November 1906) Winton J
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
September 2014 Revivalist (.Pdf)
about CONTENTS this SEPTEMBER 2014 issue Volume 126 No. 6 FEATURES Childhood Development 4 TRAIN UP A CHILD by Ken Farmer Psychosocial Development our children are the greatest gift God will give to Trust vs. Mistrust 6 “ you, and their souls the heaviest responsibility He by Rebecca Miller Ywill place in your hands. Take time with them, Autonomy vs. Shame and Doubt 7 teach them to have faith in God. Be a person in whom they by Jennee Hartkopf can have faith. When you are old, nothing else you have done will have mattered as much.” Lisa Wingate Initiative vs. Guilt 9 ― by Stephanie Young Industry vs. Inferiority 10 by Steven Andry DEPARTMENTS Raising Kids With Character 16 The President’s Page 3 by Nadine Brown News From The Hilltop 12 The Intrigue Of Ink 18 Revivalist Family 12 by Connie Palm Dear Phil 28 Raising Up Readers 20 Letters To The Editor 35 by Greg Breazeale STAFF Nurturing A Work Ethic 21 by Daryl Muir Ken Farmer, managing editor Children And Money 23 Kevin Moser, art director, assistant editor by Jennee Hartkopf Shane Muir, assistant graphic designer What About Obedience? 24 Jon Plank, assistant graphic designer, webmaster by Nadine Brown Larry Smith, editor To Spank Or Not To Spank 26 by Paula Alberto God’s Revivalist and Bible Advocate (ISSN 0745-0788) is published monthly except for combined A Mother’s Thoughts On Discipline 27 issues in January-February and June-July-August for $12.00 per year ($28.00, Canada; $45.00, other countries) by the Revivalist Press of God’s Bible School, College and Missionary Training by Ruth Vernon Home, 1810 Young Street, Cincinnati, Ohio 45202. -
Advertising for Dummies.Pdf
01_045833 ffirs.qxp 11/22/06 3:40 PM Page i Advertising FOR DUMmIES‰ 2ND EDITION 01_045833 ffirs.qxp 11/22/06 3:40 PM Page ii 01_045833 ffirs.qxp 11/22/06 3:40 PM Page iii Advertising FOR DUMmIES‰ 2ND EDITION by Gary Dahl 01_045833 ffirs.qxp 11/22/06 3:40 PM Page iv Advertising For Dummies®, 2nd Edition Published by Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2007 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permit- ted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317-572-3447, fax 317-572-4355, or online at http:// www.wiley.com/go/permissions. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. -
The Wild Robot.Pdf
Begin Reading Table of Contents Copyright Page In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher is unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights. To the robots of the future CHAPTER 1 THE OCEAN Our story begins on the ocean, with wind and rain and thunder and lightning and waves. A hurricane roared and raged through the night. And in the middle of the chaos, a cargo ship was sinking down down down to the ocean floor. The ship left hundreds of crates floating on the surface. But as the hurricane thrashed and swirled and knocked them around, the crates also began sinking into the depths. One after another, they were swallowed up by the waves, until only five crates remained. By morning the hurricane was gone. There were no clouds, no ships, no land in sight. There was only calm water and clear skies and those five crates lazily bobbing along an ocean current. Days passed. And then a smudge of green appeared on the horizon. As the crates drifted closer, the soft green shapes slowly sharpened into the hard edges of a wild, rocky island. The first crate rode to shore on a tumbling, rumbling wave and then crashed against the rocks with such force that the whole thing burst apart. -
What Bell Did
What Bell Did Tim Maudlin Department of Philosophy, NYU, 5 Washington Place, New York, NY 10003, USA E-mail: [email protected] Abstract On the 50th anniversary of Bell monumental 1964 paper, there is still widespread misunderstanding about exactly what Bell proved. This misunderstanding derives in turn from a failure to appreciate the earlier argument of Einstein, Podolsky and Rosen. I retrace the history and logical structure of these arguments in order to clarify the proper conclusion, namely that any world that displays violations of Bell’s inequality for experiments done far from one another must be non-local. Since the world we happen to live in displays such violations, actual physics is non-local. The experimental verification of violations of Bell’s inequality for randomly set measurements at space-like separation is the most astonishing result in the history of physics. Theoretical physics has yet to come to terms with what these results mean for our fundamental account of the world. Experimentalists, from Freedman and Clauser and Aspect forward, deserve their share of the credit for producing the necessary experimental conditions and for steadily closing the experimental loopholes available to the persistent skeptic. But the great achievement was Bell’s. It was he who understood the profound significance of these phenomena, the prediction of which can be derived easily even by a freshman physics student. Unfortunately, many physicists have not properly appreciated what Bell proved: they take the target of his theorem—what the theorem rules out as impossible—to be much narrower and more parochial than it is. -
NOT JAZZ!! (Cuneiform Rune 380/381) Format: 2Xcd / DIGITAL
Bio information: THE ED PALERMO BIG BAND Title: OH NO! NOT JAZZ!! (Cuneiform Rune 380/381) Format: 2xCD / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / BIG BAND “…my bandmembers are the greatest and most “loyal to the cause” musicians I could ever hope for. …. This album is dedicated to my band. Thanks, folks!” – Ed Palermo, liner notes to Oh No! Not Jazz! “Like Zappa, and Duke Ellington before, Palermo’s main instrument is his band. And with him at the helm is manages to capture perfectly the spirit of Zappa’s music while stamping its own authority on the adventurous arrangements with its exuberant, joyous ensemble playing and in the quality of the solos. Ed Palermo, with impeccable olfactory taste, has done both big band jazz and Zappa’s music a huge service. If you didn’t like big band jazz before, then the riotous, swinging celebration…may well be the record that converts you. If you didn’t get Frank Zappa’s music, then this record may make you consider his vast musical legacy in a whole new light.” – Ian Patterson, All About Jazz “Zappa once famously said “Jazz isn’t dead, it just smells funny.” Ed Palermo is making one hell of a wonderful stink.” – Daniel Spicer, Pop Matters Long revered and celebrated for his insistently inventive jazz arrangements of Frank Zappa compositions, New Jersey saxophonist/composer/arranger Ed Palermo returns with his fourth album featuring his big band playing his jaw-dropping, brain- busting, and wildly antic charts. -
April 1978 April 1978 the QUARTERLY
Official Publication of the St. Lawrence County Historical Association April 1978 April 1978 THE QUARTERLY Official Publication of the St. Lawrence County Historical Association VOL. XXIII APRIL 1978 NO. 2 CONTENTS C. Richard K. Lunt 3 Inheritance and Future Shock or Politics in the Sugar Bush 7 Views and Reviews Architecture fiom the Adironduck Foot ha; Secret Island; Hopkinton Maple Festival Cookbook Marion Clark Baker 10 How Clara Washed 11 What If We Give a Party . and Everybody Comes? Photographs and commentary on the Gala Opening of the Silas Wright House and Museum Norman W. Pauling, Jr. 15 "In Anticipation of 'The Beans' " Carolyn Jenner Swqfford 17 A Musical Revue: The First Hundred Years of County Musical Entertainments THE QUARTERLY is published in January, April. July and October each year by the St. Lawrence County Historical Association. As a courtesy to authors and the editor, the Association asks anyone wishing to reproduce all or part of material included in THE QUAR- TERLY to submit a specific request in writing at least 30 days in advance of its anticipated use. Extra Copies may be obtained from the History Center, P.O. Box Cover: A pleasant early spring scene in 1978 on Boyd Pond Road in the Town of 8, Canton, N.Y. 13617. at $2.00 Russell, which could just have easily been photographed a hundred years plus S.25 postage and handling. before. Maple sugaring methods - traditional and contemporary - are examined herein, beginning on page 3. Photographed by Ronald Nolland for the Editor: Varick A. Chittenden Center for the Study of North Country Folklife. -
Luna Guitars Catalog
LUNA TRIBE MEMBER:CECLIE MORAGLIA LUNA TRIBE MEMBER: CHRISTIAN BARNES ACOUSTIC GUITARS 2016 - The Year Of The "Tribe" Vista series...…....………………………………….....1-4 “I received my guitar last night...the music plays full, rich, and perfectly clear... just amazing tone...It's day one and I'm in love…” Artist series.................................................................5-6 Heartsong series.....…………...……………………….7 Woodland series.……………...……....……….………8 Chrissy T - member of the Luna Tribe since December 2014 Henna series / Vicki Genfan signature guitar.....9-10 Oracle series............................................................11-12 Beautiful instruments that play beautifully, yet remain surprisingly affordable, a Wabi Sabi series………….......…...…………...……...13 commitment to customer service, and most important - the Luna “Tribe” Flora & Fauna series…….…...….…………...…...14-18 Nylon series.............................................................19-20 From the beginning, customers were more than just sales transactions; we saw them as part of the Luna family. Customer service and communication would Safari………………………..…………….………...21-22 be at the center of our business. Over time, something special happened - Gypsy series……………...………………………..23-28 customers started talking back. Photos of our guitars with their new owners CHILDRENS INSTRUMENTS….….…..……......29-30 began pouring in; pictures of Luna Guitars on mountaintops, at birthday parties, at gigs and more were received. This personal connection with UKULELES………………….….………………......31-42 -
Jewel Is an Acclaimed American Singer, Songwriter, Actress, Poet, Painter, Philanthropist and Daughter to an Alaskan Cowboy Singer-Songwriter
WORLDWIDE SPEAKERS GROUP LLC YOUR GLOBAL PARTNER IN THOUGHT LEADERSHIP JEWEL Jewel is an acclaimed American singer, songwriter, actress, poet, painter, philanthropist and daughter to an Alaskan cowboy singer-songwriter. From the remote ranch of her Alaskan youth to the triumph of international stardom, the four-time Grammy nominee, hailed by the New York Times as a “songwriter bursting with talents” has enjoyed career longevity rare among her generation of artists. Her singular style and beauty continuously land her on the covers of such diverse magazines as TIME, People, Entertainment Weekly, Vanity Fair, In Style, Glamour and Seventeen. Stuff listed her among its “102 Sexiest Women in the World” while Blender went further, crowning her “rock’s sexiest poet.” Jewel launched her musical career early on, performing as a father-daughter act in Alaskan biker bars and lumberjack joints. Her solo career took off after she moved to San Diego, where she experienced moderate success in the folk-coffeehouse scene while living out of her car. Her first record, a deeply introspective, modern folk collection called Pieces of You, sold about 3,000 copies, nearly all in San Diego, in the nine months after its February 1995 debut. She then hit the road, touring with and opening for the likes of Bob Dylan, Merle Haggard, and Neil Young. She followed up her debut album with a succession of albums that steadily built her reputation and fan base: Spirit, This Way, and 0304. After a tremendous amount of success as a singer-songwriter and over 27 million albums sold, Jewel returned to her roots with the release of two country albums Perfectly Clear and Sweet and Wild. -
American Society of Plastic Surgeons Closes Loop on Breast Cancer
American Society of Plastic Surgeons Closes Loop on Breast Cancer During First BRA Day USA, October 17 Board-Certified Plastic Surgeons, Singer-Songwriter Jewel and Supporters Across the Country Unite to Educate Women about Breast Reconstruction FOR IMMEDIATE RELEASE October 10, 2012 ARLINGTON HEIGHTS, Ill. – On October 17, the American Society of Plastic Surgeons (ASPS) and The Plastic Surgery Foundation (The PSF) will launch the first-ever Breast Reconstruction Awareness (BRA) Day USA, leading the charge to promote education, awareness and access to breast reconstruction following mastectomy or lumpectomy. The statistics are alarming: 7 out of 10 women eligible for breast reconstruction following cancer surgery are not being informed of their options. Studies have also revealed: Eighty-nine percent of women want to see what breast reconstruction surgery results would look like before undergoing treatment for breast cancer. Less than a quarter (23 percent) of women know the wide range of breast reconstruction options available. Only 22 percent of women are familiar with the quality of outcomes that can be expected. Only 19 percent of women understand that the timing of their treatment for breast cancer and the timing of their decision to undergo reconstruction greatly impacts their options and results. “We want to bring the topic of breast reconstruction into the larger breast cancer dialogue,” said ASPS President Malcolm Z. Roth, MD. “Letting women know their reconstruction options before or at the time of diagnosis is critically important to improving life after breast cancer. BRA Day USA is all about inspiring women who are on the road to recovery to a full life beyond breast cancer.” This year, the U.S. -
Product Range
Product Range www.petrof.com Major European Manufacturer et me show you this product catalogue and introduce the range Lof PETROF In- struments to you – the major European piano manufacturer. The history of the PETROF company dates back to 1864 when Antonín Petrof made his first piano and thus founded the great tradition of manufacturing pianos of unique quality. The masterly manufacturing of every detail results in the timeless style of the instruments with rich, perfectly clear sound and a col- ourful width of the music expression. Despite maximum effort to introduce new technologies, we insist on hand work which guaran- tees the high tone quality of our instruments. Thanks to their unique character, PETROF pianos can reach out to a widespectrum of musicians including the top world piano virtuosos. The real proof is in more than 600 000 manufactured pianos. All instruments manufactured in PETROF have their characteristic and inimitable sound thanks to keeping many traditional tech- niques, as using classic natural materials and the handicraft skills of our craftsmen above all. Our modern research and development department has al- lowed not only the conversion of our handicraft production into industrial manufacturing, but also the innovation of our instruments and the development of new instruments according to musicians demands. The demand concerning playing of the instrument and its design was satisfied in a very short time by keeping the high quality sound. This department guarantees that PETROF will keep on introducing new piano construction possibilities. The result is a wide range of upright and grand piano models with many surface finishes. -
THE PLECTRUM BANJO by Ron Hinkle
THE PLECTRUM BANJO BEYOND CHORD MELODY A New Approach to Advancement by Ron Hinkle BCM MUSIC, LLC Published by: BCM Music, LLC 451 Simpson Drive Huntsville, AL 35808 Copyright © 2011 by Ron Hinkle No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, without the prior permission of BCM Music, LLC. Please read TERMS OF STUDENT USE AGREEMENT before buying this book. In compliance with U.S. copyright laws, regulations and restrictions, this book and the song arrangements within are for the exclusive use of my students. As a banjo teacher, my objective is to encourage and stimulate the creativity of my banjo students to the ultimate enrichment of the general public. By buying this book you are agreeing to accept the terms and the conditions contained herein. If you do not agree with these terms and conditions, you must not buy or use this book or arrangements or any of the materials contained within. By buying The Plectrum Banjo: Beyond Chord Melody , you attest that you are applying for status as a banjo student and will use the materials within the book for educational purposes only. My selling and delivery of the book to you constitutes my acceptance of your enrollment as a banjo student. Ron Hinkle, Banjo Instructor Library of Congress control number: 2011911833 ISBN-13: 978-0-615-47418-2 Manufactured in the United States of America. All of my work is humbly dedicated to: The young banjoists of today and tomorrow. -
A Comparative Case Study Examining the Commercial Presence Within Public Radio
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-1999 “All Things Considered”: A Comparative Case Study Examining the Commercial Presence within Public Radio Peter P. Nieckarz III Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Radio Commons, and the Sociology of Culture Commons Recommended Citation Nieckarz, Peter P. III, "“All Things Considered”: A Comparative Case Study Examining the Commercial Presence within Public Radio" (1999). Dissertations. 1523. https://scholarworks.wmich.edu/dissertations/1523 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. “ALL THINGS CONSIDERED”: A COMPARATIVE CASE STUDY EXAMINING THE COMMERCIAL PRESENCE WITHIN PUBLIC RADIO by Peter P. Nieckarz EH A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Western Michigan University Kalamazoo, Michigan June 1999 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. “ALL THINGS CONSIDERED”: A COMPARATIVE CASE STUDY EXAMINING THE COMMERCIAL PRESENCE WITHIN PUBLIC RADIO Peter P. Nieckarz III, Ph.D. Western Michigan University, 1999 This dissertation addresses the commercial presence within public radio. A case study of three NPR affiliate stations was conducted to determine to what extent public radio is being influenced or compromised by increased commercial rationality. It also addresses how they have been able to resist commercialism and remain true to the original ideals of public radio.