Analysis of Newsprint Color Reproduction Within the Newspaper Association of America Solid Ink Density and Color Gamut Standards by Dr
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History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 Daily Museum Support Center Smithsonian Center for Materials Research and Education
2001 RELACT Series The History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 daily Museum Support Center Smithsonian Center for Materials Research and Education Instructors: Birgit Reibland, Han Neevel, Julie Biggs, Margaret Cowan Additional Lecturers: Jacque Olin, Elissa O'Loughlin, Rachel-Ray Cleveland, Linda Stiber Morenus, Heather Wanser, Abigail Quandt, Christine Smith, Maria Beydenski, Season Tse, Elmer Eusman, Scott Homolka This 3-day course (offered twice in one week for 2 separate groups of participants) focuses on one of the most corrosive media problems found on documents and works of art on paper. The 2-day workshop and 1 interim day of lectures cover the production of inks from historic recipes; historic drawing and writing techniques; identification, examination and classification of deterioration; and the execution of treatment options, including the use of calcium phytate solution. The interim day of lectures will feature local and international conservators' research into the history and treatment of works with iron gall ink. The course represents the first time iron gall ink has been the primary focus of an international gathering in the United States. Registration deadline for the full course is July 1 or until the course is filled with qualified applicants; for the interim day of lectures only, participants have until August 29 to register. Limit for Interim Day of Lectures: 30 Lunch and handouts provided Cost: $ 75.00 Registration deadline August 29 The 3-day course is fully enrolled. Places still remain for the Interim Day of Lectures. Please contact Mary Studt, [email protected] or 301-238-3700 x149 for further information and application materials. -
The Effects of Ink and Media Parameters on Offset Solid Ink and Xerographic Halftoned Image View Quality
IS&T's 1998 PICS Conference IS&T's 1998 PICS Conference Copyright 1998, IS&T The Effects of Ink and Media Parameters on Offset Solid Ink and Xerographic Halftoned Image View Quality Steve Korol Tektronix Color Printing and Imaging Division Wilsonville, Oregon Abstract meet these goals, the successful device must have the ability to print acceptable quality images on a wide variety of Xerographic and offset solid ink technologies are currently substrates reliably. Although both technologies under study dominant in the networked office color printer market. Here, generally render text acceptably, each possesses a set of speed, reliability, ease-of-use, cost-per-copy, and image limitations when grayscale images are considered. quality are all important factors to the office customer who In the case of offset solid ink technology, material is often on a tight budget. Both xerography and solid ink properties of the ink and the print processing steps within have been able to deliver acceptable text output on a wide the printer do indeed afford great media flexibility; however, variety of inexpensive papers; however, such is not always in current implementations of the technology, images may the case for halftoned images. Interestingly, when halftoned appear grainy to the customer, especially in areas of light image quality fails, it is often for widely different reasons optical density (in the range 0.1 to 0.3). The primary reason depending on the technology employed. for this perceived granularity is the minimum diameter and While offset solid ink exhibits excellent receiver media optical density of the smallest achievable mark. -
Preserving Your Memories Enjoy Your Favourite Photos Every Day with These Three Crafty Framing Projects
Handmade Preserving your memories Enjoy your favourite photos every day with these three crafty framing projects. Words and styling Sarah Heeringa. Photography Amanda Reelick Photographs top left, centre and bottom middle by Sarah Heeringa Opposite page: Project #1: Hanging photo wall A simple and cost-effective photo display, ideal for when you cannot make multiple holes in the walls. This page, bottom left: Attach your hanging photo wall strings using a large, flat surface. Clockwise from middle right: Project #3: Photo gallery Use accent colours on selected frames; use paper templates when hanging photos; seal frames using picture framing tape. Top left, middle and main image: Project #2: Upcycle an old frame Dissasemble old frames to paint and re-assemble. 74 75 Handmade PROJECT #1 PROJECT #2 PROJECT #3 Hanging Upcycling Composing a photo wall an old frame photo gallery You need: You need: You need: · up to 20 square photographs (all 10cm x · a photograph · a second-hand picture frame · coordinated photo frames · dark thread 10cm) · white card, medium thickness, cut that includes an outer frame, firm backing · Blu-Tack · spirit level · roll of newsprint, into squares (8cm x 8cm) · white string · board and a mat or mounting board · glazier brown paper or newspaper · hammer and spray adhesive or glue stick · scissors and points or tiny nails · masking tape · wide nails · picture hanging hooks or adhesive ruler · A branch or length of bamboo brown picture framing tape · small pliers hanging strips · step-ladder or stool (paint white if you wish) · 1 metre of nylon line · hammer · nylon line · D-ring or small screws · small stones (optional) · Blu-Tack · small paintbrush · dropcloth · Resene Step 1: Pick photos Summer is great for Enamacryl enamel for the frame (I used taking photos, but how many of our images Step 1: Prepare and print images Resene Breathless) and Resene SpaceCote from this season or years past lie dormant on Adjust the photographs before printing to Flat for the mat (I used Resene Black White). -
Introduction to Printing Technologies
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography. -
Matting and Framing
Matting and Framing Ford Conservation Center 2017 Basics of Matting and Framing Matting and framing is used to display, store, and safeguard works of art of pa- per, archives, and family documents. Proper matting and framing can help to protect these items from deterioration due to changing relative humidity, light exposure, handling, and other sources of damage. The following information is intended to explain the basics of mat- ting, framing, and hanging art or other paper-based items. Consult a conserva- tor for specific questions. See a framer you trust for help with your matting and framing needs. Inside this issue: M a t t i n g Matting 1 Matting, matboard, or mat (all used window mat held together with a Hinging 2 interchangeably) is flat, paper- strip of linen tape. The object is at- based material used to separate art tached to the back mat with hinges Adhesives 2 from a frame. Matboard is used to made of special Japanese tissue securely house works on paper. paper. Hinging is preferred over Framing 3 Matboard comes in various sizes, commercial tapes because it allows colors, weights and types of materi- for easy removal of the object with Hanging 4 al. minimal use of adhesive. The win- dow mat construction allows the A mat for an object is a series of Consulting a Conser- 5 object to be seen while protecting vator pieces constructed to protect the it from handling while the back Additional Resources 5 object. It includes a back mat and mat provides structural support for Matting and Framing the object. -
Relationship of Solid Ink Density and Dot Gain in Digital Printing
International Journal of Engineering and Technical Research (IJETR) ISSN: 2321-0869, Volume-2, Issue-7, July 2014 Relationship of Solid Ink Density and Dot Gain in Digital Printing Vikas Jangra, Abhishek Saini, Anil Kundu gain while meeting density requirements. As discussed Abstract— Ours is the generation which is living in the age of above Dot gain is the measurement of the increase in tone science and technology. The latest scientific inventions have value from original file to the printed sheet. given rise to various technologies in every aspect of our life. Newer technologies have entered the field of printing also. II. MATERIALS AND METHODS Digital printing is one of these latest technologies which have further revolutionized entire modern printing industry in many Densitometer is used for measuring density of ink ways. It also facilitates working on large variety of surfaces, on the paper. Densitometer can be classified according to besides these factors digital printing have grown widely and type of materials they are designed to measure i.e. opaque made a special impact in print market. The presented analysis and transparent. Density of opaque materials is measured by system is used for study of print quality in Digital Printing. reflected light with a device called reflection type densitometer. Density of transparent materials is measured Index Terms— Digital Printing, Dot Gain, Solid ink density, by transmitted light with a device called transmission type Coated Paper and Uncoated Paper. densitometer. In order to measure the print quality i.e. solid ink density (SID) and dot gain (DG) on coated and uncoated I. -
Sizes and Specifications
Sizes and Specifications Newsprint display sizes & specs ................................2 Newsprint reproduction tips ......................................3 Book of Lists sizes & specs ........................................5 How to submit print ads .............................................6 Online and email advertising ......................................7 Questions? Contact [email protected] Newsprint display advertising sizes Pacific Business News is an untrimmed, cold-set, tabloid newspaper on newsprint that measures approximately 10.5 inches wide x 14 inches tall. 1/2 Vertical 4.5 x 12.5 2 Page Spread Full Island 3/8 Horizontal 3/8 Vertical 19.75 x 12.5 9.25 x 12.5 6.875 x 12.5 6.875 x 6.125 4.5 x 9.325 1/2 Horizontal 9.25 x 6.125 L or Reverse L Triangle Triangle Centerpiece Towers: 2.125 x 11.85 Middle Right 1/4 Vertical 1/4 Strip U-Shape Bottom Strip: 9.25 x 0.85 9.25 x 6.125 6.875 x 8.5 2.125 x 12.5 9.25 x 2.9375 Towers: 2.125 x 11.85 Bottom Strip: 19.75 x 0.85 1/8 Horizontal 1/8 Vertical Centerpiece Towers 4.5 x 2.9375 2.125 x 6.125 2.125 x 11.85 Centerstrip 1/4 Square 1/8 Strip 19.75 x 2.9375 4.5 x 6.125 9.25 x 1.35 PAGE 2 OF 7 PACIFIC BUSINESS NEWS » 2017 SIZES AND SPECIFICATIONS Requirements for newsprint display ads Specifications for submitting your documents for print Camera-ready files • Ads must be submitted as PDF/X-1a files • Files must be prepared in a layout program such as InDesign. -
JPEG-HDR: a Backwards-Compatible, High Dynamic Range Extension to JPEG
JPEG-HDR: A Backwards-Compatible, High Dynamic Range Extension to JPEG Greg Ward Maryann Simmons BrightSide Technologies Walt Disney Feature Animation Abstract What we really need for HDR digital imaging is a compact The transition from traditional 24-bit RGB to high dynamic range representation that looks and displays like an output-referred (HDR) images is hindered by excessively large file formats with JPEG, but holds the extra information needed to enable it as a no backwards compatibility. In this paper, we demonstrate a scene-referred standard. The next generation of HDR cameras simple approach to HDR encoding that parallels the evolution of will then be able to write to this format without fear that the color television from its grayscale beginnings. A tone-mapped software on the receiving end won’t know what to do with it. version of each HDR original is accompanied by restorative Conventional image manipulation and display software will see information carried in a subband of a standard output-referred only the tone-mapped version of the image, gaining some benefit image. This subband contains a compressed ratio image, which from the HDR capture due to its better exposure. HDR-enabled when multiplied by the tone-mapped foreground, recovers the software will have full access to the original dynamic range HDR original. The tone-mapped image data is also compressed, recorded by the camera, permitting large exposure shifts and and the composite is delivered in a standard JPEG wrapper. To contrast manipulation during image editing in an extended color naïve software, the image looks like any other, and displays as a gamut. -
Augusta Newsprint: Paper Mill Pursues Five Projects Following Plant-Wide Energy Efficiency Assessment
Forest Products BestPractices Plant-Wide Assessment Case Study Industrial Technologies Program—Boosting the productivity and competitiveness of U.S. industry through improvements in energy and environmental performance Augusta Newsprint: Paper Mill Pursues Five Projects Following Plant-Wide Energy Efficiency Assessment BENEFITS Summary • Saves an estimated 11,000 MWh of Augusta Newsprint undertook a plant-wide energy efficiency assessment of its Augusta, electricity annually Georgia, plant in the spring and summer of 2001. The objectives of the assessment were to • Saves an estimated $1.6 million identify systems and operations that were good candidates for energy-efficiency improvements, annually from energy reduction and then ascertain specific energy saving projects. The assessment team identified the thermo- other improvements mechanical pulp (TMP) mill, the recycled newsprint plant (RNP), and the No. 1 and No. 2 • Improves system efficiency and paper machines area as the systems and operations on which to focus. The project evaluation reliability process was unique for two reasons, (1) much of the steam is a by-product of the TMP process and, because it is essentially “free,” it precludes opportunities for steam conservation • Produces a more consistent product initiatives; and (2) the company is reportedly Georgia’s largest electricity customer and • Project paybacks range from consequently has very favorable rates. 4.3 to 21.4 months Despite these perceived disincentives, the company found strong economic justification for five projects that would reduce electricity consumption. Four of the five projects, when complete, will save the company 11,000 MWh of electrical energy each year ($369,000 per year). The APPLICATION remaining project will produce more than $300,000 each year in the sale of a process The Augusta Newsprint plant-wide byproduct (turpentine). -
Deinking of Newsprint by Flotation Method
DEINKING OF NEWSPRINT BY FLOTATION METHOD Bimo Ariadi, B.Sc. (Hons.) , A thesis submitted in fulfilment of the requirements for the degree of Master of Science at the University of Tasmania Department of Chemistry University of Tasmania July, 1995 1 - 3 Rotation removes particles that are too small to be removed by screens and cleaners and yet are too big to be removed by washing. Washing is most efficient at removing the smallest particles of ink. The optimum size range for the different techniques is illustrated in Figure 1.1. Figure 1.1. Optimum particle-size range for the various techniques in ink separation (after Shrinath et. al. [9]) 1.2.2.1. Washing and flotation In contrast to screening and cleaning, which are merely physical separation processes, washing and flotation operations require chemicals to help them perform efficiently. Although washing and flotation are both carried out to remove ink particles, their operating principles are entirely different. Washing systems are most efficient at removing ink particles smaller than 104m, while flotation works best at removing particles in the 10-1004m range. Furthermore, the washing process requires ink particles to remain in the aqueous phase so that they can be removed along with the Deinking of Newsprint: An Overview DEINKING OF NEWSPRINT BY FLOTATION METHOD Bimo Ariadi, B.Sc. (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Master of Science at the University of Tasmania Department of Chemistry University of Tasmania July, 1995 This thesis contains no material which has been accepted for the award of any other higher degree in any tertiary institution. -
Book Preservation Technologies (Part 3 Of
Introduction PURPOSE OF THIS STUDY Millions of books at the Library of Congress and other libraries around the world are deteriorating. What Is The Library of Congress? Many books published since the mid- 1800s are cur- ● The largest center for information storage in the rently, or will soon become, too fragile to handle. world. The paper these books are written on becomes brittle ● Collections include 19 million volumes and 58 over time and crumbles. The primary cause of this million pieces of stored data on phonograph deterioration is acid. Chemicals used in the manu- records, motion picture reels, computer tapes, facture of paper from wood pulp, which stay in the manuscripts, maps, prints, and photographs. paper, convert to a variety of acids and slowly de- ● Three Canons of Selection established in the stroy the strength of the paper’s fibers over time. 1940s to define the collections: —materials necessary to the Congress and to Other factors such as oxidation, varying or extreme the U.S. Government officers in performance temperature and humidity, exposure to light, air of their duties; pollutants in storage areas, and the amount of use —materials that express and record the life and also contribute to the destruction of the books. achievements of the people of the United States; and The Library of Congress has been working to —records of other societies and peoples, espe- solve the problem of acid paper in books since the cially those of most immediate concern to the early 1970s, developing a mass deacidification proc- people of the United States. ess that would inhibit the deterioration of book pa- ● Less than 25 percent of the collection is in per. -
Infotrends Emerging Technologies White Paper
January 17, 2008 Strategic Assessment Emerging Marking Technologies: A Review and Comparison of Xerographic and Ink- Based Imaging Authors Abstract Robert Palmer Several ink-based marking technologies have recently surfaced, and these technologies are causing quite a stir in the market. The potential for inkjet technology is based on some basic principles: ink costs less than toner; ink print heads have relatively few parts; and the quality that can be delivered is high. This white paper provides an overview and history of marking technologies and explains the potential benefits that ink-based systems could deliver to the office printing market. Published by Digital Peripherals Solutions Consulting Service For More Information © 2008 InfoTrends, Inc. If you would like to order extra copies of this report, receive permission to use any part of the www.infotrends.com report, or be informed of upcoming market updates, reports, and related projects, please e-mail us at [email protected]. Headquarters: Europe: Asia: 97 Libbey Industrial Parkway 3rd Floor, Sceptre House Hiroo Office Building Suite 300 7-9 Castle Street 1-3-18 Hiroo, Shibuya-ku Weymouth, MA 02189 Luton, Bedfordshire Tokyo 150-0012 United States United Kingdom, LU1 3AJ Japan +1 781 616 2100 +44 1582 400120 +81 3 5475 2663 [email protected] [email protected] [email protected] Emerging Marking Technologies January 2008 Table of Contents Introduction ................................................................................................................................