Firsova Alissa
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St John's Smith Square
ST JOHN’S SMITH SQUARE 2015/16 SEASON Discover a musical landmark Patron HRH The Duchess of Cornwall 2015/16 SEASON CONTENTS WELCOME TO ST JOHN’S SMITH SQUARE —— —— 01 Welcome 102 School concerts Whether you’re already a friend, or As renovation begins at Southbank 02 Season Overview 105 Discover more discovering us for the first time, I trust Centre, we welcome residencies from the 02 Orchestral Performance 106 St John’s history you’ll enjoy a rewarding and stimulating Orchestra of the Age of Enlightenment 03 Choral & Vocal Music 108 Join us experience combining inspirational and London Sinfonietta, world-class 03 Opera 109 Subscription packages music, delicious food and good company performers from their International Piano 04 Period Instruments 110 Booking information in the fabulous grandeur of this historic Series and International Chamber Music 05 Regular Series 111 How to find us building – the UK’s only baroque Series, and a mid-summer performance 06 New Music 112 Footstool Restaurant concert venue. from the Philharmonia Orchestra. 07 Young Artists’ Scheme This is our first annual season brochure We’re proud of our reputation for quality 08 Festivals – a season that features more than 250 and friendly service, and welcome the 09 Southbank Centre concerts, numerous world premieres and thoughts of our visitors. So, if you have 10 Listings countless talented musicians. We’re also any comments, please let me know and discussing further exciting projects, so I’ll gladly discuss them with you. please keep an eye on our What’s On I look forward to welcoming you to guides or sign up to our e-newsletter. -
Russian Visions
7 3. Andante espressiv RUSSIAN VISIONS RUSSIAN VISIONS 20th-century Music for Cello and Piano 20th-century Music for Cello and Piano SOMMCD 0606 Igor STRAVINSKY (1882-1971) Alfred SCHNITTKE (1934-1998) Dmitri SMIRNOV (b.1948) Bozidar Vukotic cello · Alissa Firsova piano STRAVINSKY Suite Italienne for cello and piano [16:36] bm 3. Largo 3:26 1 1. Introduzione 2:06 bn 4. Allegro 2:00 2 2. Serenata 3:15 bo 5. Lento 1:51 3 3. Aria 4:42 4 4. Tarantella 2:17 SMIRNOV 5 5. Minuetto e Finale 4:13 bp Tiriel, Op. 41c* 9:30 SCHNITTKE SCHNITTKE Sonata No. 1 for cello and piano [18:04] Musica nostalgica for cello and piano 6 1. Largo 3:40 arr. M. Rostropovich 7 2. Presto 5:48 bq In tempo di Menuetto 3:14 8 3. Largo 8:34 Sonata No. 2 (Quasi una Sonata) [14:14] Total duration 61:40 9 1. Senza tempo 2:47 bl 2. Allegro 4:08 *First recording Recorded at the Menuhin Hall on 9 & 10 February 2019 Recording Producer: Siva Oke Recording Engineer: Paul Arden-Taylor Igor STRAVINSKY · Alfred SCHNITTKE · Dmitri SMIRNOV* Front cover: Le Coq d’Or: Set Design for Act I by Natalia Goncharova (1881-1962). Private collection. Bridgeman Images. *First recording Design: Andrew Giles Booklet Editor: Michael Quinn DDD © & 2020 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND Bozidar Vukotic cello · Alissa Firsova piano Made in the EU his programme brings together 20th-century works for cello and piano by Giambattista Pergolesi to perform with the violinist Paul Kochanski. -
Musica Ad Asiago
MUSICA AD ASIAGO ASIAGOFESTIVAL è organizzato dalla Associazione Culturale “Amici della Musica di Asiago” - “Fiorella Benetti Brazzale”, in collaborazione con la Parrocchia di S. Matteo, con il contributo e la collaborazione della Città di Asiago e l’Assessorato Turismo e Cultura. Si ringraziano in modo particolare la Burro delle Alpi - Alpilatte, Gran Moravia, la Bassan Bernardo e Figli, Birra Cimbra e la Rigoni di Asiago per il sostegno concesso, determinante per l’allestimento della stagione, nonchè le altre ditte private che, aiutando la manifestazione, dimostrano sensibilità verso le attività che arrichiscono il soggiorno dei nostri ospiti e le esperienze culturali sull’altopiano. Figure musicanti tratte dal “Gabinetto armonico pieno di strumenti sonori del Padre Filippo Bonanni al Santo Re David - In Roma MDCCXXII” riedito nella stamperia di Vincenzo Bona - In Torino MCMLXIX. Sabato 15 Agosto - ore 21.00 ASIAGOFESTIVAL 2015 ASIAGO - Duomo San Matteo Concerto per l'Assunta 49^ EDIZIONE organo: Michael König soprano: Ulrike Haller Sabato 8 Agosto - ore 21.00 musiche di: Frescobaldi, J.S.Bach, Vivaldi, Becker, Kobald, ASIAGO - Chiesa di San Rocco Mascagni, Sullivan Ensemble dell’Orchestra Barocca di Venezia Venice Baroque Orchestra musiche di: Vivaldi Domenica 16 Agosto - ore 17.00 CAmpOroverE DI Roana ex Forte Interrotto Lunedì 10 Agosto - ore 21.00 ASIAGO - Chiesa di San Rocco ensemble di violoncelli: Cello Passionato violoncello: Julius Berger pianoforte: Oliver Kern violoncello: Hyun-Jung Berger violoncello: Julius Berger violoncello: -
Alissa Firsova in Einem Inter- Oview Mit Dem Musik-Label VIVAT Während Der Aufnahmearbeit Für Ihr Album „Russian Émigrés“ ALISSA Im August 2015
32 MUSIK TEXT: CATRIN GEORGE PONCIANO FOTOS: AIGA & LEE GLASGOW PHOTOGRAPHY hne Menschen um sich herum kann sie nicht existieren, sagt Alissa Firsova in einem Inter- Oview mit dem Musik-Label VIVAT während der Aufnahmearbeit für ihr Album „Russian Émigrés“ ALISSA im August 2015. Musik spielen, Musik komponieren, Musik dirigieren, sei jedes Mal wieder ein aus sich herausfahren, fügt sie hinzu. Für ihre Arbeit benötigt Alissa Emotionen wie andere die Luft zum Atmen, eigene Gefühle und die Spiegelung der Gefühle ihrer FIRSOVA Mitmenschen. Erst dann, sagt sie, kann sie sich befrei- en vom Hier und Jetzt und in die musikalische Ebe- ne aufsteigen, in die sie sich fallen lassen möchte, um die bereits bekannte klassische Musik mit ihrer neuen, zeitgenössischen Musik zu vermählen. Das klingt poe- Ihr Können entfacht tisch und dual, denn Alissa Firsovas Musik passiert auf zwei Ebenen. Einer, die wir alle hörend kennen und ei- musikalische Poesie ner zweiten, parallelen, neuen Welt der Musik, die rein ihrer Wahrnehmung entspringt und die Musikerwelt in Amerika und Europa restlos begeistert. ESA 06/19 | www.entdecken-sie-algarve.com MUSIK 33 Unter Kennern der internationalen Klassik-Musikszene besetzt Alissa Firsova einen eigenen Stern am Himmel. Sie beherrscht das Piano, dirigiert Orchester, komponiert zeitgenössische Musik – und derzeit ein Stück über die Algarve Der Albumtitel „russische Emigranten“ ist nicht akustisch spezialisierten Wigmore Hall, auch Bech- zufällig gewählt. Alissas Familie stammt aus Russ- stein-Hall genannt, im Mai in London, sowie in der land, sie sind 1991 nach England umgezogen. In ihrer über 5.500 Zuhörer fassenden Royal Albert Hall in Familie ist Musik und Kunst zuhause. -
Radio 3 Listings for 22 – 28 August 2015 Page 1 of 25
Radio 3 Listings for 22 – 28 August 2015 Page 1 of 25 SATURDAY 22 AUGUST 2015 4:21 AM Schnizer, Franz Xaver (1740-1785) SAT 01:00 Through the Night (b065xj2c) Sonata No.1 in C major - from Sei Sonate per il Cembalo ed Danish String Quartet - Nielsen's String Quartets Nos 1 and 3 Organo (Op.1) Gonny van der Maten (organ of Geertekerk, Utrecht. Built by Jonathan Swain presents the first of two concerts given by BBC Johannes Stephanus Strumphler in 1804) New Generation Artists, the Danish String Quartet, celebrating the 150th Anniversary of Carl Nielsen's birth. 4:35 AM Domenico da Piacenza (fl.1439-c.1450) 1:01 AM Pizochara - for treble viol, small lute and tambourine Nielsen, Carl (1865-1931) Ensemble Claude-Gervaise, Gilles Plante (director) String Quartet no.1 in G minor, Op.13 Danish String Quartet: Rune Tonsgaard Sørensen (violin), 4:39 AM Frederik Øland (violin), Asbjørn Nørgaard (viola), Fredrik Mozart, Wolfgang Amadeus (1759-1791) Schøyen Sjölln (cello) 4 Kontra Tänze (KV.267) English Chamber Orchestra, Mitsuko Uchida (conductor) 1:27 AM Nørgård, Per (b. 1932) 4:45 AM String Quartet no.1 ('Quartetto Breve') Grünfeld, Alfred [1852-1924] Danish String Quartet Soirees de Vienne for piano, Op.56 Benjamin Grosvenor (piano) 1:35 AM Nielsen, Carl (1865-1931) 4:52 AM String Quartet no.3 in E flat major, Op.14 Agay, Denes (1911-2007) Danish String Quartet 5 Easy Dances Tae-Won Kim (flute), Hyong-Sup Kim (oboe), Hyon-Kon Kim 2:07 AM (clarinet), Sang-Won Yoon (bassoon), Kawng-Ku Lee (horn) Traditional Nordic folk tune arr. -
Volume 25, No. 2 • 2019 Beth Denisch, Director IAWM and FT&M15
In this issue: Sarah Baer Wanda Brister Eugenia Errázuriz Miriam Gerberg Juliana Hall Gyuli Kambarova Astrid Kuljanic Margaret Ruthven Lang Jeremy Orosz Hasu Patel Jeannie Gayle Pool Margaret Widdemer IAWM and FT&M15 Conference Reviews Reports IAWM News President’s Message New Board Members Search for New Music Winners Awards Members’ News Beth Denisch, Director IAWM and FT&M15 Conference 9ROXPH1R Table of Contents Volume 25, Number 2 (2019) ARTICLES Resurrecting a Pulitzer Poet after a Century of Silence: Through the Guarded Gate, A Song Cycle by Juliana Hall .................................................................................................... Juliana Hall ...................1 Margaret Ruthven Lang’s Dramatic Overture: A Case Study in How to Value Lost Works .......... Sarah Baer .....................6 Preserving the Women-in-Music Legacy ......................................................................................... Jeannie Gayle Pool ......10 Social Justice Innovators: Women Connected Through Film and Space ........................................ Gyuli Kambarova ........12 Eugenia Errázuriz and Stravinsky’s Neoclassicism ......................................................................... Jeremy Orosz...............13 Hasu Patel: Teacher and Award Winner .......................................................................................... Amanda Etchison ........15 Meet Three New Members of the IAWM Wanda Brister, Singer, Scholar, and Teacher ...................................................................................................................16 -
Tokenism in the Representation of Women Composers on BBC Radio 3
The Other Composer: Tokenism in the Representation of Women Composers on BBC Radio 3 Valerie Abma (5690323) Deadline: 15 juni, 2018 Begeleider: dr. Ruxandra Marinescu BA Eindwerkstuk Muziekwetenschap Universiteit Utrecht MU3V14004 2017-2018 Blok 4 Table of Contents Abstract.…………………………………….………………………………………………… 3 Introduction: The Other Composer.…………………...……………………………………… 4 Chapter 1: The Negligible Impact.……………………………….…………………………… 7 Chapter 2: BBC Radio 3 and its aims.………………………………………………………. 11 Chapter 3: BBC Radio 3 and its tokenism………………………………….…..…………….14 3.1: The BBC guidelines for diversity……………………………….……………….14 3.2: Programming…………………………………………………………………… 15 3.3: “Mind your language”.…………………….…………………………………… 17 Conclusion.…………………………………………………..……………………………… 20 Bibliography.…………………………………………………...…………………………… 22 BBC Website Data.……………………..…………………………………………… 25 Appendix 1.…………………………………………………………………………..……… 27 Appendix 2.…………………………………………..……………………………………… 31 Appendix 3.…………………………………………..……………………………………… 39 Appendix 4.…………………………………………...………………………………………44 2 Abstract This thesis focuses on the tokenism, which, as I will demonstrate, is present in the representation of women composers on BBC Radio 3. More specifically, this thesis looks at how tokenism hinders the equality in the representation of men and women composers. The presence of tokenism will be illustrated by data of BBC Radio 3 from 2015 until 2018. As long as compositions by women composers are programmed as tokens, and therefore only as a gesture of temporary change within a dedicated space -
Signaturesignature Womenwomen Inin Musicmusic
SignatureSignature WomenWomen inin MusicMusic Summer 2010 Ella Mary Leather Muriel Herbert Elizabeth Poston Jennifer Higdon Plus British Women Instrumentalists, Anna Amalia, Proms Survey, Difficult Choices Signature: Women in Music Summer 2010, Vol. III, No. 1 Contents Editorial — Progress? …………………………………………………………….……………………………. 3 Ella Mary Leather — by David Tolley ...…………………….…………………….………………………….. 4 Jennifer Higdon — by Christina Reitz ..……………...……………………….……………………………..16 Muriel Herbert — by John France ………………………………..……………….………………………… 24 Anna Amalia, Goethe & Angelica Kauffman — by Pamela Blevins .……………..………..………….. 32 A Difficult Choice: Women with Many Gifts — by Karen A. Shaffer .……………………….………… 36 Elizabeth Poston — by John Alabaster ..………………………………………………………………….. 37 BBC Proms Survey — by Jennifer Fowler ..……………………………………………..…………………44 British Women Instrumentalists — by Marion M. Scott .……………………………………………...….46 Profiles of Contributors …………………………………….…………………………………...……………52 John Alabaster Jennifer Fowler John France Christina Reitz David Tolley Signature, Women in Music Summer 2010, Vol. III, No. 1 Pamela Blevins, Editor Editorial Advisory Board: Karen A. Shaffer, Associate Editor Anya Laurence (Canada), Jo Leighton (Scotland) Virginia Bortin, Leslie Holmes, Nora Sirbaugh (USA) Katharine Copisarow (England) Signature, Women in Music is a publication of The Maud Powell Society for Music and Education, a United States non-profit, tax-exempt, educational organization. Publication is online only at www.maudpowell.org/signature. Publication -
635 Marsyas Trio
Page 1 A Triple Portrait Chamber Music by Elena Firsova Marsyas Trio Page 2 Page 3 Elena Firsova belongs to the post-Second World War Firsova’s works, along with those of her colleagues Homage to Canisy, Op.129 for Cello & Piano (2010) refers to the Château de Canisy in Normandy where generation of Soviet composers that emerged in the Dmitri Smirnov, Alexander Knaifel, Viktor Suslin, Firsova is a guest of the castle owner each year. This work was first performed in April 2010 by cellist Anatole 1970s. These composers were at the forefront of Vyacheslav Artyomov, Sofia Gubaidulina and Edison Liebermann and pianist Alissa Firsova at the Fête de la Musique, the castle’s music festival. The music represents compositional developments as the Iron Curtain Denisov, were described by union leader Khrennikov the hustle and bustle of musicians and audience members going between their festival activities. gradually fell and their music began to reach an as “pointless […] noisy mud instead of real musical international audience. This CD is dedicated to innovation” and “not representative of the work of Lost Vision, Op.137 for Piano Solo (2012) expresses Firsova’s inner frustrations and anxiety in reaction to a Firsova’s 65th Birthday, celebrating her role in both Soviet composers.” Reminiscent of the First Congress sudden vision impairment which doctors incorrectly diagnosed as being permanent. As she cycles towards the British and Russian music of the 20th and 21st in 1948 where Prokofiev and Shostakovich were erroneously ominous hospital appointment, the initially sparse, calm music builds to a storm of agitation and fury, centuries. -
RN%20Apr%2010
APRIL 2010 Research News DEPARTMENT OF MUSIC CENTRE FOR CONTEMPORARY MUSIC CULTURE CENTRE FOR RUSSIAN MUSIC ELECTRONIC MUSIC STUDIO AFGHAN MUSIC UNIT image: Cardew ‘Treatise’ © Hinrichsen/Peters London FROM THE HEAD OF DEPARTMENT One measure of the vitality of a department’s research together scholars with overlapping interests, and profile is to consider the activities of its research in what areas we seek to impact upon the national groupings. While this may give only a partial view and international consciousness, both inside and of what is going on — there is much research activity outside the academy. in this and other departments which is unrelated to Such issues will be increasingly important in specific research groups — it nevertheless provides the coming years. The financial stresses now being a useful barometer of the overall research climate. felt in the higher education sector (and we are being In January our various research centres and units repeatedly warned that we are only at the beginning appraised the Department Board of their activities of a sustained period of contraction) will oblige us over the past year, and an impressive list it was. to concentrate our resources in those areas where Activities ranged from the collaboration of Sound we can demonstrate real expertise. The re-branding Practice Research with Goldsmiths Screen School in of the Research Assessment Exercise 2008 as the relation to the work of filmmaker Sally Potter and Research Excellence Framework 2013 may be seen composer/improviser Fred Frith; SPR’s -
RUSSIAN, SOVIET& POST-SOVIET SYMPHONIES a Discography Of
RUSSIAN, SOVIET& POST-SOVIET SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Composers R-Z KHAMID RAKHIMOV (1927-1977, UZBEKISTAN) Born in Tashkent. He studied composition at the Tashkent Conservatory with Boris Nadezhdin and later taught at that school. He composed operas, orchestral, instrumental and vocal works. Symphony No. 2 Imants Kocinš/Uzbekistan State Symphony Orchestra ( + Sayil Overture, Dutor Sadolari Fantasia and Romances) MELODIYA S10 31909 002 (1991) NIKOLAI RAKOV (1908-1990) Born in Kaluga. He studied under Reinhold Glière and Sergei Vasilenko at the Moscow Conservatory. He then spent 58 years at this school where he became a professor of composition and the head of the orchestration department. He composed in various genres but concentrated on orchestral, chamber and solo instrumental works and produced a lot of music suitable for performance by children and teenagers. He composed a Symphony No. 4 for String Orchestra in (1973) that has not been recorded. Symphony No. 1 in B minor/D major (1940, rev. 1958) Nikolai Rakov/Moscow Philharmonic Orchestra (orig. version) MELODIYA D 04438-9/WESTMINSTER XWN-18703 (LP) (1958) Nikolai Rakov/Moscow Radio Television Symphony Orchestra ( + Summer Day Suite) MELODIYA S10-11373-4 (LP) (1978) Symphony No. 2 in F major "Youth" (1957) Nikolai Rakov/Moscow Radio Television Symphony Orchestra ( + Prokofiev: Piano Concerto No. 3) MELODIYA S10-11403-4 (LP) (1978) Nikolai Rakov/Moscow Philharmonic Orchestra ( + Concert Waltz) MELODIYA D 7627-8 (LP) (1961) MusicWeb International Last updated: May 2017 Russian, Soviet & Post-Soviet Symphonies Symphony No. 3 in C major "Little Symphony" for String Orchestra (1962) Gennady Rozhdestvensky/Moscow Radio Symphony Orchestra ( + Knipper: Little Violin Concerto and Liatoshinsky: Symphony No. -
Proms 2015 Page 1 of 6
Proms 2015 Page 1 of 6 Prom 1: First Night of the Proms Prom 4: Beethoven – Symphony No. 9 Prom 8: Late Night With … BBC Asian Network 19:30 Friday 17 Jul 2015 ON TV 19:30 Sunday 19 Jul 2015 ON TV 10:15 Wednesday 22 Jul 2015 Royal Albert Hall Royal Albert Hall Royal Albert Hall Carl Nielsen Beethoven Benny Dayal vocalist Maskarade, FS39 The Creatures of Prometheus Palak Muchhal vocalist overture (5 mins) overture (5 mins) Naughty Boy live producer Gary Carpenter John Woolrich Bobby Friction presenter Dadaville Falling Down BBC Philharmonic BBC commission: world premiere (6 mins) London premiere (15 mins) Richard Davis conductor Wolfgang Amadeus Mozart INTERVAL Concerto for Piano No. 20 in D minor, K 466 (31 mins) Beethoven INTERVAL Symphony No. 9 in D minor, 'Choral' (68 mins) Prom 9: Leif Ove Andsnes and the Mahler Chamber Jean Sibelius Margaret Cookhorn contra-bassoon Orchestra Belshazzar's Feast – suite (16 mins) Lucy Crowe soprano 19:30 Thursday 23 Jul 2015 William Walton Gerhild Romberger mezzo-soprano Royal Albert Hall Belshazzar's Feast (34 mins) Dmytro Popov tenor Lars Vogt piano Kostas Smoriginas bass-baritone Beethoven Christopher Maltman bass-baritone CBSO Chorus Piano Concerto No. 1 in C major (33 mins) BBC Singers City of Birmingham Symphony Orchestra Stravinsky BBC National Chorus of Wales Andris Nelsons conductor Apollon musagète (30 mins) BBC Symphony Chorus INTERVAL BBC Symphony Orchestra Beethoven Sakari Oramo conductor Proms Chamber Music 1: Thomas Tallis Piano Concerto No. 4 in G major (33 mins) 13:00 Monday 20 Jul 2015 Mahler Chamber Orchestra Cadogan Hall Leif Ove Andsnes piano/director Prom 2: Ten Pieces Prom 18:30 Saturday 18 Jul 2015 ON TV Tallis Royal Albert Hall Videte miraculum (9 mins) Prom 10: Leif Ove Andsnes and the Mahler Chamber O Lord, give thy Holy Spirit (3 mins) Orchestra John Adams Hear the voice and prayer (3 mins) 19:30 Friday 24 Jul 2015 ON TV Short Ride in a Fast Machine (4 mins) Why fum'th in fight? (4 mins) Royal Albert Hall Beethoven Suscipe quaeso (9 mins) Symphony No.