Laurence Olivier Award for Best Costume Design

Total Page：16

File Type：pdf, Size：1020Kb

Laurence Olivier Award for Best Costume Design '2017 Laurence Olivier Awards', Press Room, London, UK Stock Image by Dan Wooller for editorial use, 9 Apr 2017. Editorial use only. Learn More.Â Katrina Lindsay accepts the award for Best Costume Design for Harry Potter And The Cursed Child at Palace Theatre. read more. Stock image, 9 Apr 2017. Best costume design nominations for Olivier Awards 2014. Nicky Gillibrand - The Wind in the Willows at the Duchess theatre. Soutra Gilmour - Merrily We Roll Along at the Harold Pinter theatre. Rae Smith - The Light Princess at the National Theatre, Lyttelton. Mark Thompson - Charlie and the Chocolate Factory at the Theatre Royal Drury Lane. XL Video award for best set design nominations for Olivier Awards 2014. Bob Crowley - Once at the Phoenix theatre. Es Devlin - Chimerica at the Almeida theatre & Harold Pinter theatre. The Laurence Olivier Awards are a series of awards presented annually by The Society of London Theatre. They are presented in recognition of achievements in commercial British theatre, most notably plays and musicals in the West End of London, an area commonly referred to as "Theatreland". The awards were established as the Society of West End Theatre Awards in 1976 and, in 1984 they were renamed in honour of the renowned British actor Lord Olivier.Â This list comprises the winners of the Best Costume Design category shown in bold. Where possible other nominees will be shown in italics. All translations of Laurence Olivier Award for Best Costume Design. sensagent. sensagent's content. The Laurence Olivier Award for Best Costume Design is an annual award presented by The Society of London Theatre in recognition of achievements in commercial British theatre. The awards were established as the Society of West End Theatre Awards in 1976, and, renamed in 1984 in honour of English actor Lord Olivier. The Laurence Olivier Award for Best Revival is an annual award presented by The Society of London Theatre in recognition of achievements in commercial British theatre. The awards were established as the Society of West End Theatre Awards in 1976, and, renamed in 1984 in honour of English actor Lord Olivier. The award was first given in 1991 and temporarily stopped in 1996. It later returned in the 2003 ceremony. Drama Desk Award for Outstanding Revival of a Play. Tony Award for Best Revival of a Play..

Copy Link

Recommended publications

An Actor's Life and Backstage Strife During WWII
Media Release For immediate release June 18, 2021 An actor’s life and backstage strife during WWII INSPIRED by memories of his years working as a dresser for actor-manager Sir Donald Wolfit, Ronald Harwood’s evocative, perceptive and hilarious portrait of backstage life comes to Melville Theatre this July. Directed by Jacob Turner, The Dresser is set in England against the backdrop of World War II as a group of Shakespearean actors tour a seaside town and perform in a shabby provincial theatre. The actor-manager, known as “Sir”, struggles to cast his popular Shakespearean productions while the able-bodied men are away fighting. With his troupe beset with problems, he has become exhausted – and it’s up to his devoted dresser Norman, struggling with his own mortality, and stage manager Madge to hold things together. The Dresser scored playwright Ronald Harwood, also responsible for the screenplays Australia, Being Julia and Quartet, best play nominations at the 1982 Tony and Laurence Olivier Awards. He adapted it into a 1983 film, featuring Albert Finney and Tom Courtenay, and received five Academy Award nominations. Another adaptation, featuring Ian McKellen and Anthony Hopkins, made its debut in 2015. “The Dresser follows a performance and the backstage conversations of Sir, the last of the dying breed of English actor-managers, as he struggles through King Lear with the aid of his dresser,” Jacob said. “The action takes place in the main dressing room, wings, stage and backstage corridors of a provincial English theatre during an air raid. “At its heart, the show is a love letter to theatre and the people who sacrifice so much to make it possible.” Jacob believes The Dresser has a multitude of challenges for it to be successful.
[Show full text]
U.S. National Tour of the West End Smash Hit Musical To
Tweet it! You will always love this musical! @TheBodyguardUS comes to @KimmelCenter 2/21–26, based on the Oscar-nominated film & starring @Deborah_Cox Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 U.S. NATIONAL TOUR OF THE WEST END SMASH HIT MUSICAL TO PLAY PHILADELPHIA’S ACADEMY OF MUSIC FEBRUARY 21–26, 2017 STARRING GRAMMY® AWARD NOMINEE AND R&B SUPERSTAR DEBORAH COX FOR IMMEDIATE RELEASE (Philadelphia, PA, December 22, 2016) –– The Kimmel Center for the Performing Arts and The Shubert Organization proudly announce the Broadway Philadelphia run of the hit musical The Bodyguard as part of the show’s first U.S. National tour. The Bodyguard will play the Kimmel Center’s Academy of Music from February 21–26, 2017 starring Grammy® Award-nominated and multi-platinum R&B/pop recording artist and film/TV actress Deborah Cox as Rachel Marron. In the role of bodyguard Frank Farmer is television star Judson Mills. “We are thrilled to welcome this new production to Philadelphia, especially for fans of the iconic film and soundtrack,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “This award-winning stage adaption and the incomparable Deborah Cox will truly bring this beloved story to life on the Academy of Music stage.” Based on Lawrence Kasdan’s 1992 Oscar-nominated Warner Bros. film, and adapted by Academy Award- winner (Birdman) Alexander Dinelaris, The Bodyguard had its world premiere on December 5, 2012 at London’s Adelphi Theatre. The Bodyguard was nominated for four Laurence Olivier Awards including Best New Musical and Best Set Design and won Best New Musical at the WhatsOnStage Awards.
[Show full text]
Read the 2015/2016 Financial Statement
ANNUAL REPORT 2015-16 National Theatre Page 1 of 87 PUBLIC BENEFIT STATEMENT In developing the objectives for the year, and in planning activities, the Trustees have considered the Charity Commission’s guidance on public benefit and fee charging. The repertoire is planned so that across a full year it will cover the widest range of world class theatre that entertains, inspires and challenges the broadest possible audience. Particular regard is given to ticket-pricing, affordability, access and audience development, both through the Travelex season and more generally in the provision of lower price tickets for all performances. Geographical reach is achieved through touring and NT Live broadcasts to cinemas in the UK and overseas. The NT’s Learning programme seeks to introduce children and young people to theatre and offers participation opportunities both on-site and across the country. Through a programme of talks, exhibitions, publishing and digital content the NT inspires and challenges audiences of all ages. The Annual Report is available to download at www.nationaltheatre.org.uk/annualreport If you would like to receive it in large print, or you are visually impaired and would like a member of staff to talk through the publication with you, please contact the Board Secretary at the National Theatre. Registered Office & Principal Place of Business: The Royal National Theatre, Upper Ground, London. SE1 9PX +44 (0)20 7452 3333 Company registration number 749504. Registered charity number 224223. Registered in England. Page 2 of 87 CONTENTS Public Benefit Statement 2 Current Board Members 4 Structure, Governance and Management 5 Strategic Report 8 Trustees and Directors Report 36 Independent Auditors’ Report 45 Financial Statements 48 Notes to the Financial Statements 52 Reference and Administrative Details of the Charity, Trustees and Advisors 86 In this document The Royal National Theatre is referred to as “the NT”, “the National”, and “the National Theatre”.
[Show full text]
CHICAGO to Tour Australia in 2009 with a Stellar Cast
MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer.
[Show full text]
Dossier De Presse
dessin William Kentridge — graphisme Jérôme Le Scanff Jérôme Le — graphisme Kentridge William dessin DOSSIER DE PRESSE sommaire 5 Entretien avec Hortense Archambault 76 kornél mundruczó et Vincent Baudriller up DISGRÂCE DE J. M. COETZEE 8 c / COMPLICITE artiste associé simon m burney 79 steven cohen u LE MAÎTRE ET MARGUERITE DE MIKHAÏL BOULGAKOV c p SANS TITRE. POUR RAISONS LÉGALES ET ÉTHIQUES 13 john berger c p LE BERCEAU DE L’HUMANITÉ u DE A À X 83 romeo castellucci / SOCÌETAS RAFFAELLO SANZIO u EST-CE QUE TU DORS ? u THE FOUR SEASONS RESTAURANT 16 sophie calle 86 markus öhrn / institutet / nya rampen È RACHEL, MONIQUE up CONTE D’AMOUR 19 arthur nauzyciel 89 jérôme bel / theater hora u2 LA MOUETTE D’ANTON TCHEKHOV uc DISABLED THEATER 23 / LA COLLINE - THÉÂTRE NATIONAL stéphane braunschweig 92 sandrine buring & stéphane olry / LA REVUE ÉCLAIR u SIX PERSONNAGES EN QUÊTE D’AUTEUR cu2 CH(OSE) / HIC SUNT LEONES D’APRÈS LUIGI PIRANDELLO 96 christian rizzo.. / L’ASSOCIATION.. FRAGILE 26 forced entertainment c SAKINAN GOZE ÇOP BATAR u LES FÊTES DE DEMAIN 98 / EASTMAN u L’ORAGE À VENIR sidi larbi cherkaoui .. c2 PUZ/ZLE 30 katie mitchell / SCHAUSPIEL KOLN 101 u LES ANNEAUX DE SATURNE D’APRÈS LE ROMAN DE W. G. SEBALD olivier dubois c TRAGÉDIE 32 katie mitchell & stephen emmott DIX MILLIARDS 104 josef nadj .. c ATEM LE SOUFFLE 34 thomas ostermeier / SCHAUBUHNE BERLIN 107 u UN ENNEMI DU PEUPLE D’HENRIK IBSEN nacera belaza c LE TRAIT 37 william kentridge 109 régine chopinot / CORNUCOPIAE & le wetr u2cp LA NÉGATION DU TEMPS c2 VERY WETR ! ÈDA CAPO 112 romeu runa & miguel moreira / LES BALLETS C DE LA B 40 suzanne andrade & paul barritt / 1927 c THE OLD KING u2p LES ANIMAUX ET LES ENFANTS ENVAHIRENT LA RUE 115 komplexkapharnaüm 43 christoph marthaler / THEATER BASEL up2 PLACE PUBLIC u2 MY FAIR LADY.
[Show full text]
Download Cast and Crew Here
I - !!! I* CAST T WHOgS-, WHO IN THN SItrlIS (Errse*rl:le' u/S Bill ALEJAI{DRA }IATOS tEnsexzble} From Caracas, JAQUEZ ANDBf Broadway: ri{otow'n {Swing)' Venezuela. She is thrilled to be part of this ireau- Devuuey, Irtn-r' SciJ:elli) (Rudolpho). Broadrvayl titul east. Starting her training in her country Natianal Tour l\atilda OfY I (Trip Allen), Apollo Ct*h Hulent $ and continuing herJance career in LA aad NY' NYC: Spanrle,r I ''?he (Featnred Beats By TY credlts inelude "Americas Got Talent-" Dancer). Nationai Commelcial: T playing LeBron Best Time Ever" (F{BCi- Theater cledils include Dre l'eaturing Pharrell. Lasl seen , Chicago flative and Crtrmen An Afro-Cubart Musical. Special James in Le\roil: The Mltsittrl- '{ati and Moill tharks to my lamily. merto.rs and the Universe' Tisch graduate. Much iove to CTC. Brick @alekitty @justiaquez DEQUINA fr'IOOBE (Backup Vocolisr, College FIICOLE SPENCER (Eizseatble) AfBr traiilhg at in Dance Gitl, Ensemble, ulS Nicki Mnrron, Rachel Marrot) Tampa Ballet Center, she earned her BFA f cretiits include: Broadrvay: Legallr* Btoncle (Pilar). Ii*/e Shop of frcm Florida Stati Unive$it)'. Far-orite g Tour Capair/Swing). fJorrors {Chiffon), Two Gentlemen o! Ve rona, flapp -t Ditl' Dancittg National {Dance $ Inaugural Royal kincess, g Da1's {Joyce}" ffnir. Nat'l Touts: Fluslatlarlce (Kiiri)' The Potal Off-Broadrvay, 4 i$adea's Big Hoppy F**riJ-r" (Rose)' Film: Jo;'f,rl Andrea Bocelii. ard SNL. Nicole sends all her love to ; ldoi.re (Devonne), Mcdea's Big llappy Family. Ghast Mom, Dad, andChris! Tov,* Rachet Gettiag Married, Cttnp- TY: "Lz'N & Order: SVU" {guest star), "Racirtg For Time" LAU*EN TANNER (.luj*s) is delighted to be patt {: {Tsnya}, "Third Watch" iTania Manroe), "Al1 Falls ol The Bodlgu* tll Lauren is a graduale of Oklahoma Down" (Nycole).
[Show full text]
FY19 Annual Report View Report
Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut.
[Show full text]
London Design Biennale 2020 Promotes International Collaboration and the Global Role of Design, Convening 50 Participating Nations, States, Territories and Cities
London Design Biennale 2020 promotes international collaboration and the global role of design, convening 50 participating nations, states, territories and cities 8-27 September 2020, Somerset House Tickets on sale 12 February 12 February 2020, London, UK - Up to 50 countries, territories and cities will exhibit at the third edition of London Design Biennale, at Somerset House, this autumn. They will respond to Artistic Director Es Devlin's call to action: how can design provide solutions to the major crises of our time? The exhibition will provide a borderless arena for global collaboration and exchange between participants and audiences from Chile to France, Pakistan to Ghana, Hong Kong to Israel, Poland to Indonesia. Geographically, economically and politically diverse, participants will explore how design can be harnessed to secure our collective futures. Taking over the entirety of Somerset House, London Design Biennale highlights the vital role of design in addressing challenges and providing solutions. There has never been a more vital moment to bring the world together in a spirit of positivity to respond to the major issues we face today: from climate change and migration, to international collaboration, policy making and communication. Theme: Resonance Award-winning artist and designer Es Devlin OBE has been named as the Artistic Director, and revealed the 2020 theme of Resonance which considers the ripple effect of ground-breaking design concepts on the way we live, and the choices we make. Further to the 2019 London Design Biennale Summit at Google, Devlin has also challenged participating designers to reflect on urgent social and environmental issues that are visible now, and that lie ahead.
[Show full text]
October 2019 – March 2020
13 September 2019 National Theatre On-Sale: October 2019 – March 2020 Just announced: • Emma Rice adapts and directs Emily Brontë’s iconic masterpiece WUTHERING HEIGHTS, in a new co-production with Wise Children in association with York Theatre Royal. Opening in the Lyttelton Theatre in autumn 2020 before touring across the UK • Lucy Briers, Crystal Condie and Kevin Hely join the cast of Francesca Martinez’s debut play ALL OF US, directed by Ian Rickson • Ben Daniels joins Nancy Carroll in Moira Buffini's timely new play MANOR, directed by Fiona Buffini On sale: • Sarah Niles joins Natalie Simpson and Racheal Ofori in THREE SISTERS, Inua Ellams’ adaptation of Chekhov’s classic play, relocated to 1960s Nigeria and directed by Nadia Fall • Hugo Weaving joins Lesley Manville in Tony Kushner’s new adaptation of Friedrich Dürrenmatt’s masterpiece THE VISIT or THE OLD LADY COMES TO CALL • Further casting announced for Lucy Kirkwood’s new play THE WELKIN, directed by James Macdonald, with a cast including Maxine Peake, Cecilia Noble and Ria Zmitrowicz • Ex Machina’s epic THE SEVEN STREAMS OF THE RIVER OTA, directed by Robert Lepage, returns to the NT as part of a world tour • Clint Dyer becomes the first Black British artist to have acted, written and directed at the NT with DEATH OF ENGLAND, written by Roy Williams and Dyer, and performed by Rafe Spall • Ciarán Hinds and Judith Roddy reprise their roles with Fra Fee joining the cast of Brian Friel’s TRANSLATIONS, directed by Ian Rickson • Further performances on sale for MY BRILLIANT FRIEND, adapted by April De Angelis from Elena Ferrante’s bestselling Neapolitan Novels To download high-resolution images for on-sale productions, please see here.
[Show full text]
London Design Biennale Summit, Chaired by Artistic Director Es Devlin, Will Explore How Design Can Tackle Major Global Issues
For immediate release 9 May 2019 London Design Biennale Summit, chaired by Artistic Director Es Devlin, will explore how design can tackle major global issues London, UK -- London Design Biennale announces its inaugural Summit, taking place from 25-26 June 2019. The Summit focuses on Resonance, the theme for London Design Biennale 2020, the third edition of the critically acclaimed exhibition. The Summit will address the impact of design: its power to cross borders, bridge cultures, and alter behaviours and societies. It will look at how this can improve a variety of major global issues, including climate change (our resonance with the planet); and international relations (how countries resonate with each other). The Summit is a must-attend event for designers working internationally; diplomats; and cultural institutions. Es Devlin will headline a day of discussion on Day One (25 June) with a stellar panel of thinkers from design, government and the diplomatic community, interspersed with networking opportunities. Taking place at Google HQ in King’s Cross, hosted by Google Arts & Culture, speakers and panellists include: o Es Devlin, Artistic Director, London Design Biennale o Francesco Bandarin, Former Assistant Director-General for Culture, UNESCO o Pip Jamieson, Founder, The Dots o Priya Khanchandani, ICON Magazine o Jay Osgerby, Founder, Barber & Osgerby o Justine Simons OBE, Deputy Mayor for Culture and the Creative Industries, Greater London Authority o The Future Laboratories o Dr. Christopher Turner, Keeper of Design, Architecture and Digital, Victoria & Albert Museum o Greg Williams, Editor, Wired Magazine UK Further speakers will be announced soon. Es Devlin explains, “As designers, thinkers, artists and makers operating in a global, digital era, we have the power to influence and amaze our audiences into profound shifts of perspective.
[Show full text]
ES DEVLIN Cem Çevikayak2
SDÜ ART-E Güzel Sanatlar Fakültesi Sanat Dergisi Kasım/Aralık 16 Cilt:9 Sayı:18 ISSN 1308-2698 SAHNE TASARIMINDA ÇOK YÖNLÜ BİR İSİM: ES DEVLİN1 STAGE DESIGN MEETS VERSATILITY: ES DEVLIN Cem Çevikayak2 ÖZ 21. yüzyılda uluslararası çapta büyük ölçekli sahne gösterilerinin tasarımcısı olarak anılan Es Devlin, tiyatro, opera, konser ve moda tasarım sahneleri arasında bir köprü vazifesi görmektedir. Tasarladığı sahneler ile bir yandan tiyatro dramatizasyonuna hizmet ettiği kadar, diğer yandan müzik ve eğlence sektörü için de ışıltılı, görkemli mekanlar yaratmaktadır. Ekibiyle beraber yarattığı görsel şölen ile hem izleyicileri hem de oyuncu ve şarkıcıları etkilemektedir. İngiltere’de Kraliyet Operası ve Ulusal Tiyatro için tasarladığı sahnelerle birçok ödülün sahibi olmuştur. Onun çerçeve sahnede yarattığı bu atmosfer örnekleri, dünya çapında tanınmış şarkıcıların da dikkatini çekmiş ve bu sayedeillüzyon yaratmadaki sınırlarını genişletmiştir. Stadyum ölçeğinde konser sahneleri ve olimpiyat seremonilerini tasarlayarak, günümüzün en önemli tasarımcılarından biri haline gelmiştir. Bu çalışmada, Es Devlin’in sahne tasarımı kariyerinde geçirdiği aşamalar, tasarım odakları ve estetik tercihleri ele alınarak, sanatçının sahne tasarımı anlayışı üzerine fikir verilmesi amaçlanmıştır. Anahtar Kelimeler: Sahne Tasarımı, Stadyum Konseri, Gösteri Sanatları, Opera, Tasarım. ABSTRACT World famous stage designer Es Devlin, who is known for her large-scale stage designs, acts like a bridge between theatre, opera, concert and fashion design sets in 21st century. The scenes of her design serves both for the dramatization of theatre and create sparkling and spectacular effects for entertainment and music business. These intense designs cast a spell on both the audience and the actors/singers. She was awarded multiple times for her Royal Opera House and National Theatre works in London.
[Show full text]
Dunsinane by David Greig and Directed by Roxana Silbert Thu, Jan 29 • 7:30Pm & Fri, Jan 30 • 8Pm Supported by the Scottish Government International Touring Fund
NATIONAL THEATRE OF SCOTLAND AND THE ROYAL SHAkesPEARE COMPANY PReseNT DUNSINANE by DAVID GREIG AND DIRECTED by ROXANA SILBERT Thu, Jan 29 • 7:30pm & Fri, Jan 30 • 8pm Supported by the Scottish Government International Touring Fund CPA10 ARTIST photo credit: Simon Murphy photo credit: PERFORMANCE BENEFACTOR This performance is sponsored by the Charles H. Goren Foundation, Tom and Lisa Hazen, Trustees. thu/fri, jan 29 7:30pm • jan 30 8pm CAST Ruth Cooper-Brown George Brockbanks, sergeant/Scottish lord of RC-Annie Ltd., archery consultant Helen Darbyshire, Gruach’s attendant/hen girl Anne Henderson, casting director Darrell D'Silva, Siward Laura Donnelly, casting director Ewan Donald, Malcolm Original 2010 production casting by Keith Fleming, Macduff Royal Shakespeare Company. Tom Gill, the boy soldier Toyin Omari-Kinch, Eric the archer 2011 and 2013 production casting by Anne Henderson. Arthur McBain, English soldier Matt McClure, English soldier/ 2014 and 2015 production casting Scottish soldier/Scottish lord by Laura Donnelly. Alex Mann, Egham Mairi Morrison, Gruach’s attendant/Gaelic singer PRODUCTION TEAM Siobhan Redmond, Gruach Neil Murray, executive producer Margaret-Anne O'Donnell, producer MUSICIANS Chris Hay, production manager Rosalind Acton, musical director/cello Paul Claydon, head of lighting Robert Owen, percussion Carrie Hutcheon, company stage manager Andy Taylor, guitar Heather Wilson, deputy stage manager David Mason-Hill, assistant stage manager CREATIVE TEAM Neill Pollard, lighting supervisor Fergus Lockie, sound supervisor
[Show full text]