______MINNESOTA DANCER May 2015
Inside . . .
Lead or Follow? Part 2
Should Social Dancers Compete?
A New Dance Studio!
USA Dance Nationals: Tony Guinta and Lisa Mohr are winners!
Photo by Ryan Kenner Photography www.ryankennerphotography.com
1 MD / May 2015 www.usadance-minnesota.org Official publication of USA Dance Minnesota Chapter #2011 ______
2 MD / May 2015 www.usadance-minnesota.org ______
3 MD / May 2015 www.usadance-minnesota.org ______Minnesota USA Dance Minnesota Chapter ues for the monthly dances. Included in the discussion was the chapter’s providing of the #2011 Board Minutes DJ for these events.
We discussed the pricing of the monthly danc- Dancer Tuesday, March 3rd, 2015 es. This subject will be advertised in the April Submitted by Leslie Whitney February 2015 and May issues of the Minnesota Dancer.
The board discussed hosting a special event In attendance: Lee Whitney (President), Ed An Official Publication of dance in the fall of 2015. Soltis (Vice-President), Jane Phipps (Treasurer), USA Dance-Minnesota Chapter #2011 Leslie Whitney (Secretary), Tom Crable, Dan Communications Coordinator Report Fitzgerald, Karen Maldonado, Carol Post, Joyce Thompson, Paul Stachour USADance-MN.org recovery request - Gary Stroick is facilitating this effort. Location: DanceLife Ballroom Studio, 6015 Hotline – Dorothy Jones updates every week. USA Dance: Who Are We? Lyndale Avenue South, Mpls., MN 55419 Thank you Dorothy. Joyce is managing the Hotline. We are a nonprofit organization that promotes ball- Call session to order Star of the North Coordinator Report – The room dancing. The Minnesota chapter, USA Dance board is continuing to explore feasibility. Minnesota Chapter #2011, was formed in 1991. Agenda – Unanimously approved Membership in USA Dance is open to dancers of all K12 Coordinator Report – We discussed two levels. Confidentiality – Meeting discussions are confi- dential. Chapter minutes are posted in the Minne- opportunities which currently exist to promote USA Dance Minnesota Chapter #2011 sponsors sota Dancer. dancing in the K12 population. monthly dances and other special dance events. The USA Dance, Inc. School Dance Program, Members receive discounts on admission to monthly Minutes – Motion was made, seconded, and which is promoted by Nationals. Lee summa- dances, as well as other benefits. unanimously approved to accept the minutes from rized this program.
each board meeting held in February. Dancing Classrooms, a program nationally The Minnesota Dancer is published monthly by the recognized and locally sponsored by Heart of USA Dance Minnesota Chapter #2011, providing Treasurer’s Report – Motion was made, second- Dance MN. Paul Stachour attended an organi- information and news about ballroom dancing. zational meeting and distributed a handout Subscriptions: $22/year. Make checks payable to ed, and unanimously approved to accept the Feb- summarizing this program. We will invite the USA Dance Minnesota #2011; send to Jane Phipps, ruary treasurer’s report. 9018 Zanzibar Lane, Maple Grove, MN 55311 co-founders of this program to present at our Reporting Requirements April meeting. Editors/Layout: Bonnie Burton, Leland Whitney Annual Report – Jane has submitted to Nation- Advertising/Editing: Bonnie Burton, 952.454.4620 als UMR Ballroom Dance – Scholarship Request: A Mailing: Committee member Financial Report – Jane has submitted to Na- motion was made, seconded, and unanimously tionals approved to donate to this club for the purpose of Contributions: Articles submitted may be edited for Coordinator Budget Estimates – in progress attending the Iowa DanceSport Classic on March length, clarity, content. Photos should be high- 28th. resolution jpg, png, or pdf files. Email submissions to: Membership Coordinator Report [email protected]. February, 2014 – 130 members Next Meeting: April 7th, 2015, 6:00 pm, DanceLife Ballroom, 6015 Lyndale Ave. S., Contributors: Suzi Blumberg, Paul Botes, Bonnie February, 2015 – 316, Currently, 313+33 Minneapolis, MN 55419 Burton, Linda Checky, Elizabeth Dickinson, Donna (memberships being processed) = 349 Edelstein, Tony Guinta, Jenna Kremer, Lisa Mohr, Dan will work on continuing to sustain member- Deborah J. Nelson, Leland Whitney. ship growth.
Leland Whitney, President, 651.690.9367 Project Dance Coordinator Report – April will [email protected] be at American Classic Ballroom
Edward Soltis, Vice-President, 612.805.6516 Social Dance, Special Projects and Volunteer [email protected] Coordinator Report
A motion was made, seconded and unanimous- USA DANCE MINNESOTA Jane Phipps, Treasurer, 612.859.5245 ly approved to form a committee to explore the [email protected] HOTLINE feasibility of Newcomer Dances.
Plans for the Tea Dance are moving along 651-483-5467 Leslie Whitney, Secretary, 651.690.9367 Call for information on dance events. [email protected] smoothly. We discussed the opening and closing of ven- www.usadance-minnesota.org
Yes! I want to receive the USA Dance Minnesota Dancer Magazine! Please send my one-year subscription to: Name Phone ______Address ______City/State/Zip ______Please mail your check for $22 with this form to: Jane Phipps, 9018 Zanzibar Lane, Maple Grove, MN 55311 [email protected]
4 MD / May 2015 www.usadance-minnesota.org ______DANCER’S NIGHT OUT
Fri 5/1 DanceLife Ballroom Variety Dance, per couple, Dancing to the Northernaires, 10:30 Lesson, general dancing with 8–9:30, 6015 Lyndale S, Mpls, 612-345- St Richard's Catholic Church Social Hall, Shinya McHenry. Dessert and coffee. First
4219, www.dancelifeballroom.com 7540 Penn So., Richfield, 612-869-3062 visit $10/couple. Reserve: 651-636-9747 or www.LindenHillsDancingClub.org. Cinema Ballroom Variety Dance, 7–11, Sun 5/10 USA Dance Minnesota Beginner 1560 St Clair Ave, St Paul, 651-699- Samba Lesson with instructor Gene Sun 5/17 USA Dance Minnesota Beginner 5910, www.cinemaballroom.com Bersten; 2:00 PM; $5 or Free to USA Samba Lesson with instructor Gene Ber- Dance Members! Dance With Us Amer- sten; 2:00 PM; $5 or Free to USA Dance Sat 5/2 DanceLife Ballroom 1st Saturday ica Studio, 10 Southdale Center, Edina, Members! Dance With Us America Stu- of the Month Dance, Cha Cha Lesson, 7– MN; www.usadance-minnesota.org dio, 10 Southdale Center, Edina, MN; 10, 6015 Lyndale S, Mpls, 612-345-4219, www.usadance-minnesota.org www.dancelifeballroom.com Costa Rica Ballroom Sunday Salsa Nights, 5–7; $10; 580 Mainstreet, Hop- Third Sunday Dance at Tapestry, 6–9:30, Sun 5/3 First Sunday Dance at Tapestry, 6– kins, MN, 952-303-3339, $7–$10, American Tango with Tom and 9:30, $7–$10, American Tango lesson with www.costaricaballroom.com Anne LaTourelle, live music by Café Ac- Shinya McHenry, 3748 Minnehaha Ave S, cordion Orchestra, 3748 Minnehaha Ave Mpls, www.tapestryfolkdance.org Tue 5/12 Dancelife Ballroom Newcomer S, Mpls, www.tapestryfolkdance.org Party, 8–9PM, 6015 Lyndale S, Mpls, Costa Rica Ballroom Sunday Salsa 612-345-4219, Costa Rica Ballroom Sunday Salsa Nights, Nights, 5–7; $10; 580 Mainstreet, Hop- www.dancelifeballroom.com 5–7; $10; 580 Mainstreet, Hopkins, MN, kins, MN, 952-303-3339, 952-303-3339, www.costaricaballroom.com DanceLife Ballroom West Coast Swing www.costaricaballroom.com Dance with Todd Paulus, 9–11, 6015 DanceLife Ballroom Twin Cities Rebels Lyndale S, Mpls, 612-345-4219, DanceLife Ballroom Twin Cities Rebels 1st Sunday Dance, 7–10:30, 6015 www.dancelifeballroom.com 3rd Sunday Dance, 7–10:30, 6015 Lyndale S, Mpls, 612-345-4219, Lyndale S, Mpls, 612-345-4219, www.dancelifeballroom.com Wed 5/13 Cinema Ballroom Practice Party, www.dancelifeballroom.com 8–9, 1560 St Clair Ave, St Paul, 651-699- Wed 5/6 Cinema Ballroom Practice Party, 5910, www.cinemaballroom.com (Continued next page) 8–9, 1560 St Clair Ave, St Paul, 651-699- 5910, www.cinemaballroom.com Dancers Studio WCS Party 8–9, 415 Pascal St N, St Paul, 651-641-0777, Inside the Dancer Dancers Studio WCS Party 8–9, 415 www.dancersstudio.com Pascal St N, St Paul, 651-641-0777, www.dancersstudio.com Thu 5/14 Dancers Studio Dance Party 7:30 Meeting Minutes……………………….. 4 –9, 415 Pascal St N, St Paul, 651-641- Dancer’s Night Out ……………………. 5 Thu 5/7 Dancers Studio Dance Party 7:30– 0777, www.dancersstudio.com President’s Corner……………………... 7 9, 415 Pascal St N, St Paul, 651-641- Editor’s Column …...... ……………….. 9 0777, www.dancersstudio.com Fri 5/15 DanceLife Ballroom Variety Dance, 8–9:30, 6015 Lyndale S, Mpls, 612-345- Ask Dr. Dance ………...…..…………... 10 Fri 5/8 DanceLife Ballroom Variety Dance, 4219, www.dancelifeballroom.com Trisha Wood’s New Dance Studio……. 11 8–9:30, 6015 Lyndale S, Mpls, 612-345- Lead or Follow: Part II in a Series….… 13 4219, www.dancelifeballroom.com Cinema Ballroom Variety Dance, 7–11, 1560 St Clair Ave, St Paul, 651-699-5910, USA Dance Nationals: Lisa Says ……. 14 Sat 5/9 Café Bailar Dance Party, 7:30- www.cinemaballroom.com USA Dance Nationals: Tony Says ….... 15 11:30, Balance Pointe Studio, 5808 W 36 Competition Calendar …..……………... 16 St, St. Louis Pk, www.cafebailar.com Sat 5/16 Monthly USA Dance Minnesota, Should Social Dancers Compete? …...... 17 DanceLife Ballroom 7–11, $5 students, Tango Society of Minnesota 2nd Satur- $10 members, $15 non-members, Hus- Competition Results: USA Nationals … 18 day Milonga, 8:30–1:00, $10 members tle lesson with Shiny McHenry, 6015 The Dancing Life: Tango……………... 19 $14 non-members, Four Seasons Dance Lyndale Ave. So., Mpls, 612-345-4219 Dancing With the Stars Costumes…….. 21 Studio, 1637 Hennepin Ave South, Mpls, Stardust Dance Cruise ………………… 22 612-224-2905, mntango.org Linden Hills Dancing Club, for dancing couples. Lake Harriet United Methodist DanceLife Showcase Photos ………….. 23 Aqua Gliders Dance Club, 7:30–11, $25 Church, 4901 Chowen Ave S, Mpls, 6:30 - Dance Contacts ………………………… 26
5 MD / May 2015 www.usadance-minnesota.org ______DANCER’S NIGHT OUT
Tue 5/19 DanceLife Ballroom West Coast Mon 5/25 DanceLife Ballroom Shinya and USA Dance-Minnesota Chapter #2011 Swing Dance with Todd Paulus, 9–11, Scott Anderson Variety Dance Party, 7–9, 6015 Lyndale S, Mpls, 612-345-4219, 6015 Lyndale S, Mpls, 612-345-4219, MONTHLY www.dancelifeballroom.com www.dancelifeballroom.com DANCES Wed 5/20 Dancers Studio WCS Party 8–9, Wed 5/27 Dancers Studio WCS Party 8– 415 Pascal St N, St Paul, 651-641-0777, 9, 415 Pascal St N, St Paul, 651-641- www.dancersstudio.com 0777, www.dancersstudio.com MAY Cinema Ballroom Practice Party, 8–9, 1560 Cinema Ballroom Practice Party, 8–9, Saturday, May 16 St Clair Ave, St Paul, 651-699-5910, 1560 St Clair Ave, St Paul, 651-699- www.cinemaballroom.com 5910, www.cinemaballroom.com DanceLife Ballroom 6015 Lyndale Ave. So. Thu 5/21 Dancers Studio Dance Party 7:30 Thu 5/28 Dancers Studio Dance Party 7:30 Minneapolis, MN –9, 415 Pascal St N, St Paul, 651-641- –9, 415 Pascal St N, St Paul, 651-641- 0777, www.dancersstudio.com 0777, www.dancersstudio.com 7–8 pm lesson: Hustle Instructor: Shinya McHenry Cinema Ballroom Salsa Fusion, 7–11, Dancers Studio Dance Party 7:30–9, 415 8–11 pm: Variety Dance Music 1560 St Clair Ave, St Paul, 651-699- Pascal St N, St Paul, 651-641-0777, 5910, www.cinemaballroom.com www.dancersstudio.com $5 Students under 25 with ID $10 USA Dance Members $15 Non-Members Fri 5/22 DanceLife Ballroom Variety Fri 5/29 DanceLife Ballroom Variety
Dance, 8–9:30, 6015 Lyndale S, Mpls, Dance, 8–9:30, 6015 Lyndale S, Mpls, 612-345-4219, 612-345-4219, www.dancelifeballroom.com www.dancelifeballroom.com JUNE Saturday, June 20 Sat 5/23 Café Bailar Dance Party, 7:30- Sun 5/31 USA Dance Minnesota Beginner 11:30, $10, Costa Rica Ballroom , 816 Samba Lesson with instructor Gene DanceLife Ballroom Main St, Hopkins, cafebailar.com Bersten; 2:00 PM; $5 or Free to USA 6015 Lyndale Ave. So. Dance Members! Dance With Us Amer- Minneapolis, MN Sun 5/24 USA Dance Minnesota Beginner ica Studio, 10 Southdale Center, Edi- Samba Lesson with instructor Gene na, MN; www.usadance-minnesota.org 7–8 pm lesson: Rumba Bersten; 2:00 PM; $5 or Free to USA Instructor: Shinya McHenry Dance Members! Dance With Us Amer- Costa Rica Ballroom Sunday Salsa Nights, 8–11 pm: Variety Dance Music ica Studio, 10 Southdale Center, Edi- 5–7; $10; 580 Mainstreet, Hopkins, MN, na, MN; www.usadance-minnesota.org 952-303-3339, www.costaricaballroom.com $ 5 Students under 25 with ID $10 USA Dance Members Costa Rica Ballroom Sunday Salsa DanceLife Ballroom Twin Cities Rebels 5th $15 Non-Members Nights, 5–7; $10; 580 Mainstreet, Hop- Sunday Dance, 7–10:30, 6015 Lyndale S, kins, MN, 952-303-3339, Mpls, 612-345-4219, www.costaricaballroom.com www.dancelifeballroom.com JULY Saturday, July 18
Cinema Ballroom 1560 St. Clair Ave. St. Paul, MN
LYNNE'S DANCE NEWS 7–8 pm lesson: TBD
Instructor: TBD Dance events for every day of the week. 8–11 pm: Variety Dance Music Updated daily. $ 5 Students under 25 with ID http://www.organizeronduty.com/ $10 USA Dance Members testimonials.html $15 Non-Members Dance address book also on the website
6 MD / May 2015 www.usadance-minnesota.org ______PRESIDENT’S CORNER By Leland Whitney, President, USA Dance Minnesota Chapter #2011
bout a year ago (spring 2014), long- The Grievance Hearing Panel members re- A time USA Dance Minnesota Chapter viewed all evidence and oral testimony pre- member Nels Petersen filed five grievances sented to it and 30 days later issued its con- with the National organization against the clusions, which were as follows: local Minnesota Chapter Board. Space doesn’t permit listing the grievances in de- The Grievance Hearing Panel tail, however, Mr. Petersen generally dismissed all the grievances charged the Chapter Board with mismanage- against the USA Dance Minnesota ment; alleging improperly held meetings; Chapter Board and its board offic- failure to further the purpose of a USA ers. In regard to the local poli- Dance Chapter; and improper and illegal cies, the panel stated that while local board policies. He called for an imme- the local policies didn’t violate diate emergency election; and demanded the USA Dance by-laws, they did not removal of the chapter Executive Commit- necessarily meet the spirit of the Leland and Leslie Whitney are preparing tee, which included myself as President, National bylaws, either. The for the USA Dance Senior IV National Vice-President Bonnie Burton, Treasurer Hearing Board recommended the Championships to be held in late June in Jane Phipps, and Secretary Leslie Whitney. local chapter work with National Baton Rouge, LA. They will compete in organization representatives to Smooth and Rhythm Championships. This Mr. Petersen also filed grievances against revise the policies. The Chapter is the first year they are eligible to compete the Executive Committee of the National Board has started the process. in this age group. organization charging that they failed to uphold USA Dance by-laws by not enforc- To conclude, both Mr. Petersen and the ing the Code of Ethics that Mr. Petersen Chapter Board officers wanted to support believed the local chapter was violating. ballroom dance, and to promote the well- being of the local chapter. However, there The Chapter Board worked for many months were extreme differences in management to compile hundreds of pages of documented style that led to conflict. Conflict and con- evidence disputing these charges. This evi- troversy can make an organization stronger, dence was submitted to the National organi- when the differences are resolved respectful- zation who convened a hearing in February ly. The grievance process allows a civilized of this year. means to resolve these differences.
The Grievance Hearing Panel consisted of It is good to put this conflict behind us, so three executives from the USA Dance Na- the chapter can move forward with energy, tional Organization who flew to Minneapolis enthusiasm, and a full focus on promoting to convene the hearing. Three board mem- ballroom dance in the Twin Cities! bers represented the local chapter at the hearing. Mr. Petersen represented himself.
7 MD / May 2015 www.usadance-minnesota.org ______University of Minnesota Rochester Ballroom Team - Fun at the Iowa DanceSport Classic!
University of Minnesota Rochester Ballroom Team
Dear USA Dance Chapter 2011,
Thank you very much for your generous scholarship toward UMR’s attendance at the Iowa DanceSport Classic last week. It made for a very mem- orable experience! Your scholarship aided in hotel costs and other things such as food for the weekend. Being able to stay over both nights allowed for extra team bonding, and less stress preparing for the competition…as you know it takes some effort to prepare for such an event.
After beginning to learn ballroom dance in September, I must say we were very excited to show off our progress. There was at least 61 couples that made appearances in the final rounds. For me, the adrenaline that came with the call back was my favorite part. Each time I was called back my instructors techniques rang in my ears as I tried to make each round my best. Later on we found that we had won best college team award--a won- derful surprise ending to the trip.
Not only were we able to have a personal experience during the competition, but also observe our teammates and other higher level dancers. I find this exposure to the ‘dance world’ to be crucial to our growth. Sitting with my teammates I heard students creating goals as they “ooed and “aahed at different figures on the dance floor. At the competition, team dynamics began to become more evident as we cheered on those receiving call backs. Tired smiles and excited hugs were exchanged throughout the day.
Thank you for aiding in our ability to have this wonderful experience. We hope to continue our progress and pass on our knowledge and love for dancing to those coming in next fall. I know many students on our team are working very hard to progress to higher levels. Experiences like this only fuel our fire for dancing!
Thank you so much for your continued support.
Sincerely,
Jenna Kremer Public Relations Officer, UMR Ballroom Team
8 MD / May 2015 www.usadance-minnesota.org ______
EDITOR’S COLUMN By Bonnie Burton
n 1935, my maternal great-grandfather, The local ballroom community is constantly I at the age of 60, opened a new Dance changing: studios closing and new studios Pavilion & Beer Hall on Excelsior Boule- opening. This isn’t a bad thing at all - on the vard, in St. Louis Park, MN. Prohibition contrary! Growth and change benefits all the had ended and perhaps happy days were dancers in the Twin Cities area. here again; or perhaps great-grandpa Robert liked music and dancing and beer. In any This means there is always a new place to go; case, his new dance pavilion had a 50 x 60 another ballroom to visit; another studio to foot floor, which by today’s standards is a dance in. Our dynamic dance community decent size, and 80 years ago, would have always has something happening, and most of been gigantic! us are excited to visit a new studio or see one Bonnie Burton is Editor of Minnesota that’s been remodeled or changed in some Dancer Magazine. She and her husband Maybe I inherited my love of dance from way. Ed Soltis will compete next at the Gumbo him, along with his July 4th birthdate; as in DanceSport Championships in Baton an odd coincidence, I was born on great- Speaking of new ballrooms, I hope you’ll enjoy reading Suzi Blumberg’s article about Rouge, LA, in June. gramp’s 80th birthday. But by the time I was born, things had changed and the Dance Tricia Woods’ new studio in West Blooming- Pavilion was closed due to Grandpa’s ton; there is a grand opening party planned health. for May 3. Also in this issue is the story of new competitors Tony Guinta and Lisa Mohr, In the past 20 years, there have been other who set a goal, worked for it, and won! remarkable changes in local ballrooms and Many Minnesota amateur competitors were at studios. USA Dance Minnesota is scanning USA Dance Nationals to cheer them on and copies of old Dancing Times newsletters to compete in their respective categories. from the mid-1990’s, to link to their web- site, and many of the studios that were in Also, Linda Checky discusses her experience business in 1995, no longer exist or have learning to lead in Part II of a series on Lead changed location. American Classic Ball- or Follow? Elizabeth Dickinson re-imagines room was on Lake Street in Minneapolis; Tango; and Deborah Nelson critiques the On Your Toes was at Miracle Mile (not far Dancing with the Stars costumes. There’s from Great-Grandpa’s dance pavilion loca- something for everyone this month. tion!). And DanceSport Ballroom on Frank- lin Avenue, the Coliseum Ballroom on Lake Happy reading and happy dancing! Street, and Gus Lucky’s Café are all closed, to name just a few.
Above: Advertisement for great-grandpa’s Dance Pavilion & Beer Hall, as it appeared in the Hennepin Review, 1935.
Right: There was ample parking space in Robert Johnson’s Dance Pavilion & Beer Hall, those days! Excelsior Blvd., St. Louis Park, MN - 1935
9 MD / May 2015 www.usadance-minnesota.org ______
ASK DR. DANCE Submit your questions to Dr. Dance at [email protected].
I want to improve my dancing. What should I look for when Q: choosing a dance teacher? What’s the best way to decide?
Donna says: Assuming that you are a You are looking for the person who com- How long have you been teaching? competitive dancer, look for a teacher who municates in a way that resonates with you, has competed professionally or is currently is a good fit physically, and can candidly What are some of your achievements? competing professionally. discuss their fees without pressuring you. Tell me about your qualifications and or certifications. Then, narrow down your choices by look- Finding the right teacher is a personal ing for a teacher that is certified in the style choice. You will instinctively know when What is your availability? (s) that you want to dance. If you go to you find the right one. NDCA.org and click on 'directories', you Good luck in your search! Where do you teach? can look up dance teachers and judges by state and see who is certified. Certification Are group classes offered? means that they have studied technique and teaching methodology and have passed Paul says: To improve your dancing, If all of the questions are answered to your exams. you need to take private lessons from a qual- satisfaction, take a lesson to see if the teach- ified instructor as well as set aside some ing style fits your learning curve. If not, you Once you have a list of teachers/coaches time to practice. When choosing a teacher, may have to explore teachers outside your that you are interested in, set up a lesson location is sometimes a factor, so look in immediate area. The best teachers establish with each one, telling them that you are your area for an instructor. When you find a rapport with their students and adapt their having a lesson with a few teachers to see one, some of the questions you may ask are: teaching style to suit your needs. who you are most comfortable with.
Donna Edelstein is a coach, Paul Botes is a dance instruc- judge, and organizer of the Snow tor, coach, choreographer, Ball DanceSport Competition. and judge. He is an owner of [email protected] American Classic Ballroom, located in Chanhassen, MN.
10 MD / May 2015 www.usadance-minnesota.org ______New Dance Studio in Bloomington Grand Opening, Sunday, May 3 By Suzi Blumberg
Lessons in all styles of Ballroom, Latin, Tricia’s son Lucas is in kindergarten and her Swing and Country – over 20 styles total— daughter Olivia is in preschool. Lucas and will be available. Offerings include group Olivia also dance and are getting ready for classes, private lessons, private groups, per- their spring recital, where they will perform formance teams, and practice par- tap, ballet and jazz. They also follow along- ties. Offsite event offerings include lessons, side mom, teaching and mimicking, “Quick,
performances, and emcee and music DJ Quick, Slow… Quick, Quick, Slow.” services. A new performance team is just Tricia Wood starting up that will perform swing, salsa and line dancing. The teams will meet Wednesdays in Woodbury and Sundays in ’m excited to tell you that Tricia Wood is Bloomington. Team dancers can do one or I opening a new dance studio in Blooming- all performance routines and rehearse at ton on Old Shakopee Road and France Ave- either or both locations. nue. There hasn’t been a ballroom dance studio in Bloomington since 2007 when Har- Charlie Drenth and Sandy Haydon have monies closed. already made plans to attend several out-of- state competitions. They will be competing The new studio will be called Dance and in Pro/Am this May at the American Star Entertainment Studios and is at the west end Ball in Atlantic City, NJ; at Scott Ander- of the strip mall near Caribou Coffee. Tricia son’s Twin Cities Open this July; Boston Wood is the owner and will also instruct, Ballroom Conference & Competition in along with instructors Charlie Drenth, Aaron Boston, this September; and Caribbean DanceSport Classic in San Juan, Puerto Charlie Drenth & Tricia Wood Wulff, and Carol Brecht-Wiles. Sandy Hay- Joy Davina & Todd Paulus don is the new studio manager. Rico, this November. Charlie and Tricia look forward to dancing Pro/Pro together Tricia welcomes independent instructors to soon, too. There will be a Bloomington Chamber of rent space in the new Bloomington studio. Commerce ribbon cutting ceremony on She is keeping her Central Park location in Three out of the five staff live in West Monday, April 20th, at 2 pm. Mark your Woodbury and Maplewood Community Cen- Bloomington, so that seemed like the perfect calendar for their big May 3rd Grand Open- ter location as well. Tricia’s staff will cover location for them. Tricia needed to be closer ing and Open House from 1-4 pm. Hors all three locations and have been known to to her parents, as they provide her babysit- d'oeuvres will be provided and there will be even teach out of her parents’ Lakeville ting. drawings for free dance lessons. Enjoy so- home studio! cial dancing, check out their calendars and sign up for dance lessons. Tricia will move her dance shoe inventory to the Blooming- ton studio and dancers will be able to buy in- stock shoes or place orders, which are typi- cally received within one week.
Tricia invites everyone to come out and swing into spring at her new Bloomington location. Dance and Entertainment Studios is located at 3701 W. Old Shakopee Rd., #700, Bloomington, or contact them at www.danceandentertainment.com or 651- 605-5784. Don’t forget to mark your calen- dar to dance the afternoon away at the Grand Opening on Sunday, May 3, 1-4 pm. Dance & Entertainment Staff
11 MD / May 2015 www.usadance-minnesota.org ______
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12 MD / May 2015 www.usadance-minnesota.org ______Lead or Follow? Part II in a Series By Linda Checky
Wow, there is a lot going on—like major what the other side of the frame is hoping to traffic jams on the dance floor to avoid. get out of a dance. It also helps you improve Sometimes my feet get a little ahead of my your traditional dance role through experi- brain and I have to do a basic step a few encing what it’s like to be on the other side. times to catch up (or I might just spring something on you at the last possible sec- It’s not for everyone, but I have found it to ond). Leading requires a lot of situation be a great experience. I have connected with analysis and fast decision making. others who know both roles and it is won- I am concentrating so hard that sometimes I derfully fun to change roles back and forth get off beat. mid-dance. It’s a challenge to see if you can Linda Checky manages a metro-based I think my partner is bored because I lead change roles without them noticing or with- nursing education consortium. She is a many of the same things with every follow. out missing a beat. social dancer and the Marketing Director When my lead is followed smoothly and for the Twin Cities Rebels Swing Dance almost effortlessly, it feels wonderful! Benefits of Learning the Opposite Role Club. She is currently an instructor in I love it when my partner is enjoying the I help even things up at a dance when others training for the TC Rebels. dance with me. are sitting out. It helps to know both sides if something isn’t y first foray into learning how to lead Follows going right with your partner. Social dancing M came when I was trying to talk my You don’t always know what is going on is not the time to correct but you can adjust then teenage children into West Coast Swing but you are doing your very best to follow it to what is happening. lessons. They were reluctant, but when I (really!). I’ve met know more people than I normally offered to take the lessons with them and Whoa—it’s hard to follow when the leader would because I am meeting and dancing learn the lead part, they agreed. I am afraid I leads something at the wrong time or chang- with people of both genders. had more fun than the kids did because I’m es their mind at the last possible second. If you find yourself in a position to help a still dancing and they are not. The bonus for Sometimes I feel that the next step is a se- struggling new dancer, it is essential to know me was that it got me to try leading. I discov- cret that you will spring on me past the last their part to be of any use to them. ered that it was fun but it still took a bit of possible second (I am now on the wrong People you meet may ask you to author an sitting out to get me to practice leading. Prac- foot). Following takes intense observation article for Minnesota Dancer. ticing has led to greater comfort and skill. and quick reactions. I work hard to follow your lead even if you “Why did you decide to learn how to lead?” are off-beat. I try to help you find the rhythm of the music again. Good question. I wish the answer were deep, I think my partner is bored because I don’t meaningful, or humanitarian, but it really just know many fancy tricks. boiled down to not wanting to sit out if a When I am led smoothly, clearly, and at the good song was playing. As a follow, there right time, it feels wonderful! are times when the dance is ‘heavy’ with I love it when my partner is enjoying the follows and you end up sitting rather than dance with me. dancing. The sitting led to thinking about how I could change the odds and get to dance I definitely feel that learning to lead has when I wanted to dance. So I signed up for given me a deeper understanding and appre- my first round of classes to learn how to lead. ciation for the dance and for my dance part- Hmm. There seemed to be many things to ner. Each part is difficult in its own way. learn being a leader. Here are a few things I Each part is enjoyable and made even more have discovered on both sides of the frame: enjoyable when you have a partner who is having fun dancing with you. I do not feel Leads that learning the non-traditional dance role You always know what is going on because diminishes your manliness or femininity; it Linda leading. you are leading it. instead enhances your understanding of
13 MD / May 2015 www.usadance-minnesota.org ______2015 USA Dance Nationals: Lisa’s Perspective By Lisa Mohr
music to find the Ballroom. WOW! It was Saturday morning, we were starting with huge! I felt energy exuding from the workers smooth and after the results from the day as well as from the other dancers who had before, we weren’t sure we wanted to partici- come for the very same reason we did. We pate. We were in the practice room going were so excited to be there AND to see so over our routines and discussing changing our many familiar faces from Minnesota! choreography, or just dropping out complete- ly, when my teacher’s words came to mind. We were scheduled to dance in four events; Things that he had been trying to teach me Senior II Bronze Rhythm and Senior I started to take root. I practiced all the things Bronze Smooth on Friday; as well as Senior coming into my mind before I lost them, and I Photo by Jana Rose Arts II Bronze Smooth and Senior I Bronze became pretty excited about dancing this Lisa’s first ballroom dance Rhythm on Saturday. Our goal? To win first round. place in Senior II Bronze Rhythm. Not the highest of goals but we felt it was attainable. When it was time to dance our waltz and Lisa is a small business owner and avid foxtrot, I was prepared. It felt right, it felt dancer. She has been dancing since 2011, On Friday morning, Senior II Rhythm took great. When we saw our number recalled, we and loves to compete with her fiancée Tony the floor. We felt these dances were our were jubilant! There we were, number 169 Guinta. strength, and when we took first place out of called back to dance in the finals! seven couples we were ecstatic and confi- s I buckled my seat belt, I wondered, dent. A short time later we danced in the Again, we danced for the judges and awaited A not for the first time, how it could pos- Senior 1 Bronze Smooth event – and we awards. There were eleven couples reduced to sibly keep me safe if I fell from 35,000 feet. crashed and burned taking last place out of seven in the finals. With each number called Would I even be able to figure out how to get three couples. As I look back, dancing these and placed that wasn’t ours, we became more my seat cushion detached to use as a floata- dances didn't make me feel nervous, as much hopeful. There was a tie, broken by Rule 10 tion device if it came to that? Then to calm as tentative, and I know that's how I danced for the third and fourth place, then another tie myself, I resorted to prayer. As we raced them. But I wasn't overly disappointed with broken by Rule 11 for first place. When they down the runway I asked Tony why we the results as Tony and I had previously dis- called our number for first place, we hugged! couldn't just stay on the ground and go this cussed leaving Smooth behind us to focus Maybe we even danced! fast. Immediately, upon leaving the ground solely on Rhythm. This was a confirmation, we met with turbulence. I took a sharp breath or so we thought. We were national first-place winners in Sen- in and glanced at the seat pocket in front of ior II Bronze Smooth! Seriously! We went me wondering if they still provided those on to win first place in Senior I Bronze bags. Rhythm, bringing home three National Bronze Champion titles to Minnesota. I felt Tony take my hand and he smiled reas- suringly at me. We were finally on our way Upon arriving home, we’ve decided it's time to the 2015 USA Dance National DanceSport to learn Silver technique so we can go back Championship in Baltimore, Maryland! We next year, not to defend our titles, but to win had been working toward this weekend for a new ones. What I brought back with me after year, qualifying for it the previous October at this experience (other than a really great pair the Chicago DanceSport Challenge. A two of studded hose) is that competition makes hour and fifteen minute plane ride stood me a better dancer. If I hadn't had this experi- between us and our dreams! ence, it would have delayed my epiphany for who knows how long. We arrived at the exquisite Renaissance Har- borplace Hotel that would be our home for I want to thank Tony Guinta, my amateur the next four days and were delighted by the partner, for this incredible experience as well view of the city from the 12th floor. Alt- as our teachers, Shinya McHenry and Nadine hough it was quite late, we wanted to see the Messenger. Without you, this would not have space where we would be dancing. Taking been possible! the elevator to the 5th floor, we followed the
14 MD / May 2015 www.usadance-minnesota.org ______2015 USA Dance Nationals: Tony’s Point of View By Tony Guinta
place out of seven in Senior II Bronze We left the floor and immediately saw that Rhythm. Now, we were on to the real goal, we made callbacks! Back on the floor, we which was to compete in the 2015 USA were now in the top six out of eleven. Once Dance National Championships. again, everything flowed well and leaving the floor we both agreed we’d danced those We continued the same routine of taking dances as well as we had ever done. I was individual and couples lessons. Additional- now willing to accept whatever the judges ly, we danced at events such as showcases decided, feeling that I had accurately at DanceLife Ballroom and Cinema Ball- demonstrated my current abilities. room, Minnesota Madness, Ballroom Blast, Snow Ball 2015, and Dance Fest 2015, to Awards time: holding Lisa’s hand, the em- Lisa’s first ballroom dance get more competition-floor experience. cee announced sixth and fifth places. He then announced that there was a tie for third, Tony Guinta is employed as a director in Finally, we hit the floor the morning of broken by Rules 10 and 11. Finally he an- information technology. He started dancing March 27, taking first place in a seven cou- nounced third and fourth places. I gripped in July 2012 and focused on salsa until ple final in our very first event, Senior II Lisa’s hand tightly as we now knew we were October 2013, when he began studying Bronze Rhythm. That in itself gave me the at least in second place. Again, he an- rhythm and smooth. satisfaction I needed. Later that afternoon, nounced that there was a tie for first which we didn’t do as well when we took last was not broken by Rule ten; after applying hen I first met Lisa, she was strictly place in a three couple final in Senior I Rule eleven, second place went to-211 (not a Pro/Am competitor with no inten- W Smooth. But I noticed the judges’ marks us!). I stood there in shock, still waiting to tion of ever dancing Amateur/Amateur. I were split between the second place couple hear them call our number for first place. had formed a dance partnership with (211) and us. I also saw we were to compete When they did, we were still in disbelief. Michele Madsen just before I met Lisa. against 211 in our Senior II Smooth. I knew What an incredible rush to have gone from When Michele only wanted to dance in the we had a chance to rise up and overtake feeling so down, less than an hour before, to Newcomer proficiency at DanceFest in them. feeling on top of the world! March 2014, I asked Lisa if she’d dance bronze with me. I had a great time dancing The next day, our first event was in the late (Continued next page) with both ladies, and since Lisa had fun too, afternoon, so we had time to warm up. But, we decided to continue our dance partner- when we were on the practice floor prepar- ship. With that, we set a goal to compete at ing for our Senior II Bronze Smooth event, I a USA Dance National Qualifying Event started to melt down. Nothing felt right. I and chose the 2014 Chicago DanceSport was painfully aware of all of my weakness- Challenge. es: dropping my frame, not getting into my knees enough, poor rotation, head in the A goal that was seven months away put us wrong place; and with the cramped space on into overdrive. We both took individual the practice floor, I started to worry that we private lessons as well as couples lessons wouldn’t even make callbacks. At one point, with both Shinya McHenry, of DanceLife I even suggested simplifying our routine. Ballroom, and Nadine Messenger at Cine- We tried that for a while and then I realized ma Ballroom. We lived dance, and when we what a bad idea that was -- this was the weren’t in lessons, rehearsing, or social routine we had been working on for the past dancing, we were usually discussing dance, year and if our teachers didn’t recommend studying videos such as WDSF World changing it, why would I change it now? Championship competitions, and other in- structional/demonstrational videos. Then it was show time. We walked onto the floor and something magical happened. We Soon enough, the Chicago competition ar- were both relaxed and our dances flowed rived. We qualified in all four of the events very well. I mixed up a few moves in our in which we competed; including taking first amalgamation, but it wasn’t a big deal.
15 MD / May 2015 www.usadance-minnesota.org ______
COMPETITION CALENDAR (Tony’s Point of View, continued from page 15.)
Feeling completely pumped, we went back to our May 17, 2015 room to change back into our Rhythm attire for our final event. We took the floor for Senior I Bronze MN Star Ball Rhythm, which happened to be against the same Organized by Eliecer & Rebecca Ramirez, Medina, MN two competitors against whom we had taken third in Senior I Smooth. This round felt so good. Once June 6-7, 2015 again I had felt we had danced our best. When the NJ DanceSport Classic-Summer Sizzler—NQE 2016 results were announced, and we took first place for Rogers DanceSport Center, Hackensack, NJ the third time in a National competition, we were soaring above the clouds. June 26-28, 2015 Gumbo DanceSport Championships—NQE 2016 When it was all over, the feeling was surreal as it Hosted by Louisiana Gumbo Chapter #5031, Baton Rouge, LA occurred to me that we had not only accomplished our goal of taking first place in our age category, July 9-11, 2015 but we surpassed it by also taking first in the young- Twin Cities Open Ballroom Championships er age category in Rhythm. A year’s worth of work was validated! It’s an amazing feeling of accom- Hosted by Scott and Amy Anderson in Minneapolis/St. Paul, MN plishment that I’ve never quite felt before. With this Sep 12, 2015 chapter complete, we’re setting new goals for this year. Kansas City Dance Classic Organized by Matt & Ellen Pansing, Overland Park, KS I’m so thankful for the excellent training and coach- ing from Shinya McHenry and Nadine Messenger, Sep 25-27, 2015 but I’m most grateful for my wonderful dance part- New England DanceSport Championships – NQE 2016 ner, the love of my life and soon-to-be wife, Lisa Hosted by MASSabda Chapter #3002, Waltham, MA Mohr, who was willing to take this incredible jour- ney with me. Oct 2-4, 2015 Carolina Fall Classic - NQE (2016)
Organized by Wayne & Marie Crowder, Charlotte, NC
Oct 30–Nov 1, 2015 Chicago DanceSport Challenge – NQE 2016 Hosted by Chicagoland USA Dance Chapter #2001, Chicago, IL
Nov 7, 2015 California State DanceSport Championship – NQE 2016 Hosted by NorCal Chapter #4004, San Jose, CA
Nov 21-22, 2015 National Collegiate DanceSport Championships Hosted by USA Dance National, Columbus, OH
Jan 8-10, 2016 Snow Ball Competition Hosted by Donna Edelstein, Minneapolis, MN
Jan 15-17, 2016 Manhattan Amateur Classic (The MAC) – NQE 2016 Hosted by Greater New York Chapter #3004, Secaucus, NJ
16 MD / May 2015 www.usadance-minnesota.org ______SHOULD SOCIAL DANCERS COMPETE?
ew people start taking dance lessons material with other students without having Get dressed up - We can’t ignore the glitz F because they want to be a competitive to think because it will be ingrained in your and sparkle of the ballroom dance floor. dancer. Most students are looking for a new brain and your feet. Even if you live in denim and sneakers on a outlet for self-improvement, stress relief, daily basis, getting dressed up to dance and community, among many other bene- Community - In your private lessons you helps you to get in character and boost your fits. may not interact much with other students. dancing. Imagine how much more graceful Traveling to compete together gives you the you will be in a gown or tuxedo. Your Your lessons are going along just fine, opportunity to strengthen friendships and teacher can help you pick outfits that are you’re feeling progress, and then your make friends. You might meet dancers from flattering and comfortable to dance in; and teacher, or your amateur partner says, other parts of the country or abroad. But you there are also vendors, make-up and hair- “There is a competition coming up, I think all share the same language through dance. style artists at the events in case you forget you/we should go!” anything or want help.
Wait a minute, what?! I came here to go to the salsa club, dance with my wife, lose “Have you ever noticed that many of the best dancers at a studio weight, make new friends, get ready for my wedding, and so forth. Not PERFORM! are the ones that compete?” Why should I do this? Build confidence - Once you decide to spend Have Fun - If you were to close your eyes Here’s why: some quality time on your dancing, you’ll at a dance competition, you might think you probably become one of the better dancers were actually at a football game! When not Enhance your dancing- Have you ever when you go out social dancing. People will on the dance floor everyone is cheering and noticed that many of the best students at the stop and watch you! If you haven’t spent time socializing. Many events give you the op- studio are the ones who go to competitions? in front of a crowd before that might make portunity to have fun, watch shows, and They didn’t get that good and then go com- you a little uncomfortable. But imagine how dance till you drop. Sound like a good pete, it was part of the preparation process! much easier going out to social dance will time? When preparing ‘freestyles,’ which are feel when you know that whoever you are choreographed amalgamations of patterns dancing with is going to have a great time. You might not be able to attend every event, appropriate to your level, you are able to but there are many different events held practice lead/follow techniques, balance, Opportunity to Travel - Many competitions, during the year. strengthen your frame, improve your foot- are hosted in beautiful locations. Many people work and play with musicality. Even put off vacations due to work or other obliga- Consider giving competition a try. Whether though the freestyles are choreographed, tions and before you know it it’s been years it’s pro/am with your teacher, or am/am your closed category routines should be since your last vacation. Competing lets you with an amateur partner, you’ll find it gives socially lead-able at that level. This is great combine your love of travel with your love of you a goal to work toward and makes you a for leaders! You can dance much of your dance. better dancer.
17 MD / May 2015 www.usadance-minnesota.org ______COMPETITION RESULTS
USA DANCE NATIONAL DANCESPORT CHAMPIONSHIPS Baltimore, MD March 27 - March 29, 2015 Congratulations to all Minnesota Competitors
Jeremy Anderson & Yuko Taniguchi Greg Prasch & Susan Prasch 3rd (of 11) Amateur Adult Novice Smooth 3rd (of 5) Amateur Senior I Novice Smooth 1st (of 5) Amateur Senior I Novice Smooth 2nd (of 6) Amateur Senior II Novice Smooth 16th (of 17) Amateur Adult Pre-Champ Smooth 5th (of 5) Amateur Senior I Pre-Champ Smooth 1st (of 5) Amateur Senior I Pre-Champ Smooth 5th (of 11)) Amateur Senior II Pre-Champ Smooth 7th (of 19) Amateur Adult Silver Standard 6th (of 11) Amateur Senior I Novice Standard 3rd (of 10) Amateur Senior I Silver Standard 6th (of 14) Amateur Senior II Novice Standard 18th (of 20) Amateur Adult Gold Standard 9th (of 9) Amateur Senior I Pre-Champ Standard 4th (of 8) Amateur Senior I Gold Standard 9th (of 13) Amateur Senior II Pre-Champ Standard
Tony Guinta & Lisa Mohr Kevin Viratyosin & Karen Maldonado 3rd (of 3) Amateur Senior I Bronze Smooth 2nd (of 8) Amateur Adult Bronze Smooth 1st (of 10) Amateur Senior II Bronze Smooth 7th (of 13) Amateur Adult Silver Smooth 1st (of 3) Amateur Senior I Bronze Rhythm 3rd (of 17) Amateur Adult Bronze Standard 1st (of 7) Amateur Senior II Bronze Rhythm 3rd (of 7) Amateur Adult Bronze Rhythm 4th (of 5) Amateur Adult Silver Rhythm Michael Kasinkas & Taylor Wall 7th (of 11) Amateur Adult Novice Smooth Nic Westlake & Neli Petkova 15th (of 17) Amateur Adult Pre-Champ Smooth 1st (of 27) Amateur Adult Pre-Champ Standard 4th (of 19) Amateur Adult Silver Standard 8th (of 28) Amateur Adult Championship Standard 15th (of 20) Amateur Adult Gold Standard 6th (of 7) Amateur Adult Novice Rhythm Seth Westlake & Talia Rudahl 3rd (of 6) Amateur Adult Pre-Champ Rhythm 11th (of 19) Amateur Adult Silver Standard 6th (of 6)Amateur adult Championship Nine Dance Leland Whitney & Leslie Whitney Andy Nordberg & Janie Nordberg 4th (of 11) Senior II Pre-Champ Smooth 2nd (of 6) Amateur Senior I Championship Smooth 8th (of 10) Senior II Championship Smooth 2nd (of 10) Amateur Senior II Championship Smooth 4th (of 10) Senior III Championship Smooth 11th (of 21) Amateur Senior II Championship Standard 10th (of 14) Senior II Novice Standard 12th (of 13) Senior II Pre-Champ Standard Daniel O’Connell & Rosemary O’Connell 8th (of 8) Senior III Pre-Champ Standard 5th (of 13) Amateur Adult Silver Smooth 4th (of 10) Senior II Pre-Champ Rhythm 10th (of 17) Amateur Adult Bronze Standard 3rd (of 11) Senior III Pre-Champ Rhythm 8th (of 19) Amateur Adult Silver Standard 5th (of 7) Senior II Championship Rhythm 5th (of 5) Amateur Adult Gold Rhythm 4th (of 6) Senior III Championship Rhythm 5th (of 7) Amateur Adult Novice Rhythm 4th (of 5) Senior II Championship Nine Dance 3rd (of 4) Senior III Championship Nine Dance Greg Warner & Jill Smith 6th (of 12) Amateur Senior II Silver Smooth 6th (of 14) Amateur Senior III Silver Smooth 5th (of 7) Amateur Senior II Silver Rhythm 5th (of 6) Amateur Senior III Silver Rhythm
18 MD / May 2015 www.usadance-minnesota.org ______THE DANCING LIFE: Reimagining Tango
By Elizabeth Dickinson
And then there’s the tango history. I was It’s kind of a one-upmanship (and a little surprised to learn some tangos could be edgier than a foxtrot flirtation.) The internal traced to the mid-sixteenth century, with monologue of the follow/woman goes some- origins in Moroccan and Spanish slave danc- thing like this: es - initially danced by two men. “Oh, so you want to chase me, do you? I’ll However most historians claim modern give you a chase then.” tango originated in the barrios around 1880 where unwashed, chaps-wearing gauchos “Oops, caught me!” (cowboys) had to bend their knees to dance, and women leaned back in the crook of the “Yes, indeed you DO have impressive mus- mens’ arms to avoid the smell. (The rose in cles. What are you going to do with them, the teeth may be another effort to forestall big boy?” Elizabeth Dickinson is a life/executive the stench.) “Not so fast, buster…I’ve got a few tricks up coach and amateur ballroom dancer. If my sleeve, too.” you enjoy her writing and would like to Rudolph Valentino popularized tango receive her weekly emailed coaching through his 1921 film The Four Horsemen “Oh, so you want to play THAT game, do newsletter, contact her at: of the Apocalypse and American tango even- you?” [email protected]. tually acquired more elegance and refine- ment. However, tango still has overtones of “Sure, I can do everything you can do…but oversized machismo, or of men seeking to ast month I waded into the ballroom with REAL flair.” prove their masculinity or dominance gender role debate and wrote about L through dance. ways to reinterpret, reframe, or subvert tra- “Really? Is that all you can do in response?” ditional gender roles. Initially, the choreographer we were work- “Watch this!” ing with wanted me to act genuinely afraid Most smooth/international ballroom dances of my partner at the beginning of our tango. “You can have that move, but I have THIS celebrate a lighter, romantic side of life ONE!” (even the sadder waltz numbers). Not so the Frankly, it didn’t work. It leant a sense of tango. The music (mostly) sounds passion- heaviness to the dance. I became a clomper. “Impressive, huh?” ate or angry. Tango choreography can in- As the choreographer observed, too many clude movements that look as if the lead is tangos look like the dancers are gritting their “Ok, I’ll give you that one…we make a good shaking the follow. teeth. team.”
So it may not come as a surprise that some No one wants to watch clomping and teeth “Well, maybe you are a LITTLE special…” women don’t like the tango much. In my grinding on the dance floor. experience there have been at least a couple “But don’t take me for granted…” of women who haven’t wanted to dance it What did work was instilling a sense of what initially because it reminded them of vio- I call “playful irony” (similar in tone to the You get the idea, I hope. lence they had suffered. (Fortunately over old SNL news skits called “Really?”) time their concerns lessened, and they were May we pursue our paths, injecting playful able to dance tango and enjoy it.) ironies where appropriate.
19 MD / May 2015 www.usadance-minnesota.org ______
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20 MD / May 2015 www.usadance-minnesota.org ______DANCING WITH THE STARS COSTUMING © Deborah J. Nelson/Satin Stitches Ltd.
I do, however, feel that my observations I sometimes cringe at certain color combi- carry some weight. Having graduated from nations – they just aren’t pleasing to MY The Minneapolis College of Art & Design eye (they very well could be to your eye). I with a BFA degree, I’ve had my fair share prefer monochromatic color schemes and I of art classes (including the study of color love textured effects. As most dance cos- and shapes), and clothing design classes tume aficionados agree, it’s all about the (including the study of patterns and fabrics). glitz. BUT, sometimes less IS more. A I’ve worked in the garment industry for beautifully tailored costume can have more many years and I’ve observed ballroom of an impact than thousands of rhinestones dancers for just about as many of those on an ill-fitting costume. years, since the fledgling years of my dance costume design company Satin Stitches. When a female dancer is to be showcased, Deborah J. Nelson is the founder, presi- I’m resigned to sometimes seeing a boring dent, and head designer of Satin Stitches From being a professional fashion and cos- guy’s costume, but I really appreciate a Ltd. More costuming tips at: tume designer for decades, I also know what cleverly costumed guy dancer. Male danc- looks more flattering on all shapes and sizes ers should always look masculine and this www.satinstitches.com of people. I pride myself on creating cos- is one of those areas where amateur cos- tumes that can camouflage parts of the body tuming can fall short. Simple is great, just e are in the midst of the 20th season and highlight others, ensuring that our least make sure the fit is perfect. Remember that W of Dancing with the Stars, and I’ve favorite body parts are minimized, while everyone looks better in costumes and ap- been blogging my DWTS costume critiques, attention is focused on our best features. parel that fits perfectly. Men’s clothing is for years. I’ve watched (almost) religiously much easier to alter than women’s. So, since the beginning. If you’ve followed When I critique the DWTS dancers in their men, take advantage of this and tailor your through the years, I hope that you have en- costumes, I always try to keep in mind togs to a ‘T’! joyed my blogs, learned a few things, had a whether or not the dancers’ best features few laughs about some of my observations, have been showcased. It’s generally much Also, knowing what I know about costume and even disagreed occasionally with my easier to flatter a dancer with what we may making and fitting, I know that the costume perspective! consider has a ‘perfect’ shape, than a dancer professionals from the show do a fabulous with imperfect proportions or what they job each week, with very little time to put When watching ANY dance performance, I might consider a figure defect such as ‘no together the looks. Most of the time they am always critiquing what I see, so it’s been waistline’, ‘too prominent a derriere’ or WOW me with really only a few disap- fun to share my thoughts with an audience! ‘short legs’ for example. I always LOVE pointments each week. We each have different likes and dislikes when a larger dancer is fabulously costumed regarding colors, silhouettes, and fabric on the show, showing that we can ALL look Could my company re-create the costumes combinations. I have certain preferences and great in a dance costume, no matter what from this show? Yes! In a week? Maybe, my perspective isn’t the end-all be-all our shape is! maybe not! Has Satin Stitches created only choice. It is comparable to our preferences perfect costumes? No. We always try, as for who we are attracted to. For example, I I love to pick on certain costuming tech- the DWTS costumers try, but sometimes may appreciate a tall and minimally muscu- niques on the show, such as all those bare the results aren’t as spectacular as the vi- lar guy, where as another may prefer a short chests on the guys, and when those certain sion! My hat is off to these fabulously tal- and very muscular man. I might prefer dancers always seem to insist on backless ented professionals at DWTS and also those blondes, and you may prefer brunettes, and gowns or really low-cut bottoms. And you that I work with at Satin Stitches! so on and so forth. And, just to be clear, I probably already know that I detest the believe that it is the inside of a person that overuse of nude elastics. If you don’t, I’ll truly makes him or her attractive, not their say it again: those nude elastics that could outward physical appearance. I’ve always be replaced by beautiful rhinestone straps said that if we all liked the same things, this are UGLY! You aren’t fooling anyone. world would be far too boring. They are NOT invisible!
21 MD / May 2015 www.usadance-minnesota.org ______10th Annual Stardust Dance Cruise: A Huge Success ! By Suzi Blumberg
large Argentine Tango group. Classes avail- another Stardust memory made! able were beginner, intermediate, and ad- vanced level in Waltz, West Coast Swing, Another highlight was seeing the trained, Samba, Salsa, Hustle, Foxtrot, East Coast marching flamingoes in Nassau at the Ar- Swing, Quickstep, Rumba, American Tango, dastra Gardens, Zoo & Conservation Center. Viennese Waltz, Cha Cha, Merengue, Lead There were many animals and tropical birds Joy and Keri & Follow, Bolero and Bachata. Instructors to see, and the flamingoes put on a really were available for private lessons. great show!
There were over 35 hours of planned social The Costa Mediterranea was a beautiful dancing, two formal nights, a white night ship. It’s filled with beautiful paintings of and an Italian night (because Costa is from world renowned ballet and modern dancers. Suzi Blumberg and the marching flamingoes Italy). Bob and Michelle Friedman and Lou The Costa line has more dance floors that are in the best condition than other cruise at the Ardastra Gardens, Nassau. Brockman were on board with the hottest music! There was the fabulous gourmet lines. meals with wonderful choices in the dining The dancing was fabulous, as usual. Linda he tenth annual Stardust Dance Cruise room and buffet, a wonderful Broadway had excellent dance hosts for the single la- with Linda Gilberg was another action show each night, the Casino Royal and gor- T dies and between the superb music, wonder- packed and super fun-filled Eastern/ geous pools, spas and Jacuzzis. ful floors, and great partners to dance with, I Southern Caribbean cruise! This was my was in dance heaven! As usual, the dance fourth Stardust Dance Cruise and the rea- We visited all the ports and one was espe- workshops and events were timely and very sons I keep coming back are many: it’s ex- cially fun: Stardust guests were whisked well organized. The three days at sea we tremely affordable and you get much more away to Club Med in Guadeloupe to spend had extra dances to attend, and the ship had for your money than other dance cruises. an exciting day at La Caravelle, an all- lots of activities, too. They are organized—workshops and dances inclusive resort. All Stardust staff were are always easy to find and start on time. there to greet us on our non-stop adventure of swimming, water sports, volleyball, and I hope you can join us next year. Linda does Instructors are top notch. Dance Hosts are a great job at keeping costs down—the there to dance with the single ladies and they flying thru the air on a trapeze! What fun. DJ Bob Friedman, MB Music, set himself cruise with a balcony stateroom was less are GREAT! At dinner, you can sit with than $1300. She also supports MN Dancer other dancers in the group and make new up on the beach to get the music going and everyone dancing! The resort had the most as an advertiser. When dates and destina- friends. I love the variety offered—besides tions are available for 2016, I’ll let you all the dancing and many other ship events beautiful and plentiful lunch buffet waiting for us. Entertainers Sasha Bostic and Ola know. It will be on Lynne’s Dance News or and amenities, all cruises I’ve been on have you can contact me. visited six to seven ports, so you get to see Kozlowski performed on the beach! It was different islands.
240 total guests sailed on the Costa Mediter- ranea for twelve days that left from Miami and visited seven ports: Nassau, Bahamas; Samana, Dominican Republic; Tortola Road Harbour, BVI; St. John’s, Antigua; St. Maarten Phillipsburg, France/Netherlands; and Grand Turk, Turks & Caicos.
There were over 50 hours of workshops taught by pros Cameron Johnson, Wingo Hom, Leon Harris and Ola Kozlowski. The instructors are from the New York City area and were awesome! The only class I didn’t take was Argentine Tango—and there was a Suzi and the Costa Mediterranea Photos by Rita Maroun
22 MD / May 2015 www.usadance-minnesota.org ______
LAST GLANCE: DanceLife Ballroom Spring Showcase!
Mini-dance lesson at Cinema Ballroom
23 MD / May 2015 www.usadance-minnesota.org ______COMPETITION RESULTS
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25 MD / May 2015 www.usadance-minnesota.org ______DANCE CONTACTS If you’d like to be listed on this page, send your contact information to [email protected].
STUDIOS NORTH STAR DANCE STUDIO TANGO SOCIETY OF MINNESOTA Bloomington, MN 612.224.2905 AMERICAN CLASSIC BALLROOM 612.799.4147 www.mntango.org 550 Market Street, Chanhassen Facebook.com/northstar.dancestudio 952.934.0900 TAPESTRY FOLKDANCE CENTER www.acballroom.com RENDEZVOUS DANCE STUDIO 3748 Minnehaha Ave, Minneapolis Minneapolis 612.722.2914 ARTHUR MURRAY DANCE STUDIO 612.872.1562 www.tapestryfolkdance.org 534 Selby Avenue, St. Paul www.theplacetodance.com 651.227.3200 UNIVERSITY OF MINNESOTA SOCIAL DANCE STUDIO BALLROOM DANCE CLUB BALANCE POINTE STUDIOS 3742 23rd Ave S, Minneapolis [email protected] 5808 W 36th Street, St. Louis Park 612.353.4445 Is.gd/umnbdc 952.922.8612 www.socialdancestudio.com www.balancepointestudios.com USA DANCE, MINNESOTA STUDIOJEFF CHAPTER 2011 BALLROOM & LATIN DANCE CLUB 701 St. Germain St W, Suite 201, [email protected] 1103 W. Burnsville Pkwy, Burnsville St. Cloud www.usadance-minnesota.org 952.292.0524 320.266.4137 www.ballroom-club.com www.studiojeff.com
BLUE MOON BALLROOM SERVICES 2030 Hwy 14 E, Rochester 507.288.0556 CLUBS MADE FOR MOVEMENT www.BlueMoonBallroom.com 952.595.0003 AQUA GLIDERS DANCE CLUB www.made4movement.com CINEMA BALLROOM 612.869.3062 Contact: Marsha Wiest Hines 1560 St. Clair Ave, St. Paul Services: Costume design, tailoring. 651.699.5910 CAFÉ BAILAR www.cinemaballroom.com www.cafebailar.com OH SEW SPECIAL 7300 South France Avenue, Suite COSTA RICA BALLROOM DANCE COTILLION DANCE CLUB OF 323, Edina STUDIOS STILLWATER 952.746.5539 816 Mainstreet, Hopkins 651.388.1231 www.ohsewspecial.net 952.303.3339 [email protected] Contact: Susan Richardson www.costaricaballroom.com Contacts: Scott and Maggie Paynter Services: Tailoring, alterations, redesign
DAHL DANCE CENTER LADANZA DANCE CLUB SATIN STICHES LTD. 4204 North Hwy 52, Rochester Stillwater, MN 11894 Round Lake Blvd NW, 507.252.1848 651.439.3152 Minneapolis www.dahldance.com Facebook.com/LaDanzaDanceClub 763-323-9507 Contacts: Mark and Wanda Bierbrauer 1.800.48SATIN DANCE AND ENTERTAINMENT www.satinstiches.com 3701 W. Old Shakopee Rd., Bloomington LAKESIDE DANCE CLUB Contact: Deborah J. Nelson 651.605.5784 320.763.6432 Services: Custom-designed dancewear [email protected] [email protected] www.danceandentertainment.com www.lakesideballroom.org INSTRUCTORS DANCE WITH US AMERICA LINDEN HILLS DANCING CLUB 10 Southdale Center, Edina 651.636.9747 Scott Anderson 612.816.4446 612-564-5483 www.lindenhillsdancingclub.org Wanda Bierbraurer 651.439.3152 www.dancewithusamerica.com Rachel Damiani 612.718.6823 MN WEST COAST SWING DANCE Nathan Daniels 763.464.1021 DANCELIFE BALLROOM CLUB Jennelle Donnay 651.357.2060 6015 Lyndale Ave S, Minneapolis 763.442.1618 Julie Delene 612.598.5355 612.345.4219, www.dancelifeballroom.com www.mnwestcoastswingdanceclub.com Donna Edelstein 612.910.2690 Jennifer Foster 952.922.8316 DANCERS STUDIO REBELS SWING DANCE CLUB Robert Foster 952.922.8316 415 Pascal Street N, Saint Paul 952.941.0906 Esther Granbois 612.872.1562 651.641.0777 www.tcrebels.com Lindsey Rebecca Hall 612.940.9546 www.dancersstudio.com Julie Jacobson 651.261.6442 STARDUST DANCE CLUB Jay Larson 651.387.3886 FOUR SEASONS DANCE STUDIO [email protected] Kristina Lee 715.821.9039 1637 Hennepin Ave S, Minneapolis Deanne Michael 612.508.9255 612.342.0902 SUBURBAN-WINTERSET DANCE Monica Mohn 612.874.0747 www.fourseasonsdance.com CLUB Mariusz Olszewski 612.242.5159 Woman’s Club of Minneapolis, Mary Rosenstiel 612.720.2584 FRED ASTAIRE DANCE STUDIO 410 Oak Grove Street, Minneapolis Char Torkelson 612.709.6399 1975 Seneca Road, Eagan, MN 952.894.1412 Lisa Vogel 651.208.0818 651.451.6300 www.suburbanwinterset.com James Wood 651.242.2421 www.FredAstaireMN.com
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