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Gaylen Gerber 20 September - 21 December Opening Reception: 20 September 2018 at 6 – 7:30 P.M
Gaylen Gerber 20 September - 21 December Opening Reception: 20 September 2018 at 6 – 7:30 p.m. Gallery Talk with Forrest Nash: 21 September 2018 at 12:00 – 1:00 p.m. The Arts Club of Chicago is pleased to present the first survey of Gaylen Gerber’s Supports, an ongoing series in which the artist intervenes upon collected artifacts. Offering pause for reflection on a shared history, Gerber’s art is indebted to both the monochrome and the readymade. Supports features objects of diverse origin, each painted uniformly in institutional gray or white. Whether a mirror from the Kennedy winter White House, a Brazilian milagre, or a vintage coke bottle, each is undated and bears the title Support. Gerber’s attentive, almost “reverential” brushstrokes, as Roberta Smith has described them in the New York Times, render the objects visible in a new way. This survey elaborates on the decentralization of attention while it affirms the all-encompassing aspects of the artists’ practice. For his exhibition at The Arts Club of Chicago, Gerber places the works in the gallery to suggest a cohesive visual field, yet at the same time, he differentiates each object through the regularity of its painted surface. The resulting installation encourages recognition of a shared reality, even as it enables diverse emotional responses to individual Supports, ranging from delight to distress. Gerber acknowledges the undertakings of vast cultural traditions as well as their often beautiful, sometimes poignant limitations. The exhibition further addresses a larger question about how and why objects so often remain compelling. The survey affirms the more inclusive aspects of the artist’s practice. -
Anna Kunz Studio
Anna Kunz Studio - 5333 W. Lake Street, Chicago, IL 60644 Email - [email protected] EDUCATION 2009 The Skowhegan School of Painting and Sculpture, Skowhegan, ME MFA, Northwestern University, Evanston, IL BFA, The School of the Art Institute of Chicago, Chicago, IL SOLO EXHIBITIONS 2019- upcoming, Galleri Urbane Dallas/Marfa, September 2019 2018 Color Cast, The Hyde Park Art Center, Chicago, IL 2017 HEROES FOR GHOSTS, Galleri Urbane, Dallas TX 2017 Physical Sunshine, The Riverside Art Center, Riverside, IL 2017 Venus, Providence College Galleries, Providence, RI, curated by Jamilee Lacy 2017 Color Scores, The University Club of Chicago, Chicago, IL 2017 Yellow Pinto, McCormick Gallery, Chicago, IL 2014 Paintings for other Places, 737 N. Michigan Avenue, Chicago, IL 2010 Eidolon, Commissioned Courtyard Installation, Smart Museum of Art, University of Chicago, IL 2009 Do I make you Happy, Installation at Robin Richman, Chicago,IL 2008 New Paintings, Tory Folliard Gallery, Milwaukee, WI 2007 Illinois State University Gallery, Normal, IL 2006 Eastern Illinois University, Tarble Arts Center, Charleston, IL 2005 Dayfield, Illinois State Museum, Springfield, IL 2002 Pink, Green, Mixture Contemporary Art, Houston, TX 2001 Painting Lounge, Special Project for the Elmhurst Art Museum, Elmhurst, IL 2000 Paintings, Thomas McCormick Gallery, Chicago, IL 2000 Feelie, Northwestern University, Dittmar Memorial Gallery, Evanston,IL GROUP EXHIBITIONS Upcoming- 2019- Inquiry, University of Cincinati, OH Made in Paint, Golden Fountation, New Berlin, NY Group Show, Berlin 2018 Hover, Vibrate, Swell, Reverse, TSA LA, Los Angeles, CA, curated by Claudine Isé, including works by Lecia Dole-Recio, Yunhee Min, Josue Pellot, and Michelle Wasson 2017 Tetrachromat Seeing Color Differently, Metropolitan Capital Bank, Chicago, IL 2017 Invisible. -
Best Art Shows of 2013
Best art shows of 2013 'Impressionism' at Art Institute best in show in a funky year December 13, 2013 By Claudine Ise, Special to the Tribune Phyllis Bramson, "Idle Hours" (2000). (Elmhurst Art Museum) When it came to Chicago's visual art exhibitions, 2013 was not a historic year. There were few if any truly ambitious new art works, nor did we see many museums experimenting with innovative exhibition forms. Instead, 2013 was a year where artists and art institutions alike were consumed with the subject of history itself. Is looking backward the only way to move forward? For now, the answer seems to be yes, so we'll follow suit. Below, in no particular order, are this year's highlights. 1. "Impressionism, Fashion and Modernity" at the Art Institute of http://articles.chicagotribune.com/2013-12-13/entertainment/chi-best-art-shows-2013-20131213_1_art- institute-arts-club-imagism Chicago, June 26-September 29: It was designed to be a wildly popular, world-touring blockbuster, and in that it succeeded, but this incisive look at figurative painting's relationship to Parisian fashion from the 1860s-1880s also drew on rock-solid scholarship and offered fresh perspectives on familiar Impressionist classics — not to mention close- up views of the chicly beribboned garments that inspired them. 2. "Africobra in Chicago," The South Side Community Art Center, the Reva and David Logan Center for the Arts, and The Dusable Museum of African American History, May 10 – September 29: Not only did this vibrant trio of exhibitions and related programs offer the most comprehensive survey yet of the aesthetics, culture, and political philosophy of AFRICOBRA (African Commune of Bad Relevant Artists), they provided a necessary corrective to the notion that Imagism and its offshoots were Chicago's only historically significant postwar art movements. -
Art-Related Archival Materials in the Chicago Area
ART-RELATED ARCHIVAL MATERIALS IN THE CHICAGO AREA Betty Blum Archives of American Art American Art-Portrait Gallery Building Smithsonian Institution 8th and G Streets, N.W. Washington, D.C. 20560 1991 TRUSTEES Chairman Emeritus Richard A. Manoogian Mrs. Otto L. Spaeth Mrs. Meyer P. Potamkin Mrs. Richard Roob President Mrs. John N. Rosekrans, Jr. Richard J. Schwartz Alan E. Schwartz A. Alfred Taubman Vice-Presidents John Wilmerding Mrs. Keith S. Wellin R. Frederick Woolworth Mrs. Robert F. Shapiro Max N. Berry HONORARY TRUSTEES Dr. Irving R. Burton Treasurer Howard W. Lipman Mrs. Abbott K. Schlain Russell Lynes Mrs. William L. Richards Secretary to the Board Mrs. Dana M. Raymond FOUNDING TRUSTEES Lawrence A. Fleischman honorary Officers Edgar P. Richardson (deceased) Mrs. Francis de Marneffe Mrs. Edsel B. Ford (deceased) Miss Julienne M. Michel EX-OFFICIO TRUSTEES Members Robert McCormick Adams Tom L. Freudenheim Charles Blitzer Marc J. Pachter Eli Broad Gerald E. Buck ARCHIVES STAFF Ms. Gabriella de Ferrari Gilbert S. Edelson Richard J. Wattenmaker, Director Mrs. Ahmet M. Ertegun Susan Hamilton, Deputy Director Mrs. Arthur A. Feder James B. Byers, Assistant Director for Miles Q. Fiterman Archival Programs Mrs. Daniel Fraad Elizabeth S. Kirwin, Southeast Regional Mrs. Eugenio Garza Laguera Collector Hugh Halff, Jr. Arthur J. Breton, Curator of Manuscripts John K. Howat Judith E. Throm, Reference Archivist Dr. Helen Jessup Robert F. Brown, New England Regional Mrs. Dwight M. Kendall Center Gilbert H. Kinney Judith A. Gustafson, Midwest -
Chicago Political Artана2014анаthe Newberry Library
Chicago Political Art 2014 The Newberry Library Instructor: Daniel Tucker | [email protected] | 3125157364 Starting with the 1906 publication of The Jungle by Upton Sinclair (held in the Newberry in Case 4A 362 Special Collections 4th floor), this seminar will look at how Chicago was established as a site for artists to use their tools to advocate for social and political transformation. The intersection of arts and crafts with early social work at Hull House will be traced through the AfricanAmerican and Latino community muralists of the 1960s and 70s. More recent events such as Sculpture Chicago’s 1993 outdoor expo Culture in Action will be explored alongside of more activist public art like Department of Space and Land Reclamation in 2001. This course will address many artists (Ellen Gates Starr, Upton Sinclair, John T. McCutcheon, The Dill Pickle Club, Gwendolyn Brooks) that draw from reproduced materials or selections from the Newberry Library Core, Special Collections, and online exhibitions. Additionally, the students will be exposed to ephemera and publications related to more recent (1960sPresent) artists drawn together in the instructor’s newly organized “Chicago Ephemera Archives” (neverthesame.org). Through a fellowship at the Gray Center for Arts and Inquiry at the University of Chicago, the Never The Same archive is being developed to document local political art since the 1960s. These materials will be made available to the students to provide handson connection with the sourcematerial and printed matter related to these practices. The artists and events covered in this seminar tell the story of the city, as well as the evolution of different aesthetic and artistic strategies and social movements. -
ANNA KUNZ CV EDUCATION 2009 The
ANNA KUNZ CV EDUCATION 2009 The Skowhegan School of Painting and Sculpture, Skowhegan, ME MFA, Northwestern University, Evanston, IL BFA, The School of the Art Institute of Chicago, Chicago, IL UPCOMING 2018 Solo Exhibition: The Hyde Park Art Center, Chicago, IL SOLO EXHIBITIONS 2017 Tetrachromat Seeing Color Differently, Metropolitan Capital Bank, Chicago, IL 2017 Solo Exhibition: Galleri Urbane, Dallas TX 2017 The Riverside Art Center, Riverside, IL 2017 All the World is a Stage, curated by Jamilee Polson Lacy, Providence College Gallery, Providence, RI 2017 The University Club of Chicago, Chicago, IL 2017 New Work, McCormick Gallery, Chicago, IL 2014 Paintings for other Places, 737 N. Michigan Avenue, Chicago, IL 2010 Eidolon, Commissioned Courtyard Installation, Smart Museum of Art, University of Chicago, Chicago, IL GROUP EXHIBITIONS 2018 TSA LA, Los Angeles, CA 2017 ECHO SPECTRUM, curated by Kirk Stoller and Mel Prest, Trestle Gallery, Brooklyn NY, 2017 Invisible. Visible, Divisible, Co- Prosperity Sphere, Chciago, IL, curated by Tom Tourlemke 2017 Paintings, Process, Material, Texture, Galleri Urbane, Dallas, TX 2017 C2C Project Space, San Franscisco CA, with Chrisotpher K Ho and Drew Bennett 2016 Expo Chicago, Thomas Mc Cormick Gallery 2016 Chicago Artist Coalition, The Annual, curated by Edra Soto 2016 So Much Land: McCormick Gallery, Chicago, IL, curated by Jessica Cochran 2016 Known Unknowns, Cleve Carney Gallery, College of Dupage, IL 2016 SYNAPSE, curated by Meg Duguid ,Columbia College Chicago, IL 2016 Heart of the Matter:The -
Oral History Transcript T-0229, Interview with William N. Eisendrath
ORAL HISTORY T-0229 INTERVIEWEES: WILLIAM N. EISENDRATH, JR. INTERVIEWER: IRENE CORTINOVIS ARTISTS AND ART COLLECTORS PROJECT This transcript is a part of the Oral History Collection (S0829), available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. CORTINOVIS: Today is January 8, 1973. This is Irene Cortinovis from the University of Missouri Oral History Program. I have with me today Mr. William Eisendrath who has long worked in the art world both in St. Louis and in Chicago. Well, Bill, suppose we start out and I'm going to be writing down proper names on this folder as we go along and then I'll check with you after we're finished for the spellings. This is for the transcriber. I'd like to know, first about you as an individual. What your education for your work in art, in art museums was, well, just start for instance where you were born and what kind of influence your family had. EISENDRATH; I was born in Chicago. Do you want the date? CORTINOVIS: If you want. EISENDRATH: March 4, 1903, which makes me about 70. CORTINOVIS: I must say you look marvelous for 70. EISENDRATH: I became interested in art in my freshman year at Yale. It was solely an interest. I went abroad after my graduation from Yale and had a year's tour of Europe. CORTINOVIS: What kind of studies did you pursue at Yale, though? EISENDRATH: Almost all together English Literature, but in company with a number of friends I became interested in art. -
EVENT GUIDE SPECIAL ADVERTISING SECTION: This Section Was Edited and Produced by the Chicago Architecture Foundation
ARCHITECTUREFREE FESTIVAL This weekend, get FREE, behind-the-scenes access to 200 buildings across Chicago. openhousechicago.org EVENT GUIDE SPECIAL ADVERTISING SECTION: This section was edited and produced by the Chicago Architecture Foundation. 1 PRESENTED BY About the Chicago Architecture Foundation Five years ago, the Chicago to embark on a tour, workshops for Architecture Foundation (CAF) students, lectures for adults and decided to bring a city-wide festival of field trip groups gathered around architecture and design to Chicago— our 1,000-building scale model of the quintessential city of American Chicago. architecture. London originated the In addition to Open House Chicago, “Open House” concept more than 20 CAF is best known for our 85 different years ago, New York City had several Chicago-area tours, including the top- years under its belt and even Toronto ranked tour in the city: the Chicago produced a similar festival. By 2011, it Architecture Foundation River Cruise was Chicago’s time and Open House aboard Chicago’s First Lady Cruises. Chicago was born. Our 450 highly-trained volunteer CAF was founded in 1966. As a docents lead more than 6,000 walking, STS. VOLODYMYR & OLHA UKRAINIAN CATHOLIC CHURCH (P. 10) photo by Anne Evans nonprofit organization dedicated boat, bus and L train tours each year. to inspiring people to discover why CAF also offers exhibitions, public designed matters, CAF has grown programs and education activities Ten things to know about over the years to become a hub for for all ages. Open House Chicago learning about and participating in Learn more about CAF and our architecture and design. -
Darrell Roberts1800 West Cornelia #112Chicago, IL 60657
Darrell Roberts 1800 West Cornelia #112 Chicago, IL 60657 773.969.6053 Gallery Representation and Education Thomas McCormick Gallery, 835 West Washington Boulevard, Chicago, IL 60607 David Richard Gallery, 1570 Pacheco Street, Santa Fe, NM 87505 1998-present, Studio based in Chicago, have worked in Brooklyn; New York, Johnson; Vermont, Ashkelon; Israel, San Antonio and Austin; Texas, Delhi; India, Kushtia; Bangladesh, Beijing; China and Cadiz; Spain. 2003 MFA: The School of The Art Institute of Chicago 2000 BFA: The School of The Art Institute of Chicago 1997 BA: Art History, The University of Northern Iowa, Cedar Falls, Iowa 1996 summer, Leon Levy Expedition, Ashkelon, Israel Selected Resume 2018 EXPO CHICAGO 2018 with Thomas McCormick Gallery, Chicago. Art New York pier 94 with Thomas McCormick Gallery, New York. Vitality Rising, Zhou B Art Center, Chicago. A Selection of Gallery works, Thomas McCormick Gallery, Chicago. Art Palm Beach Modern + Contemporary with Thomas McCormick Gallery, Florida. 2017 Art Miami 2017, showing with Thomas McCormick Gallery, Miami, Florida. Beauty in Abstraction by Steve Seong. A Documentary on an Abstract Artist: Darrell Roberts, https://vimeo.com/207623863 EXPO CHICAGO 2017 with Thomas McCormick Gallery, Chicago. Thick, Slather, More, Solo Exhibition, David Richard Gallery, Santa Fe. Tranˈsperənsēs, Solo exhibition, Ignition Projects, Chicago. Wild garlic - contemporary Chicago, Ignition Projects, Chicago. Participating artist in Anne Harris’s The Mind’s I is an ongoing drawing project at the Ed Paschke Art Center, Chicago. Waxman, Lori, “Last chance to see 3 noteworthy Chicago art shows” review of “Not Just Another Pretty Face” @ The Hyde Park Art Center, Chicago Tribune, Wednesday, January 11, 2017. -
EVENT GUIDE SPECIAL ADVERTISING SECTION: This Section Was Edited and Produced by the Chicago Architecture Foundation
ARCHITECTUREFREE FESTIVAL This weekend, get FREE, behind-the-scenes access to 200+ buildings across Chicago. openhousechicago.org EVENT GUIDE SPECIAL ADVERTISING SECTION: This section was edited and produced by the Chicago Architecture Foundation. 2 PRESENTED BY ABOUT THE CHICAGO ARCHITECTURE FOUNDATION Six years ago, the Chicago Architecture Foundation (CAF) launched the first Open House Chicago. This free, citywide festival drew 23,000 people in its first year. By 2016, it grew to 100,000 attendees, making it one of the largest architecture events in the world. This year is our biggest yet, with more than 200 sites. OHC is just one of many CAF programs that inspire people to discover why design matters. Today, when you visit CAF at 224 S. Michigan Ave., you’ll find visitors embarking on tours, FIRST CHURCH OF DELIVERANCE, BRONZEVILLE (p. 15) camps for children, lectures for adults and field trip groups gathered around our 3D model of Chicago. TEN THINGS TO KNOW ABOUT In summer 2018, CAF will open the Chicago Architecture Center at CHICAGO ARCHITECTURE CENTER — OPEN HOUSE CHICAGO (OHC) COMING IN SUMMER 2018 111 E. Wacker Dr. This new location is situated above the dock for the 1. OHC is a FREE public festival with behind-the-scenes access Chicago Architecture Foundation River CAF’s 450 expert volunteer docents to 200+ buildings across Chicago—no tickets required. Cruise aboard Chicago’s First Lady will lead 85+ tours from the Center, Cruises—the city’s top-ranked tour. by boat, bus, L train and on foot for SPECIAL CHICAGO ARCHITECTURE FOUNDATION ADVERTISING SECTION | THURSDAY, OCTOBER 12, 2017 ADVERTISING SECTION | THURSDAY, SPECIAL CHICAGO ARCHITECTURE FOUNDATION 2. -
L U C Y S L I V I N S
L U C Y S L I V I N S K I www.Lucyslivinski.com EDUCATION 1984 MFA in Fiber, Cranbrook Academy of Art, Bloomfield Hills, Michigan 1980 BFA in Fiber, Northern Illinois University, DeKalb, Illinois PUBLIC COMMISSIONS (SELECTED) 2018 Phoenix Rising, City of Chicago, 50X50 Neighborhood Arts Project 2014 Reflections on Scott’s Mill, Knoch Knolls Nature Center, Naperville, IL 2013 Spirits Rising, Prudential Plaza, Chicago, Il 2010 Silver Surf Gate, Logan Skate Park, City of Chicago, Chicago, Illinois 2009 Mammoth, City of Bolingbrook, Bolingbrook, Illinois 2008 Natural Rhythm, Saint Cloud Public Library, Saint Cloud, MN 2007 Smoke, Lincoln Park Lake View Art Initiative, Chicago, Illinois Natural Order, Installation, Lincoln Park Conservatory, Chicago, Illinois 2006 Grace, Brock Commons Outdoor Sculpture Project, Longwood University, Farmville, VA Hedgerow, Allstate and Chicago Public Art: “Artists and Automobiles,” Grant Park, Chicago, IL Surge, Bartholomew Recycling Center, Columbus, IN 2005 Bloom, Art Park, Lewiston, New York Shadow, Skokie North Shore Sculpture Park, Skokie, Illinois 2004 Natural Reactor, Art in the Garden, Grant Park, Chicago, Illinois Ode II, South Bend Regional Airport, South Bend, Indiana 2003 Ode II & Drift, GreenART / ParkART, Public Art Project, Marquette Park, Chicago, Illinois 2000 Delicate Balance, River of Art, Shedd Aquarium, Chicago, Illinois The Seed Collector, The Field Museum, Chicago, Illinois COLLABORATIVE PROJECTS 2020 The Giving Tree, with Katrin Schnabl, University of Chicago Lab Schools, Chicago, Illinois -
2001 Wrightiana
7/13/2017 Wrightiana Collection, : Finding Aid - fullfindingaid Ryerson and Burnham Archives, Ryerson and Burnham Libraries The Art Institute of Chicago Finding Aid Published: 2001 Wrightiana Collection, c.1897-1997 (bulk 1949-1969) Accession Number: 2001.3 Electronic access to this finding aid was made possible through a grant from the Andrew W. Mellon Foundation. ©Ryerson and Burnham Archives, The Art Institute of Chicago. All rights reserved. VIEW ALL DIGITIZED OBJECTS FROM THIS COLLECTION COLLECTION SUMMARY: TITLE: Wrightiana Collection, c.1897-1997 EXTENT: 3.5 linear feet (7 boxes), 4 oversize portfolios and flatfile materials REPOSITORY: Ryerson and Burnham Archives, Ryerson and Burnham Libraries, The Art Institute of Chicago 111 S. Michigan Ave., Chica go, IL 60603-6110 (312) 443-7292 phone [email protected] http://www.artic.edu/a ic/libraries/rbarchives/rbarchives.html ABSTRACT: The architecture, furniture, decorative arts, and philosophies of American architect Frank Lloyd Wright are documented through booklets, pamphlets, brochures, letters, transcripts of lectures, published articles, and photographs. PHYSICAL DESCRIPTION: Printed papers, correspondence, black and white and color photographic prints, architectural reprographic prints, color photomechanical prints, postcards, negatives, printed papers, slides, lantern slides and transparencies, postage stamps, audio media, manuscript and typescript papers, and photocopies. ORIGINATION: Ryerson and Burnham Archives, The Art Institute of Chicago ACQUISITION INFORMATION: This collection is a compilation of material from various sources, including donations from Frank Lloyd Wright, John Lloyd Wright, Bruce Goff, Wilbert Hasbrouck, Carolyn Howlett, William McNeal, Jr. and other unidentified sources. Additional materials were transferred from the D. Coder Taylor and L. Morgan Yost Papers and the Bruce Goff Archive in the Ryerson and Burnham Archives.