Mud Plaster Wall Paintings of Bhaja Caves: Composition and Performance Characteristics
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Initial Evidence of Plant and Animal-Origin Organic Additives from the Second-Century Bce Earthen Plaster of Rock-Cut Caves of Karla, India**
bs_bs_banner Archaeometry ••, •• (2019) ••–•• doi: 10.1111/arcm.12522 INITIAL EVIDENCE OF PLANT AND ANIMAL-ORIGIN ORGANIC ADDITIVES FROM THE SECOND-CENTURY BCE EARTHEN PLASTER OF ROCK-CUT CAVES OF KARLA, INDIA** B. DIGHE and M. R. SINGH† Department of Conservation, National Museum Institute, Janpath, Delhi, 110011, India Analytical investigations through phytochemical screening, scanning electron microscope (SEM) and light microscopic observation of the earthen plaster of Karla Caves of western India identified the presence of antifungal, antibacterial and insect repellent Careya arborea stem fibres as a vegetal additive. The scanning electron microscopy with energy-dispersive X-ray spectrometry (SEM-EDX) study also revealed the inclusion of rice (Oryza sativa) husk as a plant additive in the plaster. In the high rain-fed coastal regions of western India, the an- timicrobial, antioxidant and termite-resistance properties of C. arborea helped the survival of the plaster in unfavourable climatic conditions. Besides, the C. arborea and rice husk together played a role in reducing cracks, decreasing the density, and imparting a plasticity and a du- rability to the plaster. The liquid Fourier-transform infrared spectrometer (FTIR) of organic extracts revealed carboxylic acid (fatty acids)-based additives in the earthen plaster. From the gas chromatography-mass spectrometry (GC-MS) analysis of the plaster, the presence of animal milk fat, animal and vegetable fat, and vegetable oil was identified, and probably used to strengthen the earthen plaster for their resistance to tensile stress. The analysis also diag- noses the inclusion of methyl commate B, a resinous material obtained from the Burseraceae plant family, which has antimicrobial properties, through GC-MS analysis. -
ANSWERED ON:25.11.2014 TOURIST SITES Singh Shri Rama Kishore
GOVERNMENT OF INDIA TOURISM LOK SABHA UNSTARRED QUESTION NO:403 ANSWERED ON:25.11.2014 TOURIST SITES Singh Shri Rama Kishore Will the Minister of TOURISM be pleased to state: (a) whether tourist sites have been categorised grade-wise in the country and if so, the details thereof; (b) the details of tourist sites covered under Buddhist circuit and developed as world heritage tourist sites during the last three years and the current year; (c) whether the Government has any tourism related proposals for Vaishali in Bihar including financial assistance; and (d) if so, the details thereof? Answer MINISTER OF STATE FOR TOURISM (INDEPENDENT CHARGE) (DR. MAHESH SHARMA) (a): Madam. At present there is no grade wise categorization of tourist sites. (b): The Ministry of Tourism has identified following three circuits to be developed as Buddhist Circuits in the country with the help of Central Government/State Government/Private stake holders: Circuit 1: The Dharmayatra or the Sacred Circuit - This will be a 5 to 7 days circuit and will include visits to Gaya (Bodhgaya), Varanasi (Sarnath), Kushinagar, Piparva (Kapilvastu) with a day trip to Lumbini in Nepal. Circuit 2: Extended Dharmayatra or Extended Sacred Circuit or Retracing Buddha's Footsteps - This will be a 10 to 15 day circuit and will include visits to Bodhgaya (Nalanda, Rajgir, Barabar caves, Pragbodhi Hill, Gaya), Patna (Vaishali, Lauriya Nandangarh, Lauriya Areraj, Kesariya, Patna Museum), Varanasi (Sarnath), Kushinagar, Piparva (Kapilvastu, Shravasti, Sankisa) with a day trip to Lumbini in Nepal. Circuit 3: Buddhist Heritage Trails (State Circuits). i. Jammu and Kashmir - Ladakh, Srinagar (Harwan, Parihaspora) and Jammu (Ambaran). -
STRAW-BALE AS a VIABLE, COST EFFECTIVE, and SUSTAINABLE BUILDING MATERIAL for USE in SOUTHEAST OHIO a Thesis Presented to the F
STRAW-BALE AS A VIABLE, COST EFFECTIVE, AND SUSTAINABLE BUILDING MATERIAL FOR USE IN SOUTHEAST OHIO A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Masters of Science Leanne R. Marks June 2005 This thesis entitled STRAW-BALE AS A VIABLE COST EFFECTIVE AND SUSTAINABLE BUILDING MATERIAL FOR USE IN SOUTHEAST OHIO by LEANNE R. MARKS has been approved for the Program of Environmental Studies and the College of Arts and Sciences by Christopher Boone Associate Professor of Geography Leslie A. Flemming Dean of College of Arts and Sciences Marks, Leanne R. M.S. June 2005. Environmental Studies. Straw-Bale as a Viable, Cost Effective, and Sustainable Building Material for use in Southeast Ohio. (118pp.) Director of Thesis: Christopher Boone In Southeast Ohio, the humidity is relatively high all year round; the maximum monthly average humidity readings exceeded 80% during the ten months of sampling. Precipitation levels, and its’ effect on moisture accumulation within straw-bale walls, had been a concern to individuals skeptical about the use of straw-bales as a viable building material. Athens County, Ohio, is located within the Appalachian region, a poverty stricken region that desperately requires livable, affordable housing. Throughout this document, it becomes evident that straw-bale construction is in fact, a viable, cost effective and sustainable and safe building method for use in southeast Ohio. Within the study the moisture content of three Athens County straw-bale homes were recorded during a ten-month period (Dec. 2001–Sept. -
EARTHEN Natural Clay Plaster Can Also Help Moderate Temperature Swings - Wall Surfaces Remain Cool in Summer and Warm in Winter
NATURAL CLAY PLASTER - Adj. earthen - made of earth Clay as a construction material has been around for thousands of years. We have recognised these age old benefits, combined these with modern manufacturing, application, and colouring techniques to provide some very special qualities to enhance your living environment. Ideally suited for high comfort, modern buildings and historic building refurbishment. EARTHEN is a breathing surface in that it assists in regulating both humidity and temperature by absorbing and releasing vapour. It makes rooms more tolerable in humid weather, and when the weather becomes drier it releases moisture into the room helping to improve the air quality. EARTHEN is a hard, durable surface that can be repaired when damaged, re-surfaced and even completely recycled. If a colour change is required to update an interior you can maintain all the benefits of the EARTHEN plaster by simply painting with EARTHEN clay paint. EARTHEN Natural Clay plaster can also help moderate temperature swings - wall surfaces remain cool in summer and warm in winter. The more clay used in a room the greater the beneficial effects including acoustic. EARTHEN Clay is a natural product available in almost every corner of the earth, contains no VOC’s or cements. It is composed of fine white china clay, silica sands, and natural binders. This is then mixed with water to create a workable material for plastering. EARTHEN FEATURES v A more environmentally friendly choice than traditional gypsum plaster. v A 100% natural, breathable material. v Material naturally absorbs odours. v Mould resistant. v Natural properties are anti allergenic. -
The Scope of Hemp (Cannabis Sativa L.) Use in Historical Conservation in India
Indian Journal of Traditional Knowledge Vol. 17(2), April 2018, pp. 314-321 The scope of hemp (Cannabis sativa L.) use in Historical conservation in India M Singh 1*, Divija Mamania2 & Vasant Shinde3 1National Museum Institute, Janpath, New Delhi-110 011, India; 2IITian’s Pace and Pace Junior Science College, Mumbai-400 028, India; 3Deccan College Post Graduate and Research Institute, Pune-411 006, India E-mail: [email protected] Received 22 September 2017, revised 11 December 2017 Cannabis sativa L. (hemp) has preserved the ancient artwork in India’s sacred Ellora Caves for 1500 years. The long life of earthen plaster of Ellora, despite damaging environmental parameters, may be attributed to the material properties of hemp which is fibrous and durable as studied through stereo and scanning electron microscope. The properties of Cannabis sativa (hemp) including its ability to repel insects and regulate humidity must have been known to the ancient Indian technicians in 6th CE. Moreover, Cannabis has an excellent carbon dioxide sequestering capacity and is green house negative and these properties were exploited by ancient Indians in cave murals of Ellora. The finding could be applied in future construction technology, as well as conservation of historical structures, where more sustainable materials are being sought. However, it would be illegal in places where Cannabis is banned. The numerous useful properties of hemp can also be exploited for several environmental friendly applications. This paper deliberates upon the utilization of this plant from the ancient period to its present use to regulate green house impact. Keywords: Cannabis sativa L., Shiv, Greenhouse, Conservation IPC Int. -
Natural Finishes Overview
Page 1 Natural Finishes Overview Natural plasters and finishes are a great alternative to the conventional finishing products that are available on the market. The ones that are just riddled with toxic chemicals! Most people don’t even realize the negative effects that these products have on their health. Indoor air pollution and toxic off gassing is a whole subject unto itself. But by using natural plasters and paints, you avoid the added toxicity of cement stucco, drywall, chemical paints, and the destructive industry that produces them all. Natural plasters and finishes can be applied to cob walls or even to drywall board! The majority of natural plasters and finishes are made from a combination of these simple ingredients: Clay, sand, straw, lime, kaolin clay, wheat paste, pigments, and water. Copyright 2015 - This Cob House LLC - All Rights Reserved Page 2 Plastering your cob home is like putting the icing on the cake. Once you have built your walls, built your roof, and installed the windows and doors then you can begin to plaster your building. The plaster will protect your walls from rain on the outside, and it will protect your cob walls from any crumbling off on the inside. A good foundation and a good roof overhang (a good hat and boots, as they say) will protect your cob home from most weather and rain. Some people decide not to plaster the exterior walls of their cob homes and they are fine in many cases, but you will still get deterioration. It is recommended to plaster your walls to protect them from driving rain and frost. -
Buddhism in the Northern Deccan Under The
BUDDHISM IN THE NORTHERN DECCAN UNDER THE SATAVAHANA RULERS C a ' & C > - Z Z f /9> & by Jayadevanandasara Hettiarachchy Thesis submitted for the Degree of Doctor of Philosophy to the University of London 1973* ProQuest Number: 10731427 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731427 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ABSTRACT This study deals with the history of Buddhism in the northern Deccan during the Satavahana period. The first chapter examines the evidence relating to the first appearance of Buddhism in this area, its timing and the support by the state and different sections of the population. This is followed by a discussion of the problems surrounding the chronology of the Satavahana dynasty and evidence is advanced to support the ’shorter chronology*. In the third chapter the Buddhist monuments attributable to the Satavahana period are dated utilising the chronology of the Satavahanas provided in the second chapter. The inscriptional evidence provided by these monuments is described in detail. The fourth chapter contains an analysis and description of the sects and sub-sects which constituted the Buddhist Order. -
Historic England Practical Building Conservation
HISTORIC ENGLAND PRACTICAL BUILDING CONSERVATION EARTH, BRICK & TERRACOTTA 0 Prelims PART A.indd 1 07/09/2015 17:37 © Historic England 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Historic England has asserted their right under the Copyright, Designs and Patents Act 1988 to be identified as the author and editor of this work. Historic England 1 Waterhouse Square 138–142 Holborn London EC1N 2ST Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington Surrey GU9 7PT VT 05401-4405 England USA www.ashgate.com British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Control Number: 2009925645 ISBN-13: 9780754645535 0 Prelims PART A.indd 2 09/09/2015 03:45 A: ii Notes oN Volume editors & CoNtributors Volume Editors: Alison Henry (Earth), Iain McCaig (Brick), Clara Willett and Sophie Godfraind (Terracotta), John Stewart (General Introduction, Tiles) The volume editors are all members of Historic England's Building Conservation and Research Team. Alison Henry is a former conservation officer, and has practical experience as a stone conservator, but also has a special interest in earthen construction. She was an editor for the Mortars, Renders & Plasters, Stone and Roofing volumes in this series. Iain McCaig studied architecture before specialising in building conservation and has many years of experience, working in local authority, private practice and within Historic England. -
Testing and Evaluation of Soil Based Grouts for the Adhesion of Consolidated and Un-Consolidated Painted Lime Plaster at the Mission San José De Tumacácori
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2017 Testing and Evaluation of Soil Based Grouts for the Adhesion of Consolidated and Un-Consolidated Painted Lime Plaster at the Mission San José de Tumacácori Nicole M. Declet Díaz University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Declet Díaz, Nicole M., "Testing and Evaluation of Soil Based Grouts for the Adhesion of Consolidated and Un-Consolidated Painted Lime Plaster at the Mission San José de Tumacácori" (2017). Theses (Historic Preservation). 619. https://repository.upenn.edu/hp_theses/619 Suggested Citation: Declet Díaz, Nicole (2017). Testing and Evaluation of Soil Based Grouts for the Adhesion of Consolidated and Un- Consolidated Painted Lime Plaster at the Mission San José de Tumacácori. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/619 For more information, please contact [email protected]. Testing and Evaluation of Soil Based Grouts for the Adhesion of Consolidated and Un-Consolidated Painted Lime Plaster at the Mission San José de Tumacácori Abstract The interior decorative painting at Mission San Jose de Tumacácori is a rare survival of late 18th century- early 19th century artistic traditions of northern Sonora and the Kino mission churches. Despite earlier attempts to stabilize these finishes, the original painted lime plaster has continued ot detach from the adobe substrate. Previous techniques to stabilize the paintings began with research by J. Rutherford Gettens in 1949-1952 and subsequent attempts in 1984 to reattach detached plaster have proven ineffective. -
Updated in June, 2016 SALE COUNTERS OF
Updated in June, 2016 SALE COUNTERS OF ARCHAEOLOGICAL SURVEY OF INDIA IN INDIA Total Sale Counters : 107 Sl. Circle/Branch/Office Place of Sale Counter Address of Sale Counter No. 1. ASI, Hqrs, Office, New Directorate Office Janpath, New Delhi - 110 011 Delhi (1) 2. Agra Circle (5) Shilpgram Eastern Gate, O/o Conservation Asstt. ASI, Sub- Taj Mahal Circle, Taj Mahal, Agra Agra Fort O/o Conservation Asstt. ASI, Sub- Circle, Agra Fort, Agra Fatehpur Sikri O/o Conservation Asstt. ASI, Sub- Circle, Fatehpur Sikri, Agra Sikandra, Agra O/o Conservation Asstt. ASI, Sub- Circle, Sikandra, Agra Itimadaulla O/o Conservation Asstt. ASI, Sub- Circle, Itimadaulla, Agra 3. Aurangabad Circle (6) Along with Booking O/o The Sr. Conservation Assistant Counter Archaeological Survey of India, Ajanta Caves, Ajanta Ajanta Sub-Circle, Ajanta, Post : Faradapur - 431 118 District : Aurangabad - 431004 Along with Booking O/o The Sr. Conservation Assistant Counter Archaeological Survey of India, Ellora Caves, Ellora Ellora Sub-Circle, Ellora, Taluka : Khultabad District : Aurangabad - 431 004 Along with Booking O/o The Jr. Conservation Assistant Counter Archaeological Survey of India, Bibi-ka-Maqbara, Bibi-ka-Maqbara Sub-Circle, Aurangabad Begampura, District : Aurangabad - 431 004 Along with Booking O/o The Jr. Conservation Assistant Counter Archaeological Survey of India, Daulatabad Fort, Daultabad Fort Ta Aurangabad Daulatabad Dist. Aurangabad - 431 002 Along with Booking O/o The Sr. Conservation Assistant Counter Archaeological Survey of India, Pnadavlena Caves, Nasik Sub-Circle, Ambed, District : Nasik Nasik - 422 010 Along with Booking Archaeological Survey of India, Counter Aurangabad Caves, Aurangabad, Aurangabad Caves District : Aurangabad - 431 004 4. -
Build a Cob House a Step-By-Step Guide
Build a Cob House A Step-By-Step Guide Copyright © 2013 by Alex Sumerall Page 1 www.thiscobhouse.com Table of Contents Introduction......................................................................................................................... 5 How, and By Whom, Should My Cob Building Be Built?............................................. 5 Characteristics of Cob Homes ........................................................................................ 8 Cob Home Concepts ................................................................................................... 8 Cob Home Advantages ............................................................................................... 9 Common Questions About Cob.................................................................................... 10 Site Selection .................................................................................................................... 12 Design ............................................................................................................................... 14 Materials and Tools........................................................................................................... 21 Selecting and Testing Soils........................................................................................... 21 Sand........................................................................................................................... 23 Clay.......................................................................................................................... -
V Comparative Study of Buddhist Art and Iconography of Western India
CHAPTER: V COMPARATIVE STUDY OF BUDDHIST ART AND ICONOGRAPHY OF WESTERN INDIA “The Sanskrit word ‘Kala,’ for the term ‘Art’, served a specific function, covering the many varieties of creative expressions, such as painting, sculpture, poetry, music, dance and architecture.”1. The relation between art and religion has been emerging hand in hand from the dim recesses of pre-history. There can be no great art, or great periods of art, without an intimate link between art and religion. Even in antiquity, man noticed that art “educates while entertaining”. They also render art its power of suggestion. The set of these issues inevitably leads the researcher up to the question of human nature, which is what determines the qualities of art. The simple word ‘art’2 is most usually associated with those arts which is distinguished as ‘plastic’ or ‘visual’, but properly speaking it should include the arts of literature and music. Indian art is an expression of Indian life and thought attuned to its vast natural background and its socio-religious traditions. It is not exclusive or sectarian in the narrow sense of the term. Its style, technique or general tenor has nothing to do with any particular religious outlook. It is fed and fostered upon a vast storehouse of Indian traditions, symbols and designs. The term Hindu, Jaina or Buddhist art is but a popular nomenclature to distinguish one group of monuments, including Sculpture, painting, cave-temples and architecture, etc., from another standpoint of the predominance of one or the other religious theme. Hence, by Buddhist art is meant popularly those monuments and paintings which have for the main purpose the edification or popularization of Buddhism.