THE TOILET BOWL (All You Need to Know and Are Embarrassed to Ask) Adrian Vogel
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Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross
Excremental Ecstasy, Divine Defecation and Revolting Reception: Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross Scatology, for all the sordid formidability the term evokes, is not an es- pecially novel or unusual theme, stylistic technique or descriptor in film or filmic reception. Shit happens – to emphasise both the banality and perva- siveness of the cliché itself – on multiple levels of textuality, manifesting it- self in both the content and aesthetic of cinematic texts, and the ways we respond to them. We often refer to “shit films,” using an excremental vo- cabulary redolent of detritus, malaise and uncleanliness to denote their otherness and “badness”. That is, films of questionable taste, aesthetics, or value, are frequently delineated and defined by the defecatory: we describe them as “trash”, “crap”, “filth”, “sewerage”, “shithouse”. When considering cinematic purviews such as the b-film, exploitation, and shock or trash filmmaking, whose narratives are so often played out on the site of the gro- tesque body, a screenscape spectacularly splattered with bodily excess and waste is de rigeur. Here, the scatological is both often on blatant dis- play – shit is ejected, consumed, smeared, slung – and underpining or tinc- turing form and style, imbuing the text with a “shitty” aesthetic. In these kinds of films – which, as their various appellations tend to suggest, are de- fined themselves by their association with marginality, excess and trash, the underground, and the illicit – the abject body and its excretia not only act as a dominant visual landscape, but provide a kind of somatic, faecal COLLOQUY text theory critique 18 (2009). -
Global Nomads: Techno and New Age As Transnational Countercultures
1111 2 Global Nomads 3 4 5 6 7 8 9 1011 1 2 A uniquely ‘nomadic ethnography,’ Global Nomads is the first in-depth treat- 3111 ment of a counterculture flourishing in the global gulf stream of new electronic 4 and spiritual developments. D’Andrea’s is an insightful study of expressive indi- vidualism manifested in and through key cosmopolitan sites. This book is an 5 invaluable contribution to the anthropology/sociology of contemporary culture, 6 and presents required reading for students and scholars of new spiritualities, 7 techno-dance culture and globalization. 8 Graham St John, Research Fellow, 9 School of American Research, New Mexico 20111 1 D'Andrea breaks new ground in the scholarship on both globalization and the shaping of subjectivities. And he does so spectacularly, both through his focus 2 on neomadic cultures and a novel theorization. This is a deeply erudite book 3 and it is a lot of fun. 4 Saskia Sassen, Ralph Lewis Professor of Sociology 5 at the University of Chicago, and Centennial Visiting Professor 6 at the London School of Economics. 7 8 Global Nomads is a unique introduction to the globalization of countercultures, 9 a topic largely unknown in and outside academia. Anthony D’Andrea examines 30111 the social life of mobile expatriates who live within a global circuit of counter- 1 cultural practice in paradoxical paradises. 2 Based on nomadic fieldwork across Spain and India, the study analyzes how and why these post-metropolitan subjects reject the homeland to shape an alternative 3 lifestyle. They become artists, therapists, exotic traders and bohemian workers seek- 4 ing to integrate labor, mobility and spirituality within a cosmopolitan culture of 35 expressive individualism. -
Table of Contents
editorial note index amber 832, 1028 American Dream 753 American Institute of Architects “a major modification of the human organism, 21 Club 601, 697 (AIA) 106, 150, 695, 816, 858, 869, 1066, namely its ability to pay attention, occurred when 3D printing 114, 159, 1449 2159, 2277 a major cultural innovation, domestication, was 9/11 676, 685, 844, 918–919, 1382, 1387, American Restroom Association adopted. … the house … should be viewed as 1760–1761, 2130 641, 695, 1646 Aalto, Alvar 639, 762, 772–773, 859 American Society of Heating a technical and cognitive instrument, a tool for aboriginal 1058, 1430 Refrigeration and Air Conditioning thought as well as a technology of shelter.” Abraj Al-Bait tower, Mecca 703, 786 Engineers 814, 825, 858 absolutism 900–901 American Society of Mechanical — Peter J. Wilson, The Domestication of Abu Dhabi 125, 480, 537, 1047, 1430, Engineers 290, 380, 2041, 2117 1551, 2288 American Standard 785, 1601, 1624, the Human Species (Yale, 1988). Acconci, Vito 59, 63 1673, 1675, 1680, 2279, 2281, 2286 Ackerman, James 898, 2333 American Standards Association 183 When our species domesticated itself – started acoustics 150, 203, 223, 260–261, Americans with Disabilities Act, living in permanent dwellings rather than 264–265, 267–269, 272, 274, 279, 304, 1990 1648, 1721, 1764 temporary encampments – architecture remade 348, 352, 360, 380, 485, 825, 1150 Ammannati, Bartolomeo 1936, 1963 Acropolis 900 amphitheater 1094, 1166, 1247, 2136, our sensory world in a revolution never seen acrylic 813, 842, 949, 1016, 1394 -
The Fecal Fixation of the Chosen Ones
The Fecal Fixation of the Chosen Ones The Jewish obsession with feces is very disturbing, and very real. In fact, it is openly admitted by many Jews. In an article called The Past, and Future, of Jewish Humor, the Jewish writer Uriel Heilman writes: “And if it’s scatological, all the better.” “For a Jew, a bowel movement is an event,” Waldoks declared. “That’s why there’s so much bathroom humor.”(1) Tablet magazine columnist Marjorie Ingall had this to say about the Jewish fecal obsession: “Jews have a fine tradition of scatological humor.” “When new [Jewish] moms get together they love talking about poop.”(2) In a weird article about toilet training, Jewess Carla Naumburg proudly states: “We talk about poop a lot in my family. You might think it’s just because we’re the parents of a toddler and an infant, and that’s definitely part of it. But we’re also Jews, so it comes naturally to us.”(3) A Jew named Howard Rheingold has a blog titledHoward’s Butt, where he writes extensively about his rectal cancer. In this blog we find yet another glowing reference to the bowel process: “A lot of psycho-social-sexual-mythological energy flows forth from our organ of shit,”(4) Jewish actress Tori Spelling made a blog entry about plunging a toilet for her toddler entitled Poo’s funny…Sometimes! Here’s what she said: “I’m NOT shit shy. In fact, I’m a Poo Fanatic and a fart joke fan to the extreme. I even have the childhood cartoon books “The Gas We Pass” and “Everybody Poo’s!” proudly displayed on my mantle while my unused copy of “War and Peace” collects dust buried in my sock drawer. -
November 2014 Chamber Pots and Gibson Girls
University of Birmingham Chamber Pots and Gibson Girls: Fagg, John DOI: 10.1086/684919 License: None: All rights reserved Document Version Early version, also known as pre-print Citation for published version (Harvard): Fagg, J 2015, 'Chamber Pots and Gibson Girls: Clutter and matter in John Sloan’s Graphic Art', American Art, vol. 29, no. 3, pp. 28-57. https://doi.org/10.1086/684919 Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
Toilets and Night Soil (Types, Treatment & a Bit of History)
Toilets and Night Soil (Types, Treatment & A Bit of History) May 2006 Japan Association of Drainage and Environment Night Soil and Sewerage Research Group Preface Night Soil and Sewerage Research Group is a substructure of Japan Association of Drain- age and Environment. This Group conducts research mainly on culture and history of toi- lets/night soil, and has been planning lecture meetings or field visits for seven years now. In 2003, in an effort to encapsulate our activities, we wrote a book called What do you think Toilets and Night Soil? published by Gihoudou Publishing Co. We have also written arti- cles for specialized field magazines to supply information on this field. Night Soil had been used as fertilizer for farms until quite recently. A result of this practice was the affliction of a large number of people with parasites. Flush Toilets using sewerage system, which is the most popular type, community treatment plants, Johkasou (private treatment facility), had been effective in the eradication of parasite disease in a short period of time. This booklet is intended to inform people of other countries about toilet history in Japan. At first glance, you might ask: Why should I bother reading about toilets (and other delicate matters) at all? Well, the convenient water-flushed toilets were not always available, you know. Then, your next question might be: Hmmm…what did they use in those days? There are seven chapters in this booklet. I’m sure you will find a selection that interests you. To make the presentation more appealing and easily understood, we have carefully chosen the photos to include here. -
University of Birmingham Chamber Pots and Gibson Girls
University of Birmingham Chamber Pots and Gibson Girls: Fagg, John DOI: 10.1086/684919 License: None: All rights reserved Document Version Early version, also known as pre-print Citation for published version (Harvard): Fagg, J 2015, 'Chamber Pots and Gibson Girls: Clutter and matter in John Sloan’s Graphic Art', American Art, vol. 29, no. 3, pp. 28-57. https://doi.org/10.1086/684919 Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
HYGIENE: Ceramics, the Body and Its Functions A
Paul Mathieu, The Art of the Future: 14 essays on ceramics Chapter Ten HYGIENE: Ceramics, the Body and its Functions “The only works of art America has given are her plumbing and her bridges.” Marcel Duchamp. “The invention of television can be compared to the introduction of indoor plumbing. Fundamentally, it brought no change in the public’s habit. It simply eliminated the necessity of leaving the house.” Alfred Hitchcock “ Acting! Acting is not important! Plumbing is important!” Cary Grant “Craft is what you piss in, Art is what you piss on.” Old joke A short fiction: This research will never be finished. Like cleaning up (and messing up), there will always be another detail to check, another fact to verify or to add, another insight to articulate, another point to argue. As an example, I cannot remember where exactly, or what was the name of the book or its author, but a friend showed me once, years ago now, an illustrated comic book 1 about an archeologist digging a site on earth, in the very distant future. He had just discovered a new site that he believed to be particularly significant socially and religiously, as an important place for specific rituals in the ancient, forgotten culture he was investigating. He had just found an important, major structure and from the remains of the foundation and from the artifacts found on site, he could speculate that it was not particularly large since it must have been only one story high, possibly two, at most. It was clearly made up of a series of smaller rooms, about a dozen, all of the same size and shape, all independent from each other, yet connected by a shared wall. -
Scatological Children's Humour
Scatological Children’s Humour Notes from the Netherlands and Anywhere Sjaak van der Geest University of Amsterdam I still remember the first joke I learned when I was laughter by presenting a story or a situation that is out about five years old. There was a mother who had two of the ordinary and is experienced as funny (tautology boys; one was called Yesterday and the other Pudding. is unavoidable when one wants to explain what humour Pudding and Yesterday had been naughty and were is). Shit on someone’s head is unusual, out of place and, sent to their room. Pudding said to Yesterday: ‘I must in the eyes of some, comical. For children that unusual poop’. Yesterday replied: ‘We are not allowed to leave event is enough to enjoy the thrill of the story. But not the room. Do it from the window’. Pudding did so but only for children. Cartoons and illustrations for a larger at that same moment the mayor passed by the house public also convey the humour of dirt falling on people and the poop fell on his hat. The mayor was annoyed from above. and rang the bell. The mother opened the door and the Excrement forms the hilarious denouement of the Mayor said: ‘Something fell on my head when I passed joke.2 The children’s story is a joke told because of the your house’. The mother asked: ‘Was it Yesterday?’ The shit and the piss. In this essay I will explore the social mayor: ‘No, today!’ The mother: ‘Was it Pudding?’ The context and meaning of scatological jokes in general mayor: ‘No, it was poop!’ Hahahaha.1 and among children in particular. -
The Case of Eglon's Murder (Judges 3)
ETHICALLY CULTURED INTERPRETATIONS: THE CASE OF EGLON'S MURDER (JUDGES 3) JACK M. SASSON Vanderbilt University I. Reading Ehud Until recently the story of Ehud was read as a yet another account of God motivating his elect to complete his will.! The Greek versions ("LXX" for convenience) largely adopt the Hebrew story line with minor expansions, as when at 3:30, they explicitly cite Ehud as a Judge when the Hebrew does not. The Targum likewise does not expand much on the story. Facing the many hapax legomena in the text, both the LXX and the Targum naturally translate interpretively, without serious deflection of contents. In his paraphrase of Jewish Scripture, however, Josephus turns Ehud into a model for Jewish heroic opposi tion to tyranny.2 He is a trusted courtier who had real cause to turn against Eglon and when he resolutely strikes at his heart (never at his belly!), the confrontation lacks any touches that might cheapen Ehud's act. 3 In Rabbinic lore Ehud is deemed a "great scholar" (Midrash Genesis Rabbah, 99.3), but hardly any more attention is paid to him. Still, there was only sympathy for the role circumstances forced on Ehud so that when around the 8th century an "Antiochus Scroll" was composed for Hanukkah celebrations, Ehud's deed was duplicated by 1 A good review of opinions on Ehud over the centuries is in D. M. Gunn, Judges (Blackwell Bible Commentaries; Blackwell, 2005), pp. 38-49. 2 "[Ehudl became familiar with Eglon, and that by means of presents, with which he obtained his favor, and insinuated himself into his good opinion; whereby he was also beloved of those that were about the king. -
CLOSED SYLLABLES Short a 5-8 Short I 9-12 Mix: A, I 13 Short O 14-15 Mix: A, I, O 16-17 Short U 18-20 Short E 21-24 Y As a Vowel 25-26
DRILL BITS I INTRODUCTION Drill Bits Phonics-oriented word lists for teachers If you’re helping some- CAT and FAN, which they may one learn to read, you’re help- have memorized without ing them unlock the connection learning the sounds associated between the printed word and with the letters. the words we speak — the • Teach students that ex- “sound/symbol” connection. ceptions are also predictable, This book is a compila- and there are usually many ex- tion of lists of words which fol- amples of each kind of excep- low the predictable associa- tion. These are called special tions of letters, syllables and categories or special patterns. words to the sounds we use in speaking to each other. HOW THE LISTS ARE ORGANIZED This book does not at- tempt to be a reading program. Word lists are presented Recognizing words and pat- in the order they are taught in terns in sound/symbol associa- many structured, multisensory tions is just one part of read- language programs: ing, though a critical one. This Syllable type 1: Closed book is designed to be used as syllables — short vowel a reference so that you can: sounds (TIN, EX, SPLAT) • Meet individual needs Syllable type 2: Vowel- of students from a wide range consonant-e — long vowel of ages and backgrounds; VAT sounds (BAKE, DRIVE, SCRAPE) and TAX may be more appro- Syllable Type 3: Open priate examples of the short a syllables — long vowel sound sound for some students than (GO, TRI, CU) www.resourceroom.net BITS DRILL INTRODUCTION II Syllable Type 4: r-con- those which do not require the trolled syllables (HARD, PORCH, student to have picked up PERT) common patterns which have Syllable Type 5: conso- not been taught. -
The Problem of Digestive Interpretation in Pope, Swift, And
Wits, Shits, and Crits: The Problem of Digestive Interpretation in Pope, Swift, and Fielding A dissertation submitted for a Ph.D. in English literature Cornell University Christina Susanna Black August 2018 C.S. Black Wits, Shits, Crits 1 © 2018 Christina Susanna Black C.S. Black Wits, Shits, Crits 2 WITS, SHITS, AND CRITS: THE PROBLEM OF DIGESTIVE INTERPRETATION IN POPE, SWIFT, AND FIELDING Christina Susanna Black, Ph.D. Cornell University 2018 My readings of the abundant ingestion and excretion themes in literary works by Fielding, Swift, Montagu, and Pope propose that we can understand these topics as sustained metaphors for the bipartite issues of readers' consumption and writers' incorporation of a literary heritage into these texts. These issues were particularly salient in early eighteenth-century Britain, as printed texts become more broadly available and affordable, and readers could no longer be relied upon to have a top education and sophisticated tools of analysis. Authors like Fielding and Swift also were experimenting in new forms like the novel that had no standards for analysis. These authors were interested in and concerned about how their work and that of their contemporaries would stand up to future scrutiny. How did the changing economic incentives for writing, from courting wealthy patrons to selling in mass volume to unknown readers, affect literature’s claim to everlasting value? Pope was the first English author to earn a sustainable living from his writings, but that new economic viability also spawned Grub Street hack writing, not to mention unsavory publishing practices. In this historical context, sustained metaphors of eating and digesting were a playfully denigrating way for these writers to investigate what it meant to write for consumers, even as the metaphors also revivified older literary traditions and genres by incorporating them into modern contexts.