LFA 2016 Schedule

2016 Literature/Film Conference Schedule 1B cont. All events scheduled on Rowan University, Glassboro campus. Courtney Polidori, Rowan University “‘I Cried After Each Episode’: Perspectives on Orange is Thursday, October 13 – 3:30 pm - 6:00 pm the New Black from Currently Incarcerated Women” Bozorth 112 Auditorium Keynote Speaker: Nate Chinen, Friday, October 14 – 11:00 am - 12:45 pm New York Times/JazzTimes Panel 2A: Adapting Music, Jazz, Cinema Screening: Jazz on a Summer’s Day (1960) Chair, Peter Lev – Bozorth 112 Auditorium Thursday, October 13 – 6:30 pm Peter C. Kunze, University of Texas at Austin Student Center Ballroom “Belles are Singing: David O. Selznick's Failed Opening Reception Musicalization of Gone With the Wind” Keynote Speaker: Thomas Doherty, Brandeis University Krin Gabbard, Columbia University “An Alternative World Where Jazz Belongs and Has Friday, October 14 – 9:00 am - 10:45 am Always Belonged to White People” Panel 1A: Adapting Images of WWII and the David R. Adler, Queens College, CUNY Holocaust – Bozorth 112 Auditorium Chair, Walter Metz “Jazz Video: A New Golden Age?” Walter Metz, Southern Illinois University Paula Musegades, Brandeis University "This Way for the Cinema, Ladies and Gentlemen" “Challenging Neutrality: Aaron Copland’s Film Score for Of Mice and Men (1939)” Claire Soares, University of Texas at Dallas “The netherworld created for the film Defiance (2008)” Panel 2B: Adapting Magic, Fantasy and Science Mia Martini, University of Oklahoma Fiction as Alternate World – Bozorth 108 “Flags and Letters: Counter-narratives in World War II Chair, Noel Sloboda Film” Noel Sloboda, Penn State University, York David Young, Duquesne University “Degrees of Fantasy: Institutionalized Magic in The “‘I can work with this’: Media Consumption, Ideology, and Magicians on Page and Screen” the Return of Hitler in Look Who’s Back” John Alberti, Northern Kentucky University “Magic World, Muggle World: The Double Adaptation of Panel 1B: Adapting Alternate Worlds, Long Form TV, the Harry Potter Series” Binge-watching – Bozorth 108 Chair, William Bartley Michael Saffle, Virginia Tech “Alternate Worlds, Adapted Tales, Real Music: The Jennifer Leah Peck, Rowan College at Burlington County Beatles and Science Fiction” “Why We Can’t Be Happy for Olivia Benson (or I had a One Night Stand with House): How modern television, Andrew M. Hakim, Princeton University including binge watching, is destroying the shared “Magic, Misdirection, and Representations of America in experience” Christopher Nolan’s Adaptation of The Prestige” William Bartley, University of Saskatchewan “What is Long Form Television? An Answer to Jason Mittell’s Complex TV” 2 Friday, October 14 – 1:00 pm - 2:45 pm 4A cont. Carol M. Dole, Ursinus College Panel 3A: Adapting Hollywood Cinema: From “Bette Davis, Edith Wharton, and Maternal Melodrama” Wartime To Postwar – Bozorth 112 Auditorium Chair, Sheri Chinen Biesen William Mooney, Fashion Institute of Technology (SUNY) “Sirk According to Fassbinder: Film to Film Adaptation of Peter Lev, Towson University the Classics” “Sources for Casablanca” Melissa Elliot, Michigan State University Sheri Chinen Biesen, Rowan University “Legendary (Other-Worldly) Music: The Role of Music in “Adapting Women in Jazz Film Noir: From Virginia Van Heiner Carow’s Die Legende von Paul und Paula” Upp To Joan Harrison” Julie Grossman, Le Moyne College Panel 4B: Adapting Hitchcock/ Kubrick “‘Something Different out of Hollywood’: Ida Lupino and Chair, Elizabeth Welch – Bozorth 108 The Filmakers” Elizabeth Welch, Brookdale Community College Ann T. Torrusio, University of Missouri - St. Louis “Prim and Proper to Sharp and Shameless: Norma Bates' “Hitching a Ride through an Alternate World: The Transformation from Psycho's Fragmented Depiction to Fictionalization of Billy Cook in Ida Lupino’s The Hitch- Bates Motel's Complex Persona” Hiker” Andrew Scahill, Salisbury University “Serialized Killers: Prebooting Horror in Bates Motel and Panel 3B: Adapting Queer Cinema/TV Hannibal” Chair, Andrew Scahill – Bozorth 108 Christina Parker-Flynn, Florida State University Victoria L. Smith, Texas State University “Chickening Out: Fear and Poultry in Hitchcock” “The Heterotopias of Todd Haynes: Creating a Space for Same Sex Desire in Carol” Jeff Rowell, Independent Scholar “Looking Closer at Stanley Kubrick's Adaptation of Joshua Bastian Cole, Cornell University Stephen King's The Shining” “‘Here We Go’: In a Queer Time and Place with Gregg Araki’s Mysterious Skin” Friday, October 14 – 5:00 pm - 6:45 pm Mark DeStephano, Saint Peter's University "Queer Space: 'Star Appeal,' 'New China,' and the Panel 5A: Adapting History, Places and Literary Construction of a Cosmic Asian Queerness" Spaces as Alternate Worlds – Bozorth 112 Auditorium Chair, Jayson Baker Seung-A Lee, Bowling Green State University “Where Hath Thy Queer Father Begone?” Brigitte E. Humbert, Middlebury College “Paris on Film: Alternate Visions of the City of Love” Friday, October 14 – 3:00 pm - 4:45 pm Jayson Baker, Curry College “Recent Antebellum Cinema: Alternate Worlds of the Panel 4A: Adapting Music, Melodrama, Cinema Global Present” Chair, John Alberti – Bozorth 112 Auditorium Naghmeh Rezaie, University of Delaware Maxfield Fulton, Yale University “Between National and International Identity of Iranian “Affective Adaptation: Music, Gender, and Irony in The Cinema: Taqvai’s Cross-cultural Adaptation of Heiress” Hemingway’s To Have and Have Not” 3 Panel 5B: Adapting Literature, Film, TV 6B cont. Chair, Kate Newell – Bozorth 108 Tomas Elliott, University of Pennsylvania “‘A world ransomed, or one destroyed’: Shakespeare’s Chloe Smith, Stony Brook University possible worlds and the romance of video games” “A Delicate Balance of Power: Towards a Reconciliation of Authorial Intent and Creative Cinematic License in the Nicholas-Brie Guarriello, University of Minnesota Adaptation of Jane Austen’s Works” “Coliver: Fan Fiction, Alternate Universes, & Homonormative Storytelling in Shonda Rhimes’s How to Jennifer van Alstyne, University of Louisiana – Lafayette Get Away with Murder” “‘The Good Wife’ Then and Now: Feminism and Gender Roles from the Medieval Page to Contemporary Panel 6C: Adapting Myth, Modernity and Morality Television Screen” Chair, Marton Marko – Bozorth 107 Candace E. C. O’Brien, University of Alabama Lauren Rocha, University of New Hampshire “Alternate World: Paralleling Patriarchal Sexual Violence “The Hag and the Seductress: Depictions of Grendel’s in Jonathan Glazer’s Under The Skin” Mother in Contemporary Interpretations of Beowulf” Kate Newell, Savannah College of Art and Design John VanOverbeke, University of St. Thomas “Pop-up Adaptation” “Leone's American Myth” Saturday, October 15 – 9:00 am - 10:45 am Sinan Akilli, Hacettepe University “Three Shades of Humanimality on Screen: The Case of Panel 6A: Adapting from Page to Screen Equine Mortality in the Film Adaptations of Thomas Chair, Jack Ryan – Bozorth 112 Auditorium Hardy’s Tess of the D’Urbervilles” Matthew Pincus, University of Louisiana – Lafayette Marton Marko, University of Montana “David Reading David: Lynch as Auteur of Sincerity” “Between Myth and Modernity: Cinematic Temptations in F. W. Murnau’s Faust” Mackenzie Leadston, Ohio State University “Lettres d’une autrichienne: Rethinking Infidelity and Saturday, October 15 – 11:00 am - 12:45 pm Adaptation in Sofia Coppola’s Marie-Antoinette (2006)” Panel 7A: BBC Adaptations – Bozorth 112 Auditorium Dennis Rothermel, Calilfornia State University, Chico Chair, John Murray “Aki Kaurismäki’s Outrageously Improvisatory Adaptations of Four Familiar Literary Source Texts” Laura Birkin, Millersville University Jack Ryan, Gettysburg College “Queering the Victorian in Sarah Waters' Tipping the “The Warner Brothers Wine Cellar: Jim Harrison’s Velvet” Adaptation Rewards” Meghan Parker, McMurry University Panel 6B: Adapting TV/Comics/New Media “Victorian Doctors and Gothic Horrors: which is the Chair, Nicholas-Brie Guarriello – Bozorth 108 greater monster?” Tania Darlington, Northwestern State University Amy B. Hagenrater-Gooding, University of Maryland “Veronica in Zombie Land: Remixing iZombie in the Rob Eastern Shore Thomasverse” “Men Suck, or How John Logan Re-Writes the Traditional Gothic Tale to Feed Women” Elise Lockwood, Ball State University “Peter Pan Has a Blog and Jane Eyre Has a Twitter: A John Murray, Curry College Grounded Theory Approach to Transmedia Adaptations “Adaptation and Rhizomatic Growth in the Neo-Victorian of Literature” Sherlock” 4 Panel 7B: Adapting Spanish and Latin American 8A cont. Images – Bozorth 108 Sadie Crow, Duquesne University Chair, Courtney Polidori “Artificial Intelligence or Artificial Emotion?: Exploring Gendered Artificial Intelligences in Her and Ex Machina” Amanda McMenamin, Wilson College “Almodóvar’s Harbingers of Spanish Hybridity: Genre- Ellery Sills, University of Nevada, Reno Crossing Adaptations and Intertexts in Bad Education “From Uncanny Valleys to Uncanny Worlds: Avatar, Post- (2004), Volver (2006), and The Skin I Live In (2011)” Pandoran Depression, and Digital World-Disclosure” Laura Hatry, Universidad Autónoma de Madrid “Ideology and Religion in Strawberries and Chocolate” Panel 8B: Adapting Gender Chair, Charity Fox – Bozorth 108 Claudia Schaefer, University of Rochester “Debunking Chronology with Schrödinger’s Cat: What Trinidad Linares, Bowling Green State University Exactly Are the Crimes of Timecrimes?” “Body, Space, and Gaze in Outlander” Raúl Rodríguez-Hernández, University of Rochester Joseph

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