MFA Photography, Video & Related Media

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MFA Photography, Video & Related Media Film List (compiled by Amy Taubin, faculty) Recommended Viewing For All Students* *required for students taking Amy Taubin’s class and recommended for all students. These lists are impossible to make, but if you see every one of these films, you will have a start at being film literate. I’ve tried to include films that are not only “great” but have been influential on film history. I also have tried to include a range of national cinemas, a few documentaries, and a few avant-garde films. After the first seven films, the rest of the list is not in any particular order. Many of these films should be available on Netflix, but if not, you can try local NYC video stores, the Visual Arts Library, or the NY Public Library system. 1. Rules of the Game (Jean Renoir) 2. Vertigo (Alfred Hitchcock) 3. Au Hasard Balthazar (Robert Bresson) 4. Man With a Movie Camera (Dziga Vertov) 5. Two or Three Things I know About Her (Jean-Luc Godard) 6. Jeanne Dielman (Chantal Akerman) 7. Ikiru (Akira Kurosawa) 8. Citizen Kane (Orson Welles) 9. Some Like it Hot (Billy Wilder) 10. Tokyo Story (Yasujiro Ozu) 11. Pather Panchali (Satyajit Ray) 12. Xala (Ousmene Sembene) 13. Voyage in Italy (Roberto Rossellini) 14. The Puppet Master (Hou Hsiao-Hsien ) 15. Barry Lyndon (Stanley Kubrick) 16. Shoah (Claude Lanzmann) 17. Taxi Driver (Martin Scorsese) 18. Do the Right Thing (Spike Lee) 19. Flaming Creatures (Jack Smith) 20. Les Vampires (Louis Feuillade) 21. Screentests (Andy Warhol) 22. Videodrome (David Cronenberg) 23. Through the Olive Trees (Abbas Kiarostami) 24. A Woman Under the Influence (John Cassavetes) 25. Vampyr (Carl Dreyer) Bonus: Sunrise (F.W. Murnau) Godard’s Vivre Sa Vie and La Chinoise – both, not one or the other .

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East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9).
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PAJ77/No.03 Chin-C
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National Gallery of Art Spring 2012 Film Program
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Tokyo Story (Tokyo Monogatari, Yasujiro Ozu, 1953) Discussion Points 1
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300 Greatest Films 4 Black Copy
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Hitchcock's Vertigo Topples Citizen Kane to Become New
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A Slightly Un/Abridged List of Cinematic and Film Viewings (That in My Humble Opinion, Everyone Should See at Least Once.)
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