DOCSLIB.ORG

Catalogue07.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Ordering from this catalogue You can phone, fax, e-mail or post your order. Please find details below and order forms in the last pages of this catalogue. All prices include GST. The Contents only added cost would be postage if necessary. Prices are subject to change without notice. From Bibles (KJV) time to time our suppliers alter the cost of the goods Page 4 we buy from them, or the exchange rate differs. We endeavour to keep our prices stable where possible. Study Aids & Accessories Please note that all items are not necessar- Bible Study Guides, page 6 ily in stock at all times. Some items may have to Reference Material, page 6 be sourced from other countries resulting in a Accessories, page 8 6-8 week delay and some may be temporarily or Outreach Tracts, page 8 permanently out of print. In this case you will be notified and, depending on availability, put on back Bible Teachings & Inspiration order for these items. page 9 Items may not necessarily be as pictured. We can also source many other items which we do not hold in stock and are not mentioned in this Stories, History & Biogra- catalogue, if you have a particular request please phies page 20 contact us. See also Other Services on page 45. Spirit of Prophecy Paying for your order Conflict of the Ages, page 24 You can send a cheque or credit card details with Reference Material, page 24 your order. Other Spirit of Prophecy Titles, page 25 If we receive your order without payment we will Devotionals, page 29 send available goods with an invoice. Please pay the invoice within the 14-day terms. (30 days for Home & Family overseas customers.) We reserve the right to request Page 30 prepayment on large orders and orders from new customers. There is a credit limit of $200 for all customers unless by prior arrangement. Children General & Felts, page 32 You can also deposit your payment directly into Activities, page 33 our bank account (contact us for details). Stories, 34 Please be sure to contact us if you have difficulty Audio for Children, page 35 paying for your order. We may be able to organize Narrated Book and CD sets, page 35 an easier payment plan. Health Postage & Packing Health Books, page 36 Please add the applicable percent to the sub- Cookbooks, page 39 total of your order. This applies to orders within Health Products, page 41 New Zealand only. These rates are a guide only. For more accurate pricing or for orders over $100 Media please contact us. Music, page 42 Price Bracket SI NI Music books, page 44 up to $10 15% 20% Audio Books, pages 44 $10 - $50 10% 12% Sermons and Messages, page 44 $50 - $100 10% 10% Restoration International, page 45 Tracts (per 1000) $8 $14 Empowered Living, page 45 Office hours Other Services Mon - Thurs 8:30am - 5:30pm page 46 Friday 8:30am - 12:30pm Late Entries, page 51 Indices General index, page 47 Index by Author, page 50 Scattering His Message of Truth like the Leaves of Autumn Mail: PO Box 654 This symbol next to a book title indicates that this item is Contents Rangiora, 7440, New Zealand excellent for sharing. Phone: 03 313 7762 Fax: 03 313 7769 This symbol next to a book title indicates that this item 2 Mobile: 027 22 888 58 new to this catalogue. E-mail: [email protected] Cover photos: Autumn scene & small leaf: www.morguefile.com ChoiceColour A LADY stopped her car for a red light. leaves quaking and shimmering, and scattering When the light turned green, she stayed right colour in a thousand places. Look at a butterfly, where she was. The light changed several times, a rose, and a rainbow. Evidently our Creator and still she waited. Finally a traffic officer loves colour and glisten, texture and design. walked over to her car and politely inquired, It is He who coats winter’s fields in spotless “Madam, haven’t we any colours you like?” white. It is He who makes the daffodils burst The world is looking for some colours it into brightest yellow in the spring. It is He who likes. Some follow the rainbow—and find the paints the summer sky in photographer’s blue, colour of gold. Some are dazzled by the bold- and flowers in delicate pastels, and the sunsets ness and neons of night life. Some press on to in never-ending uniqueness. And then for a great accomplishments, to fame, hoping to find few exciting weeks in autumn, He empties His satisfaction in the applause of the crowd. Some paintpots over the countryside and splashes col- look for fulfillment in the depths of the inner our with happy abandon that takes your breath self, and meditate the hours away. And some, away. with good reason, having tried all these, say, And our God offers us a colourful life as “None of the above.” well. When you have chosen His colours, he These have come back unsatisfied, they have will ask you to make those your colours. Not tried the colours of the world and found them some faded tint from your old life—your old an empty sham. They are looking for colours colours will only marr the splendor of His worth living for, worth dying for. beauty. But unfortunately some have made the better Yes, a true conversion will lead to some ma- life seem gray and gloomy, they have lingered jor decor changes in your life. But we need not at the edges of the Christian way and been be afraid of a complete commitment. God will caught up in rituals and supposed restrictions. not ask us to do anything that would harm us or They mute their colours, blur their commit- give up anything that is for our good. After all, ments, and try to stay in neutral shades of inde- He is the creator of the good and beautiful. cision. And those looking on say, “I’m miserable This is the God we worship. Could anything enough already, I don’t need something that He ever asks be too much? How long will you dull.” wait at the intersection for something better? But true happiness, of course, is never Doesn’t He have any colours you like? discovered by Christians in camouflage. The The light is green now—move on! Christian’s world is far from dreary. Our Lord offers a much brighter future. Infact we worship a God who is lavish in His use of colour and design. Look at the sunsets— an original every evening. Look at the beautiful kea* in flight, its colours rich against the snow Editorial capped mountians. Look at the oak tree, its 3 Bibles (KJV) Notes on Bibles: All Bibles are subject to availability. There are also many other variations of Bibles available. If you have a special request (i.e. colour, binding, features or even language etc) we may be able to source it for you. STANDARD BIBLES LARGER PRINT BIBLES POCKET BIBLES Personal Heritage Reference Large Print Reference Bible Pocket Reference Bible World. A comfortably sized large print Bible World. The smallest red-letter, reference study Bible with centre column references. Features: Bible available in Bonded Leather. Features in- World. A good standard Concordance, Study helps, Red letter, Ribbon clude: Concordance, Cross References, Maps, yet affordable edition of marker, Colour maps. 16 x 24 x 2.5cm. Presentation Page, Red Letter, Ribbon Marker. the authentic KJV Bible in Size: 10 x 15 x 3cm. an attractive, personalised edition with easy to read type and helpful references. Features include: Center Column Reference, Con- KJ426 Bonded Leather, Black $16.50 cordance, Colour Maps, KJ426BG Bonded Leather, Burgundy $16.50 Presentation Page, Red Let- ter. Size: 13 x 19 x 3cm. World Pocket Bible 850C Bonded Leather, Black $20.00 955C Bonded Leather, black $23.50 World. “The World’s smallest complete Bible”. 850CBG Bonded Leather, Burgundy $20.00 only 120 x 80 x 20mm. Featuring Elite Clear- 851C Genuine Leather, Black $28.00 type, India-thin paper, Words of Christ in red, 851CBG Genuine Leather, Burgandy $28.00 Handi-Size Giant Print ribbon marker, headbands, gold edges and Reference Bible stamping. Many variants available. Gift and Award Clear giant print type with end of verse cross 805WLD Leather-grain vinyl, Black $38.00 references. Features: Dictionary/concordance, Bible Maps. Convenient size: 14.5 x 21.5 x 3cm. World. A basic Bible ideal for gift-giving with special presentation page. Durable and practical binding. Features include: Words of Christ in red, Bible dictionary-concordance, KJ534 Imitation Leather, Black $15.00 Full-colour maps, Visual KJ536 Bonded Leather, Black $23.00 reference system. Plain cover with gold lettering. 14.5 x 22.5 x 3cm. Giant Print Reference Bible Has giant print type with a visual reference KJ220 Leatherflex, Black $ 4.60 system and end of verse references. Features KJ220BG Leatherflex, Burgundy $ 4.60 include: Presentation page, Full colour maps, Words of Christ in Red, Concordance.170 x Nelson Hardcover Bible 245 x 30mm. Nelson. A well-made, compact Bible at a very reasonable price suited for giving. Features a durable leather-look hardback cover with gold 889F Imitation Leather, Black, Snap flap $43.00 stamping, words of Christ in red, Self pro- 889FBG Imitation Leather, Burgundy, Snap flap $43.00 nouncing, Illustrated dictionary-concordance, Z889BG Imitation Leather, Burgundy, Zip close $47.00 Harmony of the gospels. 10.5 x 16 x 3cm. 891 Genuine Leather, Black $50.00 KJ544 Imitation Leather, Black $16.00 891BG Genuine Leather, Burgandy $50.00 GP3BG Imitation Leather, Burgundy (old stocks) $14.50 KJ546 Bonded Leather, Black $24.50 Compact Bible World.
Recommended publications
  • Second Hand, Damaged, Limited Stocks Listing of Items Which

    Second Hand, Damaged, Limited Stocks Listing of Items Which

    Listing of items which are Second Hand, Damaged, Limited Stocks Available from: Autumn Leaves (NZ) Ltd, PO Box 654, Rangiora, 7440, New Zealand. [email protected] ph (03) 313 7762 fax (03) 313 7769 Bible Teachings and Inspiration Title Author Type Condition Price 101 Questions on The Sanctuary & Ellen White Robert W Olson Booklet Very Good $3.00 Study supplement from the White Estate in answer to the Desmond Ford and Walter Rea issues. Info on issues relating the sanctuary in adventism and regarding accusations and issues with the Spirit of Prophecy. 1914 and Christ's Second Coming William MacCarty Booklet Good $2.00 An examination of Jehovah's Witness teachings on 1914 and the 70 year prophecy. And on establishing fixed dates, a King list and it's far reaching implications. Unmarked. 50 Days of Prayer Dennis Smith Paperback Damaged $5.00 New damaged stock - cover bent on the front. One of the most significant time periods in the Bible, 50 Days is the time from the Cross to Pentecost.During the first 40 days of this time period Jesus taught His disciples reflecting back on His death, burial and resurrection. Immediately following the 10 days of prayer and soul searching the baptism of the Holy Spirit was poured out in great power on each of them. A Better World Roy Allan Anderson Paperback Good $4.50 Volume 3 of God's Eternal Plan. Man's greatest quest is for a better world - a world without war, without fear, without hate, without hunger. Jesus gave His life to provide such a world.
  • Review and Herald for 1997

    Review and Herald for 1997

    ,::, II 41111111111 1 i m I I!1 , 1 1 °"."111'11 I i', 1111IIIIir i • 9i11.!i' I 0 I! ii, itl 1:11,11,1il I, I ;1,111.111 , ' I 1 i111111 !I stin.1 nilitilillg i!'il.111.11111i11111 1 VIIIIIiiiii.ptioidip i yl —invd r11111111:1111'1'11, 1(11, 1 I 81 111,1 I 1 !Ill 5.1_01111111111111111161,-41111r111111111111111111 ,il1Iiiii.1111,1!!!!11,, ., 11,1 Hi Rim to Rim: Correction ignoring the health principles the Perfection It was with dismay and chagrin that I Lord has so graciously given us. Thanks to Clifford Goldstein for realized shortly after "Perfection" (July 24). To understand my article ("Rim to —Donald E. Casebolt, M.D. cold we have heat, to grasp perfection Rim," July 24) was FARMINGTON, NEW MEXICO we have been given the opportunity for published that I had imperfection. However, I do find one of made two errors. Clifford's arguments misleading while The first had to Another Mama's Legacy still being valid in its foundation. do with the diet fed The story of Mable Siemens ("Mama's Goldstein states: "What purpose to the young men in Legacy," July 24) brought back many were His temptations . if Christ the 1967 study from Sweden. Unfortu- similar memories. I became a Seventh- couldn't have fallen? What type of nately, the original article in Acta day Adventist as an answer to prayer for example would Jesus be for us in our Physiologica Scandinavica did not tell God to lead me to the church that struggles with sin if He could not specifically what was fed, but merely believed in and lived the Bible way.
  • Adventist Eschatology in Relation to the Religious Left and the Religious Right

    Adventist Eschatology in Relation to the Religious Left and the Religious Right

    Journal of the Adventist Theological Society, 23/2 (2012):190-242. Article copyright © 2012 by Michael F. Younker. Adventist Eschatology in Relation to the Religious Left and the Religious Right Michael F. Younker Ph.D. Student, SDA Theological Seminary Andrews University 1. Introduction It is commonly understood that Seventh-day Adventist eschatology predicts that a Sunday Law in homage to Papal authority will be enacted in the United States and other nations in the final period of earth’s history preceding the Second Coming of Christ.1 Furthermore, despite its ultimate inevitability according to the sure word of prophecy, prior to such an enactment we are obligated to do all we reasonably can to delay this law by uplifting the importance of religious liberty.2 I affirm these beliefs. The 1 For a collection of Seventh-day Adventist thought leader Ellen White’s comments on this, see Donald Ernest Mansell, The Shape of the Coming Crisis (Nampa, ID: Pacific Press Publishing Association, 1998), 58-82. As White herself put it, “The Sabbath question is to be the issue in the great final conflict in which all the world will act a part,” Ellen White, Testimonies for the Church Volume Six, 352. 2 “A time is coming when the law of God is, in a special sense, to be made void in our land. The rulers of our nation will, by legislative enactments, enforce the Sunday law, and thus God's people [will] be brought into great peril. When our nation, in its legislative councils, shall enact laws to bind the consciences of men in regard to their religious privileges, enforcing Sunday observance, and bringing oppressive power to bear against those who keep the seventh-day Sabbath, the law of God will, to all intents and purposes, be made void in our land; and national apostasy will be followed by national ruin.
  • Dante Gabriel Rossetti and the Italian Renaissance: Envisioning Aesthetic Beauty and the Past Through Images of Women

    Dante Gabriel Rossetti and the Italian Renaissance: Envisioning Aesthetic Beauty and the Past Through Images of Women

    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 DANTE GABRIEL ROSSETTI AND THE ITALIAN RENAISSANCE: ENVISIONING AESTHETIC BEAUTY AND THE PAST THROUGH IMAGES OF WOMEN Carolyn Porter Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Arts and Humanities Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/113 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Carolyn Elizabeth Porter 2010 All Rights Reserved “DANTE GABRIEL ROSSETTI AND THE ITALIAN RENAISSANCE: ENVISIONING AESTHETIC BEAUTY AND THE PAST THROUGH IMAGES OF WOMEN” A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. by CAROLYN ELIZABETH PORTER Master of Arts, Virginia Commonwealth University, 2007 Bachelor of Arts, Furman University, 2004 Director: ERIC GARBERSON ASSOCIATE PROFESSOR, DEPARTMENT OF ART HISTORY Virginia Commonwealth University Richmond, Virginia August 2010 Acknowledgements I owe a huge debt of gratitude to many individuals and institutions that have helped this project along for many years. Without their generous support in the form of financial assistance, sound professional advice, and unyielding personal encouragement, completing my research would not have been possible. I have been fortunate to receive funding to undertake the years of work necessary for this project. Much of my assistance has come from Virginia Commonwealth University. I am thankful for several assistantships and travel funding from the Department of Art History, a travel grant from the School of the Arts, a Doctoral Assistantship from the School of Graduate Studies, and a Dissertation Writing Assistantship from the university.
  • Pre-Raphaelite Brotherhood (PRB) Had Only Seven Members but Influenced Many Other Artists

    Pre-Raphaelite Brotherhood (PRB) Had Only Seven Members but Influenced Many Other Artists

    1 • Of course, their patrons, largely the middle-class themselves form different groups and each member of the PRB appealed to different types of buyers but together they created a stronger brand. In fact, they differed from a boy band as they created works that were bought independently. As well as their overall PRB brand each created an individual brand (sub-cognitive branding) that convinced the buyer they were making a wise investment. • Millais could be trusted as he was a born artist, an honest Englishman and made an ARA in 1853 and later RA (and President just before he died). • Hunt could be trusted as an investment as he was serious, had religious convictions and worked hard at everything he did. • Rossetti was a typical unreliable Romantic image of the artist so buying one of his paintings was a wise investment as you were buying the work of a ‘real artist’. 2 • The Pre-Raphaelite Brotherhood (PRB) had only seven members but influenced many other artists. • Those most closely associated with the PRB were Ford Madox Brown (who was seven years older), Elizabeth Siddal (who died in 1862) and Walter Deverell (who died in 1854). • Edward Burne-Jones and William Morris were about five years younger. They met at Oxford and were influenced by Rossetti. I will discuss them more fully when I cover the Arts & Crafts Movement. • There were many other artists influenced by the PRB including, • John Brett, who was influenced by John Ruskin, • Arthur Hughes, a successful artist best known for April Love, • Henry Wallis, an artist who is best known for The Death of Chatterton (1856) and The Stonebreaker (1858), • William Dyce, who influenced the Pre-Raphaelites and whose Pegwell Bay is untypical but the most Pre-Raphaelite in style of his works.
  • The Fragmenting of Apocalypticism Within a Denominationalizing Sect: the Case of Seventh-Day Adventism

    The Fragmenting of Apocalypticism Within a Denominationalizing Sect: the Case of Seventh-Day Adventism

    The Fragmenting of Apocalypticism within a Denominationalizing Sect: The Case of Seventh-day Adventism Ronald Lawson Paper Presented at the Meeting of the Society for the Scientific Study of Religion, Nashville, November 1996. Introduction Research has shown that over time many religious sects reduce the tensions between themselves and surrounding society, and thus move from sect towards denomination. For a millenarian sect to follow this process, its apocalyptic must become less urgent: it must become less rejecting of the present society and put down roots there. However, the dynamics of this process, and especially the strains that emerge within the group as a result of the diversifying of beliefs about its apocalyptic during the long period of change have never before been the focus of detailed investigation. An excellent example of such dynamics is provided by Seventh-day Adventists [Adventists]. Adventists trace their roots to the Millerite Movement, which proclaimed that the Second Coming of Christ would occur on October 22, 1844. That is, their origins were urgently apocalyptic. In spite of the humiliation and heartbreak of what they called the "Great Disappointment," Adventist pioneers continued to expect the imminent return of Jesus, and regarded this belief as so important that they enshrined it in their name. In October 1994, Adventists celebrated the 150th anniversary of the Great Disappointment – and of a century and a half of believing and preaching that Jesus would soon return. This paper explores the responses of North American Adventists to the tension between their belief in an imminent apocalypse and the delay in its fulfillment.
  • Autumn Leaves

    Autumn Leaves

    Autumn Leaves EBC e-catalogue 31 2020 George bayntun Manvers Street • Bath • BA1 1JW • UK 01225 466000 [email protected] www.georgebayntun.com 1. AESOP. Aesop's Fables. With Instructive Morals and Reflections, Abstracted from all Party Considerations, Adapted To All Capacities; And designed to promote Religion, Morality, and Universal Benevolence. Containing Two Hundred and Forty Fables, with a Cut Engrav'd on Copper to each Fable. And the Life of Aesop prefixed, by Mr. Richardson. Engraved title-page and 25 plates each with multiple images. 8vo. [173 x 101 x 20 mm]. xxxiii, [iii], 192pp. Bound in contemporary mottled calf, the spine divided into six panels with raised bands and gilt compartments, lettered in the second on a red goatskin label, the others tooled in gilt with a repeated circular tool, the edges of the boards tooled with a gilt roll, plain endleaves and edges. (Rubbed, upper headcap chipped). [ebc6890] London: printed for J. Rivington, R. Baldwin, J. Hawes, W. Clarke, R. Collins, T. Caslon, S. Crowder, T. Longman, B. Law, R. Withy, J. Dodsley, G. Keith, G. Robinson, J. Roberts, & T. Cadell, [1760?]. £1000 A very good copy. With the early ink signature of Mary Ann Symonds on the front free endleaf. This is the fourth of five illustrated editions with the life by Richardson. It was first published in 1739 (title dated 1740), and again in 1749, 1753 (two issues) and 1775. All editions are rare, with ESTC listing four copies of the first, two of the second, five of the third and six of the fifth.
  • Collegiate Quarterly for 2002

    Collegiate Quarterly for 2002

    APRIL-JUN E lllll A Devotional Bible-Study Guide for Young Adults www.cq.youthpages.org God's Encrypted APRIL-JUNE 2002 Message to You S taff Editor: Gary B. Swanson Editorial Assistant: Shirlee J. Ingram Reading Committee Kathy Beagles Pat Habada Ken Rogers James Black Jonathan Kuntaraf Jim Zackrison Lyndelle Chiomenti Tim Poirier CQ is written by Seventh-day Adventist young adults and their friends around the world. Editorial Office: Sabbath School/Personal Ministries Department, General Conference of Seventh-day Adventists, 12501 Old Columbia Pike, Silver Spring, MD 20904, U.S.A. Place orders with: Pacific Press® Pub. Assn., P.O. Box 5353, Nampa, ID 83653-5353, U.S.A. Other than the King James Version, Scripture versions used in this Bible Study Guide are as follows: NEW INTERNATIONAL VERSION (NIV) Scriptures quoted from NIV are from the Holy Bible, New International Version, copyright © 1973, 1978, 1984 by the International Bible Society. Used by permission of Zondervan Bible Publishers. NEW KING JAMES VERSION (NKJV) Scriptures quoted from NKJV are from The New King James Version, copyright © 1979,1980, 1982, 1983, by the Thomas Nelson, Inc., Publishers. THE MESSAGE Scriptures quoted from The Message are copyright © 1993 by Eugene H. Peterson. Used by permission of Nav Press Publishing Group. NEW AMERICAN STANDARD BIBLE (NASB) Scriptures quoted from the New American Standard Bible, copyright ©The Lockman Foundation 1960, 1962, 1963, 1968, 1972, 1973, 1975, 1977. CQ (ISSN 0744-2939). Volume 25, No. 2. Published quarterly by the General Conference of Seventh-day Adventists, 1350 North Kings Road, Nampa, ID 83687-3193, U.S.A., and printed by Pacific Press® Publishing Association, 1350 North Kings Road, Nampa, ID 83687-3193, U.S.A.
  • Pre-Raphaelite Poetry

    Pre-Raphaelite Poetry

    Dr.Pem Prakash Pankaj Asst.Professor,English Dept Vanijya Mahavidyalaya,PU Mob-8210481859 [email protected] For B.A (English Hons.) Part-1/ English Alternative Part-1 (50 marks) PRE-RAPHAELITE POETRY The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. Pre-Raphaelite Brotherhood (PRB), founded in September 1848, is the most significant British artistic grouping of the nineteenth century. Its fundamental mission was to purify the art of its time by returning to the example of medieval and early Renaissance painting. Although the life of the brotherhood was short, the broad international movement it inspired, Pre-Raphaelitism, persisted into the twentieth century and profoundly influenced the aesthetic movement, symbolism, and the Arts and Crafts movement. First to appear was Dante Gabriel Rossetti's Girlhood of Mary Virgin (1849), in which passages of striking naturalism were situated within a complex symbolic composition. Already a published poet, Rossetti inscribed verse on the frame of his painting. In the following year, Millais's Christ in the House of His Parents (1850) was exhibited at the Royal Academy to an outraged critical reception.
  • National Sunday Law

    National Sunday Law

    National Sunday Law – by A. Jan Marcussen – An electronic reprint of the book originally published by Amazing Truth Publications Copyright (c) 1983 by AMAZING TRUTH PUBLICATIONS, P.O. BOX 68, Thompsonville, IL 62812 USA. This document may be copied and distributed freely provided the whole document is copied and no portion of the text is omitted. This document is available at www.SundayLaw.com Page 1 – Contents – Chapter 1: The Two Horned Beast................................................ 3 Chapter 2: The Beast identified..................................................... 7 Chapter 3: The Beast described..................................................... 15 Chapter 4: Dynamite..................................................................... 19 Chapter 5: The Mark of the Beast................................................. 27 Chapter 6: The Image of the Beast................................................ 31 Chapter 7: The Global Conflict..................................................... 36 Appendix 1: The Ten Kingdoms................................................... 44 Appendix 1A: The «Beast» and the «Little Horn»........................ 44 Appendix 2: The 1260 Year Reign of the Beast........................... 45 Appendix 3: Title of the Pope....................................................... 45 Appendix 4: The Bible Forbidden................................................ 46 Appendix 5: War with the Saints.................................................. 47 Appendix 6: Edict against the Waldenses....................................
  • 3. Pre-Raphaelite Brotherhood

    3. Pre-Raphaelite Brotherhood

    • Of course, their patrons, largely the middle-class themselves form different groups and each member of the PRB appealed to different types of buyers but together they created a stronger brand. In fact, they differed from a boy band as they created works that were bought independently. As well as their overall PRB brand each created an individual brand (sub-cognitive branding) that convinced the buyer they were making a wise investment. • Millais could be trusted as he was a born artist, an honest Englishman and made an ARA in 1853 and later RA (and President just before he died). • Hunt could be trusted as an investment as he was serious, had religious convictions and worked hard at everything he did. • Rossetti was a typical unreliable Romantic image of the artist so buying one of his paintings was a wise investment as you were buying the work of a ‘real artist’. 1 • The Pre-Raphaelite Brotherhood (PRB) had only seven members but influenced many other artists. • Those most closely associated with the PRB were Ford Madox Brown (who was seven years older), Elizabeth Siddal (who died in 1862) and Walter Deverell (who died in 1854). • Edward Burne-Jones and William Morris were about five years younger. They met at Oxford and were influenced by Rossetti. I will discuss them more fully when I cover the Arts & Crafts Movement. • There were many other artists influenced by the PRB including, • John Brett, who was influenced by John Ruskin, • Arthur Hughes, a successful artist best known for April Love, • Henry Wallis, an artist who is best known for The Death of Chatterton (1856) and The Stonebreaker (1858), • William Dyce, who influenced the Pre-Raphaelites and whose Pegwell Bay is untypical but the most Pre-Raphaelite in style of his works.
  • 2. Pre-Raphaelite Brotherhood

    2. Pre-Raphaelite Brotherhood

    The paintings produced by the Pre-Raphaelite Brotherhood or PRB are today regarded as staid and irrelevant Victorian pictures. I will show that at the time there were controversial and even revolutionary. The brotherhood was founded in 1848, the year of revolutions across Europe. There was a very large Chartist meeting on 10th April in Kennington Common but luckily confrontation was avoided and the petition with six million signatures was handed in to Downing Street. House of Commons clerks estimated the true figure to be 1.9 million signatures and some joke signatures were publicized to undermine the credibility of the movement. John Everett Millais and Holman Hunt accompanied the crowd from Russell Square but at the Common they were careful to remain outside the rails. In September of that year they met in Millais’s parents house to form the Pre-Raphaelite Brotherhood. The term ‘brotherhood’ was later of concern to critics as it suggested anarchy and a revolution. 1 Top row, left to right: William Holman Hunt, John Everett Millais, (b. 1829 – d. 1896) John Everett Millais, William Holman Hunt, 1854, (1827-1910) William Holman Hunt, Dante Gabriel Rossetti, 1853, (1828-1882) Bottom row, left to right: Dante Gabriel Rossetti, Thomas Woolner, 1852 (1825-1892, sculptor and poet), National Portrait Gallery James Collinson, self-portrait, undated (1825-1881, only 1848-50, a devout Christian who resigned when Millais painted Christ in the House of His Parents) John Everett Millais, Frederic George Stephens (1828-1907, art critic) Dante Gabriel Rossetti, William Michael Rossetti (1829-1919, writer and art critic) Seven ‘Brothers’ • The three years 1849-1851 were an exceptional event in the history of art because rarely do you find a group of artists who set out to radically change the status quo and who take on the leading art establishment – the Royal Academy.