基本電影片目的思考
淡江大學大眾傳播系 楊明昱 三類基本片目
（1）恆常經典
（2）個別需求
（3）特殊品味 恆常經典
電影史上重要
具有形式美學原創與影響力 British Film Institute
1952
1962
1972
1982
1992
2002
2012 2002 Critics’ Top Ten Polls
1) Citizen Kane (Welles)
2) Vertigo (H itchcock)
3) La Regle du jeu (Renoir)
4) The Godfather and
The Godfather Part II (Coppola)
5) Tokyo Story (Ozu)
6) 2001: A Space Odyssey (Kubrick)
7) Battleship Potemkin (Eisenstein)
7) Sunrise (Murnau)
9) 8 ½ (Fellini)
10) Singing in the Rain (Kelly,Donen) 2002 Directors’ Top Ten Poll
1) Citizen Kane
2)The Godfather and Godfather Part II
3) 8 1/2
4) Lawrence of Arabia (Lean)
5) Dr. Strange Love (Kubrick)
6) Bicycle Thieves (De Siga)
6) Raging Bull (Scorsese)
6) Vertigo (Hitchcock)
9) Rashomon (Kurosawa)
9) La Regle du jeu (Renoir)
9) Seven Samurai (Kurosawa) Critic & director
Citizen Kane
Godfather I & II
8 ½
Vertigo
La Regle du jue 「2012 BFI 導演十大 ｣
Tokyo Story (Ozu, 1953)
2001: A Space Odyssey (Kubrick, 1968)
Citizen Kane (Welles, 1941)
8 ½ (Fellini, 1963)
Taxi Driver (Scorsese, 1980)
Apocalypse Now (Coppola, 1979)
The Godfather (Coppola, 1972)
Vertigo (Hitchcock, 1958)
Mirror (Tarkovsky, 1974)
Bicycle Thieves (De Sica, 1948) 「2012 BFI 影評人十大｣
Vertigo (Hitchcock, 1958)
Citizen Kane (Welles, 1941)
Tokyo Story (Ozu, 1953)
La Règle du jeu (Renoir, 1939)
Sunrise: a Song for Two Humans (Murnau, 1927)
2001: A Space Odyssey (Kubrick, 1968)
The Searchers (Ford, 1956)
Man with a Movie Camera (Dziga Vertov, 1929)
The Passion of Joan of Arc (Dreyer, 1927)
8 ½ (Fellini, 1963). 2012
Critics: 1) Vertigo
2) Citizen Kane
Directors:1) Tokyo Story
2) 2001: A Space Odyssey
2) Citizen Kane BBC的21世紀100部偉大電影片 目
Mulholland Drive (David Lynch, 2001)
In the Mood for Love (Wong Kar-wai, 2000)
There Will Be Blood (Paul Thomas Anderson, 2007)
Spirited Away (Hayao Miyazaki, 2001)
Boyhood (Richard Linklater, 2014)
Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
The Tree of Life (Terrence Malick, 2011)
Yi Yi: A One and a Two (Edward Yang, 2000)
A Separation (Asghar Farhadi, 2011)
No Country for Old Men (Joel and Ethan Coen, 2007) 個別需求
藝術電影串流平台MUBI
是一種行銷策略，使影片能更精確觸及 目標聽眾(target audience) 特殊品味
某些電影專業人士、學者、知名導演等 心目中「偉大｣、「受影響｣、「必看｣或 「深具情感」的片目