DOCSLIB.ORG

Guide to Cables, Power Products, Accessories, & Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

STEREO • MUSIC Guide to cables, power products, accessories, & music sponsored by NEXT pagE go to: Contents | From the Editor | on the Horizon | Feature Articles | Cables & Interconnects | Power Conditioners & Cords | Accessories | Music Contents Premier sponsoR Power Cable and Conditioner Interconnect and Power Features Reviews Cord Reviews Accessories Music • From the Editor tHIS SECtIoN SPoNSoRED BY • On the Horizon: Great New Cables • Stillpoints Feet tHIS SECtIoN SPoNSoRED BY tHIS SECtIoN SPoNSoRED BY tHIS SECtIoN SPoNSoRED BY And Accessories • Moon Audio iPod Cable Coming Your Way • How to Choose Cables and Interconnects • What to Listen For in • Transparent The Link and • 13 Power Cords Compared • Ten Best New CDs of 2011 Cables and Wave • Audience Au24 AC Cord • Ten Best Reissues on CD Interconnects • Cable Research Labs • Synergistic Power Cell 10 SE • Ten Best New Vinyl Releases • Cable and Bronze • Shunyata Talos and Triton • Ten Best Reissues on Vinyl Interconnect Glossary • Analysis Plus Big Silver • Quantum QB 6 AC • Resurrecting Musical Treasures • Editors' Choice Oval Conditioner and Nordost • New and Upcoming Reissues Awards: Cable and • AudioQuest Diamond USB Sort Kones • Download Round-Up Interconnect • Cardas Clear and Clear • Editors' Choice Beyond Awards: Power • Shunyata Anaconda Conditioners • Audience AU24e • Editors' Choice • Crystal Cables Standard Awards: Accessories Diamond • AudioQuest Wildwood • MIT Oracle MA-X Click on one of the links above to jump to that section, feature or review. 3 Guide to Cables, Power Products, Accessories, & Music www.theabsolutesound.com previous page NeXT page go to: Contents | From the Editor | on the Horizon | Feature Articles | Cables & Interconnects | Power Conditioners & Cords | Accessories | Music STEREO • MUSIC GUIDE to cables, Power proDuCtS, accessories, & MuSIC publisher. Jim Hannon senior writers. Anthony H. cordesman NextScreen, LLC, Inc. editors-in-chief. Robert Harley wayne Garcia chairman and ceo . tom martin alan sircom robert e. Greene vp/group publisher. Jim Hannon chris martens executive editor. Jonathan Valin tom martin acquisitions manager dick olsher advertising reps . c heryl smith and associate editor. neil Gader andrew Quint (512) 891-7775 music editor. mark lehman paul seydor steven stone marvin lewis alan taffel mtm sales creative director. torquil dewar reviewers & (718) 225-8803 art director. shelley lai contributing writers. Duck baker, Greg cahill, stephen estep, ian to sign up for buyer’s Guides founder/editor emeritus. Harry pearson Harris, Jacob Heilbrunn, alerts, click here Jason Kennedy, sherri lehman, ted libbey, david mcGee, Kirk address letters to the editor: midtskog, bill milkowski, the absolute sound, derk richardson, chris 8868 research blvd., austin, tX 78758 or thomas, Jeff wilson [email protected] or [email protected] ©2011 nextscreen, LLC 4 Guide to cables, power products, accessories, & music www.theabsolutesound.com pREvIOUS pagE NEXT pagE go to: Contents | From the Editor | on the Horizon | Feature Articles | Cables & Interconnects | Power Conditioners & Cords | Accessories | Music FROM THE Editor elcome to our latest free buyer’s Guide, brought to you by The Absolute Sound and Hi-Fi Plus. this buyer’s Guide is devoted to the all-important but often underestimated category of cables, Winterconnects, and power conditioners. this Guide also includes the very best music we’ve reviewed in the past year, along with some feature articles on what goes on behind the scenes in making a great-sounding music release. In this issue you’ll find a wide range of reviews, all the cables. Although I’ve listened to literally hundreds of different This experience drives home three important points. way from affordable entry-level cables, interconnects, cables and interconnects in my own system, a recent simple First, replacing stock interconnects, speaker cables, and and power cords to elaborate state-of-the-art products. demonstration hit home just how important cables are in power cords can render a significant improvement in system Don’t be overwhelmed by the vast array of choices; finding realizing a system’s musical potential. The demonstration performance. Second, even entry-level cables and power just the right cable for your system and budget is easier was in Transparent Audio’s listening room, and the system cords are a huge upgrade over stock units. Third, even a than you might think. A good place to start is the series of included entry-level Rotel electronics and B&W 685 modest system can benefit from specialty cables. feature articles that kick off this Buyer’s Guide—“Cable and loudspeakers ($650 per pair). We first listened with stock Although most of you already know the value of quality Interconnect Glossary” defines all the jargon associated with interconnects and speaker cables, and then replaced those cables and interconnects, if you haven’t replaced your power cables, “How to Choose Cables and Interconnects” guides with Transparent’s The Link interconnects ($85 per meter pair) cords and invested in a good AC conditioner, you’re in for a you through the cable-selection process, and “What to Listen and The Wave speaker cable ($200 per 8' pair). The system pleasant surprise. Clean AC power is the foundation on which For in Cables and Interconnects” explains the specific sonic suddenly became much more musically communicative and the rest of your system should be built. A good AC system will qualities between good and poor cables. engaging. I was in for a second surprise; we replaced the render blacker backgrounds, greater resolution of detail, a If your system is hooked up with generic cables, hardware- stock power cords with Transparent’s High-Performance more spacious soundstage, and smoother textures. store “speaker wire,” and stock black power cords, your Powerlink ($125 each) and the system took another step up Good listening. system is performing far below its potential. Any audio system in sound quality. robert Harley can immediately sound better by improving the quality of the Click here to turn the page. 5 Guide to cables, power products, accessories, & music www.theabsolutesound.com pREvIOUS pagE NEXT pagE go to: Contents | From the Editor | on the Horizon | Feature Articles | Cables & Interconnects | Power Conditioners & Cords | Accessories | Music On the Horizon tHIS SECtIoN SPonsored by 6 Guide to cables, power products, accessories, & music www.theabsolutesound.com pREvIOUS pagE NEXT pagE go to: Contents | From the Editor | on the Horizon | Feature Articles | Cables & Interconnects | Power Conditioners & Cords | Accessories | Music oN tHE HoRIZoN great New Cables and accessories Coming Your Way Neil gader Analysis-Plus Solo Crystal Oval-In Interconnect and Oval 8 Speaker Wire Analysis-Plus’ radically improved Solo Crystal Oval-In interconnect utilizes a new dielectric composition to improve speed and resolution. These interconnects are a perfect complement to either A-P’s Silver Oval or Big Silver Oval speaker cables. Constructed of the same material (silver over a stabilizing strand of oxygen-free copper) as the Silver Oval, braided into A-P’s Alpha Design Labs iD-30P Series iDock Cable patented hollow oval geometry, the interconnects are wrapped with an open braided shield Alpha Design Labs uses Furutech’s Pure Transmission Technology to create high-value, for ultra-quiet, noise-free performance. These interconnects maintain the high-frequency innovative designs that everyone can afford. In the age of personal, portable electronics components of the source. Available single-ended with locking RCA connectors or balanced with everyone carries his music with him to connect to iDocks, headphone amps, home audio Neutrik XLR connectors. and even car systems. And there’s no better sounding (or hip-looking) cables than the ADL price: Interconnect, $550/1m pr. iD-30P series that comes in three versions to make every important connection you need. They feature silver-plated (Alpha) OCC conductors (28AWG) for minimal transmission loss The newly developed Solo Crystal Oval 8 speaker cable are the ideal match with the Solo and 24k gold-plated USB A-type or 3.5mm stereo connectors, straight or angled. The cable Crystal Oval-In interconnects or the more exotic Silver Crystal Oval-In. Oval 8 sports four 11- achieves top-grade noise isolation using double-layer shielding—aluminum foil and tinned gauge continuous cast copper (solo crystal copper) conductors used in a proprietary braided copper—in a RoHS-compliant sheath. The main conductors are treated with Furutech’s hollow oval geometry. It is available in internal bi-wire or shotgun (two wires per connector) (Alpha) Process—a deep cryogenic and demagnetizing treatment. The result is a wideband, configurations. When the two wires are combined in the shotgun mode, it is equivalent to a colorful, and engaging sound that will appeal to audiophiles and music lovers alike. robust 8-gauge conductor. price: In three versions, 0.15m and 1m lengths, $78–107. adl-av.com price: $2010/8’ pr. analysis-plus.com 8 Guide to cables, power products, accessories, & music www.theabsolutesound.com pREvIOUS pagE NEXT pagE go to: Contents | From the Editor | on the Horizon | Feature Articles | Cables & Interconnects | Power Conditioners & Cords | Accessories | Music oN tHE HoRIZoN Audience Au24e Phono Cable Audience has conducted considerable research into the electrical characteristics of phono cables and has concluded that given the different internal electrical characteristics
Recommended publications
  • CTBA Band Scramble at Threadgill's North

    CTBA Band Scramble at Threadgill's North

    Volume 37, No. 7 Copyright © Central Texas Bluegrass Association July 2015 Sunday, July 5: CTBA Band Scramble at Threadgill’s North By Eddie Collins up. It’s that time again. It’s the CTBA’s 19th annual garage sale and band scramble, Sun- Y day, July 5, 2-6 PM at Threadgill’s North, 6416 N. Lamar. The garage sale portion of the event will be where the buffet is usually set up. We’ll have CDs, instructional materials and other music related items, and T-shirts (didn’t make it out to the RayFest? Here’s your second chance to get a RayFest T-shirt at a bargain price). The second part of the event is the band scramble, where up to 40 area (continued on page 3) The weather in Texas is as changeable as a chameleon on a rain gauge. One year it’s a drought, next year it’s monsoon season. But don’t let that stop you from scrambling out to Threadgill’s on July 5. If you miss it, you’ll be green with envy. Photo by K. Brown. Jamming at the 2012 CTBA band scramble; Waterloo Ice House, June 1, 2012. Left to right: Jeff Robertson, Jacob Roberts, Matt Downing. Photo by K. Brown. July birthdays: Jeff Autry, Byron Berline, Ronnie Bowman, Sidney Cox, Dave Evans, Bela Fleck, Jimmy Gaudreau, Bobby Hicks, Jim Hurst, Alison Krauss, Andy Leftwich, Everett Lilly, Larry McPeak, Jesse McReynolds, Charlie Monroe, Scott Nygaard, Molly O’Day, Peter Rowan, Allan Shelton, Valerie Smith, Bobby Thompson, Jake Tullock, Rhonda Vincent, Keith Whitley… oh, and also the United States.
  • Tenor Saxophone Mouthpiece When

    Tenor Saxophone Mouthpiece When

    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
  • Atlas of American Orthodox Christian Monasteries

    Atlas of American Orthodox Christian Monasteries

    Atlas of American Orthodox Christian Monasteries Atlas of Whether used as a scholarly introduction into Eastern Christian monasticism or researcher’s directory or a travel guide, Alexei Krindatch brings together a fascinating collection of articles, facts, and statistics to comprehensively describe Orthodox Christian Monasteries in the United States. The careful examina- Atlas of American Orthodox tion of the key features of Orthodox monasteries provides solid academic frame for this book. With enticing verbal and photographic renderings, twenty-three Orthodox monastic communities scattered throughout the United States are brought to life for the reader. This is an essential book for anyone seeking to sample, explore or just better understand Orthodox Christian monastic life. Christian Monasteries Scott Thumma, Ph.D. Director Hartford Institute for Religion Research A truly delightful insight into Orthodox monasticism in the United States. The chapters on the history and tradition of Orthodox monasticism are carefully written to provide the reader with a solid theological understanding. They are then followed by a very human and personal description of the individual US Orthodox monasteries. A good resource for scholars, but also an excellent ‘tour guide’ for those seeking a more personal and intimate experience of monasticism. Thomas Gaunt, S.J., Ph.D. Executive Director Center for Applied Research in the Apostolate (CARA) This is a fascinating and comprehensive guide to a small but important sector of American religious life. Whether you want to know about the history and theology of Orthodox monasticism or you just want to know what to expect if you visit, the stories, maps, and directories here are invaluable.
  • Songs by Artist

    Songs by Artist

    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
  • Someone's in the Kitchen Where's Dinah? Gendered Dimensions of the Professional Culinary World"

    Someone's in the Kitchen Where's Dinah? Gendered Dimensions of the Professional Culinary World"

    DePaul University Via Sapientiae College of Education Theses and Dissertations College of Education Spring 6-14-2013 SOMEONE’S IN THE KITCHEN, WHERE’S DINAH? GENDERED DIMENSIONS OF THE PROFESSIONAL CULINARY WORLD Stephanie Konkol DePaul University Follow this and additional works at: https://via.library.depaul.edu/soe_etd Part of the Education Commons Recommended Citation Konkol, Stephanie, "SOMEONE’S IN THE KITCHEN, WHERE’S DINAH? GENDERED DIMENSIONS OF THE PROFESSIONAL CULINARY WORLD" (2013). College of Education Theses and Dissertations. 68. https://via.library.depaul.edu/soe_etd/68 This Dissertation is brought to you for free and open access by the College of Education at Via Sapientiae. It has been accepted for inclusion in College of Education Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. DePaul University College of Education SOMEONE’S IN THE KITCHEN, WHERE’S DINAH? GENDERED DIMENSIONS OF THE PROFESSIONAL CULINARY WORLD A Dissertation in Education With a Concentration in Curriculum Studies by Stephanie M. Konkol Copyright 2013 Stephanie M. Konkol Submitted in Partial Fulfillment Of the Requirements For the Degree of Doctor of Education June 14, 2013 iii ABSTRACT Traditionally cooking is considered to be women’s work, yet the vast majority of professional chefs, particularly in the upper echelons of restaurant work, are men. These curious gendered patterns stimulated interest in delving more deeply into the gendered nature of restaurant work. Existing research on this topic has concentrated on the front of the house (dining room) but has not addressed the gendered nature of the male-dominated back of the house (kitchen).
  • FITA Level 1 Coaching Guide

    FITA Level 1 Coaching Guide

    COACHES MANUAL ENTRY LEVEL http://www.archery.org FITA Coaches Committee Coaching Manual - Entry Level Table of Content s Introduction Chapter 1 The archer’s skills Chapter 2 S teps of the Shooting Sequence Chapter 3 Safety Chapter 4 Archery Classes and Entry level Program Chapter 5 Common Problems Chapter 6 Coach’s Role Chapter 7 Teaching suggestions for the Coach Chapter 8 Tip s for your demonstration, organization and present ation Chapter 9 Tip s for practice planning Chapter 10 Some suggested Teaching exercises Chapter 11 Facilities for group instruction Chapter 12 The disabled archer Chapter 13 Games COACHING MANUAL Glossary COACHING MANUAL Dear Coaches and Friends, As President of FITA, I am very pleased with the results of the hard work of the Coaches Committee, the FITA office and all those coaches who have contributed to this valuable manual. FITA now has an updated coaching manual that will unify the basic coaching knowledge of the best coaches in the world. It is important that a uniform method be used at the basic level to give all new enthusiasts a well-tested foundation of the best archery practices. Archers will be able to go from this level to that of a recreational, national or international participant, building on this basic training with intermediate and expert coach- ing. My special thanks to Juan Carlos Holgado, Coaches Committee Chairman and Pascal Colmaire, FITA Development Director for their great effort and knowledge to write and compile this manual. Best regards, Jim Easton President COACHING MANUAL ere is the first coaching manual of the Federation Internationale de Tir àl'Arc (FITA).
  • Ron Block Hogan's House of Music Liner Notes Smartville (Ron Block

    Ron Block Hogan's House of Music Liner Notes Smartville (Ron Block

    Ron Block Hogan’s House of Music Liner Notes Smartville (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Tim Crouch - fiddle Jerry Douglas - Dobro Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Hogan’s House of Boogie (Ron Block, Moonlight Canyon Publishing, BMI) Ron Block – banjo, rhythm and lead guitar Sam Bush - mandolin Jerry Douglas – Dobro Byron House - bass Dan Tyminski – rhythm guitar Lynn Williams – snare Wolves A-Howling (Traditional) Barry Bales - bass Ron Block - banjo Stuart Duncan - fiddle Adam Steffey - mandolin Dan Tyminski - rhythm guitar The Spotted Pony (Traditional, arr. Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Dan Tyminski - rhythm guitar Lynn Williams – snare Clinch Mountain Backstep (Ralph Stanley) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Gentle Annie (Stephen Foster) Ron Block – banjo, guitar Tim Crouch – fiddles, cello, bowed bass Mark Fain - bass Sierra Hull – octave mandolins Mooney Flat Road (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Jeff Taylor - accordion Dan Tyminski - rhythm guitar Lynn Williams – snare Mollie
  • Off the Beaten Track

    Off the Beaten Track

    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar

    Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar

    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
  • Cistercian Preparatory School: the First 50 Year

    Cistercian Preparatory School: the First 50 Year

    CISTERCIAN PREPARATORY SCHOOL THE FIRST 50 YEARS 1962 2012 David E. Stewart Headmasters CISTercIAN PreparaTORY SCHOOL 1962 - 2012 Fr. Damian Szödényi, 1962 - 1969 Fr. Denis Farkasfalvy, 1969 - 1974 Fr. Henry Marton 1974 - 1975 Fr. Denis Farkasfalvy, 1975 - 1981 Fr. Bernard Marton, 1981 - 1996 Fr. Peter Verhalen ’73, 1996 - 2012 Fr. Paul McCormick, 2012 - Fr. Damian Szödényi Fr. Henry Marton Headmaster, 1962 - 1969 Headmaster, 1974 - 1975 (b. 1912, d. 1998) (b. 1925, d. 2006) Pictured on the cover (l-r): Fr. Bernard Marton, Abbot Peter Verhalen ’73, Fr. Paul McCormick, and Abbot Emeritus Denis Farkasfalvy. Cover photo by Jim Reisch CISTERCIAN PREPARATORY SCHOOL THE FIRST 50 YEARS David E. Stewart ’74 Thanks and acknowledgements The heart of this book comes from over ten years of stories published in The Continuum, the alumni magazine for Cistercian Prep School. Thanks to Abbot Peter Verhalen and Abbot Emeritus Denis Farkasfalvy and many other monks, faculty members, staff, alumni, and parents for their trust and willingness to share so much in the pages of the magazine and this book. Christine Medaille contributed her time and talent to writing Chapter 8 and Brian Melton ’71 contributed mightily to Chapter 11. Thanks to Jim Reisch for his outstanding photography throughout this book, and especially for the cover shot. Priceless moments from the sixties were captured by or provided by Jane Bret and Fr. Melchior Chladek. Thanks to Rodney Walter for collecting the yearbook photographs used in the book and identifying the students in them. Thanks to Fr. Bernard Marton, Sylvia Najera, and Bridgette Gimenez for their help in editing and proofing.
  • In Any Given Moment

    In Any Given Moment

    Gradually, gradually, A moment at a time, The wise remove their own impurities As a goldsmith removes the dross. Dhammapada verse 239 in any given moment Ajahn Munindo In Any Given Moment by Ajahn Munindo This publication is made available for free distribution by Aruno Publications Aruno Publications is administered by: Harnham Buddhist Monastery Trust Company No. 6688355, Charity Reg. No. 1126476 Contact Aruno Publications at www.ratanagiri.org.uk This book is available for free download at www.forestsangha.org ISBN 978-1-908444-69-1 Copyright © Aruno Publications 2021 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Produced with the LATEX typesetting system, set in EB Garamond, Alegreya Sans and Merriweather. First edition, 2021 CONTENTS Preface x i TAKING SHAPE 1 1 . 1 The End of the River 3 1 . 2 Being Different 7 1 . 3 Doctor Albert Schweitzer 1 1 1 . 4 Difficult Lessons 1 7 1 . 5 Getting Ready to Leave 2 5 YEARS OF CHAOS 2 9 2 . 1 Out Into the World 3 1 2 . 2 Jumping Sundays 3 5 2 . 3 Lifelines 4 1 2 . 4 Journeying 5 1 2 . 5 Ready to Leave, Again 5 9 2 . 6 A Very Foreign Country 6 1 THE SPIRIT OF THE SPIRITUAL LIFE 6 9 3 . 1 A Reorientation 7 1 3 . 2 What Next? 7 5 3 . 3 Heading For Asia 8 1 3 . 4 Dark Clouds Descending 8 9 3 . 5 The Land of the Free 9 5 3 . 6 Different Perspectives 9 9 3 . 7 First Encounter with the Forest Sangha 1 1 3 3 .
  • NATIONAL SCHOOL TRANSPORTATION SPECIFICATIONS and PROCEDURES

    NATIONAL SCHOOL TRANSPORTATION SPECIFICATIONS and PROCEDURES

    NATIONAL SCHOOL TRANSPORTATION SPECIFICATIONS and PROCEDURES 2005 Revised Edition Adopted by: THE FOURTEENTH NATIONAL CONGRESS ON SCHOOL TRANSPORTATION Central Missouri State University Warrensburg, Missouri May 15-19, 2005 Co-Sponsored by: National Association of State Directors of Pupil Transportation Services National Association for Pupil Transportation National School Transportation Association School Transportation Section, National Safety Council School Bus Manufacturers Technical Council Missouri Safety Center, Central Missouri State University This publication is available from: Missouri Safety Center Central Missouri State University Humphreys Suite 201 Warrensburg, MO 64093 Phone: (660) 543-4830 Fax: (660) 543-4482 iii iv v Infants / Toddlers and Pre-school Children ..................................................................................165 Transportation Services for Pre-school Children with Disabilities .................................168 vi vii viii FOREWORD The 2005 National Congress on School Transportation was the latest in a series beginning in 1939 and continuing in 1945, 1948, 1951, 1954, 1959, 1964, 1970, 1980, 1985, 1990, 1995 and 2000. All congresses (referred to as “conferences” before 2005) have been made up of offi cial representatives of state departments of education, public safety, motor vehicles, and police or other state agencies having state-wide responsibilities for the administration of student transportation; local school district personnel; contract operators; advisors from industry; and representatives from other interested professional organizations and groups. Each conference has resulted in one or more publications that contain the recommendations of that particular conference. The recommendation of specifi cations and procedures for school buses and their operation has been a major purpose of all conferences. The 1939 Conference was called for this sole purpose and formulated a set of recommended standards for school buses of 20 or more passengers.