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From Moby Dick HUHIGN SONGS AND STORIES FROM MOBY DICK Document de communication du Festival d'Automne à Paris - tous droits réservés Songs and Stories from Moby Dick MOBY DICK, UN MONDE ÉTRANGEMENT SILENCIEUX technologie coûteuse, de l'argent, du pouvoir et du savoir-faire.C'est une expérience qui Inspiré par le roman de Herman Melville procure une satisfaction perverse, comme de J'ai commencé à travailler sur ce projetparce faire exploser la Maison Blanche dans Livret, musique, conception visuelle, mise en scène qu'un producteur de télévision réalisait une "Independance Day". Mais lorsquele Pequod série pour les étudiants sur les romans. coule, il emporte avec lui un univers entier, tout Laurie Anderson J'ai choisi Moby Dick. Bien que des passages du texte de Melville surgissent à plusieurs reprises en en construisant un autre. dans certains de mes films et chansons, je Alors qu'est-ce que Melville peut avoir à dire aux Coproduction : Brooklyn Academy of Music, New York / Cal Américainsdelafin ? Avec n'avais jamais vraiment relu lelivre en entier du XXème siècle Laurie Anderson : Pip, la Baleine, un Lecteur Performances, Berkeley / Prince Music Theater, Philadelphie depuis l'université.Et ce fut une véritable Obsessionnels, technologiques, volubiles et en quête de transcendant,nous ressemblons Tom Nelis: Achab, Noah, l'Explorateur Festival d'Automne à Paris / MC 93 Bobigny / Festival de Spoleto, révélation. D'une portée encyclopédique,le beaucoup ànos aïeux du XIXème siècle.La Price Waldman :le Cuisinier, le Deuxième Serviteur, USA-Charleston / UCLA Center for the Performing Arts, Los Angeles roman alterne les considérations sur l'histoire, la la la quête du sens chez Melville est tour à tour l'Homme qui court University Musical Society, University of Michigan, Ann Arbor. philosophie, science, religionetle monde naturel, jusqu'à la sombre et complexe frustranteetlumineuse, polymorpheet Anthony Turner : l'Homme debout Coréalisation : Festival d'Automne à Paris / MC 93 Bobigny conclusion de Melville sur le sens de la vie, de insaisissable, comme la grande baleine blanche Miles Green : voix de l'Homme qui tombe Avec le concours de l'American Center l'amour et de l'obsession. Je suis moi aussi qu'il cherche. Pour moi, une question clé est Manifestation du Programme 2000 en France posée, comme une pensée après coup, à la fin Musiciens quelqu'un d'assez sombre, et j'ai été séduite par l'idée que ce que nous recherchons toute du célèbre sermon du Père Mapple : "Alors Equipe de tournée Laurie Anderson : voix, violon, claviers, guitare, notre vie durant finit par nous détruire. qu'est-ce qu'un homme s'il survit à son Dieu ?". et Talking Stick (le Bâton-qui-parle) Michael Smallman : électricien / Jody Elff : ingénieur audio / Paul Strong : machiniste / Daniel Hartnett : technicien Sica Sverrisson : basse, basse enregistrée, sampler Le projet pour les étudiants n'a jamais vu le jour. Traduction et invention installation vidéo / Erik Bruce : régie lumière / Mark Weglinski Mais j'ai alors relu Moby Dick cinq fois d'une Collaborations régie installation son / Ryan Bronz : projectionniste / Octavia seule traite. J'ai commencé àleressentir Transposer un texte littéraire complexe et Christopher Kondek : conception visuelle Warnock-Graham : assistant électricien comme une musique. Les phrases décousues, classique en une production multimédia est un Miles Green : son comme deslistes,lesintervalles dans les projet d'un genre nouveau pour moi. J'ai assisté Michael Chybowski : lumière Equipe de production pentamètres iambiques, les poèmes lyriques où à suffisamment de conférences de la Melville James Schuette : décor Ronde Brown, Guy Lesser : dramaturgie / Loura Josepher se mêlent des "tu" et des "vous" d'un autre Society et lu assez de comptes-rendus depuis Susan Hilferty : costumes assistante de direction / Maya Saffrin : répétiteur pour les temps. Et les histoires ? D'une certaine façon, des années pour savoir que, quel que soit le un Bob Bielecki : électronique mouvements / Linda Ross : supervision des costumes / Rachel Moby Dickestaussi magnifique assemblement d'essais et de nouvelles sur le travail que je ferais surlelivre,ily aurait Hauck : assistante décor / Philip Widmer, Lara Bohon : assistants Ben Rubin : systèmes vidéo ciel étoilé, le comportement des ours polaires, fatalement des lacunes. Eneffet, comment Anne Bogart : mise en scène lumière / Linda Greenberg :conseillère pour la tournée / Robert les théories del'origine de l'univers, saisir l'esprit de ce livre et exprimer ce que Bernstein : comptable / Philippe Mongay : conseiller pour les j'aimais le plus ? Phantom Band entrecoupés d'innombrables précisions sur les réservations en Europe cordages, le temps, les rames et tous ces Visuellement, j'ai voulu établir plusieurs niveaux Laurie Anderson : voix, claviers, divers instruments, digital d'action en créant un espacescénique Remerciements à Lorry R.Larson, Robin Danar, Norene objets perdus de l'univers du XIXème siècle. processing / Joey Baron : percussions / Charlie Giordano permettant aux personnages d'apparaître et Maciwoda, et à l'Interval Research Corporation pour leur accordéon / Bill Frisell : guitare / Peter Scherer :claviers / Skùli C'est également un tour de force sur le plan d'êtreréabsorbés enunlieuabstrait. Un généreux soutien. Sverrisson : basse, sampler narratif. Botaniste, juriste, prêtre, historien, mécanisme que j'ai utilisé dans The Nerve Bible. Système son : EAW Eléments pré-enregistrés coproduits par Greg Cohen et mixés par Melville raconte ses histoires avec des centaines Les images elles-mêmes (les mots,l'eau,le Dante DeSole. Eléments vocaux pré-enregistrés par Tom Nelis et Equipe technique de la MC93 Bobigny de voix différentes. Du plus dépouillé au plus papier, les textures fluides,le feu des fières Christian Dupeux : régie générale / Eric Louchet : régie lumière Price Waldman. rêveur, ces modes et ces voix se succèdent machines et les constellations) apparaissent Manoutchehr Schahmaneche :régie son / André Boudic : chef rapidement. Cette approche audacieuse des moins pour évoquer un espace que pour créer un Visuels machiniste / Karim Harnache, Philippe Lathière, Claude Tardif styles narratifs est ce que j'ai trouvé de plus monde de rêve parallèleetfournir un Christopher Kondek : animation et photographie principale machinistes / Olivier Bentkowski, Pierre Setbon : électriciens passionnant et original dans lelivre. Imagé, contrepoint visuel au son. Melville construit un Laurie Anderson : photographie marine et animation Elisabeth Berthelin : chef habilleuse / Alain Jean François concis et composite, univers et le peuple d'une foule de vivants et de stagiaire régie Quelle est alors la proportion du texte original Equipe de développement de l'Interval Research pour The Talking morts. Spinoza, Noah, Job et Jonah naviguaient de Melville dans ce spectacle ? Stick : Bob Adams, Jesse Dorogusker, Dominic Robson, Geoff comme Achab, Ismael,Pip, Queequed et le Smith cuisinier fou sur le Pequod condamné. Création en France Sil'on en croit mon ordinateur.., environ dix pour cent.Parfois jeprenais mes passages Julie Crosby : coordination générale / Bohdan Bushell :direction Ce roman est-ilune tragédie ? En langue anglaise surtitrée préférés et les restituais tels quels. ("Installe- de production /Lisa Porter : régie générale Du 17 au 21 novembre 1999 Dès les premièrespages, on sait que lebateau toi comme unsultanparmileslunesde Production : Electronic Theater Company, Inc. va couler. Tout conduit inéluctablement vers ce Saturne..."). D'autresfois,jeme servais Durée du spectacle: 1h30mn sans entracte Avec le concours de Love Stream Prod., agnès b., et The Bohen point de fuite.Mais pour moi,lePequod seulement d'une idée ou d'une phrase pour Foundation Photo page 1: N. SELKIRK ressembledavantage au Mayflowerqu'au écrire une chanson. ("Parce qu'il y a dans tous Titanic. Le naufrage du Titanic est les hommes certaines propriétés,occultes, spectaculaire. C'est le naufrage de la merveilleusesetcachées").D'autresfois Document de communication du Festival d'Automne à Paris - tous droits réservés encore, dans l'esprit des digressions de Melville, de Melville certains de mes passages préférés. Et, POUR SALUER MELVILLE je me contentais d'inventer et d'ajouter. enfin, créer un monde personnel où les idées et les obsessions prennent une forme sensuelle Pour écrire les textes, j'ai eu recours à divers nouvelle. procédés permettant d'écourter les mots et de les faire sonner lorsqu'on les dit. La Bible de Melville Indépendamment delaqualitédiscursive du La traduction de Moby Dick, de Hermon Melville,qui Comme si d'un pas plus long je l'avais atteint et que je texte, l'essentiel de la langue de Melville a pour Lorsque j'ai dit à un ami que je travaillais sur un paraît d'autre part, commencée le 16 novembre 1936 a sois entré dans sa peau, mon corps se couvrant aussitôt nousd'autresconnotationsquepourses projet inspiré de Moby Dick, il a failli devenir fou! été achevée le 10 décembre 1939. Mais, bien avant de son corps comme d'un grand manteau; portant son contemporains qui connaissaient bien mieux la Il a dit : "Moby Dick! Moby Dick?". Quelques jours coeur à la place du mien, traînant lourdement moi aussi Bible.LorsqueMelville écrivait "Considèrele plus tard,ilm'apportait une grande boîte. Elle d'entreprendre ce travail, pendant cinq ou six ans au raffinement de lamer... et la façon dont la contenait la Bible de Melville,celle qu'il avait moins,celivre a été mon compagnon étranger. Je mes blessures sur les remous d'une énorme bête de plupart de
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