUR LIFETIME ACHIEVEMENT AWARD Willie Stewart, Retired Lincoln HS Principal Dan Watson, Retired Lincoln HS Track Coach DICK HANNULA MALE & FEMALE AMATEUR ATHLETE OF THE YEAR AWARD Jamie Lange, Basketball and Soccer, Sumner/Univ. of Puget Sound Kaleb McGary, Football, Fife/Univ. of Washington TACOMA-PIERCE COUNTY SPORTS HALL OF FAME INDUCTEES • Baseball–Tony Barron • Basketball–Jim Black, Jennifer Gray Reiter, Tim Kelly and Bob Niehl • Bowling–Mike Karch • Boxing–Emmett Linton, Jr. and Bobby Pasquale • Football–Singor Mobley • Karate–Steve Curran p • Media–Bruce Larson (photographer) • Snowboarding–Liz Daley • Swimming–Dennis Larsen • Track and Field–Pat Tyson and Joel Wingard • Wrestling–Kylee Bishop 1 2 The Tacoma Athletic Commission—Celebrating COMMITTEE and Supporting Students and Amateur Athletics Chairman ������������������������������Marc Blau for 76 years in Pierce -
'Survival of 'Radio Culture'
Coventry University Coventry University Repository for the Virtual Environment (CURVE) Author name: Mudhai, O.F. Title: Survival of ‘radio culture’ in a converged networked new media environment. Article & version: Post-print Original citation & hyperlink: Mudhai, O.F. (2011) 'Survival of ‘radio culture’ in a converged networked new media environment' in Popular Media, Democracy and Development in Africa. ed. Herman Wasserman. London: Routledge: 253-268 http://www.routledge.com/books/details/9780415577946 Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the author’s final manuscript version of the journal article, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it. Available in the CURVE Research Collection: October 2011 http://curve.coventry.ac.uk/open Survival of ‘radio culture’ in a converged networked new media environment* Okoth Fred Mudhai ([email protected]) Coventry University Introduction With emphasis on popular music and related entertainment rather than democratic culture and identity politics, this chapter examines the extent to which radio remains significant in socio-cultural and political landscapes in Africa given the proliferation of newer information and communication technologies (ICTs) more recently enlivened by cell phones and social networking applications. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Spring 2017 Arches 5 WS V' : •• Mm
1 a farewell This will be the last issue o/Arches produced by the editorial team of Chuck Luce and Cathy Tollefton. On the cover: President EmeritusThomas transfers the college medal to President Crawford. Conference Women s Basketball Tournament versus Lewis & Clark. After being behind nearly the whole —. game and down by 10 with 3:41 left in the fourth |P^' quarter, the Loggers start chipping away at the lead Visit' and tie the score with a minute to play. On their next possession Jamie Lange '19 gets the ball under the . -oJ hoop, puts it up, and misses. She grabs the rebound, Her second try also misses, but she again gets the : rebound. A third attempt, too, bounces around the rim and out. For the fourth time, Jamie hauls down the rebound. With 10 seconds remaining and two defenders all over her, she muscles up the game winning layup. The crowd, as they say, goes wild. RITE OF SPRING March 18: The annual Puget Sound Women's League flea market fills the field house with bargain-hunting North End neighbors as it has every year since 1968 All proceeds go to student scholarships. photojournal A POST-ELECTRIC PLAY March 4: Associate Professor and Chair of Theatre Arts Sara Freeman '95 directs Anne Washburn's hit play, Mr. Burns, about six people who gather around a fire after a nationwide nuclear plant disaster that has destroyed the country and its electric grid. For comfort they turn to one thing they share: recollections of The Simpsons television series. The incredible costumes and masks you see here were designed by Mishka Navarre, the college's costumer and costume shop supervisor. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Sponsorship Package / Media
WHAT IS AFRIMMA? (AFRIMMA) is the sole award ceremony in the Diaspora that caters to all musical genres including but not limited to: Afrobeats, Assiko, Bongo, Decale, Funana, Genge, Highlife, Hiplife, Kwaito, Lingala and Soukous. In its 7 years of existence, AFRIMMA has been an instrumental force that has aided in the crossover and commercial recognition that African music, specifically afrobeats, receives today. PAST HOSTS VINIE CHIPUKEEZY CYNTHIA BAI LEY Comedian Model, Actress, 1.4 million followers Reality TV Star 3 million followers JULIET IBRAHIM POIZON IVY THE DJ Internationally Dallas Maverick's DJ| acclaimed actress K104 FM On-Air Personality 6.2 million followers 40k followers BASKETMOUTH ANNE KANSI IME World Renowned Comedian 7 million followers Africa's Queen of Comedy 580k followers PAST PERFOMERS Davido Akothee Diamond Platnumz Nigeria Kenya Tanzania 17 million followers 2 million followers 10 million followers T-Pain Fally Ipupa Sauti Sol U.S.A Congo Kenya 2.3 million followers 3 million followers 1.9 million followers Ibtissam Tiskat A.K.A Flavour Morocco South Africa Nigeria 5 million followers 2.8 million followers 4.4 million followers THE AFRIMMA FASHION SHOW (AFS) has become a staple in the City of Dallas, making it home to unique designers who infuse fashion and culture. The event features some of the world’s greatest and most sought after designers such as South African designer, George Malelu, who made Beyoncé’s outfit for the Global Citizen Festival: Mandela 100 concert. AFRIMMA Fashion show has also partnered with South African fashion designer, David Tlale, whose work has been featured at the Cape Town Fashion Week, New York Fashion Week, and Paris Fashion Week. -
Trace Mziki Celebrates African Greatest Music Talents at Afrimma Awards 2017
PRESS RELEASE NAIROBI, SEPT. 28 2017 TRACE MZIKI CELEBRATES AFRICAN GREATEST MUSIC TALENTS AT AFRIMMA AWARDS 2017 TRACE MZIKI, the channel dedicated to Swahili, Eastern and Pan African music is supporting the 4th annual AFRIMMA Awards and Music Festival 2017 in Dallas (TX) on Sunday October 8th. Since 2014, AFRIMMA awards and celebrates new talents from Africa and the African diaspora. As the first ceremony outside Africa showcasing Afrobeats, Assiko, Bongo, Coupé Decalé, Funana, Genge, Highlife, Hiplife, Kwaito or Soukous, AFRIMMA will be co-hosted for the first time by Kenyan stand up comedian Chipukeezy, alongside Nigerian comedian Basketmouth. This year, AFRIMMA promises a bigger show. The event will offer a music festival experience with headlines such as Tanzania sensation Diamond Platnumz as well as Uganda’s Triplets Ghetto Kids who were featured in French Montana’s “Unforgettable” music video. Other headline acts confirmed to attend are Fally Ipupa, C4 Pedro, Eddy Kenzo and Tiwa Savage. This year’s events include a Pre-Show with London band The Compozers, a Pre-Party, a Pool Party, A Music Panel, Fashion Show, as well as a grand After Party after the main show to close AFRIMMA 2017. Two new categories have also been added to the 2017 edition of AFRIMMA : Best Lusophone artist and Best Francophone artist. Anderson Obiagwu, CEO of AFRIMMA/BIG A declares, “TRACE has been a proud supporter of African music and important matters and causes in Africa. AFRIMMA is delighted to partner with TRACE in a synergy of brands synonymous to African music. It’s all about Africa as Africa’s biggest music award ceremony and Africa’s biggest music TV group brings you an unforgettable AFRIMMA experience.” Launched in 2016, TRACE Mziki with its presence at AFRIMMA allows TRACE group to continue to dedicate their love and support to African artists, whether they are newcomers or internationally acclaimed. -
Outdoor Track & Field
Outdoor Track & Field Seattle Pacific University Mark Moschetti, Assistant SID ● (206) 281-2772 ● [email protected] ● Fax: (206) 281-2266 March 1, 2019 A tradition: Outdoor season starts in Tacoma For the 17th straight year, spring begins at Ed Boitano / Puget Sound Invite GENERAL INFORMATION Institution: Seattle Pacific University Address: 3307 Third Ave. W., Seattle, WA 98119 THE SCHEDULE Seattle Pacific at Ed Boitano / Puget Sound Invitational Enrollment: 4,061 Saturday, March 2, 2019 Nickname: Falcons Colors: Maroon & White Baker Stadium (UPS) / Tacoma, Wash. Affiliation: NCAA Division II Track events, 11:00 a.m. Field events, 11:00 a.m. Conference: Great Northwest Athletic Conference Live results: http://www2.pugetsound.edu/athletics/live/track/ President: Dr. Daniel J. Martin (S. Nazarene) No live Webcast Athletic Dir.: Jackson Stava (Azusa Pacific 2005) E-mail: [email protected] Athletic Department office: 206-281-2085 Fax: 206-281-2266 SEATTLE – It’s the first weekend of March. It’s cold. It’s maybe a bit breezy – but not Athletic Dept. Web Site: www.spufalcons.com snowing (or at least, it’s not supposed to). Sports Info. Director: Dan Lepse (206-281-2741; Must be time for the first outdoor track and field meet of the season. [email protected]) It certainly is that time for Seattle Pacific. The Falcons will get into the vans and hit the Track SID: Mark Moschetti (206-281-2772, road to Tacoma for Saturday’s Ed Boitano / Puget Sound Invitational. [email protected]) Competition on the track and in the field at the University of Puget Sound’s Baker COACHING STAFF Stadium begins at 11:00 a.m. -
Rocky Mountain Classical Christian Schools Speech Meet Official Selections
Rocky Mountain Classical Christian Schools Speech Meet Official Selections Sixth Grade Sixth Grade: Poetry 3 anyone lived in a pretty how town 3 At Breakfast Time 5 The Ballad of William Sycamore 6 The Bells 8 Beowulf, an excerpt 11 The Blind Men and the Elephant 14 The Builders 15 Casey at the Bat 16 Castor Oil 18 The Charge of the Light Brigade 19 The Children’s Hour 20 Christ and the Little Ones 21 Columbus 22 The Country Mouse and the City Mouse 23 The Cross Was His Own 25 Daniel Boone 26 The Destruction of Sennacherib 27 The Dreams 28 Drop a Pebble in the Water 29 The Dying Father 30 Excelsior 32 Father William (also known as The Old Man's Complaints. And how he gained them.) 33 Hiawatha’s Childhood 34 The House with Nobody in It 36 How Do You Tackle Your Work? 37 The Fish 38 I Hear America Singing 39 If 39 If Jesus Came to Your House 40 In Times Like These 41 The Landing of the Pilgrim Fathers 42 Live Christmas Every Day 43 The Lost Purse 44 Ma and the Auto 45 Mending Wall 46 Mother’s Glasses 48 Mother’s Ugly Hands 49 The Naming Of Cats 50 Nathan Hale 51 On First Looking into Chapman’s Homer 53 Partridge Time 54 Peace Hymn of the Republic 55 Problem Child 56 A Psalm of Life 57 The Real Successes 60 Rereading Frost 62 The Sandpiper 63 Sheridan’s Ride 64 The Singer’s Revenge 66 Solitude 67 Song 68 Sonnet XVIII 69 Sonnet XIX 70 Sonnet XXX 71 Sonnet XXXVI 72 Sonnet CXVI 73 Sonnet CXXXVIII 74 The Spider and the Fly 75 Spring (from In Memoriam) 77 The Star-Spangled Banner 79 The Story of Albrecht Dürer 80 Thanksgiving 82 The Touch of the -
University International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy.