Escape the Overcode: Activist Art in the Control Society
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EXTENSIONS of REMARKS March 24, 1970 PUBLIC BILLS and RESOLUTIONS of Explosives; to the Committee on the by Mr
9194 EXTENSIONS OF REMARKS March 24, 1970 PUBLIC BILLS AND RESOLUTIONS of explosives; to the Committee on the By Mr. WHALLEY: Judiciary. H.R. 16640. A bill to provide for the is Under clause 4 of rule XXII, public H .R. 16631. A bill to amend the Internal suance of a special postage stamp in memory bills and resolutions were introduced and Revenue Code of 1954 by imposing a tax on of Ernie Pyle; to the Committee on Post severally referred as follows: the transfer of explosives to persons who Office and Civil Service. By Mr. BEVILL (for himself, Mr. may lawfully possess them and to prohibit By Mr. WIDNALL: ANDREWS of Alabama, Mr. BUCHANAN, possession of explosives by certain persons; H.R. 16641. A bill to provide for a U.S. Mr. EDWARDS of Alabama, Mr. to the Committee on Ways and Means. contribution to the Special Funds of the NICHOLS, and Mr. FLOWERS) : By Mr. RHODES (for himself, Mr. Mc Asian Development Bank, and for other H .R. 16620. A bill to amend section 32 (e) CULLOCH, Mr. GooDLING, Mr. Lu purposes; to the Committee on Banking and of title III of the Bankhead-Janes Farm KENS, Mr. MIZE, Mr. RoBISON, and Currency. Tenant Act, as amended, to authorize the Mr. STEIGER of· Arizona): H.R. 16642. A bill to create a Federal Home Secretary of Agriculture to furnish financial H.R. 16632. A bill to provide for the estab Loan Mortgage Corporation, and for other assistance in carrying out pla.ns for works lishment of a U.S. -
Beverly Terrace Historic District 3224 and 3300 Biscayne Boulevard
BEVERLY TERRACE HISTORIC DISTRICT 3224 AND 3300 BISCAYNE BOULEVARD Designation Report City of Miami REPORT OF THE CITY OF MIAMI PRESERVATION OFFICER TO THE HISTORIC AND ENVIRONMENTAL PRESERVATION BOARD ON THE POTENTIAL DESIGNATION OF THE BEVERLY TERRACE HISTORIC DISRICT AS A HISTORIC DISTRICT Prepared by Ellen J. Uguccioni for Janus Research, Consultant Prepared by Sarah E. Eaton, Preservation Officer Passed and Adopted on March 18, 2003 Resolution No. 2003-16 CONTENTS I. General Information 4 II. Significance 7 III. Description 13 IV. Planning Context 19 V. Bibliography 20 3 I. GENERAL INFORMATION Historic Names: Beverly Terrace Manor - 3224 Biscayne Boulevard Beverly Terrace Apartments - 3300 Biscayne Boulevard Current Name: Beverly Terrace Historic District Location: 3224 and 3300 Biscayne Boulevard Miami, Florida Present Owner: Multiple Owners - A complete list of owners is available in the Department of Planning and Zoning Present Use: Multi-Family Residential Zoning District: C-1, with an SD-20 Overlay Tax Folio Numbers: 01-3230-039-0001 - 3224 Biscayne Boulevard (plus individual folio numbers for each unit) 01-3230-038-0001 - 3330 Biscayne Boulevard (plus individual folio numbers for each unit) Boundary Description: The boundary of the Beverly Terrace Historic District is shown as a heavy line on the attached map entitled “Beverly Terrace Historic District.” The boundary is further described as Lot 5 and the westerly 104 feet of Lot 6 of Block 1; and Lot 5 and the westerly 101 feet of Lot 6 of Block 4, both of the plat of BEVERLY TERRACE 4 SUBDIVISION, as recorded in Plat Book 11, at Page 47, of the Public Records of Miami-Dade County, Florida. -
Primal Scream Juntam-Se Ao Cartaz Do Nos Alive'19
COMUNICADO DE IMPRENSA 02 / 04 / 2019 NOS apresenta dia 12 de julho PRIMAL SCREAM JUNTAM-SE AO CARTAZ DO NOS ALIVE'19 Os escoceses Primal Scream são a mais recente confirmação do NOS Alive’19. A banda liderada por Bobby Gillespie, figura incontornável da música alternativa, sobe ao Palco NOS dia 12 de julho juntando-se assim aos já anunciados Vampire Weekend, Gossip e Izal no segundo dia do festival. Com mais de 30 anos de carreira, Primal Scream trazem até ao Passeio Marítimo de Algés o novo álbum com data de lançamento previsto a 24 de maio, “Maximum Rock N Roll: The Singles”, trabalho que reúne os singles da banda desde 1986 até 2016 em dois volumes. A compilação começa com “Velocity Girl”, passando por temas dos dois primeiros álbuns como são exemplo "Ivy Ivy Ivy" e "Loaded". A banda que tinha apresentado em outubro de 2018 a mais recente compilação de singles originais do quarto álbum de 1994 com “Give Out But Don’t Give Up: The Original Memphis Recordings”, juntando-se ao lendário produtor Tom Dowd, a David Hood (baixo) e Roger Hawkins (bateria) no Ardent Studios em Memphis, está de volta às gravações e revelam algo nunca antes ouvido e uma banda que continua a surpreender. Primal Scream foi uma parte fundamental da cena indie pop dos anos 80, depois do galardoado disco "Screamadelica" vencedor do Mercury Prize em 1991, considerado um dos maiores de todos os tempos, a banda seguiu por influências de garage rock e dance music até ao último trabalho discográfico “Chaosmosis” lançado em 2016. -
1 Conceptualising Horizontal Politics Eloїse Harding Thesis Submitted To
Conceptualising Horizontal Politics Eloїse Harding Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy July 2012 1 Abstract This project investigates the likelihood of a distinctive ideology emerging from what are known as ‘horizontal’ political movements – those which, in brief, aim to operate non-hierarchically guided by principles such as affinity – and furthermore to identify the potential components of such an ideology. The methodology is broadly based on that developed by Freeden, namely an analysis of the conceptual morphology of the ideas put out by horizontal movements. The sources used derive largely from the output of the movements themselves in various forms. I conclude that horizontal politics does have a recognisable ideological configuration, and that this is distinctive from other related ideologies such as anarchism. 2 Contents Introduction 4 Ideology: A Thematic History 31 The Background Literature 55 Hierarchy 76 Organisation 113 Power 145 Culture 176 Conclusion 203 Appendix 1 214 Appendix 2 215 Appendix 3 216 Bibliography 217 3 Introduction Aims, objectives and questions In general terms, this project aims to identify and examine the central ideas of the variety of political movement generally termed ‘horizontal’, and establish whether this political outlook constitutes a distinctive ideology. The question under discussion here is how such movements attempt to distinguish themselves. This investigation begins with the output of various elements of the horizontal ‘movement of movements’. The distinguishing features of such movements will be discussed in terms firstly of ethos and tactics and secondly of more theory-based reflections: both elements feed in to an overall investigation based on Freeden’s conceptualisation of an ideology as containing elements of both theory and practice. -
Wiseman-Trowse20134950
This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Book Section Title: The singer and the song: Nick Cave and the archetypal function of the cover version Creators: Wiseman-Trowse, N. J. B. R Example citation: Wiseman-Trowse, N. J. B. (2013) The singer and the song: Nick Cave and the archetypal function oAf the cover version. In: Baker, J. (ed.) The Art of Nick Cave: New Critical Essays. Bristol: Intellect. pp. 57-84. T Version: Final draft C NhttEp://nectar.northampton.ac.uk/4950/ The singer and the song: Nick Cave and the archetypal function of the cover version Nathan Wiseman-Trowse The University of Northampton A small proscenium arch of red light bulbs framing draped crimson curtains fills the screen. It is hard to tell whether the ramshackle stage is inside or outside but it appears to be set up against a wall made of corrugated metal. All else is black. The camera cuts to a close-up of the curtains, which are parted to reveal a pale young man with crow’s nest hair wearing a sequined tuxedo and a skewed bow tie. The man holds a lit cigarette and behind him, overseeing proceedings, is a large statue of the Virgin Mary. As the man with the crow’s nest hair walks fully through the arch he opens his mouth and sings the words ‘As the snow flies, on a cold and grey Chicago morn another little baby child is born…’. The song continues with the singer alternately shuffling as if embarrassed by the attention of the camera and then holding his arms aloft in declamation or fixing the viewer with a steely gaze. -
The Labour of Austerity: Absurdity, Performative Resistance, and Cultural Transformation
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2020 The Labour of Austerity: Absurdity, Performative Resistance, and Cultural Transformation Nora Almeida CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/688 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Labour of Austerity: Absurdity, Performative Resistance, and Cultural Transformation Nora Almeida New York City College of Technology ABSTR ACT This essay explores the social-psychic toll of prolonged austerity on academic librarians and the range of strategies that have (or could) serve as tools of resistance. Using a combination of theoretical analysis and autoethnography, I examine the emotional impact of bottomless and invisible labour imposed by austerity and the ways institutions use emotional coercion to promote self-surveillance, meta-work, and hyper-productivity. Following this analysis, I discuss the ways that oppressive institutional cultures silence dissent and absorb common resistance tactics advocated by educators. Finally, I introduce several examples of performance-based resistance projects and explore how creative, personal, and absurd forms of protest might be used to critique and transform the culture of work and our affective experience as knowledge workers in the neoliberal academy. Keywords: academic libraries · affect · performance · protest RÉSUMÉ Cet essai explore les conséquences sociopsychiques d’une austérité prolongée sur les bibliothécaires universitaires et la gamme de stratégies qui ont pu (ou pourraient) servir d’outils de résistance. -
Papers of Surrealism, Issue 8, Spring 2010 1
© Lizzie Thynne, 2010 Indirect Action: Politics and the Subversion of Identity in Claude Cahun and Marcel Moore’s Resistance to the Occupation of Jersey Lizzie Thynne Abstract This article explores how Claude Cahun and Marcel Moore translated the strategies of their artistic practice and pre-war involvement with the Surrealists and revolutionary politics into an ingenious counter-propaganda campaign against the German Occupation. Unlike some of their contemporaries such as Tristan Tzara and Louis Aragon who embraced Communist orthodoxy, the women refused to relinquish the radical relativism of their approach to gender, meaning and identity in resisting totalitarianism. Their campaign built on Cahun’s theorization of the concept of ‘indirect action’ in her 1934 essay, Place your Bets (Les paris sont ouvert), which defended surrealism in opposition to both the instrumentalization of art and myths of transcendence. An examination of Cahun’s post-war letters and the extant leaflets the women distributed in Jersey reveal how they appropriated and inverted Nazi discourse to promote defeatism through carnivalesque montage, black humour and the ludic voice of their adopted persona, the ‘Soldier without a Name.’ It is far from my intention to reproach those who left France at the time of the Occupation. But one must point out that Surrealism was entirely absent from the preoccupations of those who remained because it was no help whatsoever on an emotional or practical level in their struggles against the Nazis.1 Former dadaist and surrealist and close collaborator of André Breton, Tristan Tzara thus dismisses the idea that surrealism had any value in opposing Nazi domination. -
Miami DDA Area Offices
NE 28th St NE 27th Te NW 28th St NE 27th St NW 27th St NE 26th Te No. Class Name Address Year RBA 1 A 10 Museum Park 1040 Biscayne Blvd 2007 24,000 \ NW 26th St NE 26th St 2 A 900 Biscayne Bay 900 Biscayne Blvd 2008 95,000 3 A Marina Blue 888 Biscayne Blvd 2008 750,000 4 B NAP of the Americas 50 NE 9th ST 2001 750,000 NW 25th St NE 25th St 5 A 2 MiamiCentral 601 NW 1st Ave 2018 190,000 NE 24th St 6 A 3 MiamiCentral 161 NW 6th ST 2018 95,000 NW 24th St NW 24th St NE 24th St 7 B The Citadel 49 NW 5th ST 1950 50,000 8 B Courthouse Center 40 NW 3rd ST 2009 40,300 NW 23rd St NW 23rd St 9 B 36 NE 2nd ST 36 NE 2nd ST 1925 205,172 10 B Chase Bank Building 150 SE 2nd Ave 1966 125,388 NE 23rd St NE 22nd Te 11 B Bayside Office Center 141 NE 3rd Ave 1923 57,093 12 B 261 Office Lofts 261 NE 1st ST 1982 34,741 NE 22nd St 13 B New World Tower 100 N Biscayne Blvd 1966 285,000 NW 22nd St Ave 2nd NE 14 C Capital Building 117 NE 1st Ave 1926 85,000 15 C Congress Building 111 NE 2nd Ave 1922 242,294 NE 21st St Dade Commonwealth 16 B Building 139 NE 1st ST 1927 43,265 17 B One Bayfront Plaza 100 S Biscayne Blvd 1959 312,896 BISCAYNE BOULEVARD BISCAYNE Flagler Federal NE 20th St 18 B Building 101-111 NE 1st ST 1961 64,470 N MIAMI AVE MIAMI N NW Miami Ct Miami NW NW 1st Ave 1st NW NW 2nd Ave 2nd NW NE 19th Te NW 1st Ct 1st NW NW 20th St Pl 1st NW 19 B Historic Post Office 100 NE 1st Ave 1912 37,600 20 B Metromall Building 1 Ne 1st ST 1926 156,000 NE 19th St 21 C 219-223 E Flagler ST 219-223 E Flagler ST 1984 42,000 22 B A.I. -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
The Labour of Austerity: Absurdity, Performative Resistance, and Cultural Transformation
The Labour of Austerity: Absurdity, Performative Resistance, and Cultural Transformation Nora Almeida New York City College of Technology ABSTR ACT This essay explores the social-psychic toll of prolonged austerity on academic librarians and the range of strategies that have (or could) serve as tools of resistance. Using a combination of theoretical analysis and autoethnography, I examine the emotional impact of bottomless and invisible labour imposed by austerity and the ways institutions use emotional coercion to promote self-surveillance, meta-work, and hyper-productivity. Following this analysis, I discuss the ways that oppressive institutional cultures silence dissent and absorb common resistance tactics advocated by educators. Finally, I introduce several examples of performance-based resistance projects and explore how creative, personal, and absurd forms of protest might be used to critique and transform the culture of work and our affective experience as knowledge workers in the neoliberal academy. Keywords: academic libraries · affect · performance · protest RÉSUMÉ Cet essai explore les conséquences sociopsychiques d’une austérité prolongée sur les bibliothécaires universitaires et la gamme de stratégies qui ont pu (ou pourraient) servir d’outils de résistance. En combinant l’analyse théorique et l’auto-ethnographie, j’examine l’impact émotionnel du travail sans fond et invisible imposé par l’austérité et les façons dont les établissements utilisent la coercition émotionnelle pour promouvoir l’autosurveillance, le métatravail -
Performing Protest. Media Practices in the Trans-Urban Euromayday Movement of the Precarious
Performing Protest. Media Practices in the Trans-Urban Euromayday Movement of the Precarious Marion Hamm Thesis submitted for the degree of PhD Faculty of Humanities and Social Sciences University of Lucerne (Switzerland) 2011 Approved by Prof. Dr. Oliver Marchart, University of Lucerne Prof. Dr. Klaus Schönberger, Zurich School of the Arts Uploaded 2015 to Luzern Open Repository Server http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:ch:bel-85455 This doctoral thesis is hosted on LORY (Lucerne Open Repository) http://www.zhbluzern.ch Performing Protest: Media Practices of the Trans-Urban Euromayday Movement of the Precarious by Marion Hamm is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by- nc-nd/4.0/ (German translation: http://creativecommons.org/licenses/by-nc-nd/4.0/deed.de) or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. Citation: Hamm, Marion (2015): Performing Protest. Media Practices in the Trans-Urban Euromayday Movement of the Precarious. Doctoral Thesis, Faculty of Hu manities and Social Sciences, University of Lu- cerne, Switzerland (submitted 2011). Available from Lucerne Open Repository LORY: http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:ch:bel-85455 ii Abstract This dissertation addresses the question of how contemporary social movements use protest media strategically in creative and productive ways that go beyond representation. Mediated repertoires of contention are brought into play to create new political subjectivities, establish credible political actors, and circulate struggles across regional and national borders. -
Mpo Governing Board
MEETING OF THURSDAY, MAY 21, 2015 AT 2:00 PM MPO GOVERNING BOARD MIAMI - DADE METROPOLITAN PLANNING ORGANIZATION STEPHEN P. CLARK CENTER (joveming 'Boan{ 111 NW FIRST STREET MIAMI, FLORIDA 33128 Chairman COUNTY COMMISSION CHAMBERS Jean Monestime AGENDA Vice Chairman Francis Suarez 1. ROLL CALL Voting Members 2. PLEDGE OF ALLEGIANCE Bruno A. Barreiro Esteban Bovo Jr. 3. APPROVAL OF AGENDA Jose "Pepe" Diaz Audrey M. Edmonson 4. REASONABLE OPPORTUNITY FOR THE PUBLIC TO BE HEARD Maurice Ferre Oliver G. Gilbert,III 5. MPO EXECUTIVE DIRECTOR SELECTION COMMITTEE REPORT Perla T. Hantman Carlos Hernandez 6. ACTION ITEMS Sally A. Heyman Barbara J. Jordan A. PUBLIC HEARING ITEM(S) Smith Joseph Philip Levine 1. 2040 LONG RANGE TRANSPORTATION PLAN AMENDMENT: Daniella Levine Cava MODIFICATION OF SCOPE AND COST OF A WIDENING Dennis C. Moss PROJECT ON FLORIDA'S TURNPIKE/STATE ROAD 821 IN Jeff Porter MIAMI-DADE COUNTY Marc D. Sarnoff RESOLUTION APPROVING AN AMENDMENT TO THE 2040 LONG Rebeca Sosa RANGE TRANSPORTATION PLAN TO MODIFY THE SCOPE AND Javier D. Souto COST OF A WIDENING PROJECT ON THE FLORIDA'S Xavier L. Suarez TURNPIKE/SR 821 IN MIAMI-DADE COUNTY FPN #435543-1 (ROLL Juan C. Zapata CALL REQUIRED) 2. 2040 LONG RANGE TRANSPORTATION PLAN AMENDMENT: Non-Voting Members ADVANCEMENT OF THE PRELIMINARY ENGINEERING (FDOT District VI) PHASE OF PROJECT ON SR 90/SW 7™ AND SW 8™ STREETS Gus Pego, P.E. , Secretary RESOLUTION APROVING AN AMENDMENT TO THE 2040 LONG Harold Desdunes, P.E. RANGE TRANSPORTATION PLAN TO ADVANCE FROM PRIORITY IV TO PRIORITY I THE PRELIMINARY ENGINEERING PHASE OF STATE ROAD 90/SW 7rn & SW gm STREETS PROJECT FM #4326396 MPO (ROLL CALL REQUIRED) Interim Executive Director 3.