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'Racing Is Life. Anything Before Or After Is Just Waiting.'
Steve McQueen’s 1963 Ferrari 250 GT Berlinetta Lusso recently went under the hammer at Christie’s in Monterey, offering another reminder of a man whose motoring exploits mirrored some of his most famous onscreen performances. Christopher Kanal pays tribute to a legendary car driven by a screen icon. Thegetaway n 16 August 2007, Steve McQueen’s 1963 Ferrari 250 GT Berlinetta McQueen was also an avid racing enthusiast, performing many of his Lusso went under the hammer at Christies. This remarkable car was own stunts, and at one time considered becoming a professional racing Obought by an anonymous owner, who placed his bid by phone, for driver. Two weeks after breaking an ankle in one bike race, he and co-driver a cool $2.31 million – nearly twice the estimated pre-sale price. The auction Peter Revson raced a Porsche 908/02 in the 12 Hours of Sebring, winning drew 800 people to the Monterey Jet Center in California and attracted their engine class and finishing second to Mario Andretti’s Ferrari by a spirited bidding according to Christie’s Rik Pike. margin of just 23 seconds. So begins another chapter in the life of one of McQueen’s favourite cars, which he drove for nearly a decade. McQueen’s Lusso inspires an almost fetish- like fascination, created from a potent blend of McQueen mythology and an ‘racing IS LIFE. insatiable desire for limited-edition 12-cylinder Ferraris. McQueen is dead 27 years but his iconic status has never been more assured. The Lusso is widely ANYTHING BEFORE acknowledged as Ferrari’s greatest aesthetic and engineering achievement. -
Kam Williams, “The “12 Years a Slave” Interview: Steve Mcqueen”, the New Journal and Guide, February 03, 2014
Kam Williams, “The “12 Years a Slave” Interview: Steve McQueen”, The new journal and guide, February 03, 2014 Artist and filmmaker Steven Rodney McQueen was born in London on October 9, 1969. His critically-acclaimed directorial debut, Hunger, won the Camera d’Or at the 2008 Cannes Film Festival. He followed that up with the incendiary offering Shame, a well- received, thought-provoking drama about addiction and secrecy in the modern world. In 1996, McQueen was the recipient of an ICA Futures Award. A couple of years later, he won a DAAD artist’s scholarship to Berlin. Besides exhibiting at the ICA and at the Kunsthalle in Zürich, he also won the coveted Turner Prize. He has exhibited at the Art Institute of Chicago, the Musee d’Art Moderne de la Ville de Paris, Documenta, and at the 53rd Venice Biennale as a representative of Great Britain. His artwork can be found in museum collections around the world like the Tate, the Museum of Modern Art, and the Centre Pompidou. In 2003, he was appointed Official War Artist for the Iraq War by the Imperial War Museum and he subsequently produced the poignant and controversial project Queen and Country commemorating the deaths of British soldiers who perished in the conflict by presenting their portraits as a sheet of stamps. Steve and his wife, cultural critic Bianca Stigter, live and work in Amsterdam which is where they are raising their son, Dexter, and daughter, Alex. Here, he talks about his latest film, 12 Years a Slave, which has been nominated for 9 Academy Awards, including Best Picture and Best Director. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
PROGRAM OCTOBER 4TH 2018-1.Xlsx
CINEMA AUGUSTA PROGRAM COMING ATTRACTIONS BELOW or VISIT OUR WEB PAGE PHONE 86422466 TO CHECK SESSION TIMES www.cinemaaugusta.com MOVIE START END PAW PATROL MIGHTY PUPS (G) Oct 4th Thu PAW PATROL (G) 12.00pm 12.50pm Max Calinescu, Devan Cohen. SMALLFOOT (G) 1.00pm 2.40pm Our favourite pups are back with all new superpowers on CHRISTOPHER ROBIN (G) 2.50pm 4.40pm their biggest mission yet. VENOM (M) 4.50pm 6.50pm The House with Clock in Walls (PG) 7.00pm 8.40pm JOHNNY ENGLISH STRIKES AGAIN (PG) VENOM (M) 8.50pm 10.45pm Rowan Atkinson. After a cyber‐attack reveals the identity of all of the active Oct 5th Fri PAW PATROL (G) 10.30am 11.20am undercover agents in Britain, Johnny English is forced to come TEEN TITANS GO (PG) 11.30am 1.00pm out of retirement to find the mastermind hacker. The House with Clock in Walls (PG) 1.10pm 3.00pm THE MERGER (M) VENOM (M) 3.10pm 5.10pm Damian Callinan, John Howard, Kate Mulvany. SMALLFOOT (G) 5.20pm 7.00pm Troy Carrington, a former professional football player returns THE MERGER (M) 7.10pm 8.50pm to his country town after an abrupt end to his sporting career VENOM (M) 9.00pm 11.00pm and is persuaded to coach the hapless local footy team, the Roosters. Oct 6th Sat SMALL FOOT (G) 10.30am 12.10pm VENOM (M) VENOM (M) 12.20pm 2.20pm Tom Hardy, Michelle Williams. PAW PATROL (G) 2.30pm 3.20pm TEEN TITANS GO (PG) 3.30pm 5.00pm When Eddie Brock acquires the powers of a symbiote, he will CHRISTOPHER ROBIN (G) 5.10pm 7.00pm have to release his alter‐ego Venom to save his life. -
Two Years Ago, Found Was Steve Mcqueen's Iconic 1968 Ford Mustang GT
Two years ago, found was Steve McQueen's iconic 1968 Ford Mustang GT. Only traces of its original highland green paint job remained as it had sat unnoticed in a backyard in Mexico for years. Collectors had been searching for it for decades. Of course, this is not just any old '68 Stang. This was one of the original cars used in the classic Steve McQueen film "Bullitt," a film that defined "cool" for a generation of Americans. McQueen was Hollywood's "King of Cool" for a reason. In his role as the detective Frank Bullitt, he literally flies his car through the streets of San Francisco in what is regarded by many as the greatest car chase scene in cinematic history. Steve McQueen was not cool because he drove the Bullitt car. The Bullitt car was cool because Steve McQueen drove it. At the time, Steve McQueen was the number-one movie star in the world, and he is still used as a point of reference for masculinity and "coolness" to this day. He was (and is) the definition of an American icon. Yet, until late in his life he struggled to find meaning in life, and he suffered because of it. It might have been because he was born into a home of an alcoholic mother and a father that left him early in life, but eventually he found himself on the wrong side of the law more than once. He was arrested several times as a teen and sent to truancy homes for rebellious kids. He served in the Marine Corps, where he demonstrated both valor and rebellion. -
Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2004 Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Film and Media Studies Commons Custom Citation King, Homay. "Free Indirect Affect in Cassavetes' Opening Night and Faces." Camera Obscura 19, no. 2/56 (2004): 105-139, doi: 10.1215/02705346-19-2_56-105. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/40 For more information, please contact [email protected]. 1 Homay King, “Free Indirect Affect in Cassavetes’ Opening Night and Faces,” Camera Obscura 56, v. 19, n. 2 (Summer 2004): 104-135. Free Indirect Affect in Cassavetes’ Opening Night and Faces Homay King How to make the affect echo? — Roland Barthes, Roland Barthes by Roland Barthes1 1. In the Middle of Things: Opening Night John Cassavetes’ Opening Night (1977) begins not with the curtain going up, but backstage. In the first image we see, Myrtle Gordon (Gena Rowlands) has just exited stage left into the wings during a performance of the play The Second Woman. In this play, Myrtle acts the starring role of Virginia, a woman in her early sixties who is trapped in a stagnant second marriage to a photographer. Both Myrtle and Virginia are grappling with age and attempting to come to terms with the choices they have made throughout their lives. -
Biographical Description for the Historymakers® Video Oral History with James Earl Jones
Biographical Description for The HistoryMakers® Video Oral History with James Earl Jones PERSON Jones, James Earl Alternative Names: James Earl Jones; Life Dates: January 17, 1931- Place of Birth: Arkabutla, Mississippi, USA Work: Pawling, NY Occupations: Actor Biographical Note Actor James Earl Jones was born on January 17, 1931 to Robert Earl Jones and Ruth Connolly in Arkabutla, Mississippi. When Jones was five years old, his family moved to Dublin, Michigan. He graduated from Dickson High School in Brethren, Michigan in 1949. In 1953, Jones participated in productions at Manistee Summer Theatre. After serving in the U.S. Army for two years, Jones received his B.A. degree from the University of Michigan in Ann Arbor in 1955. Following graduation, Jones relocated to New York City where he studied acting at the American Theatre Wing. Jones’ first speaking role on Broadway was as the valet in Sunrise at Campobello in 1958. Then, in 1960, Jones acted in the Shakespeare in Central Park production of Henry V while also playing the lead in the off-Broadway production of The Pretender. Geraldine Lust cast Jones in Jean Genet’s The Blacks in the following year. In 1963, Jones made his feature film debut as Lt. Lothar Zogg in Dr. Strangelove, directed by Stanley Kubrick. In 1964, Joseph Papp cast Jones as Othello for the Shakespeare in Central Park production of Othello. Jones portrayed champion boxer Jack Jefferson in the play The Great White Hope in 1969, and again in the 1970 film adaptation. His leading film performances of the 1970s include The Man (1972), Claudine (1974), The River Niger (1975) and The Bingo Long Traveling All-Stars and Motor Kings (1976). -
Viola Davis's Call to Adventure
PROFILES DECEMBER 19 & 26, 2016 ISSUE VIOLA DAVIS’S CALL TO ADVENTURE How the star of “Fences” and “How to Get Away with Murder” got away from her difficult past. By John Lahr “I had a call to adventure, a call to live life bigger than myself,” Davis said. Photograph by Awol Erizku for The New Yorker n January 25, 2009, a jubilant Meryl Streep stood before a gala crowd at the O Screen Actors Guild Awards, in Los Angeles, having just won an award for her role in “Doubt,” the flm adaptation of John Patrick Shanley’s Pulitzer Prize- winning play about sexual abuse, race, and the Catholic Church. Clutching her statuette, Streep gave a shout-out to the rest of the cast. When she got to Viola Davis—who had earned her frst Academy Award nomination for her performance as the mother of an African-American boy a priest is accused of abusing—Streep saluted her colleague as “gigantically gifted,” then threw up her hands. “My God!” she said. “Somebody give her a movie!” The industry seems to have listened. Davis—“a newcomer at forty-fve,” as Streep later joked—has made twenty-one flms since then. Not all her roles have been large or central to the narrative arc, but, as Aibileen Clark, the maid who helps expose the folly of the white Mississippi matrons she serves, in “The Help”(2011), she was a popular success and gained a second Academy Award nomination. “No one had ever akst me what it felt like to be me,” Aibileen says at the end of the flm. -
By: Makayla Chanel Brown
CICELY TYSON By: MaKayla Chanel Brown "Cicely Tyson was an award-winning film, television and stage actress, notable for her roles in 'The Autobiography of Miss Jane Pittman,' 'The Help' and Broadway's 'The Trip to Bountiful,' among others." EARLY LIFE Tyson was born in New York City on December 19, 1924, and grew up in Harlem, New York. At the age of 18, she walked away from a typing job and began modeling. Tyson was then drawn to acting, though she had not been permitted to go to plays or movies as a child. When she got her first acting job, her religious mother, feeling that Tyson was choosing a sinful path, kicked her out of their home. "In my early years, there were a number of experiences that made me decide I could not afford the luxury of just being an actress. There were a number of issues I wanted to address. And I wanted to use my career as a platform." ~Cicely Tyson NOTABLE HONORS ❖ In 1977 Tyson was inducted and become a member of the Black Filmmakers Hall of Fame ❖ She was honored by the Congress of Racial Equality and by the National Council of Negro Women. ❖ 2010, the National Association for the Advancement of Colored People presented Tyson with its 95th Spingarn Medal — an award given to African Americans who have reached outstanding levels of achievement. ❖ She was a recipient of the Kennedy Center Honor. ❖ The following year, she was honored with the Presidential Medal of Freedom by Barack Obama. "One of the things I have always said about the man-woman relationship is that I don't want anybody to walk ahead of me, and I don't want anybody to walk behind me. -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity.