DFI-FILM Berlin ISSUE 2014

Total Page:16

File Type:pdf, Size:1020Kb

DFI-FILM Berlin ISSUE 2014 DFI-FILMCategory berlin ISSUE 2014 FILM is published by the Danish Film Institute SOMEONE YOU LOVE CATHEDRALS OF CULTURE NYMPHOMANIAC Pernille Fischer Christensen is the What is a building’s soul? Lars von Trier’s story supervisor, actors, uncrowned queen of the intimate, marketing people and critics tell the interpersonal drama. BEYOND BEYOND tale of the controversial director and Come down the rabbit hole. his erotic epic. THE CONTEST Martin Miehe-Renard turns the son DFI-FILM | Berlin Issue 2014 concept of the “stranger” on its head. A tale of puppies and men. 1 Category FILM is the Danish Film Institute’s international VIEWS ON Six months after his infamous press conference in Cannes, Lars von Trier stopped making festival magazine, issued prior to the festivals in Berlin, 20 public statements. “I have realised that I do not possess the skills to express myself Cannes and Amsterdam. FILM includes a comprehensive NYMPHOMANIAC unequivocally,” the director said, adding that he would now dedicate himself fully to his catalogue in the reverse section. films. Consequently we give the floor to von Trier’s story supervisor, actors, marketing DFI-FILM people and critics to let them tell the tale of the director and his erotic epic Nymphomaniac. BERLIN ISSUE 2014 Published by the Danish Film Institute FILM Digital Issue is the Danish Film Institute’s web release for your smartphone, tablet or computer. Editors FILM Digital Issue brings articles on new films, Susanna Neimann (SN) Annemarie Hørsman (AH) a catalogue section and useful information about people and companies. Editorial team Lars Fiil-Jensen (LFJ) Anders Budtz-Jørgensen (ABJ) FILM Digital Issue: www.dfi.dk/film Support: Nynne Østergaard (NØ) DFI Festival team The Danish Film Institute is the national agency Lizette Gram Mygind that supports and encourages Danish film and Christian Juhl Lemche STARTING FROM THE CHARACTERS DIFFERENT BUT BEST FRIENDS OF PUPPIES AND MEN Anne Marie Kürstein cinema culture. 08 Since winning a Silver Bear in 2006 for 14 Sawsan is a Danish-Turkish girl in a city 36 With his short filmSon , Kristoffer Kiørboe her first featureA Soap, Pernille Fischer neighbourhood. Karl was raised as a has made a low-key rites-of-passage story Translations Christensen has kept refining the intimate Christian in a fishing hamlet. Children see about self-absorbed grownups and a boy Glen Garner interpersonal story. So too in her new differences as natural – in real life and in The who is saddled with more responsibility film,Someone You Love. Contest, director Martin Miehe-Renard says. than he can bear. Design Rasmus Koch Studio Art Direction Pernille Volder Lund Type TRINE DYRHOLM LOVE AND FISHING QUOTAS 04 EDITORIAL Holton, Swift, Akzidenz 12 Discover the films by the actress, also 40 The Sunfish, Søren Balle’s first feature, is Paper featuring in Someone You Love. a story set among cod fishers and quota MultiDesign White speculation, with a dash of unlikely love. Printed by DANICA CURCIC 04 NEWS & NOTES I Centertryk 16 The Serbian-born actress is starring in no MAKING CONNECTIONS Circulation less than four features in 2014, including 42 Final Cut for Real, the company behind 2,000 Christian E. Christiansen’s On the Edge. Joshua Oppenheimer’s Oscar-nominated The Act of Killing, has a partiality for films 46 NEWS & NOTES II ISSN 1399-2813 (print version) TURBO-CHARGED REALISM that shake our worldview. ISSN 1903-7511 (online version) 18 On the Edge sees Christian E. Christiansen returning to the raw realism that comes DENMARK’S REGIONAL FUNDS Cover Director Lars von Trier most natural to him. The regional film funds are important to the FACTS & FIGURES Photo: Christian Geisnæs 44 49 success of Danish films and television. NEW HEAD OF FILM SCHOOL Danish Film Institute Vinca Wiedemann, story supervisor on FOUR CO-PRODUCTIONS Gothersgade 55 32 Nymphomaniac, points to the National Film Introducing four titles with co-production DK-1123 Copenhagen K 45 + CATALOGUE School’s importance in Danish cinema. support from the Danish Film Institute. T +45 3374 3400 REVERSE SECTION THE SOUL OF ARCHITECTURE DANISH OSCAR NOMINATIONS www.dfi.dk/english 34 Six directors present their takes on 47 Three films got through to the final round architectural space in Cathedrals of Culture. in the world’s most prestigious film competition. DOWN THE RABBIT HOLE 38 Director Esben Toft Jacobsen and TO WATCH OUT FOR scriptwriter Jannik Tai Mosholt are bringing 48 Three new documentaries look at high-stake us a new enchanting fable, Beyond Beyond. politics, family history and circus life. 2 DFI-FILM | Berlin Issue 2014 DFI-FILM | Berlin Issue 2014 EditorialCategory news & notes is over. The atmosphere grows Why Public Film Funding? increasingly, almost unbearably tense films & people Rolf Konow News & Notes as the weekend progresses and old conflicts bubble up to the surface. After a 10-year hiatus as director, The Film Act sets the overall guidelines for the Photo: “It’s their absolutely last chance Anders Thomas Jensen is back work of the Danish Film Institute. A new film to speak their piece and make with a grotesque comedy, Men & policy accord will be made this year, identifying up. Because the human drama is Chicken, starring Mads Mikkelsen priorities and objectives for public film funding so acute, there is room to depict and produced by M&M Productions. Henrik Petit intimate relationships and take a In recent years, Jensen has been over the next four years. Now that the preparatory close-up look at the psychological racking up high-profile credits as work is underway, it seems like a good moment Photo: mechanisms that arise on the way,” a screenwriter, including Susanne to reflect on why we even have a film policy. August says. Bier’s Oscar-winning In a Better Taxpayers pay a lot of money to Danish Cinema. The film marks the Danish World and Kristian Levring’s 2014 What does it get us? When you prioritize director’s return to the intimate release The Salvation. Men & Chicken A Second Chance human drama of his Palme d’Or opens in 2015. resources for culture in a time of crisis, it has to winners Pelle the Conqueror and Director and scriptwriter Tobias make sense. It must add value to society. The Best Intentions, the latter from a Lindholm is concluding his trilogy screenplay by Ingmar Bergman, his of “desperate men in small rooms” Danes are clearly showing tremendous interest in Selma Lagerlöf adaptation Jerusalem, with The War, about a military action their local films. Is it a good thing that citizens and A Song for Martin, about mature in Afghanistan. Like Lindholm’s R love’s bitter struggle with Alzheimer’s. and A Highjacking, the new film are interested in the visual culture of their own Sense of Snow and Les Misérables The central role as the mother stars Danish actor Pilou Asbæk country? Should a small country go into film since the early ‘90s, Bille August is in Silent Heart is played by Ghita (also known from Borgen). The War, production? The answer, of course, is yes. It is a Back to now returning to a Scandinavian film Nørby, the grande dame of Danish produced by Nordisk Film, starts strength to have such diversity in the range of his waking hours getting drunk at tradition with echoes of Bergman and theatre, who also appeared in The shooting in 2014. films that most of our citizens are able to find New Bier the local strip club. All that changes chamber plays. Best Intentions. The cast includes Michael Noer, Tobias Lindholm’s when they respond to a domestic His Roots Silent Heart is about a family that Morten Grunwald, Paprika Steen, co-director on the prison drama R, cinematic narratives that speak to them. Drama disturbance involving a junkie married gathers for an unusual weekend at Danica Curcic and Pilou Asbæk. has started shooting his third feature, couple. When Andreas discovers IN THE PIPELINE. Silent Heart has the home of the matriarch, who has Jesper Morthorst is producing for SF Nøgle Hus Spejl (Danish title). Another argument involves quality. We wouldn’t IN THE PIPELINE. Nikolaj Coster- the couple’s infant son crying in a Bille August returning to the kind been diagnosed with an incurable Film Production, with a release set Ghita Nørby stars in the central role be able to make films of such high quality without Waldau stars in Susanne Bier’s closet, the usually so composed cop of intense drama that first won disease. She has asked her dear for late 2014. AH of Lily who moves to a nursing home public funding. A certain number of films could new drama A Second Chance. finds himself confronting his own him international acclaim. ones home to bid her a final farewell with her husband because of his powerlessness. as wife, mother, mother-in-law and Photo of Bille August (fourth from illness. Amidst all the turmoil, Lily be produced on the market’s terms, but nowhere Playing the fiendish Jaime Lannister Susanne Bier continues her A director of literary adaptations like friend. In fact, she has decided to right) and his cast for Silent Heart. meets the last love of her life, The near the same standard without state backing for in HBO’s Game of Thrones was an longstanding partnership with The House of the Spirits, Smilla’s end her own life when the weekend Pilot, played by Sven Wollter. Nordisk funding, education and schemes to help ensure international breakthrough for Nikolaj screenwriter Anders Thomas Film is producing the film. Release that we have an able film business. Coster-Waldau who will soon be Jensen, which began in 2002 with in 2015.
Recommended publications
  • International Casting Directors Network Index
    International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy.
    [Show full text]
  • Liv Som Arn Julfesten Biohelgen Göteborg I 8
    NÖJE I 13 I 14 I 15–16 Mikael om sitt Guide till bästa City kollar hela LIV SOM ARN JULFESTEN BIOHELGEN GÖTEBORG I 8 SSILVIAILVIA I SSTORTOR 12 sept 2006–21 dec 2007 JJULINTERVJUULINTERVJU Tack alla läsare nu säger vi adjö Det är med sorg i hjärtat som jag tvärs emot.” Men även vår framtids- packar ihop på City och går vidare. siarartikel ”Så lever vi i Göteborg om För det har varit en fantastisk tid. Ett tio år” prisades för att det var en kul drygt år fylld med inspiration, glädje idé där vi tänkt till på många olika och intressanta möten med läsare. områden. Trots att City försvinner från Göte- Förutom de här två reportagen är borg vet jag att vi gjort ett intryck. det mycket annat vi är nöjda med. Göteborg City har haft drygt tre Här intill kan ni läsa mer om våra läsare per tryckt tidning. Det om olika artiklar och serier. något är en fantastisk siffra och ett betyg på hur ni, läsarna, ser tidningen Jag är omåttligt stolt över min fan- som något värdefullt. För det betyder tastiska redaktion. Vi har lärt oss att du, din arbetskamrat eller din mycket under den här tiden och har familjemedlem tagit tidningen med alla utvecklats. Jag är säker på att alla sig någonstans och låtit minst två kommer gå vidare till nya, djärva ut- personer till ta del av den. maningar. Kolportörerna har varit vårt ansikte Göteborg City har även blivit prisad utåt, Citys förlängda arm i stads- för några reportage som vi haft i tid- bilden.
    [Show full text]
  • “Aspects of Danish Cinema”
    Programme of Danish Film Screenings at the Danish Institute at Athens 2018 “Aspects of Danish Cinema”. By Ioanna Athanassatou/Film Historic at the Greek Open University & the University of Athens Screening on the 26th of April 2018 Silent heart (2014) by Bille August In film screening programme of the last 2 years, we have had the chance to see I line of Danish movies from Carl Dreyer, Lars von Trier, Susanne Bier and Thomas Vinterberg. Today we have chosen to screen “Silent heart” - in Danish ”Stille hjerte” and in Greek “Αθόρυβη καρδιά” (2014) by Bille August, the fourth movie this year. Bille August is considered the total opposite to Lars Von Trier and Vinterberg with a great international reputation. The filmography of Bille August includes two movies that both were awarded with the Golden Palms in Cannes: “Pelle the Conqueror” (1988) and “The best intentions” (1992). In these movies, including today´s, the director is closer to the cinematic perception of Swedish director Ingmar Bergman (Valoukos 2003, page 630), avoiding formalistic searching, but focusing on the mental state of his heroes. When August directed the movie in 2014, he was inspired by the Scandinavian drama of Ibsen and Strindberg, but also by the philosophic/religious meditation of Søren Kierkegaard. “Silent heart” touches upon the very complex and emotional issue of euthanasia. It was awarded at International festivals and was admitted at the European Art House. The movie is about the family gathering of three generations, coming together for the weekend inorder to say their last goodbye to Esther (Ghita Nørby) – mother and grandmother – who is sick from the incurable disease, Amyotrophic Lateral Sclerosis.
    [Show full text]
  • Tony Lundgren
    1 STUNTS av Tony Lundgren Magisteruppsats VT 2004 Handledare: Kent Sjöström Innehållsförteckning sida I. INLEDNING ..............................................................................................................................................…….5 Mitt mål......................................................................................................................................6 Paradox om skådespelaren.........................................................................................................6 II. VAD ÄR ETT STUNT?............................................................................................................................…….6 III. TANKAR OM STUNT............................................................................................................................…….7 IV. NYTTIGT OCH BRA FÖR SKÅDESPELARE...................................................................................…….8 Billig publikunderhållning.........................................................................................................8 Illusionist...................................................................................................................................9 Varför lägga ner tid på att lära sig stunt?...................................................................................9 Illusion.......................................................................................................................................9 Varför förekommer det inte lika mycket stunt på teater
    [Show full text]
  • ISSUE 30 | JULY 26-AUGUST 1, 2018 | FREE [ 2] WEEKLY ALIBI JULY 26-AUGUST 1, 2018 JULY 26-AUGUST 1, 2018 WEEKLY ALIBI [3] Alibi
    OH MY GOD, THAT WAS RAIN SINCE 1992 PHOTO BY ERIC WILLIAMS PHOTOGRAPHY VOLUME 27 | ISSUE 30 | JULY 26-AUGUST 1, 2018 | FREE [ 2] WEEKLY ALIBI JULY 26-AUGUST 1, 2018 JULY 26-AUGUST 1, 2018 WEEKLY ALIBI [3] alibi VOLUME 27 | ISSUE 30 | JULY 26-AUGUST 1, 2018 EDITORIAL MANAGING AND FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] MUSIC AND NEWS EDITOR: August March (ext. 245) [email protected] ARTS AND LIT.EDITOR: Maggie Grimason (ext. 239) [email protected] FOOD EDITOR: Robin Babb [email protected] COPY EDITOR: Taylor Grabowsky [email protected] CALENDARS EDITOR: Ashli Mayo [email protected] STAFF WRITER: Joshua Lee (ext. 243) [email protected] SOCIAL MEDIA COORDINATOR: Samantha Carrillo (ext. 223) [email protected] EDITORIAL INTERN: Adam Wood [email protected] CONTRIBUTING WRITERS: Cecil Adams, Rob Brezsny, Carolyn Carlson, Zabrina Chavez, Desmond Fox, Taylor Grabowsky, Hosho McCreesh, Mayo Lua de Frenchie, Adam Wood PRODUCTION PRODUCTION MANAGER/EDITORIAL DESIGNER: Valerie Serna (ext. 254) [email protected] GRAPHIC DESIGNERS: Corey Yazzie [email protected] Ramona Chavez [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Max Cannon, Michael Ellis, Ryan North, Mike Organisciak, Jen Sorensen SALES SALES DIRECTOR: Tierna Unruh-Enos (ext. 248) [email protected] ACCOUNT EXECUTIVES: Kittie Blackwell (ext. 224) [email protected] John Hankinson (ext. 235) [email protected] Shane Boyd (ext. 223) [email protected] Sarah Shipman (ext. 210) [email protected] STREET TEAM: Alexis Al Omari [email protected] ADMINISTRATION PUBLISHER: Constance Moss (ext. 222) [email protected] CONTROLLER: Courtney Foster (ext. 257) [email protected] SYSTEMS MANAGER: Kyle Silfer (ext.
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • Film Appreciation Wednesdays 6-10Pm in the Carole L
    Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced.
    [Show full text]
  • Chastity in a West Papuan City: Durkheim's 'Ideal' and Sexual Virtue
    Pre-marital chastity in a West Papuan city: Durkheim’s ‘ideal’ and sexual virtue. Sarah Louise Richards Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy March 2016 School of Social and Political Sciences The University of Melbourne Produced on archival quality paper This thesis is dedicated to Darius, Benson and Paskalina b Abstract This thesis engages critically with Durkheim¹s ideas of morality in an ethnographic exploration of the reasons young women in Manokwari (West Papua, Indonesia) choose to maintain chastity prior to marriage. Based on 27 months of fieldwork with an urban, Christian, coastal community, I examine their sexual conformity through the motivating force of three emotions – love, fear and hope. Young women wanted to delay their sexual debut so as to not hurt or disappoint their beloved mothers and because they feared being beaten by kin and suffering other forms of violence that sanctioned sexual transgressions. Since pregnancy is understood to lead to school drop-out and forced marriage, hope for a future characterised by secure employment and a harmonious marriage is also a rationale for chastity. These affective logics are explored in the context of cultural constructions of sexual morality at a time of rapid socio-economic change, immoral threats and revitalised enthusiasms for being Christian, and being Papuan. My finding that sentiment structures processes of young women’s moral reasoning and chaste practice supports Durkheim’s contention that ideals – moral standards that are above and beyond individuals – are emotionally based constructs of sacred power. This ethnography thus contributes to recent anthropological discussions that conceptualise morality and ethics as a realm where actors evaluate, select and enact a range of moral options in order to fashion themselves as ethical subjects.
    [Show full text]
  • Governing New Guinea New
    Governing New Guinea New Guinea Governing An oral history of Papuan administrators, 1950-1990 Governing For the first time, indigenous Papuan administrators share their experiences in governing their country with an inter- national public. They were the brokers of development. After graduating from the School for Indigenous Administrators New Guinea (OSIBA) they served in the Dutch administration until 1962. The period 1962-1969 stands out as turbulent and dangerous, Leontine Visser (Ed) and has in many cases curbed professional careers. The politi- cal and administrative transformations under the Indonesian governance of Irian Jaya/Papua are then recounted, as they remained in active service until retirement in the early 1990s. The book brings together 17 oral histories of the everyday life of Papuan civil servants, including their relationship with superiors and colleagues, the murder of a Dutch administrator, how they translated ‘development’ to the Papuan people, the organisation of the first democratic institutions, and the actual political and economic conditions leading up to the so-called Act of Free Choice. Finally, they share their experiences in the UNTEA and Indonesian government organisation. Leontine Visser is Professor of Development Anthropology at Wageningen University. Her research focuses on governance and natural resources management in eastern Indonesia. Leontine Visser (Ed.) ISBN 978-90-6718-393-2 9 789067 183932 GOVERNING NEW GUINEA KONINKLIJK INSTITUUT VOOR TAAL-, LAND- EN VOLKENKUNDE GOVERNING NEW GUINEA An oral history of Papuan administrators, 1950-1990 EDITED BY LEONTINE VISSER KITLV Press Leiden 2012 Published by: KITLV Press Koninklijk Instituut voor Taal-, Land- en Volkenkunde (Royal Netherlands Institute of Southeast Asian and Caribbean Studies) P.O.
    [Show full text]
  • FILM#63 / CANNES SPECIAL ISSUE L1l FILM#63/ CANNES Issue INSIDE
    WW2 rEsistAncE drAmA rEALitY BOrEs mE sEmAinE dE LA critiQUE With more than half a million tickets sold since its Henrik Ruben Genz brings the grotesque tale of his Young Man Falling, an experimental film with a release on March 28, Ole Christian Madsen’s Flame Terribly Happy to life in stark, carefully composed captivating visual style directed by Martin de Thurah, & Citron has proven to be one of Danish cinema’s images, recalling the American provinces of Edward is in the official selection of the 47th International greatest successes in recent years. Hopper’s lonesome tableaux or classic westerns. Critics’ Week. PAGE 3 PAGE 6 PAGE 18 l1l FiLm IS PUBLISHEd# BY tHE dANISH63 FiLm INSTITUtE / may 2008 PAGE 2 / FILM#63 / CANNES SPECIAL ISSUE l1l FILM#63/ CANNES ISSUE INSIDE 77ô2%3)34!.#%ô$2!-!ô 2%!,)49ô"/2%3ô-% 3%-!).%ô$%ô,!ô#2)4)15% 7ITHôMOREôTHANôHALFôAôMILLIONôTICKETSôSOLDôSINCEôITSô (ENRIKô2UBENô'ENZôBRINGSôTHEôGROTESQUEôTALEôOFôHISô 9OUNGô-ANô&ALLING ôANôEXPERIMENTALôkLMôWITHôAô RELEASEôONô-ARCHô ô/LEô#HRISTIANô-ADSENSô&LAMEô 4ERRIBLYô(APPYôTOôLIFEôINôSTARK ôCAREFULLYôCOMPOSEDô CAPTIVATINGôVISUALôSTYLEôDIRECTEDôBYô-ARTINôDEô4HURAH ô ô#ITRONôHASôPROVENôTOôBEôONEôOFô$ANISHôCINEMASô IMAGES ôRECALLINGôTHEô!MERICANôPROVINCESôOFô%DWARDô ISôINôTHEôOFkCIALôSELECTIONôOFôTHEôTHô)NTERNATIONALô GREATESTôSUCCESSESôINôRECENTôYEARSô (OPPERSôLONESOMEôTABLEAUXôORôCLASSICôWESTERNSô #RITICSô7EEKô FICTIOn IN tHE sErVICE OF TRUtH ô 0!'%ô 0!'%ô 0!'%ô Ole Christian Madsen’s Flame & Citron merges history-writing with psychological l1l portraits, adding new facets to the story of the Danish WW2 resistance. PAGE 3 &),-ô)3ô05",)3(%$#ô"9ô4(%ô$!.)3(ô&63),-ô).34)454%ôô-!9ô rEALITY BOrEs mE Henrik Ruben Genz’ new film Terribly Happy is another adaptation of an Erling Jepsen novel, following up last year’s big hit, The Art of Crying directed by Peter Schønau Fog — although Genz’ film is all its own.
    [Show full text]
  • De Vanligaste Skåde Spelarna I Svenska Filmer
    April 2018 Presskit: Svensk film i siffror De vanligaste skåde spelarna i svenska filmer Mikael Persbrandt är den skådespelare som medverkat i flest filmer under de senaste åren. Filmen Gossip är den film där de mest frekventa skådespelarna strålar samman. Vi har analyserat rollbesättningen i svenska biofilmer historiskt. De samtida skådespelarna har dock inte mycket att sätta emot Wiktor ”Kulörten” Anderssons meritlista med 170 filmer. Sammanfattning Topp 26: mest förekommande skådespelare 1997–2017 ● Flest filmer de senaste 20 åren har Mikael Persbrandt gjort. Namn Antal filmer Namn Antal filmer Pernilla August är kvinnan som förekommer i flest filmer, 23 stycken. Mikael Persbrandt 33 Björn Granath 18 ● Sedan 1963, starten av filmavtalet, toppas listan av Per Oscarson Leif Andreé 29 Björn Kjellman 18 och Gösta Ekman med 44 filmer var. Kjell Bergqvist 26 Erik Johansson 18 ● Mest sedda skådespelare på svenska biografer sedan 1905 är Göran Forsmark 26 Sten Ljunggren 17 Wiktor ”Kulörten” Andersson med 170 filmer på sin meritlista. Mikael Nyqvist 25 Rolf Lassgård 17 Peter Andersson 24 Lennart Jähkel 17 ● Den film som innehåller de mest frekvent använda skådespelare de senaste 20 åren är Colin Nutleys Gossip. Pernilla August 23 Torkel Petersson 17 Sverrir Gudnason 21 Magnus Krepper 17 Jonas Karlsson 21 Reine Brynolfsson 17 Lena Endre 20 Maria Lundqvist 17 Marie Richardsson 19 Krister Henriksson 17 Ia Langhammer 19 Mats Blomgren 17 Peter Haber 18 Chatarina Larsson 17 Filmer med flest antal skådespelare Mikael Persbrandt är den mest anlitande svenska från topplistan skådespelaren Film Antal skådespelare Antal filmer Gossip 7 5 Familjehemligheter 6 4 Tre solar 6 Män som hatar kvinnor 5 3 Någon annanstans i Sverige 5 2 Vägen ut 5 Om jag vänder mig om 5 1 Den utvalde 5 0 Underbar och älskad av alla 5 2011 2012 2013 2010 1997 1998 1999 2001 2007 2002 2004 2009 2006 2005 2008 Livet är en schlager 5 2000 Mun mot mun 5 Mikael Persbrandt toppar listan.
    [Show full text]
  • Marie Krøyer DIRECTED by Bille August Loved by So Many and Let Down by Them All
    Marie Krøyer DIRECTED BY Bille August Loved by so many and let down by them all CAST Birgitte Hjort Sørensen Søren Sætter-Lassen Sverrir Gudnason Lene Maria Christensen Nanna Buhl Andresen Vera Torpp Larsson FACTS ORIGINAL TITLE: Marie Krøyer FIRST RELEASE: Marie Krøyer was married to the great, Danish September 2012 painter P.S. Krøyer. At the peak of their marriage, COUNTRY OF ORIGIN: very much marked by easy living and high social Denmark status, Krøyer’s mental illness is getting more se- vere and their dream of sharing a life as artists is PRODUCTION YEAR: crumbling and turning to frustration and sorrow. 2012 For Marie, it is the frustration of being torn between SOUND: her roles of wife, mother and artist; of not being able to Dolby SRD FORMAT: 1:2,35 DURATION: express herself through her art, and the sorrow of 100 min seeing her beloved husband slowly changing and slip- ping further into insanity. To get some peace and re- gain strength, mother and daughter take a vacation where Marie meets and falls head over heels in love with Swedish composer Hugo Alfvén. Marie boldly CONTACT leaves her husband for her new love, knowing only lit- tle of the world-shattering choices that lie ahead of her. FESTIVAL The Danish Film Institute PHONE: +45 3374 3400 FAX: +45 3374 3401 E-MAIL: [email protected] www.dfi.dk DIRECTOR - BILLE AUGUST INT’L SALES Born 1948 in Denmark. Trained in photography before attending the National Svensk Filmindustri Film School of Denmark, from where he graduated in 1973.
    [Show full text]