Shout Factory Album Release
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EU Page 1 COVER2.Indd
JACKSONVILLE imppgjroving jacksonville free monthly guide to entertainment & more | september 2009 | eujacksonville.com contents 44 on the cover 14 16 on the cover features visual arts pages 3-11 improving jax page 16-17 art events Cover design by Rachel Best page 3 tim hall page 17 tattoo convention Henley, creative designer for page 4 wayne weaver EU Jacksonville. page 5 metro jaxksonville theatre + culture page 6 joseph a. strasser page 22 theatre & cultural events page 8 matt uhrig page 23 oklahoma with jso and alhambra page 9 joe schwarz eu staff page 10 joanelle mulrain family page 11 pastor clinton bush page 24 jaguars football preview managing director page 24 family events Shelley Henley life + stuff creative director page 12 combatting PTSD music Rachel Best Henley page 18 inspired by... page 25 sound check copy editors page 20 view from the couch page 25 spotlight: marion crane Kellie Abrahamson page 20-21 new on tv pages 26-30 music events Erin Thursby page 33 netscapades page 31 album review: david bazan music editor food editor page 31 album review: mount eerie Kellie Abrahamson Erin Thursby dish page 31 album review: dd/mm/yy photo editor page 13 dish update + events page 32 interview: lady daisey and batsauce Daniel Goncalves page 13 ingredient secret: mushroom contributing photographer page 14 hidden gems movies Richard Abrahamson page 15 book: the 100-mile diet page 34 september movies contributing writers page 35 special movie showings Brenton Crozier Dick Kerekes Jack Diablo Madeleine Peck Daniel Goncalves Anna Rabhan Rick Grant Tom Weppel improving jacksonville september 09 Published by EU Jacksonville Newspaper. -
Herb Alpert and Jerry Moss
NONPERFORMERS Herb Alpert and Jerry Moss By Barney Hoskyns he history o f American pop music is record of some repute: H e’d cowritten hits with Sam filled with great partnerships. Most Cooke (including the wonderful “Wonderful World”) of them, from Rodgers & Hart to and fellow native Angeleno Lou Adler. But the dark, Jam & Lewis, are songwriting teams handsome trumpeter had little idea of the success in working under pressure to create store once he teamed up with New York—born pro hits for the stars of the day. But motion man Jerry Moss. occasionally fate brings together two highlyThe talented pair’s first label, the short-lived Carnival, was Tmen who create and build a record company with the labnched simply to release two singles they had made same love and dedication that goes into the best songs. independently of each other. “Jerry and I never had A&M Records, the brainchild of Herb Alpert and this master plan o f starting a label,” Alpert has said. “It Jerry Moss, remains one o f the greatest labels launched just happened.” September 1962 saw the release of the in the 1960s, a decade when thousands of independ first A&M single, Alpert’s “The Lonely Bull.” The ents were born in America. Home to an eclectic array mariachi-flavored instrumental struck gold, hitting of outstanding artists from Alpert himself to Janet Number Six by early December of the same year. Jackson, A& M reflected the passion and savvy o f the “For the first couple of years, it was really just two men. -
Title Composer Arranger Notes Category Last Played
TITLE COMPOSER ARRANGER NOTES CATEGORY LAST PLAYED Bach's Fugue A La Bach, Johann Holst, Gustav 2017-2018 Gigue Sebastian Carnaval In Sao Paulo Barnes, James A Short Encore for Symphonic 2017-2018 Band Castle Gap Williams, Concert March Concert 2017-2018 Clifton March Danny Boy Buckley, Trumpet or euphonium solo with 2017-2018 Lewis J. concert band Heroes Of Flight Lewis, Brian Inspired by the men and women 2017-2018 who have played important roles in aeronautics Irish Washerwoman, Anderson, Custer, Based on Leroy Anderson's The 2017-2018 The Leroy Calvin Irish Washerwoman from the Irish Suite John Williams: Williams, John Smith, Robert Adventures on Earth, Hedwig's Medley 2017-2018 Fantasy Of Flight W. Theme, Duel of Fates, and Star Wars Kiss Me Kate, Porter, Cole Moss, John Another Op'nin' Another Show, Medley 2017-2018 Selections From Why Can't You Behave, Brush up Your Shakespeare, Too Darn Hot, and So In Love La Bonita Tarver,James Spanish March 2017-2018 L. Lassus Trombone Fillmore, Henry Schissel 2017-2018 Last Grand Ragtime Cacavas, John March 2017-2018 March Liechtensteiner Polka Koetscher, Ed 2017-2018 Mama Mia Longfield, Mama Mia, SOS, The Winner Medley 2017-2018 Robert Takes It All, and Dancing Queen March Of Freedom Geisler, Robert Dedicated to all the fine men and March 2017-2018 M. women who faithfully serve in the armed forces of the USA Marche Slave Tschaikovsky, Laurendeau, Concert 2017-2018 Peter I. L. P. March Oliver! Bart, Lionel Leyden, Consider Yourself, Where Is Love, Medley 2017-2018 Norman Oom-Pah-Pah, As Long As He Needs Me, I'd Do Anything, Who Will Buy? Overture In B Flat Giovannini, Robinson, 2017-2018 Caeser Wayne Royal Fireworks Handel, Sartorius, Arranged as a Concerto Grosso for 2017-2018 Music, The George Harvey A. -
Herb Alpert's
FOR IMMEDIATE RELEASE Caroline Graham, C4 Global Communications June 26, 2013 [email protected] HerbHerb Alpert’s “Puttin’ On The Ritz” music video creates aa compellingcompelling dancedance rhythm from the classic 1930 song “Puttin’ On The Ritz” images Produced by Kerith Lemon Los Angeles — June 26, 2013. Herb Alpert, founder of A&M Records and one of the most successful trumpet performers in pop history released his newest single and music video Puttin’ On The Ritz, Tuesday,Tuesday, JuneJune 25th25th. The music video premiered on VEVO. The single is available for a $1.29 download on iTunes, Amazon, Google Play, and Spotify. “Puttin’ on thethe RitzRitz” dance was performed livelive last night as the opening number on Fox Network’s “So You Think You Can Dance.” Alpert delivers a refreshing contemporary interpretation of the classic song released in 1930, inspired by the ‘swanky’ London Ritz Hotel. The track’s groove inducing beat, married with classic vocals by Lani Hall and Herb’s iconic trumpet create a compelling dance rhythm. “I always felt that if a song is fun to play then it would be fun to listen to. This recording seemed to me that it had international appeal, and we wanted to make a music video that conveyed the sense of fun that you hear” says Herb Alpert, “We had a wonderful team, led by producer Kerith Lemon, bringing the music video to life. Glenn Kaino added his brilliant creative vision and Tabitha and Napoleon of So You Think You Can Dance are the perfect choice for the choreography.” The “Puttin’ On The Ritz” video follows the lead dancer on a musical journey, motivating everyone to join the promenade. -
4. Melodic Musemes 5 & 6
Tagg: Fernando the Flute (IV) 123 4. Melodic musemes 5 & 6 m5: legato sincerity Museme 5 comes in two guises. One is m5a, the appoggiatura chains (ex. 65)1 that dominate the vocal line in Fernando’s verses. The other is m5b, the legato string fill that occurs just twice in each refrain (p. 162). m5a: appoggiaturas Structural description Please first note the difference between APPOGGIATURA , a ‘lean- Frn04-MusemAnal2.fm. 2017-11-07, 13:48 2017-11-07, Frn04-MusemAnal2.fm. ing note’ (from Italian appoggiarsi = to lean, ®l), and ACCIACCATURA [], a ‘smudged’ or ‘bruised’ note (schiaccare = to bruise, crush, ¬l ). There are many appoggiaturas in Fernando, no acciaccaturas. Ex. 65. Occurrences of m5a appoggiaturas in Fernando, b.14-15, 27-28, 63-67 and 22-23, 34-37, 73-74: (a) solo vocal; (b) written as euroclassical grace notes; (c) vocals in parallel thirds; (d) flutes in interlude. Each variant of museme 5a in example 65 consists of between two and seven consecutive pairs of legato-slurred neighbouring notes chained together in scalar sequence. Each pair of slurred notes in each sequence constitutes an appoggiatura. Except for example 65d, Fernando’s m5a is an entirely vocal fea- ture, solo in verse 1 (ex. 65a), in parallel thirds in verses 2 and 3 (ex. 65c). Ex- ample 65b sounds exactly the same as 65a: alternative notation is presented merely to show that note 2 in each pair was, in eighteenth-century euroclas- sical circles, heard as tonally more significant (the ‘l’ in ‘®l’), even though it is articulated as a weaker ‘offbeat’ preceded by the appoggiatura’s stronger 1. -
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Emotional Storytelling Choreography—A Look Into the Work of Mia Michaels
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2011 Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels Bethany Emery Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2534 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Bethany Lynn Emery 2011 All Right Reserved Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. by Bethany Lynn Emery M.F.A., Virginia Commonwealth University, 2011 M.A.R., Liberty Theological Seminary, 2003 BA, Alma College, 2001 Directors: Amy Hutton and Patti D’Beck, Assistant Professors, Department of Theatre Virginia Commonwealth University Richmond, Virginia July 2011 ii Acknowledgement The author would like to thank several people. I would like to thank my committee members Professor Amy Hutton, Dr. Noreen Barnes and Professor Patti D’Beck for sticking with me through this process and taking time during their summer plans to finish it out. I especially would like to thank Professor Hutton for her guiding hand, honest approach while also having an encouraging spirit. I would like to thank friends Sarah and Lowell for always being there for me though the happy and frustrating days. -
Sample Some of This
Sample Some Of This, Sample Some Of That (169) ✔ KEELY SMITH / I Wish You Love [Capitol (LP)] JEHST / Bluebells [Low Life (EP)] RAMSEY LEWIS TRIO / Concierto De Aranjuez [Cadet (LP)] THE COUP / The Liberation Of Lonzo Williams [Wild Pitch (12")] EYEDEA & ABILITIES / E&A Day [Epitaph (LP)] CEE-KNOWLEDGE f/ Sun Ra's Arkestra / Space Is The Place [Counterflow (12")] JOHN DANKWORTH & HIS ORCHESTRA / Bernie's Tune ("Off Duty", O.S.T.) [Fontana (LP)] COMMON & MARK THE 45 KING / Car Horn (Madlib remix) [Madlib (LP)] GANG STARR / All For Da Ca$h [Cooltempo/Noo Trybe (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Theme From "Return From The Ashes", O.S.T. [RCA (LP)] 7 NOTAS 7 COLORES / Este Es Un Trabajo Para Mis… [La Madre (LP)] QUASIMOTO / Astronaut [Antidote (12")] DJ ROB SWIFT / The Age Of Television [Om (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Look Stranger (From BBC-TV Series) [RCA (LP)] THE LARGE PROFESSOR & PETE ROCK / The Rap World [Big Beat/Atlantic (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Two-Piece Flower [Montana (LP)] GANG STARR f/ Inspectah Deck / Above The Clouds [Noo Trybe (LP)] Sample Some Of This, Sample Some Of That (168) ✔ GABOR SZABO / Ziggidy Zag [Salvation (LP)] MAKEBA MOONCYCLE / Judgement Day [B.U.K.A. (12")] GABOR SZABO / The Look Of Love [Buddah (LP)] DIAMOND D & SADAT X f/ C-Low, Severe & K-Terrible / Feel It [H.O.L.A. (12")] GABOR SZABO / Love Theme From "Spartacus" [Blue Thumb (LP)] BLACK STAR f/ Weldon Irvine / Astronomy (8th Light) [Rawkus (LP)] GABOR SZABO / Sombrero Man [Blue Thumb (LP)] ACEYALONE / The Hunt [Project Blowed (LP)] GABOR SZABO / Gloomy Day [Mercury (LP)] HEADNODIC f/ The Procussions / The Drive [Tres (12")] GABOR SZABO / The Biz [Orpheum Musicwerks (LP)] GHETTO PHILHARMONIC / Something 2 Funk About [Tuff City (LP)] GABOR SZABO / Macho [Salvation (LP)] B.A. -
A&M RECORDS CELEBRATES 50TH ANNIVERSARY It's an Archetypal
A&M RECORDS CELEBRATES 50TH ANNIVERSARY It’s an archetypal story of the modern record business – two guys with a dream running their nascent label out of a West Hollywood garage in the summer of 1962. The label quickly gains momentum and eventually becomes one of the most important record companies the world has ever seen. The two guys were Herb Alpert and Jerry Moss, the “A” and the “M” in A&M Records. By the way, it was Alpert’s garage and that first hit was “The Lonely Bull,” performed by Herb Alpert & the Tijuana Brass. And this year, 2012, the two record men and UMe are celebrating the 50th Anniversary of their label. Perhaps because one of its founders was an artist himself—and a hugely successful one at that—A&M Records distinguished itself as an artist-friendly label, one that would stand behind artists they believed in album after album until they found their voice and an audience. “We never thought of A&M as a place where we could make a lot of money,” says Herb Alpert reflecting on the label’s genesis. “We wanted to make good records. That was our goal. We felt if we made good records there would be an audience.” Herb and Jerry’s dedication to development resulted in some of the biggest superstars in music ever: Joe Cocker, Procol Harum, Quincy Jones, Billy Preston, Cat Stevens, Carpenters, Peter Frampton, Supertramp, Jeffrey Osborne, Styx, Bryan Adams, Joe Jackson, The Police, Sting, Janet Jackson, Suzanne Vega, Sheryl Crow, Soundgarden, and so many more. -
Navarre Dance Students Earn Accolades at CAMP PULSE Workshop
A TIME TO DANCE 7020 Navarre Parkway | Navarre, FL 32566 Contact: Brie Schell | 850.450.6919 | [email protected] Dec. 15, 2011 Navarre Dance Students Earn Accolades at CAMP PULSE workshop FOR IMMEDIATE RELEASE – Three dance students from A Time To Dance studio in Navarre recently attended a CAMP PULSE workshop and earned accolades from some of the hottest choreographers in tween dance today. Two won scholarships to further their dance studies in Las Vegas and New York. CAMP PULSE features choreographers from popular TV shows, music videos, and feature films. More than 700 young dance students attended the two-day CAMP PULSE held Oct. 22-23 in Mobile, Ala. Dancers from Navarre recognized at the event included: Karlee Dillard, 13, winner of the only scholarship awarded to attend CAMP PULSE in Las Vegas, Nov. 19-20. Megan Gragg, 13, winner of a scholarship to attend classes at Broadway Dance Center in New York City. Caitlynn Funkhouser, 6, recipient of a “Rock Star” award. She was one the youngest dancers at the event. The young dancers were honored by CAMP PULSE instructors, including Rosero McCoy (of MTV’s America’s Best Dance Crew and Disney’s Camp Rock), Lane Napper (of Nickelodeon’s iCarly and VicTORIous!), Nancy O’Meara (of Fox’s American Idol and Disney’s High School Musical) and Kherington Payne (of Fox’s Glee and So You Think You Can Dance). “We are very proud of these dancers and many accomplishments. They have worked extremely hard and have put in many hours of practice. Their dedication has paid off with these choreographers choosing them for top scholarships and awards,” said Brieane Schell, Artistic Director. -
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Chaiince to seiBize a dreai3 m — B lL Rodeo^t finals cdfi)ntinue — B4 I" BSEBHE m i H H H . ; ~ J GARAGE: SALE SPECW l u a r i n1' ' u p ' : Path cleared( , /5 LINES;S2DAYS$7;5G Fl N f >1 I FREE'Slflfis FRI=nEEInventmy nst, FREE! for heelp - Bl 733-0626 Nowl ( i r □ IMoi>untain « -1 k- I . - . • L i M m 2 s r / 82nd year, No. 177 Twin Falls.I. I(Idaho Fridaiday, June 26,1987 I " 4 ;^ s w o r k <L c r s 5 UFF\ 5 t u r n c d o w n\ u n i o n I ’ s b i cd ByBOBFREUND predictably hadiad opposed the union T / m e s - \ e « writer organizing driverive, in meetings. let- tors and noticcsCCS to employees, they ■“ TWIN FALLS - The Uirliree-month said insertinglg ah "outsider" be- bid of a Washington-based^ union lo tween managcmiicmcnl and Ihc workers represent workers at IUniversal would hurt, nollot 1help, employee rela- Frozen Foods ended Thursdsday in the tions. same way others have — wwith a lop- Aflcr,the voteotc totals were tallied, sid e d rejecU on. UFF Pcrsonncmnel Direclor Gene By more than 76 percentnl margin, Hoskins said. "W••We basically feel like production and mailaintenance it's a vote ofjf cconfidence from Ihe workers at the Twin Fallalls frozen employees thathat wc can work our polato factory voted agaln£lnsl joining problems out logttogether.'’hcsald. Local 2S0. IntemaUonal 1Union of Wages andnd economic fringe Operating Engineers. benefits werec nnot major issues Jn k u ^ •• T h e v o te w a s 147 fo r th e: tunion. -
Everything Old Is New Again
Volume 46 • Issue 1 january 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. “Professor” Adrian Cunningham and his Old School Band made their Suncoast Jazz Classic debut and played sets throughout the weekend, including a CD release party for their latest Arbors album, Swing It Out! Here the leader pays close attention to bassist Jim Robertson’s solo on November 17. Photo by Mitchell Seidel. everything old Is new again By Mitchell Seidel verything we’re playing tonight is prior and ASCAP licensing rights, but it could just “E to 1923,” half-seriously joked trumpeter as easily have meant the repertoire of a good Dave Tatrow of Wally’s Warehouse Waifs, number of repeat performers at the 27th performing in the ballroom for the pre-festival annual event. Indeed, Tatrow and the Waifs sponsors’ dinner for the 2017 Suncoast Jazz have been performing at the event since the Classic in November. His quip referred to BMI turn of the century (21st, not 20th). Despite continued on page 28 New JerseyjazzSociety in this issue: new jersey jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Mike Katz President, NJJS Volunteer/join njjs . 51 Crow’s Nest . 52 New/Renewed Members . 53 his marks my final “Prez Sez” column (it’s hard There were also some disappointments, the main to believe I have written 55 of them), because ones being the discontinuance of Jazzfest due to storIes T Suncoast Jazz Festival .